Latest news with #Croc
Buzz Feed
5 days ago
- Lifestyle
- Buzz Feed
20 Best Platform Sandals For A Little Extra Height
Ugg GoldenGlow Sandals bound to turn heads and lead to so many compliments, you're basically obligated to snag 'em in every color. Slide your feet in, adjust 'em to your liking, and be on your way! They're wonderfully light and springy with a grippy footbed and a comfy sugarcane EVA sole for optimal support. Soda flatform espadrilles that'll help you ~step up~ your fashion game without enduring the agony that comes from wearing a blister-inducing pair of high heels. These go with denim, maxi dresses, skirt, and soo much more. Or some slip-on platform wedges, which are the kinda sandals you swoon over the moment you lay eyes on 'em — who could blame you? These lovely platforms are effortlessly chic and pair with all kinds of ensembles, so you're def gonna get your money's worth. Even with the extra lift, reviewers can't stop raving about how comfy they are. Dr. Martens platform sandals because this iconic brand's reach extends far beyond their popular combat boots. If you want a shoe that's ready to wear right outta the box with hardly any break-in period, this is it! This sandal will *literally* knock your socks off so you can level up your footwear collection with equal parts comfort and style. Croc platforms you'll probably wanna live in considering how well they pair with almost any outfit *and* they won't cause your feet unbearable pain. Even if you swore you'd never become a Crocs convert, these are the ones that just might change your mind. Teva flatform sandals that'll be like a looong overdue treat for your tired feet. You get a contoured footbed with heel cupping, quick-dry straps perfect for outdoor adventures, and a 1.75-inch platform height that'll take things up a notch (or almost two, really). Plus, these have *three* points of adjustability, so achieving the perfect fit is easier than ever. Charlotte Stone platforms so you can put all the black and beige sandals in your closet to shame with a single purchase. Sure, those have a time and a place but these multicolor beauties will make you the most colorful person in the room. Most importantly, they have memory foam insoles so your feet won't suffer in the name of fashion — these babies are COMFY! A pair of showstopping lug-sole sandals you'll only wish you found sooner because they make quite the fashion statement without compromising on comfort, which is no small feat. They have an impressive 1.5-inch platform, a heel height of 2.75 inches, a soft, breathable lining, and adjustable ankle straps. Or Nisolo flatform sandals when you're easing your way into the world of platforms and would prefer to start small — these only add an inch of height and have a soft, breathable leather interior so your feet stay happy! There's also a grooved outsole for improved traction *and* easy hook-and-loop closures for quick adjustments. Birkenstock platforms strikingly similar to the iconic sandal you're probably familiar with, BUT this one has a little extra height to ~elevate~ your footwear game to new heights. It has the contoured footbed you know and love, a 1-inch EVA platform, and a Nubuck leather upper for a more luxurious feel. A pair of shockingly comfy Reef sandals you're gonna be head over heels for — all without *actually* enduring the pain of wearing heels, that is. These are made of vegan leather and have a bouncy footbed with solid arch support. Plus, the 1.75-inch platform will give you a much-needed boost! A unique pair of platform wedge sandals with a colorful beaded accent because your shoes are an important part of your outfit and these sandals are here to tie your look together. Plus, they'll just look ridiculously cute with your new pedicure. They come in styles without the beads too! OR! A handmade pair of huarache sandals — these are bursting with equal parts color *and* comfort that your feet will be sure to praise you for. They're a bit more casual (and versatile!) with a fun design that everyone will ask about. Some lightweight, waterproof platform slides that come in a variety of cute styles, including single-buckle, double-buckle, *and* crisscross straps. You'll stand a little taller but your feet won't pay the price — these have a deep heel cup, pronounced arch support, and a cozy footbed that molds to your feet for long-lasting comfort. A Sorel strappy sandal with a breathable, eye-catching design and a bouncy footbed to make your feet jump for joy. They're giving sporty sneaker vibes without having to commit to a closed-toe shoe when it's scorching outside. You're welcome! Or these slip-on platform sandals for anyone who wants an easy, breezy shoe that adds some height without committing to a painful pair of heels! The elastic straps are perfectly stretchy, so they won't rub *and* they have a cushioned footbed that's comfy enough for all-day wear. Bonus: The durable anti-slip outsole gives you plenty of traction while walking. Floral wedge platforms with a generous 4" heel if you're craving a BIG boost that still promises a cushy fit that won't hurt your feet. This handmade sandal is crafted with soft leather that molds to your feet for a perfect fit! And that gorgeous floral design? Other sandals could neverrr. A splurge-worthy stylish, strappy number so you can put a lil' pep in your step *without* any added discomfort — a footwear dream come true IMO. These have an ultra-soft footbed, secure straps, and a modest 1.4-inch platform to lift you up juuust the right amount. A pair of vegan Lemon Jelly platform slide sandals made of durable EVA foam that can accompany you pretty much anywhere. If you want a comfy shoe perfect for relaxing poolside OR handling a day full of running errands, you've met your match. Aside from the bold 2-inch platform, these are water-friendly, PETA-approved, recyclable, and produced sustainably! Greek gladiator-inspired sandals because you've probably seen these timeless beauties in the form of flats but, yes, they exist as platforms too (about 1.5 inches to be exact)! The soft leather insoles are *extra* kind to your feet while the durable, anti-slip outsole is made of rubber so you still have good traction.
