Latest news with #Dietrich
Business Upturn
5 days ago
- Business
- Business Upturn
QC Fuel Reopens in Davenport With New Ownership and New Location on Utica Ridge Road
Davenport, Aug. 13, 2025 (GLOBE NEWSWIRE) — Local favorite returns to the Quad Cities; doors now open at 4650 Utica Ridge Rd. DAVENPORT, Iowa — Aug. 11, 2025 — QC Fuel, a locally loved Quad Cities coffee shop, officially reopened this morning under new ownership at 4650 Utica Ridge Rd., Davenport, IA 52807. The comeback follows the brand's late-2024 closure and anchors a new chapter for QC Fuel on Davenport's growing east-side corridor, welcoming commuters, students, and neighborhood regulars back to a familiar name with a renewed focus on service and consistency. 'QC Fuel is back—and we're here to do more than pour a great cup of coffee,' said Dara Dietrich, owner of QC Fuel. 'Reopening in Davenport with a community-first mindset means every guest should feel recognized, every drink should be consistent, and every visit should be easy. Whether you're headed to work, meeting a friend, or taking a quick break, we want QC Fuel to be your daily stop.' The Utica Ridge Road café brings QC Fuel's streamlined workflow to the morning rush and a comfortable, relaxed atmosphere throughout the day. Guests will find handcrafted coffee and espresso drinks alongside a selection of teas and other café staples, with an emphasis on friendly, efficient service and a welcoming environment for quick visits and casual meetups alike. The brand's return highlights what local owners can bring to a neighborhood: hospitality that feels personal, an eye for consistency, and a simple promise to be reliable seven days a week. 'Small businesses thrive when they listen,' Dietrich added. 'The message from the Quad Cities has been clear: people miss places that make their day easier. We're grateful for the support and excited to serve Davenport from our new home on Utica Ridge.' QC Fuel's operating hours are designed around local routines: Monday–Friday 6:00 a.m.–3:00 p.m., Saturday 7:00 a.m.–3:00 p.m., and Sunday 8:00 a.m.–3:00 p.m. Guests can check for updates and follow QC Fuel on Facebook at for announcements and behind-the-scenes looks at the shop. As the team expands its digital footprint, information will continue to be centralized on the website to make it easy for customers and the media to find hours, location details, and contact information in one place. Today's opening also underscores the role of local entrepreneurship in neighborhood momentum. Reviving a known brand within the Quad Cities not only restores a daily ritual for coffee drinkers but also signals steady confidence in Davenport's retail and dining mix. QC Fuel's emphasis on consistency and hospitality is intended to meet the region's practical needs—good coffee, friendly service, dependable hours—while creating a space that contributes to everyday community life. Fast Facts: What: QC Fuel is officially open under new ownership When: Reopened Aug. 11, 2025 Where: 4650 Utica Ridge Rd., Davenport, IA 52807 Hours: Mon–Fri 6:00 a.m.–3:00 p.m.; Sat 7:00 a.m.–3:00 p.m.; Sun 8:00 a.m.–3:00 p.m. Web: Facebook: Phone: (708) 548-5021 The brand's return allows QC Fuel to focus on what made it a local favorite in the first place: a straightforward menu of handcrafted coffee and tea, a staff committed to friendly service, and a commitment to consistency that respects customers' time. While the café builds out additional community partnerships and programming over time, the immediate priority is delivering an experience that guests can count on every day. Media inquiries, collaborations, and interview requests can be directed to Dara Dietrich at the contact information below. About QC Fuel QC Fuel is a locally owned Davenport coffee shop dedicated to friendly service, consistent quality, and community connection. Reopened on Aug. 11, 2025, QC Fuel serves the Quad Cities from its new location at 4650 Utica Ridge Rd., Davenport, IA 52807. Learn more at or call (708) 548-5021. Media ContactDara Dietrich, OwnerQC Fuel(708) 548-5021 [email protected]
The Advertiser
09-08-2025
- Sport
- The Advertiser
Driving 100,000kms for a premiership dream. Is this Australia's most dedicated team?
The lunch bell at McCarthy Catholic College in Tamworth on Thursday signals go-time for Emily Dietrich. Dietrich trades her school books for a footy bag, makes sure the P-plates on her 2012 Toyota Rav 4 are secure and rattles down the Newell Highway for three hours to Newcastle for training with the Hunter Wildfires. Sometimes, Regan Simpson from Barraba catches a ride and they pick up Scarlett Slade at Quirindi on the way. This is just the tip of the extraordinary measures Hunter Wildfires women's players and coaches have undertaken for a shot at history. The Wildfires will contest the Kerry Chikarovski Cup and Sydney Women's Rugby second division grand finals at Concord Oval on Saturday. They tackle favourites Warringah in the finale of Australia's premier club competition and Sydney University in the second-tier decider. It's a historic moment for the club, even though players were forced to play on a "dog shit" back field in the semi-final last week to book their tickets to the big dance. Dietrich's road trip with some of her teammates tells only part of what is a remarkable story of sacrifice and dedication for female athletes who have their eyes on a goal. The team is littered with stories of personal challenges, hours on the road and giving up time with their own families to be part of a rugby family. Coach Joey De Dassel, for example, would "hate to know" how many kilometres he has clocked travelling from Coffs Harbour for training and onto Sydney every second week for games. He usually makes a pit stop at Port Macquarie to collect assistant coach Shane Joyce. They are often accompanied by Flanders sisters, Ruby and Poppi, Charlotte Ricketts and Aria Matthew, depending on the availability of the schoolgirls' parents. Charlotte Maslen makes the journey from Gloucester, where her family operates a 3000-hectare dairy farm. Emily Fear hits the highway from Scone. Ruby Anderson, Maia Madden Khan and Emily Lufe zoom up the M1 from the Central Coast. Captain Renee Clarke and Emily Sheather have shifted to Newcastle from the Mid North Coast. Supartie Van Heerde, Hayley Glass, Jasmine Brooks have relocated from Melbourne. Kenzie McEachern and Katie Salverda have lobbed from Canada. Elizabeth Shermer has traded an English summer for an Aussie winter. Wildfires women's chair Nicola Roche opens her farmhouse to out-of-town players and their families on Friday nights. Others bunk at teammates' places on couches and mattresses on the floor. Susannah Cooke and Vernonika Kosmider are first-year doctors and juggle night shifts in the emergency department at John Hunter Hospital with training. They are among a core group of home-grown players from 15-year-old Emma McRae and 16-year-old Luca Stewart - the little sister of Wallaroos star Maya - to mother-of-two Marryann Tuisalega and other seasoned leaders Annika Jamieson, Anika Butler, Annabel Leighton and Emma Bradford. Each has their own story. Each has made their own sacrifice. It begs the question, why? A love for the game, firstly. And opportunity. De Dassel, 43, grew up in Yamba, went to university in Armidale and played in the Central North competition for 13 years, representing NSW Country. A former NSW Police detective, he started working for NSW Rugby in 2021 and is now the mental health and wellbeing manager and Rugby For Good program manager for NSW Positive Rugby Foundation. "I have a strong understanding of the rugby environments across those northern areas," De Dassel said. "There are some super-talented kids there. They don't get the level of competition that challenges them. "They love the game. They have come and had a taste of it at the Wildfires and have decided to buy in." De Dassel's commute alone for the season tops 50,000 kilometres. "I make the eight-hour round trip to Newcastle each Tuesday," he said. "I do a bit of work in the area. I'm back down there on Thursday, and if I have work in Sydney, I'll schedule it for Friday. I will hang in Sydney and generally come back to Coffs after the game. "I don't know how many kilometres I have done. I'd hate to look. "I have to give a lot of credit to my wife, Amanda, and kids for allowing it to happen. "I made the tough call about six weeks ago that this would be my last year. It was a really hard decision to make because I absolutely love it and we're going from strength to strength, building a really good program." De Dassel's staff - Joyce, Corey Brown, Natasha McRae, Steve Barretto, Alex Sills and Shane Morgan - are equally passionate and dedicated. "It was a clear goal of ours at the start of this year to have both teams in the grand final, and it's a reward for lots of things," De Dassel said. "It's a reward for the coaching staff who put in so many hours behind the scenes. "It's a reward for the players who we've asked a lot of this year. "It's a reward to the club and Stu [Pinkerton] and the board for backing us to have a second team