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India Today
2 days ago
- Business
- India Today
From Bollywood to dal-chawal, Mango Millionaire makes money feel relatable
What does Ta Ra Rum Pum, Three Idiots, and Deewaar have to do with personal finance? Quite a lot, if you ask Radhika Gupta and Niranjan Awasthi. In Mango Millionaire, the authors ditch the usual graphs and grim forecasts for something far more familiar: Bollywood references, dinner-table wisdom, and metaphors from daily life that make money feel less a personal finance space crowded with jargon and generic advice, Mango Millionaire stands out with its refreshing simplicity. It doesn't aim to impress with terminology or push readers into anxiety about missed financial goals. Instead, it reads like a conversation - one that's friendly, rooted in everyday life, and quietly a familiar name in the world of mutual funds, and Awasthi, who also works with Edelweiss, bring a tone that's far from corporate. They aren't preaching from a podium. Their writing feels like a chat between two friends over chai, the kind that makes intimidating ideas feel understandable. The book uses plain language without talking down to the reader. Its goal is to make money feel manageable, not perfect, just doable. The storytelling draws from what's familiar: Bollywood scenes, dal-chawal, family budgets, and the ever-reliable Great Indian Thali. These references aren't just for show. They bring abstract concepts - like risk appetite or diversification - into the real world. When a movie like Ta Ra Rum Pum shows up in the narrative, it feels like a nudge, not a Mango Millionaire isn't all style. It has structure and sound advice at its core. Topics like savings discipline, debt, aspirational inflation, and emergency funds are explained with clarity and care. There's no pressure to be perfect. The message is simple: begin where you are, with what you makes the book resonate is how gently it handles doubt. It gives readers space to have made mistakes, to start late, to take small steps. It doesn't promise a perfect portfolio. It offers the end, Mango Millionaire is less a finance manual and more a friend/mentor for the everyday investor. It speaks the language of lived experience. If you've ever felt like personal finance books aren't written for people like you, this one might just change your mind.- Ends
India.com
3 days ago
- Entertainment
- India.com
Not just Rekha, Amitabh Bachchan was also linked with these two actresses, allegedly had a secret affair with.., they were…
Not just Rekha, Amitabh Bachchan was also linked with these two actresses, allegedly had a secret affair with.., they were… In the glitzy and glamorous world of Bollywood, where the lines between reel and real life often blur, there are some real-life tales of celebrities that have stood the test of time. While some are celebrated, others are considered controversial, and some become legendary. Among them, one of the most popular love triangles is that of Amitabh Bachchan, Jaya Bachchan, and Rekha. But what many people don't know is that besides Rekha, Amitabh's name was also linked to two top actresses from the golden era. These actresses were none other than Zeenat Aman and Praveen Babi. Amitabh Bachchan is widely known for his successful career, but when it comes to his personal life, he has always been tight-lipped about it. But his link with Rekha has always taken the headlines. The duo met during the sets of the film Do Anjaane, and over time, their closeness became a subject of gossip columns. One most talked about rumours was when Rekha arrived at Rishi Kapoor and Neetu Kapoor's wedding wearing sindoor and mangalsutra. While many claimed that it was linked with Amitabh, she later said in an interview that it was her costume and she had come straight from a film shoot. But the buzz had already spread like wildfire. But it wasn't just Rekha who was linked with Amitabh Bachchan. Another popular face of golden cinema, Zeenat Aman, was allegedly associated with the Big B. Known for her bold screen presence, she had delivered many hits in her time. Her name was often linked with Sanjay Khan and Mazhar Khan. There were also reports of her special connection with Big B. Though their alleged affair didn't last, it did create a spark and made headlines. The duo featured in several blockbusters like Don and Laawaris. Then there was Parveen Babi Another glamorous actress of Bollywood and the pioneer actress to appear on the cover of Time magazine, Parveen Babi, was a top actress of her time. From her sensational role to her strong screen presence, Praveen created magic on screen like no other. But speaking of her personal life, her name was also linked to several actors like Kabir Bedi, Danny Denzongpa, and Mahesh Bhatt. However, what many don't know is that she reportedly dated Amitabh Bachchan, and their sizzling on-screen chemistry in Deewaar, Namak Halaal, and Amar Akbar Anthony was a witness. Though none of these realtionships were officially confirmed, they remained a topic of conversation and gossip in the industry and among fans.
India.com
16-07-2025
- Entertainment
- India.com
Made for Rs 5 crore, this movie was a huge hit, but still ruined the producer's life due to..., movie was...
