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Engadget
10-07-2025
- Business
- Engadget
The best Amazon Prime Day camera deals you can still get right now
Amazon Prime Day is always a good time to buy a camera as it helps make a major purchase far more palatable. If you've been looking to upgrade your current equipment or get one as a gift, there are a large number of stellar deals available. Many of those deals come from the major brands including Sony, Canon, DJI, GoPro and Fujifilm — including some pulled straight from from our most recent camera guide. You may want to peruse that post for more info as you add items to your cart. With all that said, here are the best Prime Day camera deals we could find for day three of the sale.. Canon EOS R100 with RT-S18-45mm lens for $549 (15 percent off): Canon's EOS R100 is the only modern mirrorless camera you can get with a kit lens for under $600. It comes with a 24-megapixel APS-C sensor that delivers great picture quality with Canon's pleasing skin tones. Canon EOS R50 with RF-S18-45mm lens for $749 (15 percent off): Canon's 24-megapixel APS-C EOS R50 is great for travel, parties, street photography and more thanks to the portable size and built-in flash. It offers nice image quality with warm, human friendly photos and is capable for creators as well with 4K 30fps supersampled video, with 10-bit and HDR capability. OM System OM-5 for $899 (25 percent off): For creators on a budget, the 20-megapixel, Micro Four Thirds OM-5 from OM System (formerly Olympic) is a great option at this price. It lets you shoot 4K video and 20MP stills at up to 10 fps. The design is nice with a full complement of manual controls, a fully articulating display and 7.5 stops of built-in stabilization. Panasonic Lumix S9 for $1,298 (13 percent off): The S9 may be Panasonic's smallest full-frame camera but it comes with the same 24MP sensor and similar video features to the popular S5 II. To that end, it offers up to 6.2K video, in-body stabilization and reliable autofocus. The key feature though is a special LUT button that lets you easily choose a custom cinematic look designed by professional creators. Canon EOS R6 Mark II for $1,899 (5 percent off): Canon's R6 Mark II offers a great mix of video and photography features. You can now shoot RAW stills at up to 40 fps and video specs are equally solid with sharp full-sensor 4K at up to 60 fps. It comes with in-body stabilization that's great for video and photos and autofocus is quicker and more versatile than ever. Nikon Z6 III for $2,197 (12 percent off): Nikon's Z6 III is the best hybrid mirrorless camera for the money, thanks to the incredible performance of the 24-megapixel partially stacked sensor. You can shoot RAW bursts at up to 20 fps in electronic shutter mode while nailing sharp shots thanks to the much-improved autofocus. On the video side, it supports 6K RAW at up to 60 fps, or 4K 120p. All of that makes it ideal for creators and photographers alike, with the only drawback being the reduced resolution. Sony A7 IV for $2,198 (19 percent off): It beats many rivals with 33 megapixels of resolution rather than 24, with image quality much improved overall. Video is now up to par with rivals with 4K at up to 60p with 10 bit 4:2:2 quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job. The biggest drawback is rolling shutter that limits the use of the electronic shutter. Canon EOS R5 Mark II for $3,999 ($300 off): It's company's best camera in years thanks to improvements in areas like autofocus and video. It comes with a high-resolution 45-megapixel stacked sensor, but still lets you shoot blackout-free bursts at up to 30 fps — and most of the shots will be sharp thanks to the updated autofocus with AI tracking. Video is also strong with up to 8K 60p RAW and 4K 120 fps shooting. DJI Osmo Action 4 for $209 (30 percent off): DJI's Osmo Action 4 is a tremendous deal at this price, as you're not giving up much in comparison to the most recent model, the Action 5. It has the same big 1/1.3-inch sensor that delivers excellent video quality, especially in low light. It also features a D-LogM profile to boost dynamic range, DJI's excellent clip-on mount and high-quality 4K 120p video. DJI Osmo Mobile 7P gimbal for $125 (15 percent off): This three-axis gimbal keeps your smartphone video as smooth as can be with DJI's ActiveTrack 7.0, and includes a magnetic snapping mechanism so you can install your mobile device in seconds. The