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Yahoo
10-07-2025
- Entertainment
- Yahoo
Stampede concertgoers raise safety concerns after rapper draws huge crowd
A Calgary Stampede concert headlined by hip-hop superstar Don Toliver has raised safety concerns among attendees, with some wondering whether the artist — who currently has over 35 million monthly listeners on streaming platform Spotify — was too popular for a free show in a relatively small venue. The Houston, Texas rapper took the stage Tuesday night at the Calgary Stampede's Coca-Cola Stage, which offers complimentary outdoor concerts included in Stampede admission. Known for his energetic music, Don Toliver has released multiple RIAA-certified platinum songs including hit records After Partyand No Idea. After headlining arenas around the world on his 2024-2025 North America and Europe tour, the announcement of Don Toliver's free performance in Calgary came as a surprise to fans. "To have a pretty big artist, in a free show, in a smaller venue is kind of a recipe for disaster," concertgoer Elise Pigeon told CBC News. Pigeon was one of the many people who attended the concert, which also featured performances from R&B singers Tinashe and Charlotte Day Wilson. Another attendee, Serena Freitas, said she needed help from security to get out of the crowd for her own safety after the rapper's first few songs. "It was just too crowded and way too pushy … I stopped being able to breathe pretty quickly," she told CBC News. Freitas said she had spent 11 hours in front of the Coca-Cola Stage waiting for Don Toliver's performance before he came on at 9:30 p.m. As an avid fan of the rapper, she knew the concert would be "really crowded," but that the situation quickly got out of control when he took the stage. "I've never had to be pulled out of a concert in my life," said Freitas, who shared footage of her experience on TikTok. Further back in the crowd, Ereyka Alfarero said the experience was a "nightmare" for her. "Literally, I was being crushed," she said. "I'm 5'2 … I'm just there trying to survive." Alfarero said she had already seen Don Toliver perform three times, so she quickly decided to leave shortly after the rapper took the stage — though leaving proved difficult for her. "I was dragged into the front by people pushing and pulling, and there was no way out," said Alfarero. Social media footage appears to show some concertgoers struggling to move or leave during the performance, while other videos feature people enjoying themselves, singing along and dancing. No information on any injuries is currently available from officials. Aaron Paramedical provided standby medical services at the Calgary Stampede. According to company president Scott Wardley, there were eight to 10 staff assigned solely to the Coca-Cola Stage. Representatives of Don Toliver could not be reached for comment ahead of publication. Kerrie Blizard, the Calgary Stampede's director of public safety, said during a media availability on Wednesday that the concert "was a great success." "The concert had great attendance last night and it's not any levels of attendance that we didn't anticipate," she said. To handle the anticipated crowd size, an alternate viewing location for the concert was set up at another site, with a livestream of the concert offering a "laidback atmosphere" compared to the Coca-Cola Stage's mosh pits. Blizard said footage of the crowd shows that "there was ample room for people to dance and move about," and that "when we heard the remarks from the fans leaving at the end of the night, the majority of what we heard was very positive." She said Stampede Park as a whole has "no assigned capacity" for the number of visitors it welcomes. According to the Calgary Stampede, 193,033 people were at the park on Tuesday. Five hours before Don Toliver was scheduled to take the stage, the Calgary Police Service addressed concerns around the event in a social media post on Tuesday afternoon. "We are aware of concerns circulating on social media regarding the size of the crowd expected for tonight's Coke Stage performance at the Calgary Stampede," read the police statement, which also outlined steps for staying safe. Police officers joined Calgary Stampede security personnel to help manage the crowd. During the Wednesday media availability, the Calgary Police Service's Stampede incident commander Scott Campbell declined to comment on the safety of the concert. He noted that officers responded to medical incidents during the show and "arrested and ejected" a person for "climbing on a structure during the concert." He added that there is "no indication" a stabbing Tuesday night, which left three people seriously injured, "has anything to do with the concert."