and providing the resources around that. "It's really been a team effort across players, coaches, administration, just a really whole club effort, and that goes for the men's and the colts coaches and players as well, who really support our women's program. "It's nice to be able to get to the big dance, but it will be even nicer to get a win." The Wildfires have operated a women's program since 2021, expanding it to two teams this season. They also have two senior men's grades and two under-20s men's teams that compete in Sydney. "We have always regarded the women's teams equal to our men's," Wildfires general manager Stu Pinkerton said. "Joey is very passionate about the region. He regards the Wildfires as a legitimate pathway for girls in regional areas. Previously, they haven't had an elite-level competition to play in." Dietrich and Maslen are two cases in point. Central North zone does not have a women's 15-a-side competition, leaving Dietrich without a platform outside of school and age competitions. "I did a little bit of Wildfires last year," said the fullback, who is sitting her trial HSC this week. "Joey asked me to come back and have a bigger role in the team. I love it. The speed and the extra physicality ... it is super fun. "For the first few weeks, my parents drove me down to training. Now, I leave home at about 1.30pm. I arrive in Newcastle with enough time to grab something to eat. My aunty lives in Singleton and I stay there overnight on the way home. "I have learnt so much. The older girls have really taken us young ones under their wing. "It is easily the funniest and most bonded team I have been in. It's awesome. "I can definitely see a pathway for young girls." Maslen's club, the Gloucester Cockies, which played in a 10-a-side competition in the Southern Mid North Coast zone, folded this season. "I wanted to play at a higher level," the 23-year-old breakaway said. "I played for NSW Country and met Joey, who invited me to come down." Maslen's "pretty big days" begin at 2am with the buzz of the alarm clock. "I'm a fourth-generation dairy farmer," she said. "Work starts at 3am. We have 800 cows, which are milked twice a day. I'm on my feet all the time and average 60,000 steps a day. I finish work at 4pm, jump in the car and head to training. I get there by 6pm, finish training at 8pm, and get home by 11pm. Then it starts again." Maslen's fiance, Ryan Yates, drives the 1-hour-and-40-minute trip each way to allow his partner to sleep. "He is a darling," she said. "He played rugby but retired after a couple of knee reconstructions. He is living his rugby dream through me. "I have gained so much. You learn lots from the coaches. Also, little things from side conversations with other players and competing against better players." Jamieson, Tuisalega, Cooke, Butler, Leighton and Bradford were part of the foundation Wildfires side, which won the division two competition in 2021. Jamieson said the level of professionalism and the status of the women's program had risen significantly. "We did the preseason alongside the men," the experienced lock said. "We trained beside the boys for three months and were flogged. "Everyone has ripped in. We train to three days a week. We do our post-game review and recovery at McDonald Jones Stadium. It is much more professional. "Our strength and conditioning has been intense. We are so much fitter and faster, and work better under fatigue. We have it built into us. I'm 33, but my Whoop Band, which measures my health metrics, says I'm 22. "As a whole, the team is humming. "We have gelled super well on and off the field. We have spent a lot of Saturday nights together. Recovery is at the ocean baths on Sunday. "It has clicked really well. By about round three, we realised we had some good things going on." Anderson, who is in doubt for the grand final with a knee injury, is a Wallaroo, but missed selection for the World Cup. Supartie Van Heerde and Shermer have represented the Netherlands, while Georgia Chapple, Kyah Little, Glass, Jamieson and Cooke have all played in the Super W competition. "The next challenge for the program is to tap into the talent in the Hunter a bit more," De Dassel said. "There are some really good younger local girls coming through in Emma McRae and Luka Stewart. "I'd love to see more Hunter girls file into the development squad and push for first grade. On the flip side to the regional girls, there are plenty of opportunities for players in the Hunter, with rugby league and other contact sports." Home-grown Wallaroos stars Maya Stewart and Layne Morgan, who leave for the World Cup in England on Monday, moved to Sydney early in their careers for more opportunities. Morgan's dad, Shane, is part of the coaching staff at the Wildfires. "Dad is so excited, he can't wait for this weekend," said Morgan, who played a handful of games for the Wildfires in 2024 before moving to the Gold Coast. "It has been awesome to see the growth and the number of girls getting involved with the Wildfires. To get into the grand final is unreal." Dietrich and Maslen agreed that there was a pathway for girls from Newcastle and the surrounding regions to the top level. For now, they are focused on Saturday and winning a premiership. Warringah were minor premiers and are spearheaded by arguably Australia's GOAT female player Sharni Williams. The Rats also boast former Wallaroos Emily Robinson and Nicole Nathan, NSW halves Tatum Bird and Claudia Meltzer and ex-Wildfires Harriet Neville and Taj Heald. The Wildfires finished fourth on the ladder and have beaten Sydney University Blue (29-8) and Manly (15-8) to book a date with Warringah. "They are pretty stacked," Maslen said. "We have been the underdogs from the get-go. We keep proving people wrong. We have come so far. It will be the cherry on top when we come away with a win on Saturday." The lunch bell at McCarthy Catholic College in Tamworth on Thursday signals go-time for Emily Dietrich. Dietrich trades her school books for a footy bag, makes sure the P-plates on her 2012 Toyota Rav 4 are secure and rattles down the Newell Highway for three hours to Newcastle for training with the Hunter Wildfires. Sometimes, Regan Simpson from Barraba catches a ride and they pick up Scarlett Slade at Quirindi on the way. This is just the tip of the extraordinary measures Hunter Wildfires women's players and coaches have undertaken for a shot at history. The Wildfires will contest the Kerry Chikarovski Cup and Sydney Women's Rugby second division grand finals at Concord Oval on Saturday. They tackle favourites Warringah in the finale of Australia's premier club competition and Sydney University in the second-tier decider. It's a historic moment for the club, even though players were forced to play on a "dog shit" back field in the semi-final last week to book their tickets to the big dance. Dietrich's road trip with some of her teammates tells only part of what is a remarkable story of sacrifice and dedication for female athletes who have their eyes on a goal. The team is littered with stories of personal challenges, hours on the road and giving up time with their own families to be part of a rugby family. Coach Joey De Dassel, for example, would "hate to know" how many kilometres he has clocked travelling from Coffs Harbour for training and onto Sydney every second week for games. He usually makes a pit stop at Port Macquarie to collect assistant coach Shane Joyce. They are often accompanied by Flanders sisters, Ruby and Poppi, Charlotte Ricketts and Aria Matthew, depending on the availability of the schoolgirls' parents. Charlotte Maslen makes the journey from Gloucester, where her family operates a 3000-hectare dairy farm. Emily Fear hits the highway from Scone. Ruby Anderson, Maia Madden Khan and Emily Lufe zoom up the M1 from the Central Coast. Captain Renee Clarke and Emily Sheather have shifted to Newcastle from the Mid North Coast. Supartie Van Heerde, Hayley Glass, Jasmine Brooks have relocated from Melbourne. Kenzie McEachern and Katie Salverda have lobbed from Canada. Elizabeth Shermer has traded an English summer for an Aussie winter. Wildfires women's chair Nicola Roche opens her farmhouse to out-of-town players and their families on Friday nights. Others bunk at teammates' places on couches and mattresses on the floor. Susannah Cooke and Vernonika Kosmider are first-year doctors and juggle night shifts in the emergency department at John Hunter Hospital with training. They are among a core group of home-grown players from 15-year-old Emma McRae and 16-year-old Luca Stewart - the little sister of Wallaroos star Maya - to mother-of-two Marryann Tuisalega and other seasoned leaders Annika Jamieson, Anika Butler, Annabel Leighton and Emma Bradford. Each has their own story. Each has made their own sacrifice. It begs the question, why? A love for the game, firstly. And opportunity. De Dassel, 43, grew up in Yamba, went to university in Armidale and played in the Central North competition for 13 years, representing NSW Country. A former NSW Police detective, he started working for NSW Rugby in 2021 and is now the mental