Miami Herald
16-05-2025
- Entertainment
- Miami Herald
Komodo dragon eats shoe thrown into enclosure, TN zoo says. Then came surgery
Someone tossed a shoe at a Komodo dragon in the Memphis Zoo, and the giant lizard swallowed it whole, officials say. The Croc sailed over a glass partition on May 15 into the Dragon's Lair display, according to Memphis Zoo officials. 'Being curious, one of our Komodo dragons approached the shoe and ingested it,' the zoo wrote in a Facebook post. 'Thanks to a guest who spoke up, our expert animal care and veterinary teams acted quickly to safely immobilize the dragon and transport it to our animal hospital, where the shoe was successfully removed.' A photo with the post shows the shoe was bigger than the dragon's head, indicating it was not an easy thing to swallow. Still, 'Ophelia' is expected to recover, officials said. The incident prompted outrage on social media, with nearly 8,000 reactions and comments as of May 16. Among them were a few who suggested it may not have been intentional, but most weren't having it. 'That makes me so mad,' Brandi Adele Carter wrote on the zoo's Facebook page. 'I can't believe people do stuff like this ... a freaking Croc. ... The poor komodo dragon could have died.' The Dragon's Lair is home to three Komodos, which are native to five small islands in Indonesia, the zoo says. The lizards reach 10 feet and 200 pounds, making them 'the largest and heaviest living lizard,' officials said. 'The bite of a Komodo dragon is quite dangerous, and in most cases, deadly,' the zoo reports. 'Their saliva contains several strains of bacteria. In the wild, over 23 documented species of bacteria have been found. In captivity, only about 10 of those have been recorded. They also have a venom gland, which, when bitten, prevents the prey's blood from clotting.'
Yahoo
15-05-2025
- Entertainment
- Yahoo
Tom Cruise, the Croisette and lots of clapping: What I saw at the 'Mission: Impossible — The Final Reckoning' premiere at Cannes Film Festival
CANNES, France — Getting a ticket to the most star-studded premiere at a prestigious French film festival might as well be an impossible mission. I still chose to accept it. Even if you haven't heard of the Cannes Film Festival, you've definitely seen the pictures. Its sprawling red carpet draws dramatic displays of fashion and celebrity each year. Lately it's been the place to be to debut a buzzy film to famously lengthy standing ovations. My task at hand: Get a ticket to the premiere of Mission: Impossible — The Final Reckoning for its May 14 premiere. Yes, at the same hallowed theater that incited buzz for last year's awards darlings (and conversation starters) like Anora and Emilia Perez. It might seem a little out of place for an action movie to screen here, but Furiosa: A Mad Max Saga and Horizon: An American Saga — Chapter 1 both premiered on the Croisette in 2024. The goal is glamour, and a hefty helping of A-list star power is a crucial ingredient in that recipe. First, I needed a ticket. Four days before the premiere, I signed onto the website at the exact moment seats opened — down to the second at 1 a.m. E.T. — and the movie had sold out faster than the Eras Tour. I was thwarted. But if there's one thing I've learned from Ethan Hunt, the secret agent that Tom Cruise has played in the eight Mission: Impossible movies that I watched over the past two weeks to prepare, it's that the most impossible missions make for the most compelling stories. Chalk it up to dumb luck, brute force or convenient plot development, but relentlessly refreshing the ticketing page at least a thousand times — in the car, on the plane and, finally, at the crack of dawn in my hotel room — resulted in a miracle: I got a ticket. I was going to see Cruise, the president of movies and savior of the theatrical industry, flashing his ever-present sunglasses and zillion-dollar-at-the-box-office smile in person. I would be among the first people to clap through the credits of the (alleged) end of a decades-spanning franchise. Phase one was complete. Phase two: Get inside. Each Mission: Impossible movie includes a soirée scene in which Hunt infiltrates a high-society event to beat up a bunch of people and end up covered in blood. But the strict Cannes premiere doesn't technically prohibit displays of bodily fluid as long as you're in an evening gown, so Hunt would have been fine. 