Latest news with #Courtside
Al Etihad
10-07-2025
- Entertainment
- Al Etihad
Punjabi rapper Karan Aujla brings record-breaking world tour to Abu Dhabi
11 July 2025 ABU DHABI (ALETIHAD)If you're a fan of Punjabi music, this is the biggest announcement of the superstar Karan Aujla is coming to Abu Dhabi for the first time with his record-breaking It Was All A Dream world has been announced that the chart-topping Canadian rapper will be performing at Etihad Park, Yas Island, on Saturday, November 29, off his phenomenal India tour, which drew over 200,000 fans, this will be Aujla's first stadium show in the region, and it's expected to attract more than 30,000 by Live Nation Middle East and Team Innovation, in partnership with the Department of Culture and Tourism – Abu Dhabi and Miral, this concert marks a major milestone in Aujla's career - and for Punjabi music in the playlist will be packed with fan favourites such as "Admiring You" to "Softly", and new releases like "Courtside" and "Tell Me" (his collab with OneRepublic). He will be joined on stage by long-time collaborator Ikky, with a full-scale production featuring immersive visuals and soundscapes."I can't wait to share this experience with the UAE," said the 28-year-old star. "Let's make history for Punjabi music."2025 has already been a landmark year for Aujla - born Jaskaran Singh Aujla in Punjab, India - with multiple JUNO Award nominations and massive international collaborations. His video for "Courtside", filmed at the Miami Grand Prix, hit 23 million views and became the most-watched video on YouTube within 24 hours of release. Tickets go on sale on Friday, July 11 at 12pm.
What's On
09-07-2025
- Entertainment
- What's On
Karan Aujla to headline Etihad Arena with his biggest UAE show yet
Punjabi music fans, get ready, global superstar Karan Aujla is bringing his record-smashing It Was All A Dream world tour to the United Arab Emirates for the first time, and it's set to be huge. The chart-topping artist will perform one-night-only at Etihad Arena, Yas Island, Abu Dhabi on Saturday, November 29, 2025. Fresh off his wildly successful India tour (which drew over 200,000 fans), this will be Aujla's first-ever stadium show in the region, and it's expected to welcome more than 30,000 fans. Presented by Live Nation Middle East and Team Innovation, in partnership with the Department of Culture and Tourism – Abu Dhabi and Miral, this performance marks a major milestone in Aujla's career — and a big moment for Punjabi music in the UAE. From 'Admiring You' to 'Softly' , and new releases like 'Courtside' and 'Tell Me' (his collab with OneRepublic), the concert will be packed with fan favourites and never-before-seen moments. He'll be joined on stage by longtime collaborator Ikky, with a full-scale production featuring immersive visuals and soundscapes. 'I can't wait to share this experience with the UAE,' said Aujla. 'Let's make history for Punjabi music.' 2025 has already been a banner year for the singer-songwriter, with multiple JUNO Award nominations and massive international collaborations. His video for Courtside , filmed at the Miami Grand Prix, hit 23 million views and became the most-watched video on YouTube within 24 hours of release. Location: Etihad Arena, Yas Island, Abu Dhabi When: Saturday, November 29 Tickets: Tickets go on presale for Emirates NBD customers on Friday, July 11 at 12pm GST, with early access for Yas Annual Pass Holders and Live Nation members on Saturday, July 12. General sale opens on Sunday, July 13 at 12pm GST via Prices start from Dhs195, with special VIP packages also available. > Sign up for FREE to get exclusive updates that you are interested in
Los Angeles Times
29-06-2025
- Entertainment
- Los Angeles Times
If you want to bring L.A. to Paris Fashion Week, you're going to have to drop a pin