health and wellbeing manager and Rugby For Good program manager for NSW Positive Rugby Foundation. "I have a strong understanding of the rugby environments across those northern areas," De Dassel said. "There are some super-talented kids there. They don't get the level of competition that challenges them. "They love the game. They have come and had a taste of it at the Wildfires and have decided to buy in." De Dassel's commute alone for the season tops 50,000 kilometres. "I make the eight-hour round trip to Newcastle each Tuesday," he said. "I do a bit of work in the area. I'm back down there on Thursday, and if I have work in Sydney, I'll schedule it for Friday. I will hang in Sydney and generally come back to Coffs after the game. "I don't know how many kilometres I have done. I'd hate to look. "I have to give a lot of credit to my wife, Amanda, and kids for allowing it to happen. "I made the tough call about six weeks ago that this would be my last year. It was a really hard decision to make because I absolutely love it and we're going from strength to strength, building a really good program." De Dassel's staff - Joyce, Corey Brown, Natasha McRae, Steve Barretto, Alex Sills and Shane Morgan - are equally passionate and dedicated. "It was a clear goal of ours at the start of this year to have both teams in the grand final, and it's a reward for lots of things," De Dassel said. "It's a reward for the coaching staff who put in so many hours behind the scenes. "It's a reward for the players who we've asked a lot of this year. "It's a reward to the club and Stu [Pinkerton] and the board for backing us to have a second team and providing the resources around that. "It's really been a team effort across players, coaches, administration, just a really whole club effort, and that goes for the men's and the colts coaches and players as well, who really support our women's program. "It's nice to be able to get to the big dance, but it will be even nicer to get a win." The Wildfires have operated a women's program since 2021, expanding it to two teams this season. They also have two senior men's grades and two under-20s men's teams that compete in Sydney. "We have always regarded the women's teams equal to our men's," Wildfires general manager Stu Pinkerton said. "Joey is very passionate about the region. He regards the Wildfires as a legitimate pathway for girls in regional areas. Previously, they haven't had an elite-level competition to play in." Dietrich and Maslen are two cases in point. Central North zone does not have a women's 15-a-side competition, leaving Dietrich without a platform outside of school and age competitions. "I did a little bit of Wildfires last year," said the fullback, who is sitting her trial HSC this week. "Joey asked me to come back and have a bigger role in the team. I love it. The speed and the extra physicality ... it is super fun. "For the first few weeks, my parents drove me down to training. Now, I leave home at about 1.30pm. I arrive in Newcastle with enough time to grab something to eat. My aunty lives in Singleton and I stay there overnight on the way home. "I have learnt so much. The older girls have really taken us young ones under their wing. "It is easily the funniest and most bonded team I have been in. It's awesome. "I can definitely see a pathway for young girls." Maslen's club, the Gloucester Cockies, which played in a 10-a-side competition in the Southern Mid North Coast zone, folded this season. "I wanted to play at a higher level," the 23-year-old breakaway said. "I played for NSW Country and met Joey, who invited me to come down." Maslen's "pretty big days" begin at 2am with the buzz of the alarm clock. "I'm a fourth-generation dairy farmer," she said. "Work starts at 3am. We have 800 cows, which are milked twice a day. I'm on my feet all the time and average 60,000 steps a day. I finish work at 4pm, jump in the car and head to training. I get there by 6pm, finish training at 8pm, and get home by 11pm. Then it starts again." Maslen's fiance, Ryan Yates, drives the 1-hour-and-40-minute trip each way to allow his partner to sleep. "He is a darling," she said. "He played rugby but retired after a couple of knee reconstructions. He is living his rugby dream through me. "I have gained so much. You learn lots from the coaches. Also, little things from side conversations with other players and competing against better players." Jamieson, Tuisalega, Cooke, Butler, Leighton and Bradford were part of the foundation Wildfires side, which won the division two competition in 2021. Jamieson said the level of professionalism and the status of the women's program had risen significantly. "We did the preseason alongside the men," the experienced lock said. "We trained beside the boys for three months and were flogged. "Everyone has ripped in. We train to three days a week. We do our post-game review and recovery at McDonald Jones Stadium. It is much more professional. "Our strength and conditioning has been intense. We are so much fitter and faster, and work better under fatigue. We have it built into us. I'm 33, but my Whoop Band, which measures my health metrics, says I'm 22. "As a whole, the team is humming. "We have gelled super well on and off the field. We have spent a lot of Saturday nights together. Recovery is at the ocean baths on Sunday. "It has clicked really well. By about round three, we realised we had some good things going on." Anderson, who is in doubt for the grand final with a knee injury, is a Wallaroo, but missed selection for the World Cup. Supartie Van Heerde and Shermer have represented the Netherlands, while Georgia Chapple, Kyah Little, Glass, Jamieson and Cooke have all played in the Super W competition. "The next challenge for the program is to tap into the talent in the Hunter a bit more," De Dassel said. "There are some really good younger local girls coming through in Emma McRae and Luka Stewart. "I'd love to see more Hunter girls file into the development squad and push for first grade. On the flip side to the regional girls, there are plenty of opportunities for players in the Hunter, with rugby league and other contact sports." Home-grown Wallaroos stars Maya Stewart and Layne Morgan, who leave for the World Cup in England on Monday, moved to Sydney early in their careers for more opportunities. Morgan's dad, Shane, is part of the coaching staff at the Wildfires. "Dad is so excited, he can't wait for this weekend," said Morgan, who played a handful of games for the Wildfires in 2024 before moving to the Gold Coast. "It has been awesome to see the growth and the number of girls getting involved with the Wildfires. To get into the grand final is unreal." Dietrich and Maslen agreed that there was a pathway for girls from Newcastle and the surrounding regions to the top level. For now, they are focused on Saturday and winning a premiership. Warringah were minor premiers and are spearheaded by arguably Australia's GOAT female player Sharni Williams. The Rats also boast former Wallaroos Emily Robinson and Nicole Nathan, NSW halves Tatum Bird and Claudia Meltzer and ex-Wildfires Harriet Neville and Taj Heald. The Wildfires finished fourth on the ladder and have beaten Sydney University Blue (29-8) and Manly (15-8) to book a date with Warringah. "They are pretty stacked," Maslen said. "We have been the underdogs from the get-go. We keep proving people wrong. We have come so far. It will be the cherry on top when we come away with a win on Saturday." The lunch bell at McCarthy Catholic College in Tamworth on Thursday signals go-time for Emily Dietrich. Dietrich trades her school books for a footy bag, makes sure the P-plates on her 2012 Toyota Rav 4 are secure and rattles down the Newell Highway for three hours to Newcastle for training with the Hunter Wildfires. Sometimes, Regan Simpson from Barraba catches a ride and they pick up Scarlett Slade at Quirindi on the way. This is just the tip of the extraordinary measures Hunter Wildfires women's players and coaches have undertaken for a shot at history. The Wildfires will contest the Kerry Chikarovski Cup and Sydney Women's Rugby second division grand finals at Concord Oval on Saturday. They tackle favourites Warringah in the finale of Australia's premier club competition and Sydney University in the second-tier decider. It's a historic moment for the club, even though players were forced to play on a "dog shit" back field in the semi-final last week to book their tickets to the big dance. Dietrich's road trip with some of her teammates tells only part of what is a remarkable story of sacrifice and dedication for female athletes who have their eyes on a goal. The team is littered with stories of personal challenges, hours on the road and giving up time with their own families to be part of a rugby family. Coach Joey De Dassel, for example, would "hate to know" how many kilometres he has clocked travelling from Coffs Harbour for training and onto Sydney every second week for games. He usually makes a pit stop at Port Macquarie to collect assistant coach Shane Joyce. They are often accompanied by Flanders sisters, Ruby