Behind the swagger of Don, which was made for 5 crore, and the swagger of 'Khaike Paan Banaras Wala' lies a story steeped in debt, desperation, and an unexpected tragedy. What you saw on screen was silver, but off-screen, it was survival. After a bunch of hits like Zanjeer, Deewaar, and Sholay, Amitabh Bachchan cemented his place in Bollywood with Don. But behind the camera, producer Nariman Irani was drowning in debt. This would tragically become his last film, despite it being a hit. The profits from Don didn't make him rich; they were used to pay off everything he owed. Who insisted on 'Khaike Paan Banaras Wala'? That one iconic song rarely happened. Lyricist Sameer Anjaan recalled that Javed Akhtar was adamant the film needed a new song in the second half to break the monotony of action. But the problem? The production had zero budget. 'The poor producer was in such a bad state because of the film that he didn't even have money for food,' Sameer said. Nariman Irani resisted. There was no money, no time, no set. But Javed wouldn't budge. Eventually, the team shot the song in a makeshift tabela (a rural cow shed) in Goregaon, just a day before Bachchan was set to leave the country. It was rushed, raw, and unplanned—yet it became one of the most beloved songs in Indian cinema. What happened to Nariman Irani? Despite Don becoming a commercial success, Irani didn't live to see its premiere. Just weeks before its release, he died in a freak accident, crushed by a wall during a cloudburst on the set of another film. His death left the cast and crew heartbroken. Director Chandra Barot later shared that Don was made by friends trying to help Nariman clear his debts. Even with a modest budget of Rs 25 lakh, they created something truly magical. What did the cast say about Irani? Zeenat Aman, who starred opposite Amitabh Bachchan, remembered the film as a family project. 'When he passed away, I did not take any of my remuneration. I just wrote all of it off,' she said. Barot and others ensured the money made from the film was handed to Irani's widow, Salma, to help her repay the debts he left behind. A legacy bigger than its Box Office Don didn't just boost Amitabh's superstardom; it became a franchise. Shah Rukh Khan starred in the 2006 remake and its sequel, and a reboot with Ranveer Singh is currently in the works. But the soul of the original Don lies in what the audience never saw: a producer's struggle, a friend's stubbornness, and an industry that came together like family.
Economic Times
16-07-2025
- Entertainment
- Economic Times
He produced Amitabh Bachchan's blockbuster ‘Don' but did not have money to buy food, died penniless before its release. Who was Nariman Irani?
Don, starring Amitabh Bachchan, was a hit film. Nariman Irani produced it. He faced financial troubles. Industry friends helped him make the film. The song 'Khaike Paan Banaras Wala' was added later. Irani died in an accident before the film's release. Don became a success. Profits cleared Irani's debts. The film spawned a franchise. Irani's legacy lives on. Tired of too many ads? Remove Ads A Career-Crowning Role for Bachchan, A Financial Wreck for Irani A Song That Was Never in the Script A Producer on the Brink of Collapse Tired of too many ads? Remove Ads The Tabela Shoot That Made History Music That Made the Film a Classic A Tragic Turn of Fate Friends Who Rallied Behind a Vision A Legacy Larger Than Life Tired of too many ads? Remove Ads Remembering Nariman Irani: The Man Behind the Vision When Don hit theatres in 1978, it wasn't just another Bollywood release. It was the latest chapter in the meteoric rise of Amitabh Bachchan, following blockbuster hits like Zanjeer, Deewaar, and Sholay. Directed by Chandra Barot and crafted by the legendary writing duo Salim–Javed, Don became a roaring commercial success. Yet, behind its triumph lay a tale of financial despair and personal tragedy—particularly that of its producer, Nariman A. Irani For Amitabh Bachchan, Don was another feather in an already crowded cap, but for Nariman Irani, the man who backed the film, it was a last-ditch effort to salvage his career. After his previous venture, Zindagi Zindagi (starring Sunil Dutt), had failed to generate revenue, Irani found himself burdened with debt. As director Chandra Barot revealed in a 2006 interview with Rediff, several industry stalwarts—including Amitabh Bachchan, Pran, Zeenat Aman, and the writing pair Salim–Javed—collaborated on Don out of loyalty and goodwill toward Irani. According to Barot, the film's development stretched over three and a half years, with numerous hurdles and tight budgetary one of the film's most iconic elements—its unforgettable song 'Khaike Paan Banaras Wala'—wasn't part of the original plan. In an interview with DD Urdu, lyricist Sameer Anjaan recounted how his father, the renowned lyricist Anjaan, came to be associated with