latest feature is native tracking that follows you around, thanks to the included Multifunctional Module. DJI Mini 4K drone for $309 (21 percent off): The Mini 4 weighs less than 249 grams so it doesn't require a permit, but can still shoot 4K video at up to 30 fps or 2.7K at 60 fps with three-axis stabilization. It can fly up to 31 minutes on a charge and has one-tap movements like dronie, helix and panoramic shooting. GoPro Hero 13 Black for $329 (23 percent off): GoPro's Hero 13 Black is now available with a new family of modular lenses called the HB series (ultra-wide, anamorphic and macro), making it far more versatile for action creators. It also has a slightly bigger battery that allows longer capture times, up to 90 minutes for 4K 30fps video. Other specs remain the same, including up to 5.3K at 60fps in 10-bit color, along with the excellent Hypersmooth stabilization. Insta360 X4 for $349 (30 percent): Insta360 simply dominates the 360-degree category, thanks to its ability to capture action at up to 8K 30fps or 5.7K at 60fps — providing more detail when you reframe it to 16:9. At the same time, the Me Mode that produces flat video (with automatic selfie stick removal) has been upgraded from a maximum 2.7K 30fps to 4K 30fps. It also offers solid battery life, waterproofing to 10m and a free editing app. K&F Concept 25L backpack for $50 (17 percent off): A large 25L three-tiered camera bag that can hold multiple cameras, lenses and drones. It has quick side access and features durable materials with a rain cover, making it great for outdoor travel, weddings or vlogging. Lexar 256GB Professional Silver Pro V60 memory card for $51 (32 percent off): An excellent compromise between speed and value with up to 280MB/s read and 160MB/s write speeds. SmallRig 71-inch Camera Tripod with 360 ball head for $56 (20 percent off): Two-in-one tripod monopod with a head that adjusts 360 degrees so you can take photos at any angle horizontally or vertically. Elgato Key Light 2800 lumens for $140 (22 percent off): For presentations or simple studio shoots, you get a silent, low-heat studio light with high output and a 2900-7000K temperature range. It's controllable by WiFi and has an opal glass face for glare-free diffusion. Elgato Prompter for $190 (37 percent off): Whether you're a creator on YouTube or present on Zoom, the Elgato Prompter is an elegant and popular choice thanks to the built-in display that allows you to read scripts while looking at the camera. Support more cameras than ever, even with wide lenses and features an easy setup. DJI Neo drone for $159 (20 percent off): The DJI Neo may be an inexpensive, beginner-friendly drone, but has powerful features like subject tracking and quick shots. It can shoot video at up to 4K 30 fps and is quick and maneuverable, though it's also fairly loud. You can also grab one with three batteries and a charger for $229 (21 percent off).
Engadget
08-07-2025
- Business
- Engadget
The best Amazon Prime Day camera deals you can get right now for 2025
Amazon's Prime Day is always a good time to buy a camera as it helps make a major purchase far more palatable. If you've been looking to upgrade your current equipment or get one as a gift, there are a large number of stellar deals available. Many of those deals come from the major brands including Sony, Canon, DJI, GoPro and Fujifilm — including some pulled straight from from our most recent camera guide. You may want to peruse that post for more info as you add items to your cart. With all that said, here are the best Prime Day camera deals we could find. Canon EOS R100 with RT-S18-45mm lens for $549 (15 percent off): Canon's EOS R100 is the only modern mirrorless camera you can get with a kit lens for under $600. It comes with a 24-megapixel APS-C sensor that delivers great picture quality with Canon's pleasing skin tones. Canon EOS R50 with RF-S18-45mm lens for $749 (15 percent off): Canon's 24-megapixel APS-C EOS R50 is great for travel, parties, street photography and more thanks to the portable size and built-in flash. It offers nice image quality with warm, human friendly photos and is capable for creators as well with 4K 30fps supersampled video, with 10-bit and HDR capability. OM System OM-5 for $899 (25 percent off): For creators on a budget, the 20-megapixel, Micro Four Thirds OM-5 from OM System (formerly Olympic) is a great option at this price. It lets you shoot 4K video and 20MP stills at up to 10 fps. The design is