Latest news with #ChauryaPaatam
Pink Villa
30-05-2025
- Entertainment
- Pink Villa
Chaurya Paatam OTT: When and where to watch Telugu-language crime comedy movie online
Chaurya Paatam, the Telugu-language crime comedy movie, hit the big screens on April 25, 2025. A month after its release, the film is available for streaming on OTT. When and where to watch Chaurya Paatam Chaurya Paatam is currently available for streaming on the OTT platform Amazon Prime Video. An official note was penned by industry insider, Ramesh Bala, which read, 'Chaurya Paatam is a gripping tale of morals, mischief, and mystery. Sharp storytelling meets raw emotion—don't miss this thought-provoking gem. #ChauryaPaatam – streaming now on Amazon Prime Video.' Official trailer and plot of Chaurya Paatam Chaurya Paatam is a crime comedy movie that follows the tale of an aspiring filmmaker who is in dire need of funds to make a film. With no hope left, the man decides to rob a bank in a village with the help of a small gang. However, as the gang of 4 attempts the heist, unexpected events from the underbelly of the village start to take place, leading to a humorous and dramatic change in their lives. Cast and crew of Chaurya Paatam Chaurya Paatam features Indhra Ram in the lead role with an ensemble cast of actors like Payal Radhakrishna Shenoy, Mast Ali, Rajeev Kanakala, Anji Valguman, Supriya Aysola, and many more as supporting characters. The film is directed by Nikhil Gollamari, who wrote the screenplay for the venture. With Davzand handling the musical tracks and scores, Uthura Parthasarathy served as the editor. Chaurya Paatam's story was penned by Eagle director Karthik Gattamneni, who also handled the film's cinematography. For those unaware, Karthik Gattamneni is a cinematographer-turned-director known for films like Surya vs Surya, Karthikeya 2, and more. Following his last directorial outing with the Ravi Teja starrer, the filmmaker is next slated to hit the big screens with HanuMan fame Teja Sajja's Mirai. The upcoming action-adventure movie features the tale of a super soldier with mystical powers who is in search of 9 sacred scriptures and must retrieve them before it could fall into the wrong hands. The movie is set to release on September 5, 2025, with actors like Manchu Manoj, Shriya Saran, Jayaram, and more in key roles.
New Indian Express
26-04-2025
- Entertainment
- New Indian Express
Chaurya Paatam movie review: A zany heist comedy that doesn't fully deliver
The reason why heist films are universally loved is we, the audience, are secretly begging to be tricked. We want to be conned by a slick crew, buy their false trails only to go awestruck with a twist we never saw coming. Chaurya Paatam by debutant Nikhil Gollamari, is a rural heist comedy wary of its purpose and genre. The film begins on a promising note, set for a breezy con job delivered through zany characters and confident filmmaking. But somewhere along the way, the film stops scheming and starts sulking. The con plateaus, the comedy dries up, and what starts as a raucous ride quietly settles into a lecture. Vedanth Ram (played by Indhra Ram) is an aspiring filmmaker whose silver-screen dreams are a stretch too far. After a mishap on his film set, he devises a daring scheme — to rob a bank and self-fund his movie. It is a plan with 'cinematic gold' written all over it. He assembles a ragtag crew: a prop explosion expert, an alcoholic daily wage worker, and a comical cinematographer sidekick. They zero in on Dhanapali, the richest village in India in the film's milieu, and disguise themselves as documentary filmmakers with an ulterior motive. True to the genre's essentials, Dhanapali has its share of mystery, and soon, the filmmakers are not the only ones with something to hide. Director: Nikhil Gollamari Cast: Indhra Ram, Payal Radhakrishna, Rajeev Kanakala, Saleem Pheku The first half of Chaurya Paatam is where the film shines. There's energy, a zany visual tone, and a sense of mischief that keeps things buoyant. Davzand's music is a riot. It's a fusion of Western jazz, Indian folk and genre pastiche that pumps the film with fresh blood, without a dull moment. It's the sort of sonic ingenuity that makes you wish the writing was just as alive. The track 'Aada Pisacham' comes with an innovative surreal touch. Indhra Ram delivers a controlled performance, almost too restrained for a film this offbeat, but it eventually grows on you. Saleem Pheku, a walking punchline factory in most of his roles, is cast here but is strangely underutilised. Rajeev Kanakala, Payal