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Sydney Morning Herald
23-05-2025
- Entertainment
- Sydney Morning Herald
I was having a nice day at the beach. Then Nicolas Cage turned up
It's a postcard-perfect day. The sky is a cloudless blue, the sand is golden brown, waves crash on the beach in rhythm, as I stand on the water's edge and watch Hollywood superstar Nicolas Cage attempt to force-feed a rat to a drowning man. I'm on the set of The Surfer, a new film from Irish director Lorcan Finnegan, shot in Yallingup, Western Australia. I am here as an accidental plus-one. When I got the call to visit the set, no one knew Miranda Tapsell had joined the cast. Such is my commitment to this story, I'd made sure to marry her seven years earlier. Of course, I leapt at the opportunity. Who wouldn't want to sit in and see what your partner actually does all day? Especially when 'what they do' happens to include performing alongside one of your favourite actors of all time. From childhood viewings of Con Air, Face/Off and Gone in Sixty Seconds (all far too early), to irony-fuelled teen years with The Wicker Man, to pretentious uni days spent analysing Adaptation, and finally, adult admiration for Moonstruck and tender oddities like Pig – my Nicolas Cage fandom has been lifelong, chaotic, and evolving. Certain expectations come with any Nicolas Cage film, as any fan knows. You cannot always guarantee it will be good or even comprehensible, but you can be certain it will never be boring. A media storm has followed this production, breakfast news tracking every movement of Cage and his family across the country, including interviews on multiple networks with the owners of Busselton's Food Of Asia grocery store, who had the honour of selling kimchi, rice and oranges to Cage. While I'm on set, there's a quiet fascination with Cage — his methods, his choices, his presence. All the things that make him unmistakably The Cage. I'm told a story of Cage quietly reading the paper, only to notice three passing actors with whom he has a fight scene later in the day, and announce to them that they better prepare for an arse-kicking. The grown men giggle with delight. Despite the erratic nature of his character and the 'Rage Cage' moniker his back catalogue has picked up over the years, Finnegan says everything Cage does is very thoughtful and deliberate. In The Surfer, Cage plays the eponymous Surfer on a downward spiral as he attempts to buy back his childhood home and surf at his local beach. 'We had lots of conversations in prep before shooting and teased out everything,' Finnegan says. 'Nick had some dialogue tweaks, which we included in the script, so by the time we started shooting, he was incredibly prepared and never needed to look at the script again. He also tracked his character's physical changes, like his limp and his voice becoming hoarse.' The Surfer 's antagonist walks a line somewhere between sandcastle kicking beach bully and tech evangelist cult leader. Played by Australian actor Julian McMahon, he bounces off Cage in that kind of part-seductive tango, part death-spiral. 'You know what Nic is going to bring is a lot of energy, and a lot of dynamics and a lot of creativity to his piece because he always has and always does. I can't imagine him not,' McMahon said. 'I don't know if it's the influence of Nic's energy that I knew coming in was going to be present but I definitely felt like this character, there's a beauty in the quietness and simplicity of him a lot of the time, and that would work nicely with the energy that someone like Nic brings to the piece. You want to take them on a journey. You want to push that boundary. I've always found it interesting, when you play a bad guy, to see how much you can get people to love you.' While I arrive too late to witness my wife's scene with Cage, Ms Tapsell did agree to grant me an interview (on the proviso I refer to her as 'Ms Tapsell'). 'It was absolutely surreal working with Nic Cage. He called a lot of the shots on the set,' she says. 'There was no rehearsal, we just had to go for it. Luckily, I knew all my lines. But he was very patient, he was very kind.' At one point, as cameras and equipment were hastily moved around Tapsell, she had to raise her hand to ask what exactly was going on. 'This man elbowed me and it was Nic and he said 'So basically, I am going to go over there and I'm going to kick some ass' and I said to myself, yeah, this is it, this is why I said yes to the project in the first place. I am in Con Air. I am in Face/Off. It's going to be one of those things that stays with me forever.' The Surfer features a strong Australian cast, including Nicholas Cassim (The Correspondent, Mr Inbetween) and emerging talent Finn Little. At just 18, Little has already built an impressive resume, from his debut in Storm Boy (2019) to a role in the international series Yellowstone. His role as Cage's son was shot as he flew back and forth between his year 12 exams. 