nice with a full complement of manual controls, a fully articulating display and 7.5 stops of built-in stabilization. Panasonic Lumix S9 for $1,298 (13 percent off): The S9 may be Panasonic's smallest full-frame camera but it comes with the same 24MP sensor and similar video features to the popular S5 II. To that end, it offers up to 6.2K video, in-body stabilization and reliable autofocus. The key feature though is a special LUT button that lets you easily choose a custom cinematic look designed by professional creators. Canon EOS R6 Mark II for $1,899 (5 percent off): Canon's R6 Mark II offers a great mix of video and photography features. You can now shoot RAW stills at up to 40 fps and video specs are equally solid with sharp full-sensor 4K at up to 60 fps. It comes with in-body stabilization that's great for video and photos and autofocus is quicker and more versatile than ever. Nikon Z6 III for $2,197 (12 percent off): Nikon's Z6 III is the best hybrid mirrorless camera for the money, thanks to the incredible performance of the 24-megapixel partially stacked sensor. You can shoot RAW bursts at up to 20 fps in electronic shutter mode while nailing sharp shots thanks to the much-improved autofocus. On the video side, it supports 6K RAW at up to 60 fps, or 4K 120p. All of that makes it ideal for creators and photographers alike, with the only drawback being the reduced resolution. Sony A7 IV for $2,198 (19 percent off): It beats many rivals with 33 megapixels of resolution rather than 24, with image quality much improved overall. Video is now up to par with rivals with 4K at up to 60p with 10 bit 4:2:2 quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job. The biggest drawback is rolling shutter that limits the use of the electronic shutter. Canon EOS R5 Mark II for $3,999 ($300 off): It's company's best camera in years thanks to improvements in areas like autofocus and video. It comes with a high-resolution 45-megapixel stacked sensor, but still lets you shoot blackout-free bursts at up to 30 fps — and most of the shots will be sharp thanks to the updated autofocus with AI tracking. Video is also strong with up to 8K 60p RAW and 4K 120 fps shooting. DJI Neo drone for $159 (20 percent off): The DJI Neo may be an inexpensive, beginner-friendly drone, but has powerful features like subject tracking and quick shots. It can shoot video at up to 4K 30 fps and is quick and maneuverable, though it's also fairly loud. You can also grab one with three batteries and a charger for $229 (21 percent off). DJI Osmo Mobile 7P gimbal for $126 (15 percent off): This three-axis gimbal keeps your smartphone video as smooth as can be with DJI's ActiveTrack 7.0, and includes a magnetic snapping mechanism so you can install your mobile device in seconds. The latest feature is native tracking that follows you around, thanks to the included Multifunctional Module. DJI Osmo Action 4 for $209 (30 percent off): DJI's Osmo Action 4 is a tremendous deal at this price, as you're not giving up much in comparison to the most recent model, the Action 5. It has the same big 1/1.3-inch sensor that delivers excellent video quality, especially in low light. It also features a D-LogM profile to boost dynamic range, DJI's excellent clip-on mount and high-quality 4K 120p video. DJI Mini 4K drone for $239 (20 percent off): The Mini 4 weighs less than 249 grams so it doesn't require a permit, but can still shoot 4K video at up to 30 fps or 2.7K at 60 fps with three-axis stabilization. It can fly up to 31 minutes on a charge and has one-tap movements like dronie, helix and panoramic shooting. If you have a bit of extra money in your budget, the bundle with an extra battery and carrying case is also on sale for $309 (21 percent off) or with a charger and three batteries for $359. GoPro Hero 13 Black for $329 (23 percent off): GoPro's Hero 13 Black is now available with a new family of modular lenses called the HB series (ultra-wide, anamorphic and macro), making it far more versatile for action creators. It also has a slightly bigger battery that allows longer capture times, up to 90 minutes for 4K 30fps video. Other specs remain the same, including up to 5.3K at 60fps in 10-bit color, along with the excellent Hypersmooth stabilization. Insta360 X4 for $349 (30 percent): Insta360 simply dominates the 360-degree category, thanks to its ability to capture action at up to 8K 30fps or 5.7K at 60fps — providing more detail when you reframe it to 16:9. At