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Colin Steele Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'
Colin Steele Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'

Scotsman

time27-06-2025

  • Entertainment
  • Scotsman

Colin Steele Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'

Sign up to our Arts and Culture newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Colin Steele Quartet, Glasgow Royal Concert Hall Green Room ★★★★★ A sultry midsummer Glasgow evening: a fitting setting, perhaps, for trumpeter Colin Steele and his peerless quartet to launch their album The Blue Nile. The third of their trio of 'songbook' albums which have already re-imagined the music of Joni Mitchell and the Pearlfishers, this tribute to the fabled Glasgow band and its urban nocturnes was on its second sitting, an earlier extra concert having been organised due to demand. Advertisement Hide Ad Advertisement Hide Ad Colin Steele PIC: Archie MacFarlane You'd think the Blue Nile's Heatwave might make an appropriate opener but, no, they went for Downtown Lights and almost immediately, even over Alyn Cosker's rumbustious drumming, you were conscious of Steele's measured mute trumpet phrasing evoking Blue Nile frontman Paul Buchanan's wistful vocals (some of us thought Buchanan might just make a brief appearance on stage to endorse this superb jazz tribute: in the event, he blessed the occasion by sending flowers). The musical homage continued with the slow yearning of Let's Go Out Tonight, with its cool drift of trumpet, while pianist and arranger Dave Milligan delivered a lovely, almost baroque piano solo. Then it was Heatwave, trumpet singing sparely over gently ticking piano and Cosker letting off steam in a drum break. Steele's penchant for ballads was well exercised, not least with the beautiful stillness of Easter Parade, its plaintive melody introduced by double bassist Calum Gourlay.

Colin Steel Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'
Colin Steel Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'

Scotsman

time23-06-2025

  • Entertainment
  • Scotsman

Colin Steel Quartet, Glasgow Jazz Festival review: 'a measured tribute to The Blue Nile'

Sign up to our Arts and Culture newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Colin Steele Quartet, Glasgow Royal Concert Hall Green Room ★★★★★ A sultry midsummer Glasgow evening: a fitting setting, perhaps, for trumpeter Colin Steele and his peerless quartet to launch their album The Blue Nile. The third of their trio of 'songbook' albums which have already re-imagined the music of Joni Mitchell and the Pearlfishers, this tribute to the fabled Glasgow band and its urban nocturnes was on its second sitting, an earlier extra concert having been organised due to demand. Advertisement Hide Ad Advertisement Hide Ad Colin Steele PIC: Archie MacFarlane You'd think the Blue Nile's Heatwave might make an appropriate opener but, no, they went for Downtown Lights and almost immediately, even over Alyn Cosker's rumbustious drumming, you were conscious of Steele's measured mute trumpet phrasing evoking Blue Nile frontman Paul Buchanan's wistful vocals (some of us thought Buchanan might just make a brief appearance on stage to endorse this superb jazz tribute: in the event, he blessed the occasion by sending flowers). The musical homage continued with the slow yearning of Let's Go Out Tonight, with its cool drift of trumpet, while pianist and arranger Dave Milligan delivered a lovely, almost baroque piano solo. Then it was Heatwave, trumpet singing sparely over gently ticking piano and Cosker letting off steam in a drum break. Steele's penchant for ballads was well exercised, not least with the beautiful stillness of Easter Parade, its plaintive melody introduced by double bassist Calum Gourlay.

The Blue Nile songbook gets a brilliant jazz interpretation
The Blue Nile songbook gets a brilliant jazz interpretation

The Herald Scotland

time18-06-2025

  • Entertainment
  • The Herald Scotland

The Blue Nile songbook gets a brilliant jazz interpretation

Now, courtesy of the brilliant Scottish trumpeter and composer Colin Steele comes an engrossing collection, Colin Steele Quartet - The Blue Nile: Jazz Interpretations of the Blue Nile Songbook, which is released this week. In the company of Calum Gourlay on double bass, Alyn Cosker on drums and pianist Dave Milligan - the latter also arranged the album - Steele delivers striking re-imaginings of many of the Blue Nile's finest moments, from Heatwave and Because of Toledo to Let's Go Out Tonight, Headlights on the Parade, and Easter Parade. Family Life, one of Paul Buchanan's most affecting songs, becomes even more so in the hands of the Quartet and Steele's sinuous trumpet lines. Mid Air, the title track from Buchanan's only (thus far) solo album, released in 2012, gets a particularly beguiling treatment here. As Marina Records, the label behind the new release, puts it: "The album perfectly captures and enhances the late-night moods and aural landscapes of The Blue Nile's music, while also adding some unexpected, and, yes, even slightly funky grooves to songs like Body and Soul and Headlights On The Parade". The Steele quartet is no stranger to the concept of covering other artists' material. Eight years ago they brought out Diving for Pearls, a songbook devoted to The Pearlfishers duo; three years after that, it was the turn of Joni Mitchell, with Joni. In an interview with The Scotsman to mark the release of the Mitchell album, Colin described himself as 'an obsessive listener,' listening to her songs over and over and focusing on the vocals of each one – 'every word and inflection she makes, really obsessing where she places notes, how she phrases everything as well as the whole feel. I keep on listening until there's a moment when I kind of hear space in there to put my own voice as well.' As for his admiration of the Blue Nile, he said recently: 'I am a massive fan of The Blue Nile. I love the melodies of their songs, but I also particularly love the overall atmosphere they create. Paul Buchanan's vocals are beautiful and intimate, his singing actually reminds me of Miles Davis's trumpet playing. Understated and cool, but every nuance filled with beauty and so much emotion". The new album, which was recorded in the space of just one day at Castlesound studios at Pencaitland, where the Blue Nile albums were recorded, has been given the blessing of Paul Buchanan himself. The album has already received enthusiastic praise, with the German online music journalist Werner Herpell has described it as "my jazz album of the year. A masterpiece". The record is available on CD in a six-panel digisleeve and as a vinyl edition limited to 500 copies. The CD version features two additional tracks - Happiness and Headlights On The Parade. Steele and his Quartet preview the new record at Edinburgh's Jazz Bar tonight - Wednesday, June 18 - followed by two sold-out launch concerts at the Glasgow Royal Concert Hall two days later, on Friday, June 20. *

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