How do you bring L.A. to Paris Fashion Week? 'Literally just drop a pin,' says strategist and consultant Stephanie Ramos. We're at the Courtside X Akila picnic at Champ de Mars, an annual tradition that made it out of a group chat Ramos had started five years ago. Walking up to the park under the Eiffel Tower, hundreds of tourists from around the world blanket the grass, but it's easy to spot the hundred or so people here for the picnic. The West Coast energy reverberates like a satellite. It helps that most people are in Akila sunglasses for the occasion, but there is an intangible thing too — a mix of musicians, skaters, models and artists talking close, dapping each other up while drinking Champagne from the bottle, not too self-serious to pose for photos under the Eiffel Tower. Five years ago during fashion week, friends were blowing up Ramos' phone trying to find a way to link up. 'It was driving me crazy, so I threw everyone on a group chat — 35 people,' Ramos says. That group chat was the genesis for Courtside, a collective of creatives from L.A., New York, Miami and beyond who now meet once a year when they're in Paris for the men's shows in June, and invite all of their friends to join. The picnic has become the stuff of PFW legend, a taste of home for L.A. people hustling through the week. There, you might see familiar faces like designer Corey Populus, the rising star of regional Mexican music DannyLux or legendary skater and restaurateur the Nuge. 'It's funny, because everyone always says it's tough to meet up in L.A. — you always have to preplan everything, there's traffic,' Ramos says, 'but when you're in a city like Paris you're going to make it a point to see each other.' 'Mexican as f—, inspiring, wholesome and family-like. My friends are my family.' — Esperanza Rosas, a.k.a. Runsyyy, artist, Chicago 'Paris Fashion Week has been very motivating for me in every aspect. I see all these other artists from around the world, and it motivates me to keep going.' — DannyLux, musician, Palm Springs 'A dream.' — David Castaneda, stylist and designer, Inland Empire. 'Adventurous, silly, beautiful, random and connected.' — Zahara Davis, model and actor, New York. 'We all love to eat good, drink good and skate. It could be Copenhagen, Paris, but we link every time.' — Don Nguyen, a.k.a. the Nuge, skater and owner of Burger She Wrote 'The way I bring L.A. to Paris is with my own personal style. I'm a heritage classic dude and I've had fits all week. And my Uncle Paulie's hat. This is the L.A. hat to me.' — Sean B., private chef and curator, Beachwood Canyon 'L.A. has such a unique style, and Paris has a unique style too. I like when people come here and I can identify specifically who is from L.A. based on their style and how they carry themselves. L.A. is a little more slouchy.' — Chelsea Jordan, musician and content creator, Hollywood 'For me, it's seeing all of these people I know in a different scene. This is the most community I've seen. L.A. has that heart, but it's so spread apart, so seeing everyone together has been really cute.' — Ashley Michelle Suarez, model and actor, West Hollywood 'Community, which is the most beautiful thing ever. Seeing all the familiar faces here is special. Community in L.A. runs deep.' — Mallory Benson, marketing at Akila, L.A. 'S—, me popping out by myself is bringing L.A. to Paris. I've been coming here for eight years now. Me and Spanto got close because there would never be anyone from L.A. here — it was just me, Spanto, Aleali [May], Corey [Populus], shout out my peoples. It's really beautiful to be amongst my L.A. folks. Finally.' — Cheikh Tall, model and marketing director for Royal.2, L.A. 'It's all about finding spaces for the community to feel familiarity. L.A.'s really big on community, and a big part of that is feeling comfortable. Being here in Paris we have enough people and brands that have made it feel comfortable enough for a first-timer like myself.' — Daven Fowler, fashion sales, Leimert Park 'L.A. brings a whole different energy to Paris. Especially the Chicano culture, it's something Paris hasn't seen before. We're adding to the narrative.' — Carlos Jaramillo, photographer, Los Angeles
Yahoo
21-05-2025
- Entertainment
- Yahoo
Karan Aujla Wants the Whole World to Hear His Punjabi Pop
In the video for his latest single, 'Courtside,' Karan Aujla cruises around Miami's South Beach in a Rolls-Royce Cullinan wearing Maybach shades and a Richard Mille watch. Flowing in his native tongue over a breezy, bass-heavy beat, Aujla pulls up to Cartier and the Louis Vuitton store in the Design District, then rolls to the Hard Rock Stadium, where he dives into the celebrity who's who that is the Formula 1 Miami Grand Prix. 'I saw DJ Khaled in there,' the Punjabi-born rapping, singing, and songwriting sensation tells me when I catch up with him trackside in early May. Aujla has just shot some video scenes with the Stake F1 team, who cut the artist a seven-figure sponsorship deal in 2023 after he reached out via IG. More from Rolling Stone Trump Takes Credit for India, Pakistan Cease-Fire as Fighting Continues 'We Were Unhinged': The Stars of 'Deli Boys' on Playing the Show's Lovable Screw-Ups Hanumankind Is Aiming Even Bigger Than 'Big Dawgs' The Florida sun is playing hide-and-seek with storm clouds before the starting gun, but during a moment of fair weather he whips out his iPhone and shows me some of his DMs back and forth with Timbaland. 