'It sounded like a good role. Come to Western Australia, do a bit of surfing, hang out with Nic Cage,' Finn says. Like many on set, Finn had a favourite Cage film he was happy to chat about during production – in his case, the recent hit The Unbearable Weight of Massive Talent. 'To take the piss out of yourself in a movie about yourself ... It was a good film.' Producer Robert Connolly, whose expansive filmmaking career includes Australian stories from Balibo to The Dry, says there are creative opportunities that come with bringing the outside eye into Australian cinema, noting that Wake In Fright was directed by Ted Kotcheff, a Canadian. Loading It's clear speaking with Lorcan that he is a great fan of Australian cinema. 'Lots of early Peter Weir films were an inspiration to me in general when I started filmmaking, like The Plumber, Picnic at Hanging Rock, and The Last Wave, as well as Colin Eggleston's film Long Weekend,' he says. 'Wake in Fright and Walkabout were also key inspirations – and examples of non-Australian directors making very Australian films – so we felt we could continue in that tradition with The Surfer.' The quest to find the perfect location for the film started in Kalbarri, a six-hour drive north of Perth, and weaved its way down the coast until Lorcan and his team arrived in Yallingup, a journey of over 800 kilometres. There, they found a location so perfect it was as if it had been conjured by the script itself, somehow both claustrophobic and expansive, beautiful and dangerous. Connolly puts it simply: 'This is a film called The Surfer and this is a world renowned surf beach.' The turbulent surf and perilous escarpment provided a challenge for filmmakers but Connolly was determined to stay out of the studio. 'I've always thought that the success of high-end streaming has thrown down the gauntlet to filmmakers to make films for the cinemas even better,' he says. 'Shooting that wide angle, shooting on location, taking the audiences somewhere that they're going to see the trailer and say 'What is that? It's epic.'' Loading The Australia depicted is both familiar and unnervingly hyperreal. From The Surfer 's very first interactions with an Australian, where obscenities are barked in his face for no apparent reason, to constant harassment by a band of unruly teens, to the calm but threatening deployment of a 'Yeah but nah'. According to Lorcan, this was the work of screenwriter Thomas Martin, who has spent significant time working in Australia. But they also received a little bit of help from the locals. 'It was great to be surrounded by Australian talent while making the film – there's some osmosis that happens organically. We also dropped in some colloquialisms and vernacular that the actors or local surfers advised on.' In the film, we're shown a country where everyone's a prick, everyone's performing some kind of heightened interpretation of masculinity, there's a cultish devotion to the surf, and an unjustified ownership over a public beach. It's a heightened, funny, deliberately outrageous Australia, but not one that feels completely beyond the realms of possibility. James Colley travelled as a guest of Stan. Stan is owned by Nine, owner of this masthead.
The Age
23-05-2025
- Entertainment
- The Age
I was having a nice day at the beach. Then Nicolas Cage turned up
It's a postcard-perfect day. The sky is a cloudless blue, the sand is golden brown, waves crash on the beach in rhythm, as I stand on the water's edge and watch Hollywood superstar Nicolas Cage attempt to force-feed a rat to a drowning man. I'm on the set of The Surfer, a new film from Irish director Lorcan Finnegan, shot in Yallingup, Western Australia. I am here as an accidental plus-one. When I got the call to visit the set, no one knew Miranda Tapsell had joined the cast. Such is my commitment to this story, I'd made sure to marry her seven years earlier. Of course, I leapt at the opportunity. Who wouldn't want to sit in and see what your partner actually does all day? Especially when 'what they do' happens to include performing alongside one of your favourite actors of all time. From childhood viewings of Con Air, Face/Off and Gone in Sixty Seconds (all far too early), to irony-fuelled teen years with The Wicker Man, to pretentious uni days spent analysing Adaptation, and finally, adult admiration for Moonstruck and tender oddities like Pig – my Nicolas Cage fandom has been lifelong, chaotic, and evolving. Certain expectations come with any Nicolas Cage film, as any fan knows. You cannot always guarantee it will be good or even