and Poppi, Charlotte Ricketts and Aria Matthew, depending on the availability of the schoolgirls' parents. Charlotte Maslen makes the journey from Gloucester, where her family operates a 3000-hectare dairy farm. Emily Fear hits the highway from Scone. Ruby Anderson, Maia Madden Khan and Emily Lufe zoom up the M1 from the Central Coast. Captain Renee Clarke and Emily Sheather have shifted to Newcastle from the Mid North Coast. Supartie Van Heerde, Hayley Glass, Jasmine Brooks have relocated from Melbourne. Kenzie McEachern and Katie Salverda have lobbed from Canada. Elizabeth Shermer has traded an English summer for an Aussie winter. Wildfires women's chair Nicola Roche opens her farmhouse to out-of-town players and their families on Friday nights. Others bunk at teammates' places on couches and mattresses on the floor. Susannah Cooke and Vernonika Kosmider are first-year doctors and juggle night shifts in the emergency department at John Hunter Hospital with training. They are among a core group of home-grown players from 15-year-old Emma McRae and 16-year-old Luca Stewart - the little sister of Wallaroos star Maya - to mother-of-two Marryann Tuisalega and other seasoned leaders Annika Jamieson, Anika Butler, Annabel Leighton and Emma Bradford. Each has their own story. Each has made their own sacrifice. It begs the question, why? A love for the game, firstly. And opportunity. De Dassel, 43, grew up in Yamba, went to university in Armidale and played in the Central North competition for 13 years, representing NSW Country. A former NSW Police detective, he started working for NSW Rugby in 2021 and is now the mental health and wellbeing manager and Rugby For Good program manager for NSW Positive Rugby Foundation. "I have a strong understanding of the rugby environments across those northern areas," De Dassel said. "There are some super-talented kids there. They don't get the level of competition that challenges them. "They love the game. They have come and had a taste of it at the Wildfires and have decided to buy in." De Dassel's commute alone for the season tops 50,000 kilometres. "I make the eight-hour round trip to Newcastle each Tuesday," he said. "I do a bit of work in the area. I'm back down there on Thursday, and if I have work in Sydney, I'll schedule it for Friday. I will hang in Sydney and generally come back to Coffs after the game. "I don't know how many kilometres I have done. I'd hate to look. "I have to give a lot of credit to my wife, Amanda, and kids for allowing it to happen. "I made the tough call about six weeks ago that this would be my last year. It was a really hard decision to make because I absolutely love it and we're going from strength to strength, building a really good program." De Dassel's staff - Joyce, Corey Brown, Natasha McRae, Steve Barretto, Alex Sills and Shane Morgan - are equally passionate and dedicated. "It was a clear goal of ours at the start of this year to have both teams in the grand final, and it's a reward for lots of things," De Dassel said. "It's a reward for the coaching staff who put in so many hours behind the scenes. "It's a reward for the players who we've asked a lot of this year. "It's a reward to the club and Stu [Pinkerton] and the board for backing us to have a second team and providing the resources around that. "It's really been a team effort across players, coaches, administration, just a really whole club effort, and that goes for the men's and the colts coaches and players as well, who really support our women's program. "It's nice to be able to get to the big dance, but it will be even nicer to get a win." The Wildfires have operated a women's program since 2021, expanding it to two teams this season. They also have two senior men's grades and two under-20s men's teams that compete in Sydney. "We have always regarded the women's teams equal to our men's," Wildfires general manager Stu Pinkerton said. "Joey is very passionate about the region. He regards the Wildfires as a legitimate pathway for girls in regional areas. Previously, they haven't had an elite-level competition to play in." Dietrich and Maslen are two cases in point. Central North zone does not have a women's 15-a-side competition, leaving Dietrich without a platform outside of school and age competitions. "I did a little bit of Wildfires last year," said the fullback, who is sitting her trial HSC this week. "Joey asked me to come back and have a bigger role in the team. I love it. The speed and the extra physicality ... it is super fun. "For the first few weeks, my parents drove me down to training. Now, I leave home at about 1.30pm. I arrive in Newcastle with enough time to grab something to eat. My aunty lives in Singleton and I stay there overnight on the way home. "I have learnt so much. The older girls have really taken us young ones under their wing. "It is easily the funniest and most bonded team I have been in. It's awesome. "I can definitely see a pathway for young girls." Maslen's club, the Gloucester Cockies, which played in a 10-a-side competition in the Southern Mid North Coast zone, folded this season. "I wanted to play at a higher level," the 23-year-old breakaway said. "I played for NSW Country and met Joey, who invited me to come down." Maslen's "pretty big days" begin at 2am with the buzz of the alarm clock. "I'm a fourth-generation dairy farmer," she said. "Work starts at 3am. We have 800 cows, which are milked twice a day. I'm on my feet all the time and average 60,000 steps a day. I finish work at 4pm, jump in the car and head to training. I get there by 6pm, finish training at 8pm, and get home by 11pm. Then it starts again." Maslen's fiance, Ryan Yates, drives the 1-hour-and-40-minute trip each way to allow his partner to sleep. "He is a darling," she said. "He played rugby but retired after a couple of knee reconstructions. He is living his rugby dream through me. "I have gained so much. You learn lots from the coaches. Also, little things from side conversations with other players and competing against better players." Jamieson, Tuisalega, Cooke, Butler, Leighton and Bradford were part of the foundation Wildfires side, which won the division two competition in 2021. Jamieson said the level of professionalism and the status of the women's program had risen significantly. "We did the preseason alongside the men," the experienced lock said. "We trained beside the boys for three months and were flogged. "Everyone has ripped in. We train to three days a week. We do our post-game review and recovery at McDonald Jones Stadium. It is much more professional. "Our strength and conditioning has been intense. We are so much fitter and faster, and work better under fatigue. We have it built into us. I'm 33, but my Whoop Band, which measures my health metrics, says I'm 22. "As a whole, the team is humming. "We have gelled super well on and off the field. We have spent a lot of Saturday nights together. Recovery is at the ocean baths on Sunday. "It has clicked really well. By about round three, we realised we had some good things going on." Anderson, who is in doubt for the grand final with a knee injury, is a Wallaroo, but missed selection for the World Cup. Supartie Van Heerde and Shermer have represented the Netherlands, while Georgia Chapple, Kyah Little, Glass, Jamieson and Cooke have all played in the Super W competition. "The next challenge for the program is to tap into the talent in the Hunter a bit more," De Dassel said. "There are some really good younger local girls coming through in Emma McRae and Luka Stewart. "I'd love to see more Hunter girls file into the development squad and push for first grade. On the flip side to the regional girls, there are plenty of opportunities for players in the Hunter, with rugby league and other contact sports." Home-grown Wallaroos stars Maya Stewart and Layne Morgan, who leave for the World Cup in England on Monday, moved to Sydney early in their careers for more opportunities. Morgan's dad, Shane, is part of the coaching staff at the Wildfires. "Dad is so excited, he can't wait for this weekend," said Morgan, who played a handful of games for the Wildfires in 2024 before moving to the Gold Coast. "It has been awesome to see the growth and the number of girls getting involved with the Wildfires. To get into the grand final is unreal." Dietrich and Maslen agreed that there was a pathway for girls from Newcastle and the surrounding regions to the top level. For now, they are focused on Saturday and winning a premiership. Warringah were minor premiers and are spearheaded by arguably Australia's GOAT female player Sharni Williams. The Rats also boast former Wallaroos Emily Robinson and Nicole Nathan, NSW halves Tatum Bird and Claudia Meltzer and ex-Wildfires Harriet Neville and Taj Heald. The Wildfires finished fourth on the ladder and have beaten Sydney University Blue (29-8) and Manly (15-8) to book a date with Warringah. "They are pretty stacked," Maslen said. "We have been the underdogs from the get-go. We keep proving people wrong. We have come so far. It will be the cherry on top when we come away with a win on Saturday."