'Naked' dresses and long trains were newly banned, though, but luckily for the Cannes event staff, I didn't have room for any of that in my carry-on. I wore the kind of dress that would pass at a fancy wedding but wouldn't get you weird looks as a journalist technically working through the hours before the premiere, paired with the demure Croc heels I thought melted standing outside the rainy Met Gala. Some of my favorite looks belonged to the American college students that I met on the lawn a block away from the theater. They were relegated to that zone, attended by a security guard and tucked away under umbrellas, at 6 a.m. — more than 12 hours before the screening's scheduled start time — for a chance at snagging an unclaimed seat. I never saw them again. That made my walk into the theater even more dramatic. I had my ticket scanned no less than five times. The glamorous steps of the red carpet had a security guard manning both sides of almost every step leading to the entrance, ready to scold and eject anyone who dared take a selfie of the momentous walk. Toto's 'Africa' blared on the loudspeakers outside. I saw Andie McDowell. I was in. On to phase three: Watch the movie. But first — and this is crucial in every Mission: Impossible movie — I had to make sure I didn't die. I couldn't bring a water bottle into the theater, and there were no water fountains to be found. Descending the stairs to the ground floor in search of concessions would expend energy I couldn't lose. Cruise passed out filming Mission: Impossible — The Final Reckoning. He was climbing onto the wing of a stunt biplane that he was also flying. I wasn't about to disrespect him by fainting from something so unfilmable as dehydration. I went to the bathroom and stood at the sink, googling how to say 'please don't judge me' in French (s'il vous plaît ne me jugez pas). I cupped my hands and drank. The older woman to my right, wearing an impossibly chic leopard-print dress, smiled and did the same. She said something in French I assume was approval. We both survived. I hiked to the relegated upper balcony zone for the bourgeoisie, claiming a solo seat between the wall of a staircase and the aisle. Perfect for someone who needs elbow room to take notes for the story they're writing. A young man who looked like a tall Timothée Chalamet muttered 'so lonely' to his friends in a thick French accent, flicking his forearm toward me as he walked past. Would Hunt have let jokes about his solitude thwart him on his mission? Certainly not. He probably would have made out with a hot thief and sped away from a fiery explosion on a motorcycle in front of that man for vengeance. I settled for taking really good notes. While we waited for the film to start, the theater livestreamed the red carpet on the big screen, focusing on Cruise. We watched him sign dozens of autographs as his adoring fans, who had lined up in lawn chairs for hours before the screening to have a shot at waving notebooks, movie posters and drawings (and, in one instance, a dog) at him from behind a barricade for a few fleeting moments. When Cruise appeared onscreen, the crowd in the theater went wild. An announcer shouted 'Tom Cruise!' among a litany of French words, really indulging in the accent for the R. The whole theater stood in reverence as the cast took their seats in the orchestra. One middle-aged blond woman recorded ultra-zoomed footage of Cruise with the resolution typically seen only in Bigfoot videos for at least 10 minutes, then left the theater entirely as the movie began. I can't say much about it — it's not in theaters until May 23 — but there's nothing like watching a movie with people who have made a pilgrimage out of pure love for movies and their stars to sit in the dark with you for 2 hours and 45 minutes. It's a religious experience. At premieres, crowds are louder. They clap for the Paramount and Skydance logos in the opening credits. They holler when punches are thrown and death is defied. At Cannes, they don't laugh much, but I assume that's a French thing. Something I didn't expect was the double layer of subtitles for the film. The audio is in English with French subtitles, and below the big movie screen is a small second screen with English subtitles. I noticed they didn't match up to the audio, though — they might have been translations of the French subtitles. Regardless, that setup taught me that the French term for 'foosball' is babyfoot. Having just done the equivalent of cramming for the exam the night before with the Mission: Impossible movies, I was intimately familiar with every reference made to past installments. I was shocked so many people in the audience weren't — especially when a character from the original movie appeared in a crucial role. That sort of stunt in a Marvel movie would have had fans at my local Regal theater foaming at the mouth, but the Grand Auditorium Louis Lumière was silent. Maybe I wasn't surrounded by die-hard franchise fans. I think these people just love movies and Cruise. Regardless, phase four was complete. Phase five: Clap and leave. Cannes audiences give famously long standing ovations. Take 2024, for instance — Anora went on to win the festival's top prize and Best Picture at the Oscars, earning a respectable seven-and-a-half-minute ovation. But that paled in comparison to that of Horizon, which went on for 11 minutes, moving star and director Kevin Costner to tears. That movie did so badly at the box office, its three planned sequels may never see the light of day. In my experience, your palms really start hurting at the three-minute mark, but they sort of go numb after that. After the credits, the smiling faces of the cast are projected onscreen, and applause swells with adoration every time, peaking with Cruise. I started my timer at the first instance of clapping and turned it off when director Christopher McQuarrie started addressing the crowd at his seat with a microphone, effectively hushing the crowd. I counted seven and a half minutes. Other outlets have reported different times, but I know what I saw! 