comprehensible, but you can be certain it will never be boring. A media storm has followed this production, breakfast news tracking every movement of Cage and his family across the country, including interviews on multiple networks with the owners of Busselton's Food Of Asia grocery store, who had the honour of selling kimchi, rice and oranges to Cage. While I'm on set, there's a quiet fascination with Cage — his methods, his choices, his presence. All the things that make him unmistakably The Cage. I'm told a story of Cage quietly reading the paper, only to notice three passing actors with whom he has a fight scene later in the day, and announce to them that they better prepare for an arse-kicking. The grown men giggle with delight. Despite the erratic nature of his character and the 'Rage Cage' moniker his back catalogue has picked up over the years, Finnegan says everything Cage does is very thoughtful and deliberate. In The Surfer, Cage plays the eponymous Surfer on a downward spiral as he attempts to buy back his childhood home and surf at his local beach. 'We had lots of conversations in prep before shooting and teased out everything,' Finnegan says. 'Nick had some dialogue tweaks, which we included in the script, so by the time we started shooting, he was incredibly prepared and never needed to look at the script again. He also tracked his character's physical changes, like his limp and his voice becoming hoarse.' The Surfer 's antagonist walks a line somewhere between sandcastle kicking beach bully and tech evangelist cult leader. Played by Australian actor Julian McMahon, he bounces off Cage in that kind of part-seductive tango, part death-spiral. 'You know what Nic is going to bring is a lot of energy, and a lot of dynamics and a lot of creativity to his piece because he always has and always does. I can't imagine him not,' McMahon said. 'I don't know if it's the influence of Nic's energy that I knew coming in was going to be present but I definitely felt like this character, there's a beauty in the quietness and simplicity of him a lot of the time, and that would work nicely with the energy that someone like Nic brings to the piece. You want to take them on a journey. You want to push that boundary. I've always found it interesting, when you play a bad guy, to see how much you can get people to love you.' While I arrive too late to witness my wife's scene with Cage, Ms Tapsell did agree to grant me an interview (on the proviso I refer to her as 'Ms Tapsell'). 'It was absolutely surreal working with Nic Cage. He called a lot of the shots on the set,' she says. 'There was no rehearsal, we just had to go for it. Luckily, I knew all my lines. But he was very patient, he was very kind.' At one point, as cameras and equipment were hastily moved around Tapsell, she had to raise her hand to ask what exactly was going on. 'This man elbowed me and it was Nic and he said 'So basically, I am going to go over there and I'm going to kick some ass' and I said to myself, yeah, this is it, this is why I said yes to the project in the first place. I am in Con Air. I am in Face/Off. It's going to be one of those things that stays with me forever.' The Surfer features a strong Australian cast, including Nicholas Cassim (The Correspondent, Mr Inbetween) and emerging talent Finn Little. At just 18, Little has already built an impressive resume, from his debut in Storm Boy (2019) to a role in the international series Yellowstone. His role as Cage's son was shot as he flew back and forth between his year 12 exams. 'It sounded like a good role. Come to Western Australia, do a bit of surfing, hang out with Nic Cage,' Finn says. Like many on set, Finn had a favourite Cage film he was happy to chat about during production – in his case, the recent hit The Unbearable Weight of Massive Talent. 'To take the piss out of yourself in a movie about yourself ... It was a good film.' Producer Robert Connolly, whose expansive filmmaking career includes Australian stories from Balibo to The Dry, says there are creative opportunities that come with bringing the outside eye into Australian cinema, noting that Wake In Fright was directed by Ted Kotcheff, a Canadian. Loading It's clear speaking with Lorcan that he is a great fan of Australian cinema. 'Lots of early Peter Weir films were an inspiration to me in general when I started filmmaking, like The Plumber, Picnic at Hanging Rock, and The Last Wave, as well as Colin Eggleston's film Long Weekend,' he says. 