Latest news with #CollegeforCreativeStudies

Yahoo
15-05-2025
- Entertainment
- Yahoo
Detroit's College for Creative Studies to mark 100th student exhibition
Detroit's College for Creative Studies (CCS) has been sending gifted artists out into the world for over a century, and on Friday, May 16, the institution will celebrate the 100th anniversary of its annual Student Exhibition Opening and Reception. Boasting more than 3,000 pieces of art and design across creative disciplines, the 6-10 p.m. event will feature live entertainment, hors d'oeuvres and drinks. 'We have transportation design, game design, fashion design,' said CCS president Don Tulski. 'We also have interior design now. We have interdisciplinary art and design as well as communication design, product design, in which you'll see a lot of really cool stuff. You'll also see animation and film, photo, a lot of arts and crafts. We have glass blowing, metalsmithing and jewelry, which informs our fashion program. 'We're one of the few colleges that has that range of art and design. That we're pretty proud of, and we do it at a high level. Our quality is really good. Our students go on to show work in galleries around the world, around the United States, and our designers go on to work for General Motors, Ford, Stellantis, the fashion brands you might think of like Stuart Weitzman, Louis Vuitton, Coach. We have our alums who do animation and film and go on to work in Hollywood on shows like 'The Mandalorian,' or creating their own shows. And we have alums that are now working at Boston Dynamics as robot designers, which is part of the future.' Also this weekend: Tense, powerful 'Central Park Five' a must-see at Detroit Opera: Review Also this weekend: 12-year-old Oxford girl stuns in school shooting drama at Detroit Public Theatre The 2025 Student Exhibition will have displays at both the A. Alfred Taubman Center for Design Education and the Walter and Josephine Ford Campus. Free parking will be available on both campuses with a complimentary shuttle service to and from either campus. 'It's really a big celebration for creativity in Detroit,' said Tulski, 'and it starts right here at CCS.' Tickets for the Student Exhibition Opening and Reception start at $50 (or $30 for alumni) and can be purchased at Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@ This article originally appeared on Detroit Free Press: Detroit's College for Creative Studies marks 100th student exhibition


Forbes
04-05-2025
- Entertainment
- Forbes
Detroit College For Creative Studies Holds Student Fifth Annual Runway
The College for Creative Studies (CCS) elevated Detroit following past collaborations with luxury giants like Bottega Veneta and Gucci, this year's runway—titled 'Icons'—served as a bold statement on American-made craftsmanship and Detroit's cultural legacy. Marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. The College For Creative Studies Fashion Design Program is recognized as the largest and most equipped fashion accessory design department in the United States. Established precisely a decade ago under the leadership of renowned footwear designer and Linda Dresner Endowed Chair in Fashion Design, Aki Choklat, the accredited university recently showcased the latest generation of designers out of the Motor City. DETROIT, MICHIGAN - OCTOBER 21: Mary J. Blige, and stylist Jason Rembert watche a model walk the runway at the Bottega Veneta Salon 03 Collection Presentation at Michigan Theater on October 21, 2021 in Detroit, Michigan. (Photo byfor Bottega Veneta) Previously hosting luxury brands Bottega Veneta and Gucci for runway experiences unique to the city of Detroit, Michigan, The 'Icons' Show by CCS is the statement and follow-up to the reinvigoration of American-made craft, and luxury aesthetics, a homage to the cultural movements and legacy of Detroit. The College for Creative Studies (CCS) elevated Detroit following past collaborations with luxury giants like Bottega Veneta and Gucci, this year's runway—titled 'Icons.' Marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. The College for Creative Studies (CCS) celebrated the fifth edition of its runway, The Show, on April 26, at the General Motors Design Dome. The Show featured over 100 looks from 26 students enrolled in CCS's Fashion Design Program, including seniors, juniors, sophomores, and a selection of freshmen. This year's runway presentation marked 10 years since the department's inception in 2015 and the new direction of the program in its expansion. The College for Creative Studies (CCS); Marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. Designed in 1956 as part of Eero Saarinen's mid-century modern campus, the GM Design Dome revolutionized the automotive industry by presenting cars as art installations. Today, it stands as a historic landmark representing architectural and automotive innovation, and the backdrop for The "Icons" Show, placing emerging designers in front of a global audience. The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. The Show 2025 featured collections from Bridget Weiss, Morgan Novetsky, Jackie Kramer, Nicholas Alberto Madruga, Justin Hilberer, Emma Wilson, and Meka Johnson, the senior class of presenters. Robert Robinson was the featured freshman, while sophomores and juniors included, Santino Giglio, Luka Galle-Callahan, Sophia Jensen, Avery Mangum, Sarah Nofar, Bryce Truby, Aidan Richards, Bryn Hazen, Athan Hillman, Imani Stowers, Quade Feller, Kaiden McArthur, Maxwell Honeycutt, Veronica Wardowski, Isabella Abohasira, Marwa Bissada, Falina Jimerson, and Griffin Mesner. The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. The event welcomed over 400 guests from fashion's echelon of brands, including, Martine Rose, Louis Vuitton, and Carhartt, as well as artists like beloved Detroit natives, Tiff Massey, and eyewear designer Ali Evans of GODNII. Athan Hillman: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch, the event highlighted the department's evolution and ambitious new direction in luxury fashion design. Themes from seniors showcasing collections The 'Icons' Show varied and saw a vast display of inspiration. Justin Hilberer's collection Preservation examined evolution and animal adaptability with a brutalist-inspired approach, while Meka Johnson and her collection Ambrose displayed the seven deadly sins in couture bridal wear. Senior Jackie Kramer and her Courage is a Virtue collection presenting the theme of sacred geometry in academia, balancing leather and wood to represent the 'golden mean.' Justin Hilberer: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. Bridget Weiss' collection Seal the River at its Mouth, Take the Water Prisoner, explored technology's domination over nature, blending aquatic and automotive influences through wood, leather, and 3D-printed aluminum. Emma Wilson's Gaia Carnis critiques the exploitation of women and nature, using leather, lambskin, fur, and worms that contort traditional perceptions of beauty. Jackie Kramer: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. Seniors Nicholas Madruga and Morgan Novetsky displayed illustrious interpretations of ready-to-wear on the runway. BIONICK by Madruga is a homage to his childhood and nature, highlighting modern streetwear silhouettes into distinct manifestations of high-end functionality made from upcycled materials, paired with custom 3D-printed shoes. Meka Johnson: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. "I'm always surprised when I see the final presentations from students," Choklat admitted, referring to Nicholas Madruga's work. "He was sneaky! He didn't show us some finished pieces during jury reviews. Those neon green 3D-printed shoes were amazing. The styling was incredible." He emphasized the runway's transformative power stating, "It's always interesting to see how things work in a show versus in the studio." Bridget Weiss: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. Novetsky's EMET-met collection took a humbled approach from the student's vernacular, peering into the anxieties of building a legacy through fashion. Her accessories collection reveals the raw process of shoemaking. Raw-edged stitching, flailing hides, and materials revealed underneath symbolize the uncertainty of a career in fashion post-graduation. Emma Wilson: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. What allows this program to shine is its faculty members who foster each of the dozens of students within the Fashion Design Program. CCS enlisted Antwerp designer Rey Padoras as associate professor, leading the Apparel Design department, and the contributions of career veterans into the next generation. Morgan Novetsky: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. Choklat explained, "You can't do one part of fashion without the others. We added apparel, then realized we needed the business side, too. Now, we have all three pillars." The department has expanded from Accessories design, to include Apparel Design, making it a robust program competitive in today's job market. Nicholas Alberto Madruga: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. Students also benefit from industry