'One of the things Tom and I do when we sit here in the audience is we listen to you. We're listening to all of your reactions; we're listening to every breath you're taking,' McQuarrie said. 'A couple of times you were very, very quiet. You kept us in suspense. But this response is why we do it. You are why we do it.' He referred to Cruise as 'my very own action figure … who was actually willing to do just about any crazy thing I could think of.' That yielded the most sincere laughter from the crowd that I'd heard all night, as well as a huge smile from Cruise, who might not have stopped beaming since landing in the south of France. As people began to leave, I did what I knew Cruise himself would do: I went to the roof. Just kidding! I went to the balcony in the press room to watch people pour out of the theater. Celebrities, the ultra-rich and scrappy 20-somethings all had to spill through the same doors and back into the night — some walking to parties, others climbing into black SUVs. I walked a few blocks to McDonald's. Going to the theater is a communal, sacred experience, but the prestige and social norms of this glitzy French venue also made it a uniquely isolating one. I felt deeply emotional and connected to the crowd, but maybe it was all in my head, just like my feelings for the characters of Mission: Impossible. Regardless, my mission was accomplished.
Yahoo
15-05-2025
- Entertainment
- Yahoo
Tom Cruise, the Croisette and lots of clapping: What I saw at the 'Mission: Impossible — The Final Reckoning' premiere at Cannes Film Festival
CANNES, France — Getting a ticket to the most star-studded premiere at a prestigious French film festival might as well be an impossible mission. I still chose to accept it. Even if you haven't heard of the Cannes Film Festival, you've definitely seen the pictures. Its sprawling red carpet draws dramatic displays of fashion and celebrity each year. Lately it's been the place to be to debut a buzzy film to famously lengthy standing ovations. My task at hand: Get a ticket to the premiere of Mission: Impossible — The Final Reckoning for its May 14 premiere. Yes, at the same hallowed theater that incited buzz for last year's awards darlings (and conversation starters) like Anora and Emilia Perez. It might seem a little out of place for an action movie to screen here, but Furiosa: A Mad Max Saga and Horizon: An American Saga — Chapter 1 both premiered on the Croisette in 2024. The goal is glamour, and a hefty helping of A-list star power is a crucial ingredient in that recipe. First, I needed a ticket. Four days before the premiere, I signed onto the website at the exact moment seats opened — down to the second at 1 a.m. E.T. — and the movie had sold out faster than the Eras Tour. I was thwarted. But if there's one thing I've learned from Ethan Hunt, the secret agent that Tom Cruise has played in the eight Mission: Impossible movies that I watched over the past two weeks to prepare, it's that the most impossible missions make for the most compelling stories. Chalk it up to dumb luck, brute force or convenient plot development, but relentlessly refreshing the ticketing page at least a thousand times — in the car, on the plane and, finally, at the crack of dawn in my hotel room — resulted in a miracle: I got a ticket. I was going to see Cruise, the president of movies and savior of the theatrical industry, flashing his ever-present sunglasses and zillion-dollar-at-the-box-office smile in person. I would be among the first people to clap through the credits of the (alleged) end of a decades-spanning franchise. Phase one was complete. Phase two: Get inside. Each Mission: Impossible movie includes a soirée scene in which Hunt infiltrates a high-society event to beat up a bunch of people and end up covered in blood. But the strict Cannes premiere doesn't technically prohibit displays of bodily fluid as long as you're in an evening gown, so Hunt would have been fine. 