what would become a signature tune for Amitabh explained that after watching the film's final cut, screenwriter Javed Akhtar felt that the second half of the movie had become overly saturated with action and lacked an emotional or cultural pause. To counteract the dryness, Akhtar suggested the addition of a lighthearted song. Despite the film already being completed and the release date confirmed, Akhtar pushed strongly for the inclusion of this new the time, Nariman Irani's financial situation had deteriorated to such an extent that he reportedly lacked even the money for basic needs. As Sameer Anjaan recalled, Irani told Javed Akhtar that he simply couldn't afford to shoot another scene. However, Akhtar remained insistent. The creative team understood that the right song could bring balance to the film's tone and enhance its appeal. Eventually, despite his reservations and constraints, Irani more obstacles lay ahead. Amitabh Bachchan was set to leave India for an overseas commitment, and only a single day was available to shoot the new song. Moreover, there was no budget to build a set. Faced with the logistical nightmare, the team improvised. They chose a real cattle stable, or 'tabela,' in Goregaon—a locality in Mumbai known for housing workers from Uttar Pradesh . With barely any preparation, the team rolled cameras at this makeshift location and managed to film the entire song within a few resulted was cinematic magic. 'Khaike Paan Banaras Wala,' composed by Kalyanji-Anandji with lyrics by Anjaan, became a cultural sensation. It not only boosted the film's popularity but became eternally tied to Amitabh Bachchan's on-screen soundtrack played a pivotal role in its success. Kalyanji-Anandji's composition, alongside lyrics from Anjaan and Indeevar , gave the movie its memorable musical identity. Apart from 'Khaike Paan Banaras Wala,' the film featured other chartbusters like 'Yeh Mera Dil,' performed by Asha Bhosle. These songs helped elevate Don from just another thriller to an iconic Bollywood offering that would influence generations of Don turning into a box office hit—it was the third highest-grossing Indian film of 1978 and achieved the prestigious golden jubilee status—Nariman Irani never lived to see its triumph. Just weeks before the movie's release, he was involved in a tragic working as a cinematographer on Manoj Kumar's film Kranti at the Rajkamal Kalamandir studios in Bombay, Irani was caught in a sudden cloudburst. During the chaos, a wall collapsed and fell on him, resulting in a serious hip injury. Though he was rushed to the hospital, he did not survive. Irani passed away in December 1977, leaving the film incomplete and his family devastated. The profits from Don were later used to repay the debts he had Chandra Barot reiterated in his Rediff interview that Don was born not just out of creative ambition, but as a rescue mission for a friend in dire need. Irani, whose work as a cinematographer was well regarded—he had even won the National Award and the Filmfare Award for Saraswatichandra (1968)—was experiencing one of the lowest points of his professional life. His friends in the film industry didn't abandon him. Instead, they pooled their talents to create something that could lift him out of crisis. Tragically, he would never enjoy the fruits of their A. Irani might not have witnessed the release of Don, but his name lives on through its legacy. The movie sparked a successful franchise that has evolved through decades. A remake starring Shah Rukh Khan arrived in 2006, followed by a sequel, Don 2. Now, a new reboot featuring Ranveer Singh is in development, proving the staying power of the character and story Irani helped bring to initial concept for Don reportedly drew inspiration from his own previous work as a cinematographer on Chhailla Babu (1977), as per historical sources. He discussed a revamped story idea with Chandra Barot, who took the project forward. Though he never saw its completion, his creative fingerprints remain all over the A. Irani's contributions to Indian cinema extend beyond his tragic story. As a cinematographer, he brought visual poetry to films like Talash, Phool Aur Patthar, Roti Kapada Aur Makaan, and of course, Saraswatichandra. His work was critically acclaimed, and he was regarded as a master of black-and-white cinematography during a time of transition in ambition to become a producer may have led to financial hardship, but it also resulted in one of the most iconic thrillers in Indian cinematic history. Though he never saw the applause or reaped the financial success of Don, his influence echoes through every frame of the film and every beat of its unforgettable songs.
Time of India
16-07-2025
- Entertainment
- Time of India
He produced Amitabh Bachchan's blockbuster ‘Don' but did not have money to buy food, died penniless before its release. Who was Nariman Irani?
