Latest news with #CPHFW
Fashion Network
6 hours ago
- Entertainment
- Fashion Network
Copenhagen Fashion Week: strong season as 20th anniversary draws closer
As it approaches its 20th anniversary in 2026, Copenhagen Fashion Week appears to be going from strength to strength. Hugely influential in terms of its pioneering sustainability focus, its latest outing last week also offered up some strong collections. See catwalk Also with anniversaries on her mind, Cecilie Bahnsen returned to Copenhagen Fashion Week for a landmark moment: a 10th anniversary show, set against the raw concrete expanse of Refshaleøen, a post-industrial peninsula. Part-retrospective, it was both a celebration of the past and its ongoing evolution with a look to the future. See catwalk Most looks were one-offs, shaped by hand in the studio. There was a sense of extravagance here, 'not in opulence, but in intention'. White and silver were the key non-colours as the label sent out a series of structured sheers with frills, appliqués, embellishment — think sculptural but soft. The show was titled Hana-bi, the Japanese word for fireworks, composed of the characters for 'flower' and 'fire.' Swedish fashion house Filippa K showcased on the official CPHFW schedule with creative lead Anna Teurnell 'introducing a marinière-inspired wardrobe of classic, relaxed prep influences with a sporty touch'. The pieces balanced functionality and style, moving from work and commute, to evening and leisure (although the work, commute and leisure elements were much more prominent than the evening). The presentation was held on the rooftop of the label's Copenhagen store on Pilestraede, with stylist Alexandra Carl and 12 models debuting both womenswear and menswear looks. These were easily and instantly wearable looks in a low-key palette of classics and neutrals. Think relaxed tailored pant and vest combos, bomber jackets in traditional khaki, Breton striped tops with slouchy jeans, and a line-up of simplified or traditional macs and trenches. See catwalk By contrast, Baum und Pferdgarten's collection, Notes from the Grandstand, galloped into the season 'with a refined take on contrast' and strong colours. Inspired by the world of the Derby, it draws on the 'vivid uniforms of jockeys, the movement of the racetrack, and the elegance of guests dressed to be seen. It's a playful study of opposites, where sporting utility meets high-society glamour'. See catwalk Creative directors Rikke Baumgarten and Helle Hestehave were attracted to the sharp colour-blocking and purpose-driven silhouettes worn by jockeys and guests' extravagant outfits (again though, as with Filippa K, the jockey styles were more prominent than the guest looks). They came up with striped nylon nods to what jockeys wear, while checks and bold colour contrasts added 'a feeling of movement'. Frilled details on sporty outerwear 'introduce a feminine tension, subtly referencing classic equestrian attire'. See catwalk There was underwear on the runway too. Swiss-born brand Sloggi unveiled a partnership with rising luxury womenswear brand Nicklas Skovgaard, who was 'inspired by the private and intimate world of underwear and sleep', making Sloggi a good partner for the show. Skovgaard worked with the brand's signature pieces as well as new items such as 'The Up' – a push-up bra launching as part of the SS26 Zero Feel collection. But even when we weren't looking at full-on Sloggi underwear, there were extravagant petticoats — either as star pieces or peeking out from under his signature sculptural looks — lace footless tights and negligée-like capes. See catwalk Meanwhile, Rotate's collection captured the mood of a 'high-summer reverie, a season suspended in golden light, where femininity takes centre stage through fluid fabrics, daring silhouettes, and a palette kissed by the sun'. The creative directors said it was their 'most feminine chapter yet, where softness becomes an expression of strength'. See catwalk It was rooted in subtle nods to the 1970s, with 'a warm, sun-drenched nostalgia that blends the era's spirit with the brand's signature modern refinement'. Fluidity was key as capes framed the face, sheer gowns skimmed the floor, silk utility bodysuits hugged the body, and low collars met soft suedes and denims. See catwalk Signature dresses took on fresh shapes from the season's ubiquitous slip styles and sculptural columns to breezy scarf-tied designs. Linen tailoring debuted in dresses and suiting, while drapery was key for chiffon and satin pieces and gusseted details injected 'a subtle architecture, marrying softness with form'. See catwalk That may sound demanding but there were plenty of easy pieces such as the soft blouses paired with jeans, hot pant updates, or oversized blousons for quintessential early-into-late 70s looks. The palette shifted between warm neutrals taupe, softened whites, greys, and delicate pastels of faded peach, soft yellow, and light blues, all accented with subtle golden highlights. See catwalk And making their debut, Rotate's upcoming shoes offer included animal-print slingbacks, soft yellow and red accents, and heels with sculptural flower detailing.