News18
29-06-2025
- Automotive
- News18
Austrian GP Agrees To Long-Term Extension With F1
The circuit in Spielberg is set to feature in the Formula One race calendar up until the year 2041. The Austrian Grand Prix extended its contract with F1 as the circuit in Spielberg will feature in the race calendar up until the year 2041 on Sunday. 'I am delighted that Formula 1 will remain at the Red Bull Ring for many years to come," Mark Mateschitz, son of the late Dietrich, who helped fund the return and rebrand of the race at Spielberg in 2014 following an 11-year absence, said. 'I am proud to continue my father's legacy and to preserve the rich history of motor racing in the region of)Styria and at the Red Bull Ring – with and, above all, for the people of the region," he added. 'Austria's close ties to Formula 1 are an excellent foundation for our long-term partnership. Working together, we intend to continue this success story for many years to come." Austria had already secured a contract until 2030 two years ago, and the recent extension now places it alongside the Miami Grand Prix as the only F1 events with agreements extending into the 2040s. The Austrian Grand Prix has strong ties to Red Bull's presence in F1. This follows a trend in F1 of securing unusually long-term contracts for certain circuits, planning well into the future. Earlier this month, the Canadian Grand Prix was extended to 2035, while Miami received its extension through 2041 last month. Other Grands Prix with contracts lasting more than a decade include Bahrain, which secured a deal in 2022 valid until 2036, and the Australian Grand Prix in Melbourne, which has an agreement through 2037. Location : Austria First Published: June 29, 2025, 16:33 IST
The Age
06-06-2025
- Entertainment
- The Age
‘A terrible tragedy': The night in Sydney that changed Marlene Dietrich's life
This story is part of the June 7 edition of Good Weekend. See all 14 stories. When showbiz impresario Harley Medcalf warns me his North Sydney office is 'a bit of a museum', it soon becomes clear he is only half-joking. On the 16th floor of a nondescript office tower on Arthur Street, the space is filled to the rafters with the sort of celebrity detritus that comes from a long career working with some of the world's most famous names. Posters of his current clients, including a young magician named Jackson Aces and former cricketer Steve Waugh, adorn the walls, along with others he's 'looked after' in a long and storied career. Gazing down on us are Frank Sinatra, Barry Humphries, Suzi Quatro, Billy Connolly, Meatloaf, Elton John and 1970s Greek pop star Demis Roussos, with whom Medcalf became particularly close when he negotiated cash payments for the singer. 'I'm a bit of a hoarder, I guess … I also have two shipping containers full of stuff,' the 74-year-old says as we survey the money-can't-buy 'merch', including countless tour programs. When we get to one item, Medcalf stops talking and draws a long, wistful breath. 'There she is,' he declares with a smile, pulling down a black and white image taken at Melbourne's Tullamarine Airport in 1975 featuring him escorting arguably the most famous, enigmatic and enduring star of them all, Marlene Dietrich. 'She was a pretty big deal,' he says. There's another shot of Dietrich in a silver frame on his desk. 'I knew I had to be very professional, she did not suffer fools gladly, there was an air of formality around her which I liked … she had real star power.' Well, that was until the evening of September 29, 1975 and the tumultuous, tragic and morbidly comical events which unfolded around Dietrich in Sydney and robbed the world of one of its greatest stars. Medcalf now looks back at that fateful Monday night as 'probably the most extraordinary evening of my career'. It will soon be a half-century since Dietrich, sparkling in sequins and swaddled in her famous three-metre-long, spotlessly white swansdown coat, took a tumble on stage at the long-gone Her Majesty's Theatre in Sydney midway through her Australian tour. That fall would ultimately end one of the greatest showbiz careers of the 20th century and result in Dietrich living the next 17 years of her life in squalor, a tragic recluse in Paris. It would also see one of Australia's richest men, Kerry Packer, abandon his ambitions to become a major showbiz player, while the nuns, doctors and nurses at St Vincent's Hospital in Darlinghurst, along with the local press, would bear witness to one of the more bizarre celebrity encounters to take place on these Antipodean shores. It culminated in the inglorious, haphazard departure of Dietrich at Sydney Airport, where she waited for her flight atop a stretcher, in agony and under the cover of a blanket to shield her from the press. It was a scene far removed from the bright lights of Hollywood, the neon of Las Vegas or the footlights of the West End theatres where she had once reigned supreme. There is no hint of what was to befall Dietrich as I study Medcalf's prized photo closely. She is wearing huge black sunglasses, trademark lipstick and a denim boiler suit. Her honey-coloured locks are swept up into a jaunty, oversized 'newsboy' cap ballooning atop her head. Her bird-like frame, taut complexion and swinging fashion sense belie that of an ageing cabaret singer. 'We shared a droll sense of humour, but with Marlene there were clear boundaries,' Medcalf recalls. 'She would hand-write me memos each day, and I'd type up her daily schedule each night and slip it under her hotel door. I had to tape down the curtains of her rooms so no light would get in, and some nights it was me who laced up her undergarments, a sort of plastic corset thing that kept it all in shape … so yeah, we had a pretty close working relationship.' Despite some unkind conjecture about her age in the local press at the time, Dietrich was 74, the same as Medcalf is today. She was photographed arriving for her third tour of Australia. Still a global superstar, Dietrich struck a deal – underwritten by Packer – to be paid upfront before the first curtain had been raised. Medcalf confirms Dietrich was no pushover. Already famous for rebelling against conservative gender stereotypes, she flagrantly pushed the boundaries of fluid sexuality decades before successors like Madonna had even been born, let alone worn a conical bra. Dietrich was the woman playwright Noël Coward called a 'legend', dancer and actor Robert Helpmann described as 'magic' and poet and writer Jean Cocteau billed as a living 'wonder'. She survived two world wars and famously spurned one of her biggest fans, Adolf Hitler, and his Third Reich, rubbing salt into the Führer's wounds by becoming a wartime poster girl for her adopted America after leaving her beloved German homeland. Packer never had a chance. 'I soon realised there were two kinds of days with Marlene. There were the champagne days… And then there were her 'whiskey days'.' Harley Medcalf Although Medcalf may have been playing it cool by Dietrich's side in this photo from 1975, he was undeniably chaperoning an icon. 'But I soon realised there were two kinds of days with Marlene,' he explains. 'There were the champagne days, when she could go through bottles of the stuff and still remain positive, effervescent and incredibly charming, her wit sparkling, absolutely beguiling everyone who met her. And then there were her 'whiskey days'. They were much darker … she would be angry and broody, they were very difficult days for everyone … she became mean.' Medcalf was working as operations manager for Encore Theatrical Services, an emerging tour company set up in Sydney by Packer, English-born international showbiz figure Danny O'Donovan and Sydney-based promoter Cyril Smith. From a small office in Packer's Park Street Australian Consolidated Press offices, Encore had quickly become a force in the Australian touring business, notching up early successes with Roberta Flack and Gladys Knight and the Pips. By the time Dietrich was in Australia, Encore had notched up more than $1 million in box office sales in less than two years. Medcalf's job was to get Dietrich on stage – and on time. 'On champagne days,' he says, 'she would walk with me arm in arm through the wings to her position, where she would come out holding on to the curtain as the overture started and the lights came on … very elegant and very Dietrich. As soon as the spotlight hit her, the icon we all remembered was there in full flight, blazing in sparkles … incandescent.' September 29, 1975, was not one of Dietrich's champagne days. According to her daughter Maria Riva's 1992 biography, Marlene Dietrich: The Life, her mother was drunk in her dressing room long before the show was due to start. Dietrich's dresser and a girlfriend of one of the musicians had 'tried desperately to sober her up in the dressing room with black coffee'. Adds Medcalf: 'It was definitely a whiskey day. She'd been drinking heavily. I knew something was wrong when she was not responding to the stage calls … 15 minutes, five minutes. When I finally got her out of the dressing room she did not want to be touched. We got to the side of the stage … she was really unsteady on her feet. 'I was trying to hook arms with her, but she was pushing me away. She reached out and grabbed the curtain. She wouldn't let me hold her and just held the curtain for support … but it started going up and took her with it. She must have gone up two feet before she hit the deck. Some of the orchestra saw it, too, and stopped playing. 'The audience could see what was going on and I got them to quickly drop the curtain, which came down on top of her, her legs on one side and her head the other. I picked her up and got her to the dressing room as quickly as I could. 