the same time, the Me Mode that produces flat video (with automatic selfie stick removal) has been upgraded from a maximum 2.7K 30fps to 4K 30fps. It also offers solid battery life, waterproofing to 10m and a free editing app. K&F Concept 25L backpack for $50 (17 percent off): A large 25L three-tiered camera bag that can hold multiple cameras, lenses and drones. It has quick side access and features durable materials with a rain cover, making it great for outdoor travel, weddings or vlogging. Lexar 256GB Professional Silver Pro V60 memory card for $51 (32 percent off): An excellent compromise between speed and value with up to 280MB/s read and 160MB/s write speeds. SmallRig 71-inch Camera Tripod with 360 ball head for $56 (20 percent off): Two-in-one tripod monopod with a head that adjusts 360 degrees so you can take photos at any angle horizontally or vertically. Elgato Key Light 2800 lumens for $140 (22 percent off): For presentations or simple studio shoots, you get a silent, low-heat studio light with high output and a 2900-7000K temperature range. It's controllable by WiFi and has an opal glass face for glare-free diffusion. Elgato Prompter for $190 (37 percent off): Whether you're a creator on YouTube or present on Zoom, the Elgato Prompter is an elegant and popular choice thanks to the built-in display that allows you to read scripts while looking at the camera. Support more cameras than ever, even with wide lenses and features an easy setup.
Tom's Guide
27-06-2025
- Tom's Guide
I just tested the Canon EOS R50 V — and it's the perfect video camera for enthusiasts who want to become professionals
All photographers and videographers need a good camera that can stand the test of time and is reliable. For video work, you don't necessarily need to drop thousands on a half-decent camera anymore, as proven by the entry-level Canon EOS R50 V. Inspired by the brand's Cinema EOS lineup, the EOS R50 V offers an accessible entry point for those looking to step up their video game and venture into the world of the best mirrorless cameras. Thanks to its intuitive and straightforward control scheme, the EOS R50 V is extremely easy to use. It captures lovely 4K/60fps footage and comes with a dedicated Cinema View mode for creating film-like videos. Not just that, it takes good, detailed 24.2MP stills too. The EOS R50 V is also very lightweight and compact, making it the ideal camera to travel with. And the best part? It costs just $699 for the body. To find out if this is the right video camera for you, read my full Canon EOS R50 V review. Specs Canon EOS R50 V Price $699 / £729 Sensor 24.2MP APS-C CMOS Stabilization Digital only AF system Dual Pixel CMOS AF II Focus modes One Shot AF, AI Focus AF, Servo AF, Manual AF Viewfinder No Display 3-inch Color Vari-Angle touchscreen, approx. 1.04 million dots ISO range 100-51,200 Max video resolution 4K/60P, FHD/120P Ports USB-C, micro HDMI output, 3.5mm mic in and headphones out, 1x SD/SDHC/SDXC UHS-II Wireless/Bluetooth Wi-Fi, Bluetooth Max shooting speed 15fps electronic | 12fps mechanical Max shutter speed 30s to 1/8000s (stills, electronic) | 60s to 1/4000s (stills, mechanical) Battery life (Stills, CIPA) 480 shots Battery life (Continuous 4K/30P, tested) 60 minutes Size 4.69 x 2.9 x 1.77 inches Weight 13.05oz (with battery and card) The Canon EOS R50 V was launched in March 2025 alongside the Canon PowerShot V1. It's the spiritual successor to the Canon EOS R50 and is aimed at those who want a video-first EOS R System camera. Its body retails for $699 / £729 at Amazon, making it cheaper than the PowerShot V1 ($899) but slightly pricier than the EOS R50 ($679). Canon also launched a new video-centric lens to accompany the EOS R50 V: the RF-S 14-30mm F4-6.3 IS STM PTZ. With the lens, the camera costs $849 / £959 which is great value for money. There's also a plethora of RF (full frame native) mount lenses that the camera is compatible with, providing shooters with more flexibility, but you'll need to calculate the extra reach due to the APS-C crop factor. RF-S lenses (APS-C native) are relatively thin on the ground, though. As an ILC (interchangeable lens camera), the EOS R50 V finds itself competing against the likes of the Sony ZV-E10 II ($999), the Fujifilm X-M5 ($799) and the Nikon Z 30 ($709). It offers an inexpensive way for beginners or enthusiasts to step into the world of mirrorless interchangeable lens cameras. Although it's the Canon EOS R50's sibling, the Canon