Hamilton Spectator
15-05-2025
- Entertainment
- Hamilton Spectator
Yes, the Calgary Stampede is the country's biggest rodeo. But it's also a 10-day citywide party
Only in Canada is a new travel series that acts as a love letter to the bucket-list destinations and experiences in our beautiful country. Look for the Only in Canada series every week. 'Yahoo!' It's the greeting that rings through the streets of Calgary for 10 days in early July, when roughly 1.5 million attendees (about a third of them out-of-towners) turn this modern and diverse city into a festival of cowboy dress-up, with an influx of legitimate cowboys thrown in for good measure. Officially branded as 'the greatest outdoor show on Earth,' the Calgary Stampede is a celebration of what is usually described as 'Western culture,' in the form of an agricultural fair and rodeo competition. It is also a midway carnival filled with rides and various combinations of fried foods on a stick; one of Canada's largest music festivals; an occasion to swan around the city in chic Western regalia; a parade (marshalled this year by Shania Twain) that takes over downtown streets for an entire morning; plus a big ol' party where the distinction between weekdays and weekends all but disappears. Visitors will undoubtedly spot — and perhaps even take cues from — drunken revellers stumbling around in stiff cowboy boots and cheap straw hats. But beyond the partying, the non-profit organization behind the Stampede also brings a sense of family fun and community engagement. The sun sets over the 26 tipis at Elbow River Camp on Stampede Park. Initiatives include the Pop-up Neighbours campaign (to welcome new Canadians with a literal welcome wagon), respectful Indigenous programming (such as an on-site tipi camp), and daily, free pancake breakfasts at community centres throughout the city. It's a choose-your-own-adventure, and no two visitors' Stampedes will look exactly the same. Much of the Stampede's continuing allure is the combination of its reverence for history — the event dates back to 1912 — and a willingness to evolve. This involves both the official Calgary Stampede (the entertainment, rodeo, midway and exhibitions on Stampede Park) and the more generalized Stampede spirit permeating nearly every corner of the city. On Stampede Park, recent changes include the opening of the newly expanded BMO Centre, which will be home to a retail market, cultural performances and a 'relaxation zone,' as well as the relocation of the Coca-Cola Stage, a free-with-park-admission music venue that last year hosted artists from Orville Peck to G-Eazy. A performer in 'Starslingers' by Le Cirque de la Nuit, a theatrical production at the BMO Centre during the 2024 Calgary Stampede. Defying any lingering redneck stereotypes, for over a decade the on-park Nashville North concert venue has hosted a dedicated Pride Day, complete with superstar drag performances. And to add a different kind of agricultural product to the fair, the Stampede launched an international wine competition in 2024, with winning bottles served throughout the park. A growing number of Alberta businesses are also joining in the revelry. Eau Claire Distillery, for example, makes a Stampede-branded whisky with locally grown rye, now served within the Stampede grounds and at restaurants and bars around the city. 'Whisky sales soar during Stampede,' says Eau Claire's president David Farran. 'It's like another Christmas for us.' One of the biggest off-park developments over the past decade has been the proliferation of massive event tents sprinkled through the inner city. The Stampede has always had a strong musical element, with major artists playing free stages on Stampede Park and ticketed concerts at the Saddledome, but many off-park concerts were once the domain of invite-only corporate events. These days, there are publicly accessible, temporary venues such as Badlands, the Wildhorse Saloon and, the daddy of them all, the Cowboys Music Festival (expanding to a new location for 2025). They form the heart of what some have affectionately dubbed 'Cowchella,' with headliners representing rock, EDM, hip-hop and, of course, country music. These venues have the capacity to host thousands of people every night of the Stampede. 'Stampede wasn't always something that catered to everybody. But now it does,' says Jon Molyneux, vice-president of business development, sales and events at the Concorde Group. His hospitality company, which runs the Wildhorse and National Saloon tents, has booked bands like the Violent Femmes and the Strumbellas to play this summer. 'There's a lot for people not strictly into country music.' Metric performs in front of thousands of fans at the Coca-Cola Stage on Stampede Park during the 2024 Calgary Stampede. Think of the Stampede as Canada's Mardi Gras: Tradition is certainly part of the charm, but there's more to this cultural rodeo than, well, rodeo. Even if it just means traversing Calgary's other sights with the dull roar of a party in the background, there's no other citywide celebration quite like it. 'I don't think there's anywhere in the world that a whole city gets together to celebrate for this long,' Farran says. 'Calgary basically stands still, so everyone can enjoy themselves for those 10 days.' Elizabeth Chorney-Booth is a travel writer and lifelong Calgarian who long resisted the Stampede but finally fell in love with the festival.
Yahoo
24-04-2025
- Entertainment
- Yahoo
Gloria Estefan & Daughter Emily Estefan Write Music & Lyrics for New Musical ‘BASURA'
A new musical inspired in a Latin American true story is heading to Broadway, with music and lyrics by no other than Cuban-American superstar Gloria Estefan and her daughter, songwriter Emily Estefan. BASURA (Spanish for 'garbage') will narrate the journey of Paraguay's Recycled Orchestra, a group of young artists who turn scrap material into instruments and music into possibilities. The Thursday (April 24) announcement coincides with the third edition of Billboard Latin Women in Music, just one year after Gloria Estefan received the Legend award. More from Billboard Nikki Glaser Had a Golden Globes Joke About Benny Blanco She Thought Might Be Too Mean - So She Asked Him Beéle Leads 2025 Heat Latin Music Awards Nominations: Complete List BigXthaPlug Makes Late-Night Debut, Gifts Jimmy Kimmel Texas Slab Chain Based on the award-winning documentary Landfill Harmonic, BASURA brings the sound of Paraguay's Recycled Orchestra to the theater as a 'heart-swelling reminder that even in the most unlikely places, you can build something beautiful,' according to a press release. The show will first run at the Coca-Cola Stage at Alliance Theater in Atlanta from May 30 to July 12, 2026, before heading to Broadway. 'This is a story that has been close to my heart for several years since I first encountered the determination and ingenuity of the young people of Paraguay's Recycled Orchestra,' Gloria Estefan said in a statement. 'Emily and I are thrilled for our music to be a part of telling their story in this original musical. We could not be more excited for BASURA to begin its theatrical life in a city as influential and diverse as Atlanta with a theater as consequential as the Alliance.' BASURA is directed by Michael Greif (Rent, Dear Evan Hansen), with a book by Karen Zacarías (Native Gardens, Destiny of Desire). Alex Lacamoire (Hamilton, In the Heights) is the musical supervisor, orchestrator, and arranger; Patricia Delgado (Buena Vista Social Club) the choreographer, and Ken Cerniglia (Hadestown, Newsies) the dramaturg. The show was produced in partnership with Michael Shulman (Sand and Snow Entertainment) and Colin Callender and Daniel Unitas (Playground). Wendy Orshan and Jeffrey Wilson of 101 Productions, Ltd will serve as general managers. BASURA was developed, in part, with support from The Orchard Project and Ari Edelson, artistic director. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