Fashion Network
6 hours ago
- Entertainment
- Fashion Network
Copenhagen Fashion Week: strong season as 20th anniversary draws closer
As it approaches its 20th anniversary in 2026, Copenhagen Fashion Week appears to be going from strength to strength. Hugely influential in terms of its pioneering sustainability focus, its latest outing last week also offered up some strong collections. See catwalk Also with anniversaries on her mind, Cecilie Bahnsen returned to Copenhagen Fashion Week for a landmark moment: a 10th anniversary show, set against the raw concrete expanse of Refshaleøen, a post-industrial peninsula. Part-retrospective, it was both a celebration of the past and its ongoing evolution with a look to the future. See catwalk Most looks were one-offs, shaped by hand in the studio. There was a sense of extravagance here, 'not in opulence, but in intention'. White and silver were the key non-colours as the label sent out a series of structured sheers with frills, appliqués, embellishment — think sculptural but soft. The show was titled Hana-bi, the Japanese word for fireworks, composed of the characters for 'flower' and 'fire.' Swedish fashion house Filippa K showcased on the official CPHFW schedule with creative lead Anna Teurnell 'introducing a marinière-inspired wardrobe of classic, relaxed prep influences with a sporty touch'. The pieces balanced functionality and style, moving from work and commute, to evening and leisure (although the work, commute and leisure elements were much more prominent than the evening). The presentation was held on the rooftop of the label's Copenhagen store on Pilestraede, with stylist Alexandra Carl and 12 models debuting both womenswear and menswear looks. These were easily and instantly wearable looks in a low-key palette of classics and neutrals. Think relaxed tailored pant and vest combos, bomber jackets in traditional khaki, Breton striped tops with slouchy jeans, and a line-up of simplified or traditional macs and trenches. See catwalk By contrast, Baum und Pferdgarten's collection, Notes from the Grandstand, galloped into the season 'with a refined take on contrast' and strong colours. Inspired by the world of the Derby, it draws on the 'vivid uniforms of jockeys, the movement of the racetrack, and the elegance of guests dressed to be seen. It's a playful study of opposites, where sporting utility meets high-society glamour'. See catwalk Creative directors Rikke Baumgarten and Helle Hestehave were attracted to the sharp colour-blocking and purpose-driven silhouettes worn by jockeys and guests' extravagant outfits (again though, as with Filippa K, the jockey styles were more prominent than the guest looks). They came up with striped nylon nods to what jockeys wear, while checks and bold colour contrasts added 'a feeling of movement'. Frilled details on sporty outerwear 'introduce a feminine tension, subtly referencing classic equestrian attire'. See catwalk There was underwear on the runway too. Swiss-born brand Sloggi unveiled a partnership with rising luxury womenswear brand Nicklas Skovgaard, who was 'inspired by the private and intimate world of underwear and sleep', making Sloggi a good partner for the show. Skovgaard worked with the brand's signature pieces as well as new items such as 'The Up' – a push-up bra launching as part of the SS26 Zero Feel collection. But even when we weren't looking at full-on Sloggi underwear, there were extravagant petticoats — either as star pieces or peeking out from under his signature sculptural looks — lace footless tights and negligée-like capes. See catwalk Meanwhile, Rotate's collection captured the mood of a 'high-summer reverie, a season suspended in golden light, where femininity takes centre stage through fluid fabrics, daring silhouettes, and a palette kissed by the sun'. The creative directors said it was their 'most feminine chapter yet, where softness becomes an expression of strength'. See catwalk It was rooted in subtle nods to the 1970s, with 'a warm, sun-drenched nostalgia that blends the era's spirit with the brand's signature modern refinement'. Fluidity was key as capes framed the face, sheer gowns skimmed the floor, silk utility bodysuits hugged the body, and low collars met soft suedes and denims. See catwalk Signature dresses took on fresh shapes from the season's ubiquitous slip styles and sculptural columns to breezy scarf-tied designs. Linen tailoring debuted in