'Naked' dresses and long trains were newly banned, though, but luckily for the Cannes event staff, I didn't have room for any of that in my carry-on. I wore the kind of dress that would pass at a fancy wedding but wouldn't get you weird looks as a journalist technically working through the hours before the premiere, paired with the demure Croc heels I thought melted standing outside the rainy Met Gala. Some of my favorite looks belonged to the American college students that I met on the lawn a block away from the theater. They were relegated to that zone, attended by a security guard and tucked away under umbrellas, at 6 a.m. — more than 12 hours before the screening's scheduled start time — for a chance at snagging an unclaimed seat. I never saw them again. That made my walk into the theater even more dramatic. I had my ticket scanned no less than five times. The glamorous steps of the red carpet had a security guard manning both sides of almost every step leading to the entrance, ready to scold and eject anyone who dared take a selfie of the momentous walk. Toto's 'Africa' blared on the loudspeakers outside. I saw Andie McDowell. I was in. On to phase three: Watch the movie. But first — and this is crucial in every Mission: Impossible movie — I had to make sure I didn't die. I couldn't bring a water bottle into the theater, and there were no water fountains to be found. Descending the stairs to the ground floor in search of concessions would expend energy I couldn't lose. Cruise passed out filming Mission: Impossible — The Final Reckoning. He was climbing onto the wing of a stunt biplane that he was also flying. I wasn't about to disrespect him by fainting from something so unfilmable as dehydration. I went to the bathroom and stood at the sink, googling how to say 'please don't judge me' in French (s'il vous plaît ne me jugez pas). I cupped my hands and drank. The older woman to my right, wearing an impossibly chic leopard-print dress, smiled and did the same. She said something in French I assume was approval. We both survived. I hiked to the relegated upper balcony zone for the bourgeoisie, claiming a solo seat between the wall of a staircase and the aisle. Perfect for someone who needs elbow room to take notes for the story they're writing. A young man who looked like a tall Timothée Chalamet muttered 'so lonely' to his friends in a thick French accent, flicking his forearm toward me as he walked past. Would Hunt have let jokes about his solitude thwart him on his mission? Certainly not. He probably would have made out with a hot thief and sped away from a fiery explosion on a motorcycle in front of that man for vengeance. I settled for taking really good notes. While we waited for the film to start, the theater livestreamed the red carpet on the big screen, focusing on Cruise. We watched him sign dozens of autographs as his adoring fans, who had lined up in lawn chairs for hours before the screening to have a shot at waving notebooks, movie posters and drawings (and, in one instance, a dog) at him from behind a barricade for a few fleeting moments. When Cruise appeared onscreen, the crowd in the theater went wild. An announcer shouted 'Tom Cruise!' among a litany of French words, really indulging in the accent for the R. The whole theater stood in reverence as the cast took their seats in the orchestra. One middle-aged blond woman recorded ultra-zoomed footage of Cruise with the resolution typically seen only in Bigfoot videos for at least 10 minutes, then left the theater entirely as the movie began. I can't say much about it — it's not in theaters until May 23 — but there's nothing like watching a movie with people who have made a pilgrimage out of pure love for movies and their stars to sit in the dark with you for 2 hours and 45 minutes. It's a religious experience. At premieres, crowds are louder. They clap for the Paramount and Skydance logos in the opening credits. They holler when punches are thrown and death is defied. At Cannes, they don't laugh much, but I assume that's a French thing. Something I didn't expect was the double layer of subtitles for the film. The audio is in English with French subtitles, and below the big movie screen is a small second screen with English subtitles. I noticed they didn't match up to the audio, though — they might have been translations of the French subtitles. Regardless, that setup taught me that the French term for 'foosball' is babyfoot. Having just done the equivalent of cramming for the exam the night before with the Mission: Impossible movies, I was intimately familiar with every reference made to past installments. I was shocked so many people in the audience weren't — especially when a character from the original movie appeared in a crucial role. That sort of stunt in a Marvel movie would have had fans at my local Regal theater foaming at the mouth, but the Grand Auditorium Louis Lumière was silent. Maybe I wasn't surrounded by die-hard franchise fans. I think these people just love movies and Cruise. Regardless, phase four was complete. Phase five: Clap and leave. Cannes audiences give famously long standing ovations. Take 2024, for instance — Anora went on to win the festival's top prize and Best Picture at the Oscars, earning a respectable seven-and-a-half-minute ovation. But that paled in comparison to that of Horizon, which went on for 11 minutes, moving star and director Kevin Costner to tears. That movie did so badly at the box office, its three planned sequels may never see the light of day. In my experience, your palms really start hurting at the three-minute mark, but they sort of go numb after that. After the credits, the smiling faces of the cast are projected onscreen, and applause swells with adoration every time, peaking with Cruise. I started my timer at the first instance of clapping and turned it off when director Christopher McQuarrie started addressing the crowd at his seat with a microphone, effectively hushing the crowd. I counted seven and a half minutes. Other outlets have reported different times, but I know what I saw! 