Latest news with #CarlaBruni
Evening Standard
30-07-2025
- Entertainment
- Evening Standard
How toe shoes became the biggest footwear trend of summer 2025
Perhaps this rediscovery of the alluring toe also points to a new burgeoning fashion trend: toe rings. Rihanna was way ahead of the curve, wearing diamond encrusted ones (estimated to cost around £450,000) as far back as 2023; a good indicator, if ever there was one, that these will be a thing soon, if they're not already. Recently, she's been joined by none other than Carla Bruni who wore three of them to the 80th Venice Film Festival, and Bad Bunny, who sports them on the cover art for his new single.
Forbes
10-07-2025
- Business
- Forbes
Roseblood Is Carla Bruni's Bid For The Future Of French Wine
In the spring of 2020, Carla Bruni—former First Lady of France, ong-time fashion icon, et al— joined a circle of investors acquiring Château d'Estoublon, a 300-hectare estate in the Alpilles better known for its olive oil than its wine. Her husband, Nicolas Sarkozy, was among them, as was Jean-Guillaume Prats, the former CEO of Lafite Rothschild and LVMH Wines. By the time Victor Joyeux, a celebrated rosé expert and precision-minded winemaker, was tapped to lead production, the investors' intentions were clear. This wasn't about olive oil. It was about building a modern house of vinocultural luxury, with a flagship rosé to anchor it. That rosé was Roseblood. Launched as the estate's hero wine, Roseblood was built for branding from the start, a calculated disruption of the pale-pink genre, built for structure, longevity, and export potential. "Roseblood captures the soul of Estoublon and the authentic charm of Provence—its light, its scent, its art of living," Bruni says. 'Unlike most rosés that evoke the French Riviera, we are rooted in the authentic, raw beauty of the Alpilles.' And that differentiation has proved smart. Today, rosé accounts for nearly 10% of global wine consumption. France produces more than a third of it. But the premium category is crowded—dominated by lifestyle marketing and bottles designed for poolside optics rather than cellar longevity. Roseblood positions itself differently from the flavor up: it opens with wild strawberry and peach skin, moves into citrus and bright minerality, and finishes with salted almond and chalk. It's vinified with restraint—no fat, no glycerol—but by no means shy. "What primarily guides me is achieving perfect balance in the wine," Joyeux says. 'Aromatically, it should neither be too expressive nor too light… I often refer to this as 'balanced complexity,' which is, in truth, the result of a long and meticulous process.' The grapes—Grenache, Syrah, Cinsault, and Rolle—are grown on high-altitude slopes in the Coteaux Varois, a less-hyped but technically-brilliant corner of Provence. "The altitude and climate naturally delay the harvest, allowing grapes to ripen slowly and fully," Joyeux explains. "This extended maturation enhances balance, finesse, and aromatic complexity." But Roseblood is only one piece of Estoublon's reboot. Since the acquisition, the estate has undergone a comprehensive repositioning with a broader lifestyle strategy: a renovated hospitality programme, a boutique, a restaurant, and a non-alcoholic sparkling cuvée, L'Excessive. 'With L'Excessive, we embrace new lifestyles and offer a sophisticated alternative to alcohol that aligns with our values of excellence and conviviality,' says Bruni. The non-alcoholic wine market, once seen as an afterthought, is now projected to reach over $1 billion by 2027. L'Excessive positions Estoublon at the front end of that curve; it's subtly luxury-coded, but with mass market potential. Elsewhere, white and red wines are in very promising development. Oenotourism has been scaled. The olive oil arm—still a regional stronghold—has been modernised, with updated packaging, selective distribution, and co-branding all in the works. This is where Bruni's influence is most evident. "My career in music and fashion taught me the importance of authenticity, emotion and sense," she says. 