EOS R50 V sports a different, more compact design. Measuring 4.69 x 2.9 x 1.77 inches, the EOS R50 V is slightly longer but thinner and shorter than the EOS R50. Both cameras are near-identical in weight too. The EOS R50 V is a little lighter at 13.05oz, which means you can easily carry it in your pocket or bag without feeling weighed down. The EOS R50 V is, of course, shorter than the EOS R50 because of the obvious absence of a viewfinder and built-in flash which is fine because this is a video-first camera. Even though it's made entirely of plastic, it doesn't feel or look cheap. It's great to handle too, thanks to good weight distribution and a slightly protruding sculpted grip on the right. There are also two tripod threads on the EOS R50 V: one on the bottom plate and another along the camera's right edge. The latter is especially handy if you want to shoot vertical video while the camera is mounted on a small tripod or grip without a rotating head — and it's something that's missing from the likes of the Sony ZV-E10 II and the Fujifilm X-M5. Ports on the EOS R50 V are as you'd expect from a video camera in this price range. These are all housed on the camera's left edge and include: 3.5mm headphones and mic jacks, a USB-C port for charging and data transfer, and a micro-HDMI for external monitor/recorder hookup. The headphones port is a new inclusion as it was missing from the EOS R50, and it enables you to monitor sound levels while you shoot. On the bottom plate, you'll find the battery compartment which houses the LP-E17 battery pack, the same as the one found in the Canon PowerShot V1. Located next to it is a slot for a SD/SDHC/SDXC UHS-II memory card. The EOS R50 V is fitted with a 3-inch fully articulating LCD touchscreen that has a resolution of 1.04 million dots, similar to the Fujifilm X-M5 and the Sony ZV-E10 II. In my testing, the touchscreen was highly responsive and easy to read. Accessing the quick settings Q menu or changing settings on the fly was extremely easy. In most lighting conditions, I could read the monitor easily too, and even monitor sound levels. The monitor's tilt and turn mechanism was extremely handy when taking selfies, shooting at low angles close to the ground or at awkward angles overhead. As this is a video-centric camera, there is no viewfinder. If you want a camera that you can also use for photography, a viewfinder is essential, so I'd recommend the Canon EOS R50 or the Lumix G97 ($849). The EOS R50 V is not weather-sealed so you'll need to be wary when shooting in the rain or in dusty environments. Again, this is par for the course in cameras at this price, and you'll need to spend upwards of $1,700 on a camera like the Fujifilm X-T5 or Lumix GH7 ($2,199). What I said about the Canon PowerShot V1's control scheme applies to the Canon EOS R50 V too. The EOS R50 V sports an extremely straightforward and intuitive control scheme, so much so that I was shooting within a minute of unboxing the camera and setting it up. The main dial on the top plate lets you swap between eight shooting modes (one for stills) and the C1, C2 and C3 modes are fully customizable. I found it extremely easy to assign different shooting settings, such as video resolution, focus modes and color profiles, to each. A new addition to this dial is the Slow & Fast (S&F) mode which lets you shoot slow motion and timelapse footage straight out of camera with no editing required to achieve the effects. This isn't something I'd naturally reach for but it's good to see that Canon has taken every kind of videographer into consideration. I also really like the dual recording buttons which no other Canon EOS R System camera has. There's one on the top plate near the dial and another in the bottom left corner on the front, under the lens, which I found easy to reach when shooting with my non-dominant left hand. Overall, the EOS R50 V is a joy to use, and its straightforward controls make it suitable for those just stepping into the world of mirrorless cameras. I have always been highly impressed by Canon's Dual Pixel CMOS AF II autofocus system, which the Canon EOS R50 V utilizes. It's the same AF system also found in the (much) pricier Canon EOS R6 Mark II ($1,999) and in the Canon PowerShot V1. It utilizes deep learning technology for high-speed subject detection, and the EOS R50 V can quickly detect animals', birds' and humans' eyes and faces, and vehicles too — and it works like a charm. The EOS R50 V uses 