'I really want to work with him,' Aujla says of the legendary producer. 'He uses a lot of Indian instruments in his songs — but in his own style, where it doesn't even sound like an Indian instrument.' Creating a unique style has been Aujla's musical quest from Day One. Raised in northwest India 'in the middle of nowhere' before moving to Vancouver as a teenager, Aujla landed on a sound that blends his homeland's rich musical traditions with the latest pop, hip-hop, and R&B. Today he's at the forefront of Canada's surging Punjabi music wave, boasting several billion streams between Spotify and YouTube, and selling out arena tours throughout both Canada and India, with a U.S. and Europe tour kicking off this summer. Along the way, he's experienced an extreme lifestyle upgrade. 'I love dressing up,' he says, unabashed. 'I love buying nice clothes, cars, nice timepieces. I always wanted it, but we didn't really have the money when we wanted it. Now we're making it, so we might as well spend it somewhere, you know?' Born in 1997 in the rural village of Gurala, Jaskaran Singh Aujla lost both his parents by the age of nine and says he took care of himself for several years before moving to Canada to live with his sisters. Kicked out of school because making music interested him more than going to class, he supported himself as a longshoreman while writing songs for other artists — refusing to quit until the release of his 2018 breakout hit, 'Don't Worry,' a duet with the Punjabi star Gurlez Akhtar. After paying all those dues, Aujla has earned the right to savor his success. 'I love living life and just enjoying,' he says. 'Yeah, I'm pretty good at doing that.' He's also pretty good at making hit songs. Last year Aujla became the first South Asian artist to win the Fan Choice Award at the Junos, an honor he shares with Canadian superstars Avril Lavigne and Justin Bieber. 'If you're dreaming, make sure you dream big,' he said as he accepted the trophy. His upcoming shows in North America and Europe, known as the It Was All a Dream Tour, will begin this July, soon after the release of his third solo album. Aujla's biggest dream of all is to take modern Punjabi music worldwide and make it the next Afrobeats or K-pop — a sound that can attract people outside the culture to gravitate toward something real. India, of course, is not a monolithic place but a vast subcontinent containing 22 official languages, more than 1,000 dialects, and 28 diverse states. 'Punjab is a state on the north side, and we speak a different language than the rest of India,' Aujla explains, relaxing in a plush hotel suite overlooking Miami Beach. 'There's a huge Punjabi culture. Punjabi food is different. Punjabi songs are different. We have a drum called a dhol. We have our own keyboard tool called a harmonium. But we don't use them in every song anymore. We're trying to flip the sounds and create a fusion.' Within India, Punjabis are often known as hardworking, passionate people who know how to party. In the early 2000s, the traditional Punjabi dance music known as bhangra blew up in the U.K., home to a Punjabi population almost half a million strong. Jay-Z cosigned the movement when he hopped on a Panjabi MC remix in 2003, scoring a sizable chart hit in the U.S. A few years later, British Asian artist Jay Sean blew up big enough to sign with Cash Money Records and collab with Lil Wayne and Nicki Minaj, but most of his biggest songs were recorded in English. This time around, the wave is coming from Canada, where the Punjabi population is twice as big as in the U.K. 'It's basically another Punjab,' says Aujla, who was surprised early on to find Canadian Punjabis who don't speak their native language. 'We're just trying to bring the culture up, educate more people about it,' he says. 'Like people know Latin trap or Afrobeats.' With more than 1.4 billion people in India and 2 billion South Asians worldwide, the numbers are there to build a major movement. 'It's not gonna happen overnight, but the more we talk about it, the more songs we put out, the great music we do will help it become a thing. I really want Punjabi music to be heard more on the streets,' Aujla says. 