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The Hindu
18-07-2025
- Entertainment
- The Hindu
What is it about Delhi's contradictions that makes it unforgettable in fiction?
The city of Delhi evokes unease. Its skies are noxious; its politics, vile. Its breath is putrid. Uncouth people run the bureaucracy, sit behind shop counters, and drive their SUVs with mindless, brutal speed, using language that is filthy and whiskey-slurred. Everything about the city evokes a frantic need to escape it. Stereotypes proliferate, like the amaltas bursting forth in vulgar yellow in summer. But even the trees, of which there are many — neem, fig, jamun, gulmohar — are unable to redeem Delhi. It remains, in memory, in conversation, and in comparison to that city by the sea, Mumbai, unloved. Minarets and memories To me, Delhi is home. I grew up in a neighbourhood flecked with the tattered minarets of the Khilji dynasty. I was fascinated by the one closest to my house – Chor Minar, a cylindrical minaret riddled with holes that once held the decapitated heads of thieves, or of the Mongols who raided the Delhi Sultanate in the 13th century. Alauddin Khilji, ruler of the Sultanate, was an insatiable collector of heads. As a child, I played with my friends in the circular park around the minaret, and even climbed its spiral stairway to reach its uneven roof. Years later, across continents, my wistful adult gaze caught the delightful incongruity of a Frisbee or shuttlecock severing the air around the once-terrifying minaret, reducing it to a picturesque backdrop. In both my novels, Stillborn Season (2018) and Of Mothers and Other Perishables (2024), I depict these incongruities in a bid to capture moments of my childhood. The minarets I once knew as mute props now emerge as protagonists in the Delhi I reclaim through fiction. Other beloved landmarks — coffee shops, my convent school in Chanakyapuri, the pillared corridors of Connaught Place — materialise with imprecise details in my narratives. In Of Mothers and Other Perishables, a dead mother, one of the novel's narrators, resurrects her time in the world. She recalls sipping Cona coffee with her future husband at United Coffee House. It is 1974; she has only just met him at a play, Sultan Razia, performed for the first time at Purana Qila. A smidgen of local history seeps into my storytelling, shaping its contours, warming its blood, birthing its characters. Scams, slogans and sitars Recent novels set in Delhi portray a corrupt, polluted metropolis teeming with caricatures. I'd rather not name these works that attempt damning indictments, only to create cardboard fictions. For you have to know a place well enough to damn it with eloquence. A novelist who does immediately spring to mind, though, is Arundhati Roy. To mention her in a piece about Delhi, about writing Delhi, is inevitable, and necessary. In her novel The Ministry of Utmost Happiness (2017), Roy, builder of irrepressible cities, throws open the Delhi of the hijras who live on its fringes. Shahjahanabad, or Old Delhi, appears as a cacophonous ghetto, its air rippling with prayers emanating from its dargahs, its streets crowded with vendors, cripples, and obese goats destined for slaughter on Eid. New Delhi, the capital, less flamboyant than the older parts, is where 'Grey flyovers snaked out of her Medusa skull, tangling and untangling under the yellow sodium haze.' Roy's Delhi, where the amaltas '…reached up and whispered to the hot brown sky, Fuck You,' is a hectic city, an ancient city, a dispossessed city, a city of scams, a city of slogans and sloganeers. A new anthology, Basti & Durbar: Delhi-New Delhi: A City in Stories (2025), is a soulful exposition of the many Delhis that exist, simultaneously, or piled upon the ruins of erstwhile Delhis. In the introduction, writer and editor Rakhshanda Jalil poses a few questions: 'Is the city central, or peripheral, to the writer's concerns? Can the 'spirit' of Delhi, the sum total of its disparate and disarming parts, ever really be captured in words?' The 32 narratives that follow demonstrate that the elusive 'spirit' of Delhi can, indeed, be conveyed in words. The selection includes a translated excerpt from Mohan Rakesh's Hindi novel, Andhere Band Kamre (1961). Titled 'Ibadat Ali's Haveli in Qassabpura: Two Episodes, Many Years Apart', the excerpt tells of a dilapidated house in the Muslim neighbourhood of Qassabpura, where the narrator, living as a tenant in a rat-infested room, hears the sound of a sitar playing at night. Old Ibadat Ali, owner of the house, which has been taken over by Hindu tenants, sometimes plays his sitar, briefly reinstating the dignity and grandeur of the quarters. From love to literature The stories that, to me, truly represent Delhi are the ones that linger on ephemeral moments of beauty or heroism or love. Preti Taneja's novel We That Are Young (2017) reimagines William Shakespeare's King Lear through the lives of a dynastic business family that lives and conspires in the Farm, in New Delhi. The family also runs the Company, a conglomerate of coffee shops, luxury hotels, and pashmina shawl businesses. Even as the sky swoons and grand tragedies unfold, the narrative offers the unexpected tenderness of a poetry launch at a bookstore in Hauz Khas Village. It is here that Jeet, one of the novel's characters, meets his homosexual lover Vik. Delhi is a place of amorous encounters — romance in public parks, sex for a fee on G.B. Road. Sujit Saraf's 2008 novel, The Peacock Throne, excerpted in Basti & Durbar as 'An Election Meeting in Chandni Chowk', is a subversive account of a Women's Day function organised by the prostitutes of G.B. Road. It is a sensual city, this Delhi; a resilient city, a city of whores, eunuchs, and coiffed rummy players at the Gymkhana Club. And because it is unloved by those who live in its neighbourhoods and study at its universities, it becomes the stuff of literature. The writer is the author of two critically-acclaimed novels.