651 automatic focus points and 4,503 manually selectable points for stills, and this drops to 527 automatic and 3,713 manual points for video. Both are far better than the Fujifilm X-M5 (425 phase-detection points and 117 contrast-detection), the Nikon Z 30 (209 points) and the Sony ZV-E10 II (759 phase-detection). The camera quickly locked onto my partner's face in the first photo above, and it had no issues detecting my friends' faces (second and third photos above) even in an environment with tricky lighting and lots of objects in frame (often partially obscuring faces). Similar to the Canon EOS R5 Mark II ($4,299), the EOS R50 V features Auto subject detection which you can toggle via the Q menu. This negates the need to swap between the subject you want the camera to focus on. Swapping from photographing a bike to a bird one after the other presented zero issues. This is something missing from both the X-M5 and the ZV-E10 II, and I wish both Fujifilm and Sony would rectify this as it takes a step out of the photography process. Autofocus in video works just as well if not better, as you can see in the video above. The camera was quick to lock on to my face every time I entered the frame. Similarly, the EOS R50 V reliably locked on to the duck and then on the flock of ducks as I panned to them. Overall, the camera's a winner when it comes to its autofocus capabilities, and would suit nearly every genre of videography and photography. Similar to the Canon EOS R50, the Canon EOS R50 V does not feature in-body image stabilization (IBIS), which isn't uncommon at this price point. For context, the Fujifilm X-M5, the Nikon Z 30 and the Sony ZV-E10 II don't feature IBIS either. Instead, the EOS R50 V utilizes Movie Digital IS for video, while almost all (except the niche 'VR' virtual reality versions) of Canon's APS-C native RF-S lenses feature optical stabilization. No IBIS means you are reliant on lenses for true, uncropped stabilization (digital IS crops your image to align frames and effectively stabilize footage). This limits the choice you will have when branching out to other lenses — primes, for example — as while most RF-S lenses have IS, there aren't very many of them. There are a decent number of Canon's full frame RF lenses with IS, but many of the affordable prime lenses don't have stabilization. It's a little limiting. No IBIS will also affect how low you can drop shutter speeds for photography, as IS lenses typically offer less stabilization than sensor-shift IBIS, although this isn't a stills camera, so the main issue here is about the stabilization of video. The kit lens compounds this issue, as indeed does Canon's whole RF-S lens lineup. There isn't one single constant aperture zoom lens, with many of the lenses (including the kit lens) topping out a maximum aperture of f/4. There are no primes either, except the VR lenses which are a niche product. Without a constant maximum aperture, your lens will be hampered at longer focal lengths by being restricted to narrower apertures, meaning less light and cinematic bokeh effects. In short, you're going to want to switch away from RF-S lenses, as they're not very good, and your choice will be limited even when you do. Anyway, on to the good bit now. Movie Digital IS has two levels: On and Enhanced. Both of these incur heavy crops, but you'll still be outputting at 4K, so it isn't a huge issue if you have a suitable wide angle lens (like the kit lens) to maintain a wider field of view. You won't be able to shoot at 4K/60fps with Movie Digital IS, though, which is more of an issue if not using an IS lens. In the compilation above (shot in 4K/30P), you can see the difference between Movie Digital IS Off, On and Enhanced — and the lens' IS was also enabled. In the first clip, camera shake is very visible, as you'd expect, but this is negated in the second clip and by the third clip, it's a thing of the past. I have naturally shaky hands so I highly appreciate the camera not making that apparent. The Canon EOS R50 V's video specs are similar to that of the Canon PowerShot V1 — at a lower price. The camera is capable of shooting 4K video at 60fps (with a crop), 4K at 30fps (without a crop), and out-of-camera slow-mo (or time lapse) at FullHD/120fps with its dedicated Slow & Fast mode. While these specs are great, the Fujifilm X-M5 offers 6K video, so it might be worth spending an additional $100 if that matters to you. If you shoot in 6K, you'll be able to crop right into the frame or oversample the 4K output, ultimately providing you with more flexibility in post-production. But (there's always a but) the EOS R50 V already captures 4K footage oversampled from 6K — so dealer's choice. Without incurring a crop, you can shoot 4K video at 30fps. I used the camera on a day out with my friends at Bubble Planet in London, U.K., and you can see sample footage above. The footage is smooth and the colors are popping. Also, because the camera is so compact, I was able to slip it into my trousers' pocket and pull it out as needed without many hiccups. 