'Playing in hotel lobbies and cafes. Like, it has to be a normal thing — and cool.' Working with Indo-Canadian producers like Ikky, Yeah Proof, and Signature by SB, Aujla and a handful of like-minded artists have created a new sound and built a following. He's also collaborated with American acts from OneRepublic to YG. And while he sprinkles English into his lyrics, he's determined to stay true to his roots and push theth Punjabi, the pure, authentic form of the language — a traditional rural slang with minimal influence from Hindi and other dialects. 'I don't want my music to sound like something that's been done before,' says Aujla, who keeps a guy named Milano on his team to help him bridge the gap. 'He doesn't understand Punjabi, but he knows the culture. Taking him with us, it just helped me create something different. How do we flip these sounds? How do we combine them into something that makes it cooler? Like, if somebody doesn't understand Punjabi, they could just vibe with the music or the melodies.' After leaving Miami, Aujla will return to the luxury villa in Dubai that he now calls home, then spend a week in the little village where he was born. 'My parents didn't even take me to a hospital,' he says. 'My mom had the delivery at a house. It's crazy to think that I come from a village with only 200, 250 houses.' That's where he says he learned all the morals of life after his parents passed, raising himself as an orphan, pressing his own school uniform every day. Although Aujla is supposed to be taking a break in Miami, the work never really stops. After our interview, there's a photographer waiting to shoot promo images for Warner Music Canada. And of course he's got to complete the music video before leaving town. 'Even when I have time off, I'm still working, but at least I'm not writing all the time. The writing process gets kind of heavy, 'cause it's a lot of thinking.' Still, he loves creating new songs. He compares it to opening a portal — the melodies come from somewhere else and flow through him. His songs tell stories about his life and his people, inspirational stories that are universal enough for everyone to relate to. Aujla's success allows him to live the high life, and his fans love seeing him dipped in ice and designer outfits. But there are also drawbacks to success. Gang culture in the Punjabi community has been well-documented, including the alleged extortion of successful artists. 'In Canada, yes, and in India — it's been there always,' Aujla says. 'Even the old Punjabi singers were going through it. They went through extortions or gang violence, which makes it really hard for you as an artist. But I feel like it's getting better now.' On his 2021 debut album, Bacthafucup, Aujla's music reflected the rougher side of life, but on more recent work — including the 2023 set Making Memories — he grapples with the responsibility that comes with having such a large audience. 'Artists within the culture are trying to make a stand,' he says, 'and coming together to keep the violence out of their lyrics.' He has also made a point of putting aside any rivalries with artists in the booming Canadian Punjabi scene. Aujla has written for Diljit Dosanjh, the 41-year-old O.G. of the movement, reportedly penning the title track of his 2020 album G.O.A.T. in just 10 minutes. During a show in Mumbai last December, Aujla was joined onstage by AP Dhillon — whose 2024 album The Brownprint cemented him as another top Punjabi artist — dispelling social media talk of any tension amongst artists. 'Music isn't a fucking sport,' Dhillon declared. 'There is no winner or loser in this game.' 'If we don't do it now, when else are we gonna do it?' Aujla tells me. 'Back in the days even I had a few grudges against some artists — I don't know over what?' He laughs. 'I'm over all that. We're all from the same place, and I feel like right now we all realized that this is the time to support each other if we want to make it big. 'Cause unity is everything.' On one of his earlier solo tracks, 'Let Em Play,' Aujla sampled the Hollywood Walk of Fame speech where Snoop Dogg famously declared, 'I wanna thank me.' Aujla says he relates to the work ethic, the confidence, the audacity. 'When I was back home, I used to listen to a lot of Snoop Dogg and 50 Cent,' he recalls. In recent times, he's collaborated with Bombay rapper Divine and shared the stage with Hanumankind. 