logo
#

Latest news with #DavidJenkinson

Content India 2026 set for March in Mumbai
Content India 2026 set for March in Mumbai

Economic Times

time2 days ago

  • Business
  • Economic Times

Content India 2026 set for March in Mumbai

Synopsis Content India will host its first three-day event in Mumbai in March 2026. Registrations are now open for the event. The event aims to foster cross-border collaboration in the entertainment industry. It will feature discussions, content marketplace, and networking. The goal is to position India as a global content hub. This event will strengthen international ties in the creative industries. AI generated image used for representation Building on the momentum of its April 2025 summit, Content India has announced that its first three-day edition will be held from March 16 to 18, 2026, at Taj Lands End, Mumbai. Registrations for the event are now open. Designed as a high-powered platform for cross-border collaboration, Content India 2026 will bring together domestic and international players in the entertainment industry to unlock billions in untapped potential. The event will feature panel discussions, a marketplace for content, exclusive screenings, curated networking sessions, and insights from industry leaders. The conference aligns with findings from The Future of the Indian Entertainment Business report, which points to strong growth opportunities in content sales, acquisitions, co-productions, and creative services. Organisers say the goal is to position India as a global content hub by fostering partnerships that work both locally and event comes against the backdrop of a landmark trade agreement between India and the UK, projected to boost bilateral trade by £25.5 billion annually by 2040. This development adds further weight to Content India 2026's mission to strengthen international ties in the creative industries.C21 Editor-in-Chief and Managing Director David Jenkinson said the April summit proved the potential for 'fresh partnerships' between Indian and international markets. 'Content India 2026 will focus on building partnerships that lead to formats which succeed locally and resonate globally,' he said. 'Now is the time.' Manoj Dobhal, CEO and Executive Director of Dish TV India, called the event a 'purpose-driven platform' that goes beyond entertainment to represent 'influence, identity, and economic strength.' He added: 'Our goal is to foster an inclusive, globally competitive ecosystem that empowers both seasoned professionals and the next generation of creators.'The event is anchored around 12 strategic goals, including developing hybrid content for global audiences, attracting international productions, showcasing India's AI and post-production capabilities, boosting format trade, and exploring venture capital funding for content creation.

Indian entertainment sector could unlock $6 billion in unrealised value by 2030: Report
Indian entertainment sector could unlock $6 billion in unrealised value by 2030: Report

Time of India

time30-04-2025

  • Business
  • Time of India

Indian entertainment sector could unlock $6 billion in unrealised value by 2030: Report

A new report suggests India's entertainment industry has potential for growth. It could unlock $6 billion by 2030. This growth depends on global collaboration and technology. The report highlights the need for strategic changes. It emphasizes content creation and audience alignment. The Content India 2026 event will further explore these findings. The industry aims to become a global entertainment hub. Tired of too many ads? Remove Ads Tired of too many ads? Remove Ads Tired of too many ads? Remove Ads The Indian entertainment sector could unlock $6 billion in unrealised value by 2030 through international collaboration, technology adoption, and strategic changes in content creation, according to a new industry already one of the world's largest entertainment markets, remains under-leveraged in terms of global revenues, the report said. Despite having 551 million OTT users, India generates just $2.1 billion in revenue—well below its contrast, countries such as South Korea, with smaller or comparable audiences, achieve significantly higher international revenues through content its current trajectory, India's OTT market may reach $5 billion by 2030. Local optimisation could raise this to $9 billion. However, a more ambitious shift in strategy could push the figure beyond $15 billion, the report added. The document is titled 'The Future of the Indian Entertainment Business in Partnership with the World'.The report was released following the Content India Summit, a joint initiative by DishTV and C21Media. The one-day event, held in Mumbai on 1 April, brought together industry leaders to explore avenues for growth, using data supplied by Allied Global Marketing. The findings will also inform the agenda for the three-day Content India 2026 event, scheduled for March next report highlights the need for global partnerships rooted in Indian storytelling, international support for locally produced pilot projects, alignment of production with audience demand, and growth of the creator economy. It also recommends adopting emerging technologies, including artificial intelligence, while producing content that is locally grounded and internationally Dobhal, CEO and Executive Director of DishTV, said the report highlights a pivotal moment for the Indian entertainment industry . 'It is clear that the Indian entertainment business is a force to be reckoned with on the global stage. But it has the opportunity to make an even bigger impact globally by partnering with international players on its own terms. It is also ideally positioned to become a central hub for global production, with unrivalled resources, skills and locations.'David Jenkinson, C21Media founder and report editor, said: 'The world is changing fast. The emerging creator economy, the rise of AI tech, and the opportunity to work together across borders is set to reshape the global entertainment business. As this report shows, India can be at the heart of that. Of course, there are many challenges. But they are all addressable and the upside is significant for all.'The report identifies structural challenges facing the industry. Chief among them is a mismatch between audience preferences and content output. Comedy is the most preferred genre, yet it represents only a small proportion of premium content. Drama, crime, and thrillers dominate production, despite being less aligned with viewer demand. Audiences continue to favour culturally rooted, authentic storytelling, which remains report also notes a misreading of consumption patterns. Although India is often considered a mobile-first market, connected TV usage has risen sharply. Between 2022 and 2024, YouTube 's connected TV viewing quadrupled. Family co-viewing, particularly during mealtimes, is common. Nonetheless, content remains heavily targeted at urban, individual users. YouTube accounts for 92% of online video consumption, driven by short-form, creator-led content that emphasises immediacy and Indian titles such as RRR, Pathaan and Kantara have achieved success both domestically and abroad, the report describes these as exceptions rather than the norm. It calls for a more consistent international strategy, especially as global streamers shift focus from subscriber growth to cost advantage in content production offers another opportunity. A premium Indian series costs between $1 million and $2 million per episode, compared to $5 million to $15 million in the US or UK. With global studios seeking cost-effective production hubs, India can position itself as a viable partner. Wider use of AI and virtual production could further reduce Indian diaspora, estimated at 35 million globally, remains an underutilised audience. To date, content targeting this group has largely relied on nostalgia. Expanding genres to include action, thrillers and science fiction could broaden the appeal and help establish a stronger global its creative and technical capabilities, only a small proportion of Indian studios currently use AI tools, compared with around 75% in the US. Greater adoption could significantly improve efficiency in areas such as post-production and report concludes that India has the scale, talent and cost advantages to become one of the top three global entertainment economies. Realising this potential, however, will depend on timely and strategic execution. The report's findings will serve as a foundation for planning discussions at Content India 2026.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store