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NRI student Charvi's Bharatanatyam arangetram leaves audience speechless
NRI student Charvi's Bharatanatyam arangetram leaves audience speechless

Time of India

time05-08-2025

  • Entertainment
  • Time of India

NRI student Charvi's Bharatanatyam arangetram leaves audience speechless

GUNTUR: Charvi Potluri, a dedicated disciple of Acharya Smt. Ramya Shankaran, took center stage to present her Bharatanatyam arangetram, a significant milestone in her journey as a classical dancer, here on Sunday. A student of the Adhyaathma School of Performing Arts in New Jersey, Charvi has honed her skills under the expert guidance of Acharya Smt. Ramya Shankaran, a revered figure in the world of Bharatanatyam. The event was a breathtaking showcase of elegance, precision, and heartfelt devotion, captivating the audience with Charvi's artistry and her deep connection to the spiritual essence of Bharatanatyam. From the opening notes of the vibrant 'Pushpanjali' to the exhilarating finale of the 'Thillana', Charvi's performance was a testament to her years of rigorous training, unwavering commitment, and profound love for the art form. Charvi's Arangetram was a meticulously curated presentation of Bharatanatyam's traditional repertoire, infused with creativity and emotional depth. Her performance began with the 'Pushpanjali', a floral offering to the divine and the audience, which set the tone for the evening with its vibrant energy and graceful movements. Charvi's precise footwork and expressive gestures immediately drew the audience into her world, establishing her command over the intricate rhythms of Bharatanatyam. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas Prices In Dubai Might Be More Affordable Than You Think Villas In Dubai | Search Ads Get Quote Undo One of the standout pieces of the evening was the 'Dasavatara Alaripu', a creatively reimagined rendition of the traditional 'Alaripu'. This piece, which depicted the ten incarnations of Lord Vishnu, was a brilliant fusion of innovation and tradition. Charvi's ability to convey the distinct characteristics of each avatar through subtle 'abhinaya' (expressive storytelling) and dynamic 'nritya' (pure dance) showcased her versatility and deep understanding of the narrative potential of Bharatanatyam. The audience was particularly moved by her portrayal of Lord Rama and Lord Krishna, where her expressive eyes and fluid movements brought the divine stories to life. The centerpiece of the recital was the 'Chellamela Varnam', a soulful and intricate composition that tested Charvi's technical prowess and emotional range. The 'Varnam', known for its demanding combination of complex footwork, rhythmic patterns, and expressive storytelling, was performed with remarkable maturity. Charvi's ability to seamlessly transition between the energetic rhythmic sequences and the emotive 'abhinaya' segments highlighted her skill and sensitivity as a performer. Her portrayal of the nayika's (heroine's) devotion and longing resonated deeply with the audience, evoking a sense of spiritual connection. Charvi's performance was infused with infectious energy and joy, as she brought to life the playful and divine attributes of Krishna through her expressive gestures and vibrant stage presence. This piece, in particular, showcased her ability to connect with the audience, drawing them into the divine narrative with her infectious enthusiasm and grace. The recital concluded with a lively 'Thillana', a pure dance piece known for its intricate footwork and rhythmic complexity. Charvi's performance was a dazzling display of energy and precision, leaving the audience in awe of her stamina and command over the art form. Complementing Charvi's stellar performance was the live orchestra led by the talented Vid. Pavan Madhav Masur. The ensemble's soulful renditions and rhythmic precision elevated the recital to new heights. Vid. Ramya Shankaran, Charvi's guru, provided masterful 'nattuvangam' (rhythmic recitation and cymbal accompaniment), guiding the performance with her expertise and ensuring perfect synchronization between the dancer and the musicians. The orchestra, which included vocalists, mridangam, violin, and flute, created a rich tapestry of sound that enhanced the emotional and aesthetic impact of each piece. Their melodic depth and dynamic energy were integral to the success of the evening, providing Charvi with a vibrant musical foundation to showcase her artistry. Charvi's Arangetram was not merely a performance but a culmination of years of dedication, discipline, and passion for the classical arts. Charvi's ability to balance her rigorous dance training with her academic pursuits and her commitment to long-distance running speaks volumes about her determination and time-management skills. This multifaceted approach to life has shaped her into a well-rounded individual, and her Arangetram was a reflection of her ability to channel her diverse interests into a singular, powerful artistic expression. Charvi Potluri's Arangetram was more than a debut; it was a celebration of her journey as a dancer and a glimpse into her promising future in the world of Bharatanatyam. Her performance was marked by a rare combination of technical excellence, emotional depth, and stage presence, qualities that set her apart as a rising star in the classical arts. The audience, which included family, friends, and connoisseurs of Bharatanatyam, was left spellbound by her artistry and inspired by her devotion to the art form.