'One of the things Tom and I do when we sit here in the audience is we listen to you. We're listening to all of your reactions; we're listening to every breath you're taking,' McQuarrie said. 'A couple of times you were very, very quiet. You kept us in suspense. But this response is why we do it. You are why we do it.' He referred to Cruise as 'my very own action figure … who was actually willing to do just about any crazy thing I could think of.' That yielded the most sincere laughter from the crowd that I'd heard all night, as well as a huge smile from Cruise, who might not have stopped beaming since landing in the south of France. As people began to leave, I did what I knew Cruise himself would do: I went to the roof. Just kidding! I went to the balcony in the press room to watch people pour out of the theater. Celebrities, the ultra-rich and scrappy 20-somethings all had to spill through the same doors and back into the night — some walking to parties, others climbing into black SUVs. I walked a few blocks to McDonald's. Going to the theater is a communal, sacred experience, but the prestige and social norms of this glitzy French venue also made it a uniquely isolating one. I felt deeply emotional and connected to the crowd, but maybe it was all in my head, just like my feelings for the characters of Mission: Impossible. Regardless, my mission was accomplished.
Chicago Tribune
15-05-2025
- Lifestyle
- Chicago Tribune
Amazon has huge deals on Crocs for spring
Spring is coming, and along with it, the opportunity to stash away your stuffy winter boots and start to work warmer-weather shoes into your daily rotation. Crocs are a perfect shoe to wear all spring and summer, as well as those transitional weeks before the warm weather really hits. Many of them are closed-toed, so if you haven't gotten around to the first pedicure of the season, you're still good to go. Whether you're a longtime fan of these iconic and comfy shoes or a nervous first-timer, there are several styles of Crocs on sale right now. And in case you didn't know, Crocs aren't just the classic clog — there are sandals and slides too. Grab a pair or two and get ready to enjoy the warmer weather in comfort. Crocs Women's Classic Lined Platform Clogs These Crocs feature fuzzy, warm lining, making them the perfect choice to transition from the cooler days of early spring to full summer. They have a stylish platform heel and come in multiple colors. Crocs Unisex Adult Classic Clog This is the clog that started it all. The classic Crocs clog comes in several colors and is a wardrobe staple for millions. They're lightweight, easy to clean and super comfortable. Crocs Unisex-Adult Mellow Recovery Slides These slides feature ventilation to make them nice and breathable, making them a great choice for a beach day or post-workout. They have deep, cupped footbeds with a slow rebound. Crocs Unisex Adult Slip Resistant Bistro Clog This clog is made for people on their feet all day, such as health care workers or those who work in food service or hospitality. They provide a slip-resistant bottom, making them ideal for hours of walking and standing. Crocs Unisex-Adult Dylan Clogs These clogs resemble a mule, providing extra style along with the comfort of a pair of Crocs. They have deep heel cups, making them easy to keep on, and can be worn indoors or outdoors. Crocs Unisex Adult Crocband Clog If you like a more retro vibe, this design has it. It's the same classic clog you know and love, including a heel strap for a comfortable fit. Crocs Unisex-Adult Classic Collegiate Clogs Rep your favorite college on game day or just hanging out in the yard. These collegiate Crocs are available in the colors and logos of several universities, so see if yours is one of them. Crocs Women's Classic Platform Clog These are the unlined versions of the fuzzy clogs featured above, making them the right Croc to take you from spring to the end of summer. They have a wedge heel, giving you a little extra height, and are available in several colors. Crocs Women's Platform Flip Flop Sandal This platform flip-flop sandal provides the comfort and ease of a flip-flop with a little extra stability and style. They're lightweight and can even sport the classic Crocs Jibbitz shoe charms via the holes on the straps. BestReviews spends thousands of hours researching, analyzing and testing products to recommend the best picks for most consumers. BestReviews and its newspaper partners may earn a commission if you purchase a product through one of our links. Distributed by Tribune Content Agency, LLC.