'She flatly refused to leave the theatre in an ambulance. I still have no idea how she was coping with the pain, given what we later discovered. She demanded to leave the theatre in her Rolls-Royce. It must have been agony for her, but she wanted to wave to her fans, to maintain an appearance that everything was all right. That's real toughness and fortitude.' From the age of 60, Dietrich had been touring the globe, hauling her collection of sequinned, hand-stitched 'nude' dresses and the huge swansdown coat with her, for which Dietrich wryly claimed 2000 swans had 'willingly' given 'the down off their breasts'. 'She knew how to give the press what they wanted,' Medcalf laughs. For nearly 15 years Dietrich maintained a hectic touring schedule, gracing stages across South America, Canada, Spain, Great Britain, the US, Israel, France, Portugal, Italy, Mexico, Poland, Sweden, Holland, Russia, Belgium, Denmark, South Africa, Israel, Japan and, finally, Australia. Riva, her only child, harboured growing concerns for her mother's physical health and her constant need for public adulation, along with an increasingly self-destructive lifestyle propped up by booze and pills. 'Her drinking had accelerated, not only before and after a performance, but during it as well,' she writes of when Dietrich started touring in 1960. 'I knew the constant ache in her legs and back had become the perfect excuse to increase the intake of narcotics and alcohol she had been taking for years.' There had been other major falls and fractures during the years touring, though most had been kept quiet. Dietrich fell head first into an orchestra pit during her triumphal return to Germany in 1960, breaking her collarbone. Later that year an X-ray revealed massive occlusions of the lower aorta, effectively starving her legs of their normal blood supply. 'For the next 13 years my mother played her own deadly version of Russian roulette with her body's circulatory system and nearly got away with it,' Riva reveals. By all accounts, Dietrich's Australian fans and promoters were oblivious to just how frail she had become. Medcalf said he and his colleagues at Encore were unaware that on January 26, 1974, Dietrich, under her husband's name Mrs Rudolf Sieber, had secretly checked in to the Methodist Medical Centre in Houston and underwent surgery to 'save' her legs, consisting of an aorto right femoral, left iliac bypass, and a bilateral lumbar sympathectomy. Six weeks later she was back on stage, touring the US. In August 1975, as Dietrich prepared for her tour of Australia, her husband suffered a massive stroke that left him in a wheelchair and in need of around-the-clock care. Dietrich had been living independently for most of their open marriage and insisted she still go on tour. Her daughter's biography also reveals, somewhat surreptitiously, that the singer had conducted a long-term extramarital affair with an unnamed married Australian journalist several years earlier. However, there appears to be no further documentation of the relationship and Medcalf is equally unaware when asked about the claims. The details of her Australian paramour seem destined to remain in the grave with Dietrich. Regardless, it was not long after Medcalf collected Dietrich from Tullamarine that warning bells began ringing back in New York. Riva writes: 'Rumours of trouble began to filter back to me. The Australian tour was going badly. I received a call from one of the irate producers: Miss Dietrich was complaining constantly about the sound, the lights, the orchestra, the audiences, the management. She was abusive, she was drunk, both on and off the stage. Her concerts were not sold out, the management was considering cancelling the rest of the tour … we negotiated a compromise … to do our very best to persuade Miss Dietrich to consider terminating the tour, attempt to straighten out some of the more unpleasant disagreements if they, in turn, agreed to pay her contractual salary without any deductions. Fortunately, by now all they wanted was to get rid of her, cut their losses.' Dietrich refused to quit. Riva writes of her mother's abuse of powerful (now banned) drugs and booze: 'Filled with her usual [narcotic painkiller] Darvon, [stimulant-sedative] Dexamyl and Scotch, Dietrich opened in Sydney on the 24th of September, 1975.' On that night, Stuart Greene, then 21, was working as an usher at Her Majesty's Theatre. An ardent fan of Dietrich's, he tells Good Weekend she was much more gracious and coherent than she was given credit for. 'We all got to meet her in person when she arrived,' he says. 'She was very gracious. It was my job to give her the flowers on stage at the end of the performance; goodness, that was such a thrill for me, looking back. There had been some pretty horrible things written about her, but when she was giving it her best, she really was magnificent.' 'I distinctly remember everyone in that audience making a collective gasp as she fell.' Vicki Jones Indeed, Greene managed to get closer to Dietrich – or at least to her costumes – than even her most admiring fans. 'I remember sneaking into her dressing room before a show and trying on the swansdown coat.' Greene also remembers theatre workers meticulously cleaning the stage floor at Her Majesty's Theatre. 'She demanded it be spotless because she had that huge train of feathers dragging around behind her … they were pure white!' Not everyone in Australia was quite as enamoured. A week before she came to Sydney, Phillip Adams, after comparing her to an embalmed Egyptian mummy, wrote in The Age of her Melbourne show: 'Where other performers go through their paces, she goes through her inches. A gesture here, a raised eyebrow there. Nonetheless, the illusion of life is almost convincing.' But it was following her first Sydney show that the press fully unloaded. The Daily Telegraph 's Mike Gibson wrote: 'A little old lady, bravely trying to play the part of a former movie queen called Marlene Dietrich, is tottering around the stage of Her Majesty's Theatre. When I say bravely I mean it. Without a doubt her show is the bravest, saddest, most bittersweet concert I have ever seen. When it is over the applause from her fans is tremendous … Hanging onto the red curtains for support, she takes bow after bow. She is still bowing, and waving, still breathing it all in as we leave.' Five days later, Dietrich was lying under that same curtain in a crumpled, sparkling, fluffy heap. Among those in the audience, sitting with a group of managers from the Packer camp, was former head of Channel Nine publicity Vicki Jones, who vividly remembers the audience's reaction watching Dietrich fall. 'I do distinctly remember everyone in that audience making a collective gasp as she fell, it was like the entire theatre had reacted exactly on cue,' Jones says. 'It really was quite something to witness, and upon reflection a terrible tragedy for her … and the public.' Riva writes that the 'shock' of falling had sobered her mother sufficiently to realise something was wrong with her left leg, which would not support her. Dietrich had to be spirited out of the theatre as fast as possible. 'But she absolutely refused to have her fans, waiting for her at the stage door, see her close up in the stage dress and insisted on changing first. As she had to be held upright in order to remove the dress without tearing it, my mother locked her arms around the neck of the distraught producer, and just hung there, while two women peeled off her costume and dressed her into her Chanel suit.' Dressed in her designer bouclé, Dietrich returned to her Sydney hotel – the Boulevard on William Street, on the edge of Kings Cross – while her daughter alerted her doctors in New York, who were soon in contact with doctors at St Vincent's Hospital. Orthopaedic surgeon Brett Courtenay had only just started working at St Vincent's. He was mentored by the same surgeon who treated Dietrich, the late head of orthopaedics and keen sailor Dr John Roarty. 'John had a great sense of humour and would tell us stories about treating Marlene … she even gave him a signed photo of herself as a thank you,' Courtenay recalls. An international convention of orthopaedic surgeons was taking place in Sydney the same week Dietrich was performing. Within the hour, Roarty, resplendent in his tuxedo, having come straight from a gala evening, attended her suite. She refused to be taken to hospital, though Roarty suspected her femur was fractured. 'All that night my mother lay in her bed, hardly daring to breathe,' Riva writes. Early the next morning Dietrich finally allowed herself to be smuggled out of the hotel into St Vincent's Hospital, where she was made slightly more comfortable with the aid of sheepskins placed under her brittle, delicate frame, the same Australian sheepskins she would lie on until her death in Paris 17 years later. X-rays confirmed the doctor's suspicions. She had a broken femur of the left leg. Dietrich refused to remain in Australia. Roarty convinced her she needed to be placed in a protective body cast if she insisted on flying back to the US, and she was photographed in it being hauled out of St Vincent's into an ambulance when she was discharged. Dietrich would remain horizontal for almost all her remaining days. Dietrich's more glamorous image now hangs on the wall of St Vincent's. The caption claims she was a 'difficult' patient but that her 'departure was that of a great star'. (The hospital's archivists were unable to find any more details for Good Weekend.) Loading Riva and Dietrich's medical team made arrangements for a Pan Am jet to remove four seats so that Dietrich could be accommodated horizontally for the long flight back to Los Angeles. The cancelled shows left a huge hole in Encore's coffers. Co-founder Cyril Smith told The Sydney Morning Herald at the time it would account for a $100,000 hit (equivalent to $890,000 today). Having already agreed to pay Dietrich, an unimpressed Kerry Packer pulled the pin on the touring business. Encore was kaput. And Medcalf? 'I discovered I didn't have a job when I pulled into the Australian Consolidated Press car park a few days later,' he says, chuckling. 'Not only had Marlene cost me my job, the security guard told me I no longer had a parking spot, either.'