connections through the Fashion Design Advisory Council, featuring representatives from Louis Vuitton, Bottega Veneta, Tapestry, Hermès, Caleres, Carhartt, and the CFDA. These partnerships provide students with sponsored projects and biannual jury evaluations, preparing them for the job market. CCS has recently announced plans for a Fashion Business Management Program, set for 2026 accreditation. Nicholas Alberto Madruga: The College for Creative Studies (CCS) held its fifth edition of The Show on April 26 at the GM Design Dome, featuring over 100 looks from 26 students across its Fashion Design Program. "We started with maybe four or five models years ago, and now it's a major production," Choklat noted, stressing the need to compete with top U.S. fashion schools. "My dream is for CCS to have the same respect as everyone else—and I think we're reaching that." Aidan Richards: The College for Creative Studies (CCS) runway titled 'Icons' marking a decade since the program's 2015 launch. SEEN Magazine, the hyper-local lifestyle publication celebrating metro Detroit's culture, featured the story of CCS and its student body. CCS is a nonprofit, private college accredited by the Higher Learning Commission, offering Bachelor's and Master's degrees. Located in midtown Detroit, Michigan, CCS prepares students for careers in art and design, fostering creativity, ethics, and leadership. Griffin Mesner: The College for Creative Studies (CCS) elevated Detroit, this year's runway titled 'Icons' marking a decade since the program's 2015 launch. "Our department is full of love. We want to share that with the world." Choklat's pride in CCS's growth as a niche program to a creative hub in the industry, pedestalizing Detroit's creative resurgence. As an institution fostering the next generation of artists and designers through its experiential learning model, CCS aims to contribute to Detroit's creative economy with its annual runway presentation.
Yahoo
30-04-2025
- Automotive
- Yahoo
These Ford Mustang Concepts Are Dog Water
Read the full story on The Auto Wire We've seen several automotive publications express excitement over what quite frankly are dog water Ford Mustang concepts designed by international students. We get these kids probably have no idea what America's pony car is really all about, but the fact Ford then showcased these design concepts and will be building full-scale models of each is cause for held a design contest in collaboration with China's College for Creative Studies, which expanded to other countries like Germany, we guess to show off how cosmopolitan the Blue Oval has become. That's fine, but none of the three finalist designs are truly recognizable as the pony car so many love. The first is called the Mustang Mach-S Concept and it looks like the C7 Corvette and Porsche Panamera had a love child. There's absolutely nothing Mustang about its shooting brake shape, which is supposed to be more practical for road trips. It's not that the design is bad, it's that it doesn't fit with the Mustang aesthetic or philosophy at all. The Mustang Hyper Tandem Concept looks like those crazy Hot Wheels cars we played with as kids, only an automaker is touting this as a possibility now. Designed as more of an endurance racer, other than the taillights and badge, we couldn't peg this thing as a Mustang (which we could also say about the Mach-E). Why couldn't Ford launch a new model line like this? What's the point of slapping a pony badge on this thing? This feels cheap and disingenuous. We think people are becoming increasingly wary of this sort of thing as automakers seem more willing to rob the past to sell the half-baked modern vehicles. Then there's the Mustang Super Utility Concept, something which looks straight out of a gritty sci-fi movie like Blade Runner or maybe Robocop. It's apparently supposed to be an off-roader, which you could've fooled us with the low ride height. What we want to know is why Ford would make an off-road Mustang that looks like this melted candy bar on wheels when it has the Bronco lineup? We're not going to applaud this thing like the trained seals are doing, because it's objectively stupid and ugly. One would think after the whole Probe debacle, which was supposed to be the new Mustang, Ford would've learned its lesson. But more recently it applied the Mustang name to the Mach-E grocery getter, so we don't have a lot of faith these concepts won't foreshadow some weird vehicle that's nothing like the Mustang wearing its badge. Images via Ford Join our Newsletter, subscribe to our YouTube page, and follow us on Facebook.