'I would definitely say J. Cole is one of the guys that taught me how to write properly,' Aujla adds. 'How to flow nicely and fit English words into Punjabi and not sound forced. That's the main thing. It has to sound natural.' And of course he named his tour after the timeless Biggie line, 'It was all a dream' — the sound of a young man whose whole life is changing because he found a way to tap into his God-given lyrical gifts. Aujla definitely relates to that feeling. 'Coming from where I come from, I never thought this would be the life that we're living today,' he says. 'I'm very grateful getting all this, especially through music, all the love and support. When I came to Canada, to a totally different country, I didn't know what I was supposed to do. So it was all a dream.' That's the feeling he's trying to convey on his next album. One thing he doesn't have yet is a name for the sound that's taken him so far. 'It's such a hard question, 'cause I don't even really have a name for this genre yet,' he says. 'It's Punjabi music, sure, but is it pop? Is it folk? Is it rap? We're getting inspired from different cultures and rooted in our own culture and trying to mix everything together. We still don't have a name, but when we have it you'll be the first to know.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
Yahoo
16-04-2025
- Business
- Yahoo
Work progressing on downtown apartments
ANDERSON — Work is progressing on projects that will bring 74 apartments into the downtown area. The apartments being built by BWI Construction just south of the iconic Anderson Wigwam are expected to be completed by the end of August. The new development will be called the Home Court at the Wigwam. Bryce Riggs, superintendent of the project, said Monday crews are currently installing electrical and plumbing systems. He said a roofing crew is to start work in May, which is when the interior drywall will be installed. BWI through its new company Building and Impacting Communities Inc. plans to construct a $12.9 million building. The project was awarded $1.2 million in tax credits and $750,000 in development funds over 10 years by the Indiana Housing & Community Development Authority. The plan is to construct an L-shaped building with 20 one-bedroom and 24 two-bedroom apartments. Ten of the apartments are expected to be made available for public housing vouchers. Additional apartments in the area above the Jane Pauley Community Health Center are also planned. That development would be known as Courtside. BWI opened the 44-unit Fieldhouse Apartments in 2019 at a cost of $12.2 million; the 130-unit, $23.5 million Sweet Galilee complex opened in 2022. The historic Wigwam has been closed since 2012, and on several occasions its future was unknown. There was a group of investors interested in obtaining the building in 2014, but the deal fell through when the financing could not be arranged. With the Anderson Community Schools Board of Trustees poised to demolish the gym and adjacent classrooms, a last-minute agreement was negotiated involving the school system, the Anderson Economic Development Department and BWI Properties of Indianapolis. Those negotiations resulted in Wigwam Holdings obtaining ownership of the building, along with the surrounding athletic fields and parking lots. ACS provided $630,000 in an escrow account for repairs. The Anderson Housing Authority is in the process of renovating the historic Lincolnshire Apartments. Kevin Sulc, director of project development for the Anderson Housing Authority, said crews from Fredericks Construction are in the process of completing the interior demolition. He said all the asbestos in the building will be removed this week and work will start on the interior framing. 'We're awaiting final approval from the state on the final design for the project,' Sulc said. 'The next major work on the project will be replacing all the windows.' He said the building should be ready for occupancy next March. The $4.5 million project will convert the Lincolnshire Apartments, built in 1927, into 21 one-bedroom apartments and nine studio apartments. The housing authority was recently awarded $500,000 in American Rescue Plan funds from the city of Anderson for the project. 'All the financing is in place,' Sulc said previously. 'We have received a $3.5 million construction loan from Star Bank.' The Anderson Redevelopment Commission is providing $770,000 toward the project, using tax increment financing money to pay off a bond for the purchase of the building.