'Wake in Fright and Walkabout were also key inspirations – and examples of non-Australian directors making very Australian films – so we felt we could continue in that tradition with The Surfer.' The quest to find the perfect location for the film started in Kalbarri, a six-hour drive north of Perth, and weaved its way down the coast until Lorcan and his team arrived in Yallingup, a journey of over 800 kilometres. There, they found a location so perfect it was as if it had been conjured by the script itself, somehow both claustrophobic and expansive, beautiful and dangerous. Connolly puts it simply: 'This is a film called The Surfer and this is a world renowned surf beach.' The turbulent surf and perilous escarpment provided a challenge for filmmakers but Connolly was determined to stay out of the studio. 'I've always thought that the success of high-end streaming has thrown down the gauntlet to filmmakers to make films for the cinemas even better,' he says. 'Shooting that wide angle, shooting on location, taking the audiences somewhere that they're going to see the trailer and say 'What is that? It's epic.'' Loading The Australia depicted is both familiar and unnervingly hyperreal. From The Surfer 's very first interactions with an Australian, where obscenities are barked in his face for no apparent reason, to constant harassment by a band of unruly teens, to the calm but threatening deployment of a 'Yeah but nah'. According to Lorcan, this was the work of screenwriter Thomas Martin, who has spent significant time working in Australia. But they also received a little bit of help from the locals. 'It was great to be surrounded by Australian talent while making the film – there's some osmosis that happens organically. We also dropped in some colloquialisms and vernacular that the actors or local surfers advised on.' In the film, we're shown a country where everyone's a prick, everyone's performing some kind of heightened interpretation of masculinity, there's a cultish devotion to the surf, and an unjustified ownership over a public beach. It's a heightened, funny, deliberately outrageous Australia, but not one that feels completely beyond the realms of possibility. James Colley travelled as a guest of Stan. Stan is owned by Nine, owner of this masthead.
Geek Tyrant
14-05-2025
- Entertainment
- Geek Tyrant
CON AIR Director Simon West to Helm WWII Espionage Thriller FORTITUDE — GeekTyrant
Director Simon West, the action maestro behind Con Air , Lara Croft: Tomb Raider , and The Expendables 2 , is stepping into the world of World War II espionage with his next project, Fortitude . Described as a historical action-adventure rooted in true events, the film will spotlight the daring British intelligence operations that used trickery, theatrics, and spies to outwit the Nazis and shift the trajectory of the war. The script, written by producer Simon Afram ( Lear Rex ), is set to begin filming this summer in London. Casting is currently underway. The film follows 'the brilliance of British Army officers Dudley Clarke and Thomas Argyll 'Tar' Robertson, who deployed an elaborate web of deception campaigns including fictitious armies, fake military equipment, and a network of double agents to mislead Nazi Intelligence. 'Among them was Yugoslavian playboy Dusko Popov, a real-life double agent. He helped lay the blueprint for James Bond, turning real-life espionage into legend, which ultimately inspired Ian Fleming's novels." Fortitude aims to zoom out and chronicle a broader scope of clever wartime cons, with historical consultation by Joshua Levine, known for his work on Dunkirk and Blitz . The emphasis will be on how imagination, not just military might, helped turn the tide of war. West shared in a statement: 'Fortitude is a tribute to the power of ingenuity, imagination, and the human spirit against all odds. In a moment when bullets couldn't win the battle, it was creativity that turned the tide. I'm truly excited to bring this untold chapter of history to life.' West has always had a flair for high-octane spectacle, but with Fortitude , he's channeling that energy into something a little different and I'm curious to see how he brings this story to life. Source: Deadline
Time Out
09-05-2025
- Entertainment
- Time Out
The Surfer
Never get between Nicolas Cage and his family. The lesson most us learned from Con Air, Face/Off and a few other Cage classics seems to elude the bullying surf posse in this lurid and enjoyably batty beach western. Cage plays an Aussie-born, American-raised finance schleb – referred to only as 'The Surfer' in a script fond of cult-movie grammar – who just wants to take his teenage son surfing on the enticing Aussie beach where he once rode waves as a kid. His Lexus, crisp work attire, and a planned deal to buy back the beachfront home where he grew up all speak of a man who has everything together – even if his boy finds the nostalgic outing a bit as Irish director Lorcan Finnegan (Vivarium) charts with fish-eyed lenses and ramping intensity, it doesn't take much for it all to fall apart spectacularly. The gang of intimidating surf bros, led by the charismatic, guru-like Scally (Julian McMahon), block him and his son from the surf – he's not a real local – then they steal his surfboard. 