Sydney Morning Herald
06-06-2025
- Entertainment
- Sydney Morning Herald
‘A terrible tragedy': The night in Sydney that changed Marlene Dietrich's life
This story is part of the June 7 edition of Good Weekend. See all 14 stories. When showbiz impresario Harley Medcalf warns me his North Sydney office is 'a bit of a museum', it soon becomes clear he is only half-joking. On the 16th floor of a nondescript office tower on Arthur Street, the space is filled to the rafters with the sort of celebrity detritus that comes from a long career working with some of the world's most famous names. Posters of his current clients, including a young magician named Jackson Aces and former cricketer Steve Waugh, adorn the walls, along with others he's 'looked after' in a long and storied career. Gazing down on us are Frank Sinatra, Barry Humphries, Suzi Quatro, Billy Connolly, Meatloaf, Elton John and 1970s Greek pop star Demis Roussos, with whom Medcalf became particularly close when he negotiated cash payments for the singer. 'I'm a bit of a hoarder, I guess … I also have two shipping containers full of stuff,' the 74-year-old says as we survey the money-can't-buy 'merch', including countless tour programs. When we get to one item, Medcalf stops talking and draws a long, wistful breath. 'There she is,' he declares with a smile, pulling down a black and white image taken at Melbourne's Tullamarine Airport in 1975 featuring him escorting arguably the most famous, enigmatic and enduring star of them all, Marlene Dietrich. 'She was a pretty big deal,' he says. There's another shot of Dietrich in a silver frame on his desk. 'I knew I had to be very professional, she did not suffer fools gladly, there was an air of formality around her which I liked … she had real star power.' Well, that was until the evening of September 29, 1975 and the tumultuous, tragic and morbidly comical events which unfolded around Dietrich in Sydney and robbed the world of one of its greatest stars. Medcalf now looks back at that fateful Monday night as 'probably the most extraordinary evening of my career'. It will soon be a half-century since Dietrich, sparkling in sequins and swaddled in her famous three-metre-long, spotlessly white swansdown coat, took a tumble on stage at the long-gone Her Majesty's Theatre in Sydney midway through her Australian tour. That fall would ultimately end one of the greatest showbiz careers of the 20th century and result in Dietrich living the next 17 years of her life in squalor, a tragic recluse in Paris. It would also see one of Australia's richest men, Kerry Packer, abandon his ambitions to become a major showbiz player, while the nuns, doctors and nurses at St Vincent's Hospital in Darlinghurst, along with the local press, would bear witness to one of the more bizarre celebrity encounters to take place on these Antipodean shores. It culminated in the inglorious, haphazard departure of Dietrich at Sydney Airport, where she waited for her flight atop a stretcher, in agony and under the cover of a blanket to shield her from the press. It was a scene far removed from the bright lights of Hollywood, the neon of Las Vegas or the footlights of the West End theatres where she had once reigned supreme. There is no hint of what was to befall Dietrich as I study Medcalf's prized photo closely. She is wearing huge black sunglasses, trademark lipstick and a denim boiler suit. Her honey-coloured locks are swept up into a jaunty, oversized 'newsboy' cap ballooning atop her head. Her bird-like frame, taut complexion and swinging fashion sense belie that of an ageing cabaret singer. 'We shared a droll sense of humour, but with Marlene there were clear boundaries,' Medcalf recalls. 'She would hand-write me memos each day, and I'd type up her daily schedule each night and slip it under her hotel door. I had to tape down the curtains of her rooms so no light would get in, and some nights it was me who laced up her undergarments, a sort of plastic corset thing that kept it all in shape … so yeah, we had a pretty close working relationship.' Despite some unkind conjecture about her age in the local press at the time, Dietrich was 74, the same as Medcalf is today. She was photographed arriving for her third tour of Australia. Still a global superstar, Dietrich struck a deal – underwritten by Packer – to be paid upfront before the first curtain had been raised. Medcalf confirms Dietrich was no pushover. Already famous for rebelling against conservative gender stereotypes, she flagrantly pushed the boundaries of fluid sexuality decades before successors like Madonna had even been born, let alone worn a conical bra. Dietrich was the woman playwright Noël Coward called a 'legend', dancer and actor Robert Helpmann described as 'magic' and poet and writer Jean Cocteau billed as a living 'wonder'. She survived two world wars and famously spurned one of her biggest fans, Adolf Hitler, and his Third Reich, rubbing salt into the Führer's wounds by becoming a wartime poster girl for her adopted America after leaving her beloved German homeland. Packer never had a chance. 'I soon realised there were two kinds of days with Marlene. There were the champagne days… And then there were her 'whiskey days'.' Harley Medcalf Although Medcalf may have been playing it cool by Dietrich's side in this photo from 1975, he was undeniably chaperoning an icon. 'But I soon realised there were two kinds of days with Marlene,' he explains. 'There were the champagne days, when she could go through bottles of the stuff and still remain positive, effervescent and incredibly charming, her wit sparkling, absolutely beguiling everyone who met her. And then there were her 'whiskey days'. They were much darker … she would be angry and broody, they were very difficult days for everyone … she became mean.' Medcalf was working as operations manager for Encore Theatrical Services, an emerging tour company set up in Sydney by Packer, English-born international showbiz figure Danny O'Donovan and Sydney-based promoter Cyril Smith. From a small office in Packer's Park Street Australian Consolidated Press offices, Encore had quickly become a force in the Australian touring business, notching up early successes with Roberta Flack and Gladys Knight and the Pips. By the time Dietrich was in Australia, Encore had notched up more than $1 million in box office sales in less than two years. Medcalf's job was to get Dietrich on stage – and on time. 'On champagne days,' he says, 'she would walk with me arm in arm through the wings to her position, where she would come out holding on to the curtain as the overture started and the lights came on … very elegant and very Dietrich. As soon as the spotlight hit her, the icon we all remembered was there in full flight, blazing in sparkles … incandescent.' September 29, 1975, was not one of Dietrich's champagne days. According to her daughter Maria Riva's 1992 biography, Marlene Dietrich: The Life, her mother was drunk in her dressing room long before the show was due to start. Dietrich's dresser and a girlfriend of one of the musicians had 'tried desperately to sober her up in the dressing room with black coffee'. Adds Medcalf: 'It was definitely a whiskey day. She'd been drinking heavily. I knew something was wrong when she was not responding to the stage calls … 15 minutes, five minutes. When I finally got her out of the dressing room she did not want to be touched. We got to the side of the stage … she was really unsteady on her feet. 'I was trying to hook arms with her, but she was pushing me away. She reached out and grabbed the curtain. She wouldn't let me hold her and just held the curtain for support … but it started going up and took her with it. She must have gone up two feet before she hit the deck. Some of the orchestra saw it, too, and stopped playing. 'The audience could see what was going on and I got them to quickly drop the curtain, which came down on top of her, her legs on one side and her head the other. I picked her up and got her to the dressing room as quickly as I could. 'She flatly refused to leave the theatre in an ambulance. I still have no idea how she was coping with the pain, given what we later discovered. She demanded to leave the theatre in her Rolls-Royce. It must have been agony for her, but she wanted to wave to her fans, to maintain an appearance that everything was all right. That's real toughness and fortitude.' From the age of 60, Dietrich had been touring the globe, hauling her collection of sequinned, hand-stitched 'nude' dresses and the huge swansdown coat with her, for which Dietrich wryly claimed 2000 swans had 'willingly' given 'the down off their breasts'. 'She knew how to give the press what they wanted,' Medcalf laughs. For nearly 15 years Dietrich maintained a hectic touring schedule, gracing stages across South America, Canada, Spain, Great Britain, the US, Israel, France, Portugal, Italy, Mexico, Poland, Sweden, Holland, Russia, Belgium, Denmark, South Africa, Israel, Japan and, finally, Australia. Riva, her only child, harboured growing concerns for her mother's physical health and her constant need for public adulation, along with an increasingly self-destructive lifestyle propped up by booze and pills. 