Radhakrishna and Anji Valguman do the bare minimum. Karthik Gattamneni who is the cinematographer and the story writer adds lots of energy to his creation. What holds Chaurya Paatam back is the lack of escalation. After the setup, the screenplay loses its nerve. The stakes never grow higher than mildly inconvenient. A few surprise villains prop up, but they are mere cardboard rather than cunning. The film gets tedious when it starts spoon-feeding information. The plot begins to explain itself, the humour flattens, and soon the film veers away from its heist genre roots into a rural thriller template and not a particularly clever one. The film is also plagued by internal conflict. Great heist films are about witnessing the crew taking every step cautiously to stay away from disaster. Here, Vedanth and his gang at one point react to what happens to them rather than scheming. By the time we reach the climax, the titular Chauryam (robbery) has been replaced by Paatam (lesson), but the lesson is as lacklustre as it gets. A fascinating setup involves the protagonist, Vedanth, talking to his inner consciousness through a mirror. What starts in meta style eventually becomes dull and non-revelatory. The payoff doesn't satisfy you with as much quirkiness as was initially offered. And yet, there's enough in the packaging to keep you watching. Nikhil Gollamari directs with flair. He knows his grammar, uses genre tropes playfully and avoids overindulgence. The tone is refreshingly modern, with many references to classics and quick-witted banter sprinkled across the screenplay. The film never takes itself too seriously, which is often the saving grace when the narrative starts sagging. In the end, Chaurya Paatam feels like a clever student who leaves the exam hall without finishing. There are flourishes of brilliance, a stylish flair for visual comedy, and a promising voice behind the camera. But the story never gets the rounded finish of a con film. The film made us believe it had the ropes to make us overlook predictability and the resultant boredom. It partially succeeds. But then, it quietly hands your wallet back, gives you a moral lesson, and walks away. This will not be a regrettable watch. But the film will leave you thinking that this could have been more exciting. A bit more investment in the smarts could have made Chaurya Paatam a much better product than it is now. However, the weak writing in the latter half does not overpower the joys and quirks the film offered initially.
New Indian Express
24-04-2025
- Entertainment
- New Indian Express
Uthura Parthasarathy: I have the drive and zeal to make it big
Fuelled by unwavering determination and a passion for storytelling, Uthura Parthasarathy has carved a path that's as dynamic as the films she helps shape. From the fast-paced world of advertising to the vibrant chaos of cinema sets as an assistant director, and now, seated at the editor's desk, she has worn many hats — each with relentless dedication. Now, with the highly anticipated Chaurya Paatam set to release on April 25, Uthura steps into the spotlight. In an exclusive conversation, she reflects on her journey, the bold choices she's made, and her mission to make every frame count. Excerpts Take us through your journey as a film editor. I began my career in advertising, where I spent five years editing a wide range of content, from digital brand films to theatre ads. My transition into films happened while working on an ad with Karthik Gattamneni, who later offered me the role of chief associate editor on Karthikeya 2 . That opportunity marked the start of my journey in cinema. I then worked as the on-set editor for Dhamaka and as a co-editor on Eagle . Chaurya Paatam is my fourth film, but it is my debut as an editor. Were you always passionate about editing? Surprisingly, no. I actually wanted to become a journalist. When I enrolled in a mass communication course at the undergraduate level, I wasn't even aware of the career paths in editing. But a few special classes in college introduced me to the craft, and I instantly knew this was what I wanted to do. What is the most challenging part of this profession? Being an editor is challenging. It is an invisible part of filmmaking; if I do my job well, my work ideally shouldn't be noticed at all. That invisibility, while essential, can also mean editors are often overlooked. Also, editing is a solitary process, where we work behind closed doors, which can feel isolating at times. How was your experience editing the movie Chaurya Paatam ? It was