4K/60fps video is, of course, one of the camera's biggest selling points, and you can see sample footage above. The colors look stunning and you can even see the tiny details in the flowers. The EOS R50 V's autofocus works well, again, keeping the seagull in focus as it takes off. I love how crystal clear the footage is. Keep in mind, though, that shooting in 4K/60fps incurs a 1.4x crop and, as I mentioned earlier, you lose out on stabilization too if you aren't using an IS-enabled lens. Canon has also added Cinema View Mode to the EOS R50 V, which can be found on some Cinema EOS cameras. Basically, it records video in a 2.35:1 widescreen aspect ratio — often used in films — and drops the frame rate down to 24P to achieve a cinematic look. You can see sample footage above, which I love the look of. This could be a game changer for enthusiast videographers, as you can always use Color Profiles and filters, allowing for more creative possibilities. Similar to the PowerShot V1, the X-M5, the ZV-E10 II, the EOS R50 V can shoot 4:2:2 10-bit video, making it capable of capturing a total of 1.07 billion individual hues. Shooting in C-Log 3 is an option too, which captures a wider dynamic range than SDR, although requires color grading in post-production. You can see what unedited C-Log 3 footage looks like above. The Canon EOS R50 V has a decent built-in microphone which should suffice when shooting on-the-fly, but I'd recommend grabbing one of the best microphones to give your audio a professional feel. The dual channel 48 KHz 24/16-bit stereo microphone performed decently in my testing — although it didn't blow me away — as you can hear in the clip above. It does sound slightly echo-y though, even though my home office isn't. The Canon EOS R50 V is a video-first camera so I'll keep this section short and sweet. The camera's 24.2MP CMOS sensor captures lovely stills with a good amount of detail. Its resolution is more than the PowerShot V1's 22MP sensor but less than the Sony ZV-E10 II's and the Fujifilm X-M5's 26MP sensors. Still, I've been pleased with the images I've captured, which you can see in the gallery above. Canon's fantastic color science is at display here as the colors appear vibrant and true to life. The kit lens' 14-30mm focal range gives a wide field of view that captures a lot of the scene, making the EOS R50 V great for landscapes and street photography. Its 15fps electronic and 12fps mechanical shutters are faster than the ZV-E10 II's 11fps shutter and should suffice for moderately fast-paced action. If you want a faster camera, the X-M5 has a 30fps shutter which should be better for photographing sports or wildlife. The EOS R50 V has an ISO range of 100-51,200 which should suffice in most shooting conditions. As with other cameras I test at Tom's Guide, I put the EOS R50 V through an indoors ISO test — bear in mind that this is an extreme test and you're unlikely to be shooting at ISO25600 in most real-world scenarios. Photos taken at ISO6400 turn out fine with barely any grain visible, but it's at ISO12,800 that things start to get noisy. The first photo in the gallery above is a JPEG export of the CR3 RAW file, while the second is the straight-out-of-camera (SOOC) JPEG. The EOS R50 V's DIGIX X processor has eliminated some grain but a lot of it still remains in the second photo, as you can see in the bobblehead's chin and the wooden desk. There's also a general loss in sharpness from the smoothing of noise suppression, visible in the art print in the background where the greens and blues look muddled together. There's also a loss in sharpness around the bobblehead's chin. It only gets noisier from here, as noise at ISO25,600 completely ruins the JPEG export of the CR3 file (first photo above). Even in the SOOC JPEG (second photo above), the noise is very clear and ruinous. A lot of sharpness has been lost in the