'Dude… that's my board,' growls Cage, 'and I want it back'. It's not quite 'put the bunny back in the box!' in the actor's pantheon of quotes, but they're still the words of a man with a game plan. Only, not so much: Cage's thwarted white-collar joe instead retreats to the beachside car park and slowly sheds his belongings, and his sanity, under the baking Australian sun. It's a lurid psychological horror that'll thrill midnight movie crowds Genre classics like Wake in Fright and Falling Down feel like blueprints here – cackling kookaburras, the rantings of a local homeless man, and composer François Tétaz's retro-kitsch soundscape the surreal wig-out – and Cage throws himself into it with his customary commitment. Puddles are slurped, dead rodents gnawed on, bins rifled through. Yet, as fun as it is to watch Cage yelling 'Eat the rat!' as random passers-by shepherd their children away, a sense of drift does kick in. The Surfer 's exploration of the thin line that separates man from beast is like a slap of factor 50 on a sunburnt back – bracing, if hardly subtle. And if you're hoping for a gnarly vengeance quest against McMahon's toxic surf guru and his punchable acolytes, that's not this film. But it's a lurid psychological horror that'll thrill midnight movie crowds and another leftfield entry in its lead's recent purple patch. Post-studio-era Cage is picking roles with real bite.
Daily Mail
03-05-2025
- Entertainment
- Daily Mail
Nicolas Cage lookalikes take over London as they channel the Hollywood movie star in hilarious contest to celebrate his latest film release
Nicolas Cage lookalikes descended upon the capital on Friday for a hilarious contest to celebrate the release of the his latest film, The Surfer. The Hollywood actor, 61, has had an illustrious film career spanning over three decades, so it is little wonder die hard fans gathered to mark his latest cinematic offering. Taking over London's Prince Charles cinema near Leicester Square, several fans pulled off their best impressions of the Hollywood hunk - with varying results. The winner of the contest turned out to be Daniel Breuer, who managed to capture Cage's childless criminal character Hi from 1987's Raising Arizona - complete with Hawaiian shirt and moustache. Speaking to The Guardian following his win, Daniel quipped: 'I've had a whole lifetime of ridicule and this is my moment of glory.' He noted that he'd been regularly compared to famous people all his life including Al Pacino and Jerry Seinfeld, but said that 'Nicolas Cage has been the only constant.' Nicolas Cage lookalikes descended upon the capital on Friday for a hilarious contest to celebrate the release of the his latest film, The Surfer Meanwhile, Patrick Doran put on an animated display with his blond hair and white vest as he impersonated Nicolas' character character Cameron Poe from 1997's Con Air. Like Daniel, he too has had a lifetime of being compared to the Ghost Rider actor. He added to the publication: 'When I was younger, people used to say I looked like a young Nic Cage. Now it's just: "You look like Nic Cage." I take it as a great compliment.' The group of lookalikes certainly appeared to be having the time of their lives as they larked around and posed for selfies with curious passersby. Unfortunately, the real Nicolas Cage failed to put in an appearance, with competitors having to make do with a life-sized cardboard cutout instead. It comes after Nicolas attended his son Weston's wedding during a romantic outdoor ceremony in Beverly Hills - only weeks after the singer learned of his fate in his felony assault trial. The National Treasure actor could be seen standing on the left side of the altar near his son, 34, in an Instagram video recently uploaded by one of the guests. The nuptials took place at The London West Hollywood last week on April 25, sources informed TMZ. In the short snippet, Cage - who sported a classic black tuxedo for the special day - watched as Weston and fiancée Jenifer Alexa Canter exchanged vows underneath the warm California sunshine. His son was also dressed for the occasion in a black ensemble while the bride wore a strapless, white ballgown that flowed down into a short train. A sheer white veil was pinned at the back of her brunette locks which were styled into elegant curls. Flower petals led up to the altar which was placed on what appeared to be the rooftop of the hotel. Nicolas was possibly part of the wedding party but it is not known if Weston's mother Christina Fulton was in attendance - after she accused him of viciously attacking her last year.