When Don hit theatres in 1978, it wasn't just another Bollywood release. It was the latest chapter in the meteoric rise of Amitabh Bachchan, following blockbuster hits like Zanjeer, Deewaar, and Sholay. Directed by Chandra Barot and crafted by the legendary writing duo Salim–Javed, Don became a roaring commercial success. Yet, behind its triumph lay a tale of financial despair and personal tragedy—particularly that of its producer, Nariman A. Irani . A Career-Crowning Role for Bachchan, A Financial Wreck for Irani For Amitabh Bachchan, Don was another feather in an already crowded cap, but for Nariman Irani, the man who backed the film, it was a last-ditch effort to salvage his career. After his previous venture, Zindagi Zindagi (starring Sunil Dutt), had failed to generate revenue, Irani found himself burdened with debt. As director Chandra Barot revealed in a 2006 interview with Rediff, several industry stalwarts—including Amitabh Bachchan, Pran, Zeenat Aman, and the writing pair Salim–Javed—collaborated on Don out of loyalty and goodwill toward Irani. According to Barot, the film's development stretched over three and a half years, with numerous hurdles and tight budgetary restrictions. A Song That Was Never in the Script Interestingly, one of the film's most iconic elements—its unforgettable song 'Khaike Paan Banaras Wala'—wasn't part of the original plan. In an interview with DD Urdu , lyricist Sameer Anjaan recounted how his father, the renowned lyricist Anjaan, came to be associated with what would become a signature tune for Amitabh Bachchan. Sameer explained that after watching the film's final cut, screenwriter Javed Akhtar felt that the second half of the movie had become overly saturated with action and lacked an emotional or cultural pause. To counteract the dryness, Akhtar suggested the addition of a lighthearted song. Despite the film already being completed and the release date confirmed, Akhtar pushed strongly for the inclusion of this new number. A Producer on the Brink of Collapse At the time, Nariman Irani's financial situation had deteriorated to such an extent that he reportedly lacked even the money for basic needs. As Sameer Anjaan recalled, Irani told Javed Akhtar that he simply couldn't afford to shoot another scene. However, Akhtar remained insistent. The creative team understood that the right song could bring balance to the film's tone and enhance its appeal. Eventually, despite his reservations and constraints, Irani agreed. The Tabela Shoot That Made History But more obstacles lay ahead. Amitabh Bachchan was set to leave India for an overseas commitment, and only a single day was available to shoot the new song. Moreover, there was no budget to build a set. Faced with the logistical nightmare, the team improvised. They chose a real cattle stable, or 'tabela,' in Goregaon—a locality in Mumbai known for housing workers from Uttar Pradesh . With barely any preparation, the team rolled cameras at this makeshift location and managed to film the entire song within a few hours. What resulted was cinematic magic. 'Khaike Paan Banaras Wala,' composed by Kalyanji-Anandji with lyrics by Anjaan, became a cultural sensation. It not only boosted the film's popularity but became eternally tied to Amitabh Bachchan's on-screen persona. Music That Made the Film a Classic Don's soundtrack played a pivotal role in its success. Kalyanji-Anandji's composition, alongside lyrics from Anjaan and Indeevar , gave the movie its memorable musical identity. Apart from 'Khaike Paan Banaras Wala,' the film featured other chartbusters like 'Yeh Mera Dil,' performed by Asha Bhosle. These songs helped elevate Don from just another thriller to an iconic Bollywood offering that would influence generations of cinema. A Tragic Turn of Fate Despite Don turning into a box office hit—it was the third highest-grossing Indian film of 1978 and achieved the prestigious golden jubilee status—Nariman Irani never lived to see its triumph. Just weeks before the movie's release, he was involved in a tragic accident. While working as a cinematographer on Manoj Kumar's film Kranti at the Rajkamal Kalamandir studios in Bombay, Irani was caught in a sudden cloudburst. During the chaos, a wall collapsed and fell on him, resulting in a serious hip injury. Though he was rushed to the hospital, he did not survive. Irani passed away in December 1977, leaving the film incomplete and his family devastated. The profits from Don were later used to repay the debts he had accumulated. Friends Who Rallied Behind a Vision Director Chandra Barot reiterated in his Rediff interview that Don was born not just out of creative ambition, but as a rescue mission for a friend in dire need. Irani, whose work as a cinematographer was well regarded—he had even won the National Award and the Filmfare Award for Saraswatichandra (1968)—was experiencing one of the lowest points of his professional life. His friends in the film industry didn't abandon him. Instead, they pooled their talents to create something that could lift him out of crisis. Tragically, he would never enjoy the fruits of their labor. A Legacy Larger Than Life Nariman A. Irani might not have witnessed the release of Don, but his name lives on through its legacy. The movie sparked a successful franchise that has evolved through decades. A remake starring Shah Rukh Khan arrived in 2006, followed by a sequel, Don 2. Now, a new reboot featuring Ranveer Singh is in development, proving the staying power of the character and story Irani helped bring to life. Irani's initial concept for Don reportedly drew inspiration from his own previous work as a cinematographer on Chhailla Babu (1977), as per historical sources. He discussed a revamped story idea with Chandra Barot, who took the project forward. Though he never saw its completion, his creative fingerprints remain all over the film. Remembering Nariman Irani: The Man Behind the Vision Nariman A. Irani's contributions to Indian cinema extend beyond his tragic story. As a cinematographer, he brought visual poetry to films like Talash, Phool Aur Patthar, Roti Kapada Aur Makaan, and of course, Saraswatichandra. His work was critically acclaimed, and he was regarded as a master of black-and-white cinematography during a time of transition in Bollywood. His ambition to become a producer may have led to financial hardship, but it also resulted in one of the most iconic thrillers in Indian cinematic history. Though he never saw the applause or reaped the financial success of Don, his influence echoes through every frame of the film and every beat of its unforgettable songs.