'Her drinking had accelerated, not only before and after a performance, but during it as well,' she writes of when Dietrich started touring in 1960. 'I knew the constant ache in her legs and back had become the perfect excuse to increase the intake of narcotics and alcohol she had been taking for years.' There had been other major falls and fractures during the years touring, though most had been kept quiet. Dietrich fell head first into an orchestra pit during her triumphal return to Germany in 1960, breaking her collarbone. Later that year an X-ray revealed massive occlusions of the lower aorta, effectively starving her legs of their normal blood supply. 'For the next 13 years my mother played her own deadly version of Russian roulette with her body's circulatory system and nearly got away with it,' Riva reveals. By all accounts, Dietrich's Australian fans and promoters were oblivious to just how frail she had become. Medcalf said he and his colleagues at Encore were unaware that on January 26, 1974, Dietrich, under her husband's name Mrs Rudolf Sieber, had secretly checked in to the Methodist Medical Centre in Houston and underwent surgery to 'save' her legs, consisting of an aorto right femoral, left iliac bypass, and a bilateral lumbar sympathectomy. Six weeks later she was back on stage, touring the US. In August 1975, as Dietrich prepared for her tour of Australia, her husband suffered a massive stroke that left him in a wheelchair and in need of around-the-clock care. Dietrich had been living independently for most of their open marriage and insisted she still go on tour. Her daughter's biography also reveals, somewhat surreptitiously, that the singer had conducted a long-term extramarital affair with an unnamed married Australian journalist several years earlier. However, there appears to be no further documentation of the relationship and Medcalf is equally unaware when asked about the claims. The details of her Australian paramour seem destined to remain in the grave with Dietrich. Regardless, it was not long after Medcalf collected Dietrich from Tullamarine that warning bells began ringing back in New York. Riva writes: 'Rumours of trouble began to filter back to me. The Australian tour was going badly. I received a call from one of the irate producers: Miss Dietrich was complaining constantly about the sound, the lights, the orchestra, the audiences, the management. She was abusive, she was drunk, both on and off the stage. Her concerts were not sold out, the management was considering cancelling the rest of the tour … we negotiated a compromise … to do our very best to persuade Miss Dietrich to consider terminating the tour, attempt to straighten out some of the more unpleasant disagreements if they, in turn, agreed to pay her contractual salary without any deductions. Fortunately, by now all they wanted was to get rid of her, cut their losses.' Dietrich refused to quit. Riva writes of her mother's abuse of powerful (now banned) drugs and booze: 'Filled with her usual [narcotic painkiller] Darvon, [stimulant-sedative] Dexamyl and Scotch, Dietrich opened in Sydney on the 24th of September, 1975.' On that night, Stuart Greene, then 21, was working as an usher at Her Majesty's Theatre. An ardent fan of Dietrich's, he tells Good Weekend she was much more gracious and coherent than she was given credit for. 'We all got to meet her in person when she arrived,' he says. 'She was very gracious. It was my job to give her the flowers on stage at the end of the performance; goodness, that was such a thrill for me, looking back. There had been some pretty horrible things written about her, but when she was giving it her best, she really was magnificent.' 'I distinctly remember everyone in that audience making a collective gasp as she fell.' Vicki Jones Indeed, Greene managed to get closer to Dietrich – or at least to her costumes – than even her most admiring fans. 'I remember sneaking into her dressing room before a show and trying on the swansdown coat.' Greene also remembers theatre workers meticulously cleaning the stage floor at Her Majesty's Theatre. 'She demanded it be spotless because she had that huge train of feathers dragging around behind her … they were pure white!' Not everyone in Australia was quite as enamoured. A week before she came to Sydney, Phillip Adams, after comparing her to an embalmed Egyptian mummy, wrote in The Age of her Melbourne show: 'Where other performers go through their paces, she goes through her inches. A gesture here, a raised eyebrow there. Nonetheless, the illusion of life is almost convincing.' But it was following her first Sydney show that the press fully unloaded. The Daily Telegraph 's Mike Gibson wrote: 'A little old lady, bravely trying to play the part of a former movie queen called Marlene Dietrich, is tottering around the stage of Her Majesty's Theatre. When I say bravely I mean it. Without a doubt her show is the bravest, saddest, most bittersweet concert I have ever seen. When it is over the applause from her fans is tremendous … Hanging onto the red curtains for support, she takes bow after bow. She is still bowing, and waving, still breathing it all in as we leave.' Five days later, Dietrich was lying under that same curtain in a crumpled, sparkling, fluffy heap. Among those in the audience, sitting with a group of managers from the Packer camp, was former head of Channel Nine publicity Vicki Jones, who vividly remembers the audience's reaction watching Dietrich fall. 'I do distinctly remember everyone in that audience making a collective gasp as she fell, it was like the entire theatre had reacted exactly on cue,' Jones says. 'It really was quite something to witness, and upon reflection a terrible tragedy for her … and the public.' Riva writes that the 'shock' of falling had sobered her mother sufficiently to realise something was wrong with her left leg, which would not support her. Dietrich had to be spirited out of the theatre as fast as possible. 'But she absolutely refused to have her fans, waiting for her at the stage door, see her close up in the stage dress and insisted on changing first. As she had to be held upright in order to remove the dress without tearing it, my mother locked her arms around the neck of the distraught producer, and just hung there, while two women peeled off her costume and dressed her into her Chanel suit.' Dressed in her designer bouclé, Dietrich returned to her Sydney hotel – the Boulevard on William Street, on the edge of Kings Cross – while her daughter alerted her doctors in New York, who were soon in contact with doctors at St Vincent's Hospital. Orthopaedic surgeon Brett Courtenay had only just started working at St Vincent's. He was mentored by the same surgeon who treated Dietrich, the late head of orthopaedics and keen sailor Dr John Roarty. 'John had a great sense of humour and would tell us stories about treating Marlene … she even gave him a signed photo of herself as a thank you,' Courtenay recalls. An international convention of orthopaedic surgeons was taking place in Sydney the same week Dietrich was performing. Within the hour, Roarty, resplendent in his tuxedo, having come straight from a gala evening, attended her suite. She refused to be taken to hospital, though Roarty suspected her femur was fractured. 'All that night my mother lay in her bed, hardly daring to breathe,' Riva writes. Early the next morning Dietrich finally allowed herself to be smuggled out of the hotel into St Vincent's Hospital, where she was made slightly more comfortable with the aid of sheepskins placed under her brittle, delicate frame, the same Australian sheepskins she would lie on until her death in Paris 17 years later. X-rays confirmed the doctor's suspicions. She had a broken femur of the left leg. Dietrich refused to remain in Australia. Roarty convinced her she needed to be placed in a protective body cast if she insisted on flying back to the US, and she was photographed in it being hauled out of St Vincent's into an ambulance when she was discharged. Dietrich would remain horizontal for almost all her remaining days. Dietrich's more glamorous image now hangs on the wall of St Vincent's. The caption claims she was a 'difficult' patient but that her 'departure was that of a great star'. (The hospital's archivists were unable to find any more details for Good Weekend.) Loading Riva and Dietrich's medical team made arrangements for a Pan Am jet to remove four seats so that Dietrich could be accommodated horizontally for the long flight back to Los Angeles. The cancelled shows left a huge hole in Encore's coffers. Co-founder Cyril Smith told The Sydney Morning Herald at the time it would account for a $100,000 hit (equivalent to $890,000 today). Having already agreed to pay Dietrich, an unimpressed Kerry Packer pulled the pin on the touring business. Encore was kaput. And Medcalf? 'I discovered I didn't have a job when I pulled into the Australian Consolidated Press car park a few days later,' he says, chuckling. 'Not only had Marlene cost me my job, the security guard told me I no longer had a parking spot, either.'