dresses and suiting, while drapery was key for chiffon and satin pieces and gusseted details injected 'a subtle architecture, marrying softness with form'. See catwalk That may sound demanding but there were plenty of easy pieces such as the soft blouses paired with jeans, hot pant updates, or oversized blousons for quintessential early-into-late 70s looks. The palette shifted between warm neutrals taupe, softened whites, greys, and delicate pastels of faded peach, soft yellow, and light blues, all accented with subtle golden highlights. See catwalk And making their debut, Rotate's upcoming shoes offer included animal-print slingbacks, soft yellow and red accents, and heels with sculptural flower detailing.
Graziadaily
5 days ago
- Entertainment
- Graziadaily
This Elegant Accessory Is Taking Over The Internet – It's Perfect For Autumn, Too
Whimsical, boho trends – including floaty dresses andpretty blouses – are reigning supreme this summer. While Chloé went for ruffles, lace hems and balloon pants (Free People has a viral version), the likes of Versace had dresses that could be found in yournightwear drawer. It's a whole vibe. And although not my typical style, I appreciate it. Which is why I've been eagerly awaiting the next prairie girl trend to arrive, and I didn't have to wait long. WithCopenhagen Fashion Week currently showing the spring/summer 2026 collections featuring some of fashion people's much-loved Scandi labels, there's a lot of seasonal inspiration to be had. And it's not just coming from the runways, either. People watching is my favourite (read: only) sport I partake in, so I would say I'm pretty good at it by now. And although I'm sadly not on the streets of Copenhagen this season, I've been keeping a check on what everyone has been wearing, and it's led me to one particular accessory: the crochet bandana. The Grazia fashion team have already waxed lyrical about the bandana revival being the perfect summer accessory (ideal for hiding sweaty hair), so this is just an extension of the trend we're already backing. For me, though, I'm seeing this accessory trend as being split into three micro trends – the bandana, the hat and the bonnet. And I'm into all of them. Although I don't think I could pull off a single one of them (considering I don't even suit a cap, my headwear game is pretty weak) I do like how the textured accessory gives a point of interest to any outfit. Wearing a white T-shirt and blazer? Add a cream crochet bandana. Going for a knit co-ord? Follow through with texture and add a black knit bandana (as seen above). Then there's the crochet hat. Without the tie around your hair, this one sits on your head – much like a beanie, but a lot less cosy for warm-weather outfits. And across CPHFW I've spotted so many fun colourful iterations all being worn the same way; matched to your jumper or jacket. There seems to be a lot of co-ordinating looks happening in Denmark right now! This brings me onto the third crochet style, and it's all about the bonnet. Sitting on your head with ties dangling free or tied around your neck (yes, like your baby pictures), these are slightly trickier to style. Content creator @pollysayerand photographer @beatricerigby have both kept with the boho theme, though, think puff sleeves, bloomers and layers of lace in soft, tonal monochromatic palettes. COPENHAGEN, DENMARK - AUGUST 05: A model walks the runway at the Skall Studio show during Copenhagen Fashion Week SS26 on August 05, 2025 in Copenhagen, Denmark. (Photo by) Need further confirmation these crochet bandanas are sticking around for the long haul? They were also seen on the catwalk at Stall Studio, so we can all rest assured knowing they'll be around next summer, too. Ready to try out this hot weather hero for yourself? I've found high street and designer crochet bandanas and bonnets you'll no doubt want to add to your accessory repertoire. 1. Free People, Sandy Hair Scarf In full boho style, this tasseled cream style at Free People will be your festival friend. Tied around unwashed hair, you'll probably wonder how you got ready without it. 2. Marcus Adler, Crochet Bonnet Of course Free People is the destination to find this type of headwear, so here's another one. This black iteration with flower ties (it also comes in cream FYI) wouldn't look out of place with a white cotton dress and Western boots. 