'I apply those same principles to Roseblood. We aim to convey something sincere that brings emotion—a product that tells a story.' It's also visible in the estate itself. Estoublon is not flashy, but it is unbelievably—dare I say gorgeously—manicured from its entrance to the pathways around its vines. "We are dedicated to delivering consistent excellence and 'Art de vivre', from our wines and olive oils to the refined art of hospitality at the Château, restaurant, and boutique," says Prats. "Our ambition is to tell a desirable story and offer a dream-like escape in the serene heart of Provence." But behind that dream is serious ambition. "We have embraced this dynamism at Estoublon, operating with the agility and innovation of a start-up," Prats says. If Joyeux is the precision, Prats is the scale. And that matters. Before Estoublon, Prats spent over a decade at the helm of Château Lafite Rothschild, followed by five years leading LVMH's global wine division. He understands not just the production and prestige end of the business, but the commercial engine behind it—pricing power, distribution networks, brand equity. At Estoublon, he's applying the same global playbook—only this time, with full creative control. That makes Roseblood not a lucky acquisition, but a case study in strategic execution. It also makes for a compelling contrast to brands like Whispering Angel—the juggernaut Provençal rosé brand currently dominating global sales in the category. Produced by Château d'Esclans and acquired by LVMH in 2019, Whispering Angel built its empire on accessibility and brand ubiquity: it is Instagrammable, recognisable, and relatively affordable. It accounts for the vast majority of Provençal rosé exports to the US, and helped fuel rosé's global rise from seasonal curiosity to a year-round staple. Roseblood, by contrast, is not built for ubiquity. It is not priced to be casual, nor does it sell pink as a lifestyle shorthand. And that rigour extends beyond the branding. "The majority of our vineyards are certified HVE Level 3 (High Environmental Value), which ensures that the agricultural practices we implement preserve ecosystems and minimize environmental pressures on soil, water, and biodiversity." The investment in such processes appears to be paying off, too. Roseblood has now expanded into more than 20 countries, including the US, UK, Switzerland, and Japan. Its 2024 allocation sold out early across several top-tier retailers, and it's increasingly being stocked at high-end venues like Le Meurice in Paris, The Connaught in London, and select Aman properties. Distribution remains tight but deliberate, leaning on boutique retailers, sommeliers, and design-led hospitality groups. The brand is also in talks for a capsule collaboration with a major French fashion house for next year—one that reflects Bruni's vision of 'emotional elegance.' Estoublon doesn't release financials, but insiders suggest Roseblood is outperforming initial targets, with its latest cuvée already being reserved for Michelin-starred tasting menus and private collector cellars alike. "With Roseblood, we go beyond the wine itself, offering an experience that sells a dream," says Bruni. 'The dream of Estoublon and its unique Art de Vivre.' The language is deliberate. Art de Vivre—a term long favored by Dior, Guerlain, and other LVMH maisons—is a shorthand for contemporary, cross-category luxury. A literal transition of 'the art of living'. In this case, the art just happens to come in a bottle.