New York Post
02-05-2025
- Health
- New York Post
Ignore these 4 anti-aging myths — plus the 2 habits that really can stop wrinkles
The weird and worrisome internet is flooded with anti-aging trends. Amid the sea of information and influencers, it can be increasingly challenging to separate fact from fiction and the beneficial from balderdash. Armed with truth serum, Dr. Louis A. Cona, MD, medical director of DVC Stem, is on hand to dispel four common skincare myths and share two helpful hacks for skin health. Advertisement 4 Melanoma is the most commonly diagnosed skin cancer in the US. Strelciuc – Myth #1: Sunscreen causes cancer Social media influencers have spread the erroneous news that the chemicals in sunscreen can cause cancer. As Cona explained, not only is this unequivocally false, but it also perpetuates negligent behavior that leads to skin cancer and premature aging of the skin. Advertisement 'There is no scientific evidence supporting the idea that sunscreen causes cancer. On the contrary, numerous studies have shown that regular use of sunscreen helps protect the skin from harmful ultraviolet (UV) rays, which are a significant risk factor for skin cancer, including melanoma,' he said. Melanoma is the 'most commonly diagnosed skin cancer' in the country, according to the U.S. Department of Health and Human Services, and it kills about 8,000 Americans each year. Cona maintains that sunscreen should be applied daily, regardless of weather, and reapplied as needed. Myth #2: Collagen is a cure-all 4 While collagen supplementation can support protein intake, it has 'zero effect' on the appearance of the face. svittlana – Advertisement Collagen is routinely celebrated on social media as a miracle cure that can reduce fine lines, improve elasticity, and restore a youthful glow. Brands like Jennifer Aniston's favorite Vital Proteins Collagen Peptides, Amazon's ELEMIS Pro-Collagen Cleansing Balm, and Thorne's Collagen Plus promise that by consuming collagen, you can effectively boost its production and reverse the signs of aging. Cona's verdict? Advertisement 'Although collagen is essential for skin elasticity, supplementation doesn't guarantee it will reach the skin in a functional form,' he said. 'The body breaks down proteins into amino acids during digestion, which are then used as needed—for muscles, bones, connective tissue or skin. There's limited evidence that these supplements directly improve skin appearance.' He noted that while collagen supplementation can support protein intake, it has 'zero effect' on the appearance of the face. Myth #3: Some products can erase wrinkles overnight As we live in a quick-fix world, this myth is particularly disappointing. While myriad anti-aging products (and the influencer who hawk them) promise instant results, Cona insists that there is no magic formula that can erase fine lines overnight. Many of these products function as a 'filler,' he said, temporarily improving the appearance of skin. However, fine lines inevitably reappear when the product is washed away. 'Topical products can support skin health, but they can't reverse deep wrinkles instantly. There's no such thing as a miraculous formula, and products that brand themselves as such are likely lying,' he said. Advertisement To effectively improve skin hydration and texture, anti-aging products require consistent use and may only provide modest benefits. Myth #4: Exercise can reverse aging 4 Exercise improves circulation, boosts oxygen, enhances muscle tone, and reduces inflammation, all qualities that contribute to a better complexion. Pixel-Shot – Regular physical activity is directly linked to numerous health benefits, but according to the doc, it cannot undo what has been done. Advertisement However, there are still plenty of reasons to keep it moving. Exercise improves circulation, boosts oxygen, enhances muscle tone, and reduces inflammation, all qualities that contribute to a better complexion. 'While exercising promotes overall health and can mitigate some aging signs, it's not a reversal. It's a preventive measure that supports the body's functions as we age,' Cona explained. Looking for real deal ways to battle the signs of aging? He says two practices can mitigate the wear and tear of time. 4 Experts say sleeping on your back is an absolute anti-aging hack. Jelena – 1. Sleep on your back Advertisement It turns out that when it comes to turning in, sleeping on your back is an absolute anti-aging hack. Due to excess pressure on the face, side or belly sleeping can expedite the development of fine lines, wrinkles, and asymmetry that come with aging. 'While changing sleep positions can help, investing in silk pillowcases and maintaining a proper skincare routine are also effective measures to protect the skin during sleep,' he explained. 2. Eat an antioxidant-rich diet Advertisement You can eat your way to better skin, says the pro, as an antioxidant-rich diet can combat oxidative stress. 'Antioxidants neutralize free radicals that can damage cells meaning a diet abundant in fruits, vegetables, and whole grains can support skin health and potentially slow aging processes,' he said. In contrast, certain foods can trigger inflammation, accelerating the aging process. Experts recommend steering clear of red and processed meats, refined carbs like white bread, pasta, and pastries, as well as sugary treats like candy and soda. Trans fats — typically found in margarine, fried foods, and baked goods — also fuel inflammation, along with alcohol, which can further damage your skin and overall appearance. Cona noted, however, that diet is only one part of a larger constellation of anti-aging protocols that includes skincare, sun protection, and an active, healthy lifestyle.