3. Miu Miu, Crochet Hairband No summer will be the same again once you have this Miu Miu rainbow, logo-adorned crochet headband. I wouldn't blame you for wanting the matching scrunchie and clips, too. 4. Reclaimed Vintage, Lace Headscarf Price: $19.99 This one is more lace and Broderie anglaise than crochet, but it feels so similar to the Skall Studio one fresh off the runway, so I had to include. Longer than some of the others, it'll do the most when it comes to covering up salty sea hair. 5. Magda Butrym, Crochet Cotton Scarf If you're fully invested in the crochet bandana vibe, you may want to consider investing in this Magda Butrym version. I appreciate how it's styled with the matchy-matchy top, but it'll also look effortless with baggy jeans and a vest.
Elle
01-08-2025
- Business
- Elle
How Cecilie Thorsmark Made Copenhagen a Must-Visit Stop on the Fashion Calendar
In ELLE's monthly series Office Hours, we ask people in powerful positions to take us through their first jobs, worst jobs, and everything in between. This month, we sat down with Cecilie Thorsmark, the CEO of Copenhagen Fashion Week (CPHFW), which has experienced a meteoric rise under her leadership. 'The reason I applied to be CEO of Copenhagen Fashion Week was that I saw huge potential to challenge the status quo—not just of fashion weeks in general, but their very purpose,' she says. 'The industry lives in its own bubble, and very little attention is paid to the world around us. I wanted to see how we could use our platform as a force for change.' Here, she shares how she developed CPHFW's Sustainability Requirements, a set of environmental standards for brands; highlights emerging designers she's excited about; and reveals how she unwinds after a (very) busy week. My first job was at a local fashion shop in Hornbæk, a seaside town in Denmark known for its summer residences. I must have been around 13 years old—eager to earn my first paycheck. I folded clothes, helped customers, and essentially learned the basics of retail. It was my introduction to the fashion world—and probably the only clothing store in that small town! Ironically, the two worst jobs I've had were outside the fashion industry at advertising agencies—and in both cases, the culture was so male-dominated it bordered on harassment. At the first agency, there was a very ill-tempered CEO and an all-female staff, and the atmosphere was patronizing and demoralizing. At the second, I was the only female among all-male colleagues. It was definitely a strange and uncomfortable culture to be part of. Those experiences taught me what kind of work environment I never want to be in again. For me, work culture has always been—and remains—extremely important. It goes back to my childhood. I grew up in a family of creatives from all sorts of fields—furniture designers, architects, professional ballet dancers, and costume designers. My grandmother was a seamstress, and my appreciation for aesthetics is grounded in our family legacy. I remember my grandmother's closet—she had the most amazing handmade garments and the most breathtaking collection of silk pumps in every color. The reason I applied to be CEO of Copenhagen Fashion Week was that I saw huge potential to challenge the status quo—not just of fashion weeks in general, but their very purpose. I've always been very dedicated to environmental issues and climate issues. My father worked in the Ministry of the Environment for over 30 years, so these were the kinds of conversations we always had around the dinner table—about how to be more conscious. The industry lives in its own bubble, and very little attention is paid to the world around us. We face some very big challenges, especially with our environmental footprint. I wanted to see how we could use our platform as a force for change. That's why we developed our Sustainability Requirements. My proudest moment has definitely been the successful implementation [of the Sustainability Requirements]. We started developing the framework and creating criteria based on various sustainability elements back in 2019. In 2020, we announced that by 2023 these Sustainability Requirements would come into effect. We had three years to get the support of the industry to make such radical change, but more importantly, we focused on making sure that brands had the knowledge and tools needed to live up to the standards. Because, ultimately, it would've failed big time if we'd only been able to approve five brands—we probably