Daily Mail
25-06-2025
- Entertainment
- Daily Mail
James Franco's girlfriend Izabel Pakzad, 29, stuns in a sheer co-ord as she and the actor, 47, join Carla Bruni at Biarritz Film Festival
James Franco and his girlfriend Izabel Pakzad attended the Opening Ceremony during the 3rd Nouvelles Vagues International Biarritz Film Festival on Thursday. Walking the red carpet in France, the actor, 47, and the actress, 29, were joined by Carla Bruni, 57. Izabel, who has been dating the Spiderman star since 2017, looked stunning in a sheer co-ord consisting of a crop top and knee length skirt. She teamed the sequinned number with a pair of strappy black heels and styled her hair into curls. Meanwhile, James opted for an oversized suit which he paired with a striped shirt and sunglasses. Carla wore an elegant figure-hugging midi dress, that featured a ruffled neckline for the event. The festival, which takes place over six days, will showcase eight feature films that have yet to be shown in French theatres. James' appearance comes after Seth Rogan made it clear that he isn't paying much attention to comments made by his former friend and collaborator. The Long Shot actor, 42, publicly cut off his Pineapple Express co-star James after he was accused and sued by his students over behaving inappropriately and sexually towards them. Years after Seth publicly announced he had distanced himself, James went on to confirm that the friendship was officially 'over.' Now Seth has admitted he wasn't even aware of his former friend's comment, telling Esquire in a new interview: 'Honestly, I absorb so little media that it really wasn't on my radar.' He then noted: 'That is all he wants to say about that.' Over the course of their friendship, James and Seth had starred in a number of projects together, including the NBC Cult classic Freaks and Geeks. They also appeared in films such as Pineapple Express, This Is the End, The Disaster Artist, and The Interview. Speaking again about the rift in October last year, James told Variety: 'I haven't talked to Seth. I love Seth, we had 20 great years together, but I guess it's over. 'And not for lack of trying. I've told him how much he's meant to me.' In January of 2018, five women told the Los Angeles Times that James had been sexually inappropriate or exploitative with them. One detailed how James removed plastic guards from actress' vulvas during a sex scene while simulating oral sex. Two of the women, Sarah Tither-Kaplan and Toni Gaal, sued James in 2019, claimed that he tried to 'create a pipeline of young women who were subjected to his personal and professional sexual exploitation in the name of education' while they attended his Studio 4 acting school. At the time, James denied the allegations via his attorney. He eventually settled the lawsuit for $2.2 million in July 2021. James' appearance comes after Seth Rogan made it clear that he isn't paying much attention to comments made by his former friend and collaborator Initially, when the allegations came out in 2018, Seth told Vulture that he would continue to work with James. But in May 2021, he publicly revised his position, telling Britain's Sunday Times that he would not. 'What I can say is that I despise abuse and harassment and I would never cover or conceal the actions of someone doing it, or knowingly put someone in a situation where they were around someone like that,' Seth told the publication. He added that it was 'not a coincidence' he hasn't worked with Franco in recent years, as he faced sexual misconduct accusations in 2014 and again in 2018. That December, James said it was 'hurtful' that Seth had 'no plans to work with him in the future.'
Telegraph
03-06-2025
- Entertainment
- Telegraph
How French women over 50 wear blusher
Every May, the red carpet appearances at Cannes Film Festival get starrier and starrier: from Tom Cruise's controversially swishy hair to Andie MacDowell's tailored-to-perfection suit, there are often bolder choices for dressing on le rouge carpet in the French Riviera than at the Golden Globes or Oscars. Then there are the appearances from public figures such as France's former first lady Carla Bruni, who never fails to look impeccably well put together and glamorous, much like the Emily in Paris actor Philippine Leroy-Beaulieu (her colour-blocking Saint Laurent dress for the premiere of Nouvelle Vague was a lesson in elegant, show-stopping style). But much besides the eye-catching outfits and accessories, there's something about how French women wear make-up that really stands out. 'It's style before statement with French women,' the 69-year-old make-up artist Terry de Gunzburg, who holidays with the likes of French actor Isabelle Huppert, tells me. (If there's one woman who knows about the enduring appeal and the certain je ne sais quoi of French beauty, it's de Gunzburg – her beauty range By Terry is sold at Space NK.) Much of this comes down to how they wear blusher. 'French women do wear blush a little differently,' she explains. 