At 11, Bengaluru's Charvi making heads turn at Norway Open
At 11, Bengaluru's Charvi making heads turn at Norway Open

New Indian Express

time02-06-2025

  • Sport
  • New Indian Express

At 11, Bengaluru's Charvi making heads turn at Norway Open

STAVANGER: India's chess conveyor belt shows no signs of slowing down. One of the latest to emerge from the seemingly limitless pool is Charvi A, who has already made the likes of Viswanathan Anand sit up and take notice. The 11-year-old, currently in action at the Norway Open event in the city, is a WFM (Woman Fide Master). Already an age-group world champion, what makes the Bengaluru-based Charvi special is the way she's laser-focused in her chess. Even in a game where obsessives are dime-a-dozen, it's unheard of for somebody as young as her to set boundaries. For example, she has already told her parents to not reveal the identity of her coach (she has worked with Swayams Mishra and RB Ramesh in the past). Her dedication also lies in her wanting to learn from her mistakes. After every game, she makes it a point to have a debrief with all of her opponents. "It can go on for 30 minutes also," her mother, Akhila, who left behind her IT job, says. She and her husband Anil Kumar had to rely on YouTube to understand the game and keep pace with their daughter. Her parents were undecided on her daughter pursuing chess but after she won the Under-8 girls World Championship, they were sold on her obvious talents (post that, she also got the highest civilian award given to children for her chess exploits). They were okay pulling her out of school (she only visits to give term exams) apart from customising her training schedule. Apart from chess training, she also goes for swimming and badminton classes in the evening to ensure she gets some physical activity on a daily basis. Charvi has had a mixed Open event but that's to be expected at this level as the players she faces are either higher rated or have more experience. But it will stand her in good stead going forward.

Young Charvi's life in a chess bubble
Young Charvi's life in a chess bubble

Hindustan Times

time01-06-2025

  • Sport
  • Hindustan Times

Young Charvi's life in a chess bubble

Stavanger, Norway: The Norway Chess Open tournament — held at walking distance from the hotel that hosts the starry GMs — is a beehive of norm-chasing chess players, ranging from age 6 to 60, and local Norwegians to Indian expats. Unlike the main acts who are escorted for official post-game interviews and soon into the car, they all have things to do once their games are done: grab a snack, look for their chaperones, dial their parents for pickup. Charvi A had something else in mind. Right after coming out of the hall, the 11-year-old left the water bottle with her mother, searched for her opponent and stood talking with the older man for an extended time. Why? To analyse the game. Such post-game analysis chats can go from five minutes to thirty, said her mother, Akhila. And almost always, it is Charvi initiating them, if her opponent is willing and speaks English. For this 11-year-old, chess is not a chore, it is compulsive. And she is quite promising at it. A Woman FIDE Master (WFM) with a 1961 Elo rating, Charvi won the U-8 girls World Championship in 2022, a feat that made Viswanathan Anand post on X: 'Rise of a new star.' Charvi has picked up more accolades at the national and Asian level — she was conferred the 2024 Pradhan Mantri Rashtriya Bal Puraskar, India's highest civilian honour for children, for which her parents had applied — thinking about the game in overdrive. 'Sometimes, she thinks about the moves in her dreams also,' said Akhila. It is not, however, thrust upon her. This year so far, she has played in around seven tournaments, in India, Austria, France, Uzbekistan, Budapest and Norway. Even in the few break days she gets in between, the kid is eager to do stuff around chess and puzzles. 'She has decided that she wants to only do this. We have asked her many times, but she likes the sport,' Akhila said. 'Instead of us parents forcing her to do something, we wanted to support her in what she was interested in. We realised she is really interested in chess.' And realised her ability and promise after she won the U-8 world title. Having picked up the game in her day care at age 5, chess got Charvi mesmerised, and her parents were left scrambling for YouTube videos that she demanded they watch and play with her. After finishing runner-up in a U-6 state competition, she began training with IM Shivananda BS in Bengaluru. As she progressed, Charvi was coached by GM Swayams Mishra, WGM Aarthie Ramaswamy, and even briefly by her husband RB Ramesh, R Praggnanandhaa's coach. She is now training with a 'few new coaches', names of which her mother said she could not reveal. Partly sponsored, Charvi's father has continued his IT job while Akhila, a professional in the same sector for over a decade, quit her work a couple of years ago to travel with her. Her school lessons are sent online, which Akhila oversees amid all the travel. 'I have to do this because she is very young, and may not understand what she is going through,' she said. The mother does not understand the game, nor does she discuss it with Charvi. Results are never asked until, if at all, told. The kid was a centre of attention when she met PM Narendra Modi for the award, and yet wasn't frazzled. 'She doesn't get too excited. Even after she won the world championships, she was very normal. She can handle winning, losing or the attention,' Akhila said. 'She is playing just out of passion.'

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