art print as well as the bobblehead's hands. I'd only recommend shooting at such high sensitivity only as a last resort where there's no other way out. When it comes to stills, the Canon EOS R50 V has a CIPA rating of 480 shots which sounds like a lot but, alas, it pales in comparison to the Sony ZV-E10 II which is rated for 610 stills. However, it performs better than the Fujifilm X-M5 and the Nikon Z 30, both of which are CIPA-rated for 330 stills. Real-life results always differ from CIPA ratings as those are done under strict conditions. In my testing, on a single charge, I was able to snap nearly 600 photos while shooting indoors and outdoors, with regular settings tweaks and playback. Canon doesn't specify the CIPA rating for video which is what matters more considering this is a video-first camera. I left the camera recording 4K/30fps video indoors to try and drain the battery, and kept regularly checking for signs of overheating. I was able to get approximately 60 minutes of footage with three very brief periods of overheating at the 20-minute, 32-minute and 48-minute mark. Good news is that you can charge the camera while using it, unlike the X-M5, so you can shoot long form video. The Canon EOS R50 V is a great stepping stone for those who want to dip their toes into the ocean of mirrorless cameras — especially video-specific mirrorless cameras. Canon has packed the EOS R50 V with its quick and reliable autofocus with Auto subject detection and accurate color science. As a video-first camera, the EOS R50 V sports two recording buttons for easy access. It's capable of recording smooth 4K/60fps and modes like Cinema View and C-Log 3 give shooters more flexibility. Not just that, but the camera is great for capturing stills too with its 24.2MP sensor. But since the camera costs just $699, you're missing out on in-body image stabilization, which may be an issue if you want to experiment with non-IS lenses (and given the restrictive nature of Canon APS-C native, RF-S lenses, you probably will want to before long). Overall, though, I'd recommend the EOS R50 V to anyone who wants to step up their videography. And since you can change lenses, you get more flexibility as opposed to the fixed-lens Canon PowerShot V1. The EOS R50 V is a compact but powerful camera that's been a pleasure to use.
Yahoo
26-02-2025
- Business
- Yahoo
‘People learn by doing with their hands': A look inside Rockford Public Library's Maker Lab
ROCKFORD, Ill. (WTVO) – Most people are aware that Rockford has a new main library downtown. And within the high-tech facility is the perhaps even higher-tech Maker Lab, where learning and doing come together. 'Everything from sewing machines, to embroidery machines to Cricut cutters to 3-D printers,' said RPL Marketing Director Bridget Finn. Finn says books are still at the library's core. But the new downtown library is quickly becoming known for its hands-on learning center that is utilized by hundreds of people each month. 'We have T-shirt presses,' Finn said. 'We have people who come in here and engrave things. We have people who pre-print things in 3-D form. We have people who are learning to sew and are selling those items.' One of the most advanced features at library's Maker Lab is the green screen room. It's available to anyone in community for photography, online content or TV spots. 'In the green screen room you have lighting, professional lighting that you can use,' said Maker Lab Manager Leon Smith. 'We also have some direct lighting that you can use. We have a Canon EOS R50 [camera], which takes excellent stills and also video.' And then there's the audio recording studio, where several local podcasts are created every week. It, too, was built with pro-level gear. 'It's about the opportunity to get out,' Smith said. 'It's almost kind of like journaling. You can go from journaling to podcasting. The shows are all across the spectrum.' The new 66,000 square-foot library opened in June 2024. Its state-of the art amenities and grand view of downtown are appreciated by locals and tourists alike. 'The fact that there's terrace outside, these wonderful windows that look out over the river, the quiet study rooms and the local history,' said Susan Thornton, a visitor from Binghamton, New York. 'And this maker's room looks fabulous.' Finn added that several local T-shirt sellers and other entrepreneurs got their start using the RPL Maker Lab. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