wouldn't have even had a fashion week at all. If we want to drive change in the industry, then we need to work broadly with the industry. And in 2023, we pulled it off—we had a full fashion week schedule with brands that all met our Sustainability Requirements. It's very much focused on functionality and quality, paired with a great level of aesthetics. Our culture is influenced by democratic values—we're all equal, we all bike to work, we all take our kids to their institutions—and I think that requires a wardrobe that is not only aesthetically pleasing but also functional. A quote I've always adhered to throughout my career is by Maya Angelou: 'People will not remember what you said or what you did; they will remember how you made them feel.' That's been a kind of moral compass for me, both in my relationships with colleagues and stakeholders, and especially as a leader with my team. Leadership, to me, is just as much about emotional intelligence as it is about strategy and decision-making. As cliché as it sounds, standing up for what you believe in is crucial. If you decide to work with purpose, you have to anchor everything around that purpose and let it inform every decision—big or small. Don't be afraid of criticism or of people who think they know better. Trust your instincts. One crucial element we need to focus on in order to make real change in the fashion industry is implementing circular business models. Overproduction remains our biggest challenge, so we have to find ways to combat it—either by lowering volumes or adopting more circular principles in how we operate and produce. There are more established names like OpéraSport, The Garment, ROTATE, and Forza Collective, as well as emerging designers from our NEWTALENT program, including Bonnetje, Berner Kühl, and Anne Sofie Madsen. Have no plans at all and just be with my kids and family. Ideally, we'd be at our summer house in Rørvig, near the beach and the woods—soaking up nature and getting as far away from the fashion world as possible. This interview has been edited and condensed for clarity.
Fashion Network
19-06-2025
- Business
- Fashion Network
Copenhagen Fashion Week and CIFF join forces to support Nordic talent
Two major players in the promotion of Copenhagen's fashion scene are joining forces to promote Scandinavian designers. Copenhagen Fashion Week (CPHFW) and CIFF (Copenhagen International Fashion Fair) have announced a long-term strategic alliance. The two pillars of Danish fashion are moving forward with the CPHFW Newtalent program, dedicated to supporting the region's most promising emerging Nordic brands. As part of this alliance, CIFF becomes an official sponsor of the program and will now host a selection of Newtalent brands in a permanent showroom in the CIFF Village. The young designers will also benefit from a dedicated space at the show, alongside fashion week, as well as enhanced access to an international network of buyers, press, and industry professionals. Support in terms of visibility, business development, and mentoring is planned throughout their journey, the value of which has not been communicated. "This collaboration with CIFF is a natural step in our mission to support Nordic talent. It enables us to combine cultural visibility with commercial impact at a decisive moment in their development," said Cecilie Thorsmark, CEO of Copenhagen Fashion Week. Although a natural dynamic already existed between CPHFW and CIFF, the two players operated in parallel but complemented each other. While fashion week focused on runway shows and showcasing designers, CIFF provided the BtoB and commercial dimension, presenting over 1,000 brands twice a year in the pavilions of the Bella Center, on the outskirts of the Danish capital. This alliance marks a desire to pool resources and expertise to consolidate Copenhagen's position as the capital of Nordic fashion. "We are proud to formalize this collaboration with Copenhagen Fashion Week. CIFF is more than just a show, it's an ecosystem where talent can grow, connect, and plan for the long term," said Sofie Dolva, the show's managing director, in a press release. This year's Newtalent program includes Anne Sofie Madsen, Bonnetjes and Berner Kühl, as well as start-ups Kettle Atelier, Stem, and Taus in the One to Watch category. A first glimpse of a generation of designers that this alliance intends to promote far beyond Scandinavia's borders.