a very collaborative process, both on set and during post-production. The film has a playful tone, which gave me the creative freedom to experiment with editing patterns and rhythms. Working with a director who was already a friend made the collaboration smoother. What part of the film did you like the most? While I truly enjoy the film as a whole, the start of the heist, when the gang begins to execute their plan, is my favourite. Everything came together beautifully — the writing, cinematography, production design, performances, and music. A close second would be the Aada Pisacham song; it was a blast to edit that. (laughs) Do you have fun while editing a film or is the work difficult? Like any job, it has both fun and challenging moments. Creating a story out of raw footage is incredibly satisfying. But it's also mentally and physically exhausting. Sitting in a dark room all day and constantly making creative decisions takes a toll. People often see it as a desk job, but it involves much more. What are some key points one should keep in mind while editing? As an editor, you decide what the audience wants to sees, when they see it, and how much they know at any given moment. It's essential to understand the story, the characters, and the emotional beats thoroughly. Also, having a broader worldview helps so you can look beyond just the cut and understand what your script and audience needs or expects. Who is your inspiration? There's no single person I can name. Inspiration comes from everywhere. It could be a reel I watch, a story I hear on set, or even the thought of being part of the room where my favourite shows are being made. It's ever-evolving. Any directors you want to work with or any films that you look forward to editing? I'm always keen to work with directors who bring something different to the table and challenge me to grow as an editor. I'd love to work with Zoya Akhtar and Sudha Kongara someday. It would be a dream to collaborate with filmmakers like Aaron Sorkin or Guy Ritchie. And sometimes, I imagine how special it would have been to work with someone like Singeetam Srinivasa Rao. What keeps you motivated in your work? As cliché as it may sound, I genuinely love what I do. That's my biggest motivator. Apart from that, I have a drive and zeal to make it in this industry so that this avenue opens up to a lot more women. Any upcoming projects ? I'm currently working with Karthik Gattamneni on his next film titled Mirai .
Hans India
21-04-2025
- Entertainment
- Hans India
Weekly Watchlist: Theatrical & OTT Releases to Catch (April 21–25, 2025)
Get ready for a cinematic treat as the last week of April brings a mix of action, comedy, drama, and heartfelt storytelling, both in theatres and on your favorite OTT platforms. From gripping crime comedies like Chaurya Paatam and Sarangapani Jathakam, to high-octane thrillers like Ground Zero, and fresh new shows streaming across Netflix, Jio Hotstar, Zee5, and more—there's something for everyone to enjoy. Here's your quick guide to what's releasing this week! 1. Chaurya Paatam Cast: Indraram, Payal Radha Krishna Director: Nikhil Gollamari Producer: Trinadharao Nakkina A story that explores the meaning behind "stealing" not as a trick, but as a survival choice. What lesson does the hero learn from it? That's the heart of the film. 2. Sarangapani Jathakam Cast: Priyadarshi Pulikonda, Roopa Koduvayur Director: Mohan Krishna Indraganti Can one's destiny be read from palm lines—or does it lie in their own hands? This film follows a young man caught between belief and love. 3. Gymkhana Cast: Naslen K. Gafoor Director: Khalid Rehman A boxing-based comedy entertainer! Naslen, known for Premala, impresses with his Telugu-speaking skills. Expect laughs, punches, and energy. 4. Ground Zero Cast: Emraan Hashmi, Sai Tamhankar, Zoya Hussain, Mukesh Tiwari Director: Tejas Prabha Vijay A high-stakes thriller drama landing in theatres this Friday. 5. Shiva Shambho Releasing in select theaters including Suryapet Junction OTT Releases This Week Jio Hotstar The Rehearsals (English) – Season 1 – April 21 Star Wars: Yandere (English) – Season 1 – April 23 L2: Empuraan (Telugu) – April 24 Netflix Bullet Train Explosion (English) – April 23 A Tragedy Foretold: Flight 3054 (English) – April 23 You: The Killer – Finale Movie – April 24 Hero of the Week (English) – April 25 Detective Conan (Animation) – April 25 Havoc (English) – April 25 Jewel Thief: The Heist Begins (Hindi) – April 25 Zee5 Ayyana Mane (Movie) – April 25 SonyLIV Shirdi Wale Sai Baba (Movie) – April 21