'At the heart of the French look is an intimate relationship with skin – the complexion tends to look skin-like, healthy, radiant, and a little 'undone'.' French women, she tells me, 'wear blush not just to add colour, but to revive life in the complexion, as if they've just been on a bracing walk along the Seine'. From Bruni's raspberry blush to Leroy-Beaulieu's soft coral, there are some shades that are flattering on all skin tones. The trick to mastering 'French' blush is to pick a colour that has a touch of pink in it, says de Gunzburg. 'I always think that pinks add dimension and light into the skin,' she explains. 'In my formulas, even when I'm making the perfect beige eyeshadow, I'll ensure there's a touch of pink in there because it just brings more life into the colour.' Don't know which shade to pick? 'Pinch your cheek and see what colour it brings out, because that will be the colour that suits you most accurately,' she says. Failing that, there is a fancier way to check, according to the make-up artist. 'A glass of Champagne can also bring out a flush that's naturally very you.' I expect this is how they check at Cannes. Then there's the texture; while the past five years have seen a big trend for creamy, liquid or glossy blushers, powder blushers are back on the agenda. 'With the right powder formula, you can achieve the classic Parisian look with even less effort,' says de Gunzburg. Rather than looking cakey or flat on the skin like the powder blushers you may have used in the 1980s or 1990s, powder formulas nowadays are much finer and smoother. Ditch the brush, too. 'You might find that applying blush with a brush is giving too much of a precise shape – I don't like to be able to see where the blush starts and finishes,' says de Gunzburg. The French look, apparently, isn't as sculpted as that. Instead, using your fingers to tap the powder into the apples of the cheeks and gently across the bridge of the nose looks more 'alive'. Finally, don't skip setting spray; it may seem like an unnecessary step for a make-up look that's designed to appear effortless, but, says de Gunzburg, 'for French women, this is less about keeping things in place, and more about fusing everything together and softening the edges. Just a few quick spritzes really add to the fresh, flushed radiance of the French woman.' Three favourites... Make Me Blush Bold Blurring Blush in Peachy Nude by YSL Beauty, £39, John Lewis This is the best launch from YSL Beauty in years; soft and blurring on skin, it lasts all day. Peachy Nude is a flattering coral that's beautiful on medium tones. Tea To Tan Blush Powder in Rosy Romance by By Terry, £45, Space NK This gives a very fine, natural finish. The formula contains cranberry oil and shea butter to smooth skin, and the rosy tone is the most universal pink around. Color Fuse Powder Blush in French Rosette by Haus Labs, £28, Sephora If you're unfamiliar with Haus Labs, it's Lady Gaga's impressive make-up range. Made talc-free, this gives the finish of a cream with the lasting power of a powder. A little goes a long way, too.
Vogue
27-05-2025
- Entertainment
- Vogue
Roberto Cavalli Resort 2026 Collection
Tyla and Carla Bruni have both worn Fausto Puglisi's fall 2025 collection for Roberto Cavalli in the last few weeks. Puglisi is a go-to designer for celebs on the paparazzi circuit, whether they're looking for something wild like Tyla's ultra-mini slip dress or something more restrained but still statement-making à la Bruni's bias-cut number. Yes, Puglisi's Cavalli is sometimes discreet—certainly more than the house founder's ever was. That's one way he's made the brand his own since he assumed the creative director role amidst the pandemic. Another way he's done that is to bring his own preoccupations to his Cavalli collections. This season, he revived the color-blocking that defined his earliest work for his eponymous label a dozen years ago. He said he was inspired to do so by a recent visit to Mexico City—the colorful buildings in the Condesa neighborhood, in particular, sparked his interest—and a catalogue from a 1994 Jeff Koons show at the Guggenheim that he stumbled across. 'When I started my own collection, I was in love with colors and geometrical patterns,' he said. 'It's not very Cavalli, but I just thought, the world is already complicated. Let's make a collection that people can understand easily—and bring a sense of happiness and joy.' Puglisi's color-blocking and Cavalli's animalier motifs came together on car coats and slip dresses—leopard spots enlivening vivid acid shades. He also played with florals, opting for more of an English garden bouquet vibe than the hothouse motifs that have long been associated with this label. Denim got a lot of attention too, it being an RC specialty. One pair of jeans was fused with leopard chiffon then put in the stone-washing machine for a look that Puglisi described as 'destroyed.' The piece most likely to spark joy is a floor-length floral print slip dress with denim corsetry details that laced up the spine: pretty in front, party in the back. His tailoring has also been getting a lot of play with celebrities. Jane Fonda wore a race car-red version of the elongating pantsuit that appears here in electric fuchsia jacquard.
