19-07-2025
- Entertainment
- The Herald Scotland
Rianne Downey's journey from Bellshill to Glastonbury
'I want to do them justice, and be respectful of the crowd coming to watch, because these songs mean a lot to them.'
They mean a lot of Rianne Downey now, too.
It was a video posted to social media during the first year of the Covid lockdown which ultimately sprung the 'wee lassie from Bellshill' (words: artist's own) from her bedroom to the Pyramid stage at Glastonbury, performing to a worldwide audience of millions.
Downey's is not the first story of a Bellshill girl who blew up in the music industry. Like Sheena Easton, she has also teamed up with a bona-fide pop legend.
But where Easton traded girl-next-door Big Time wholesomeness to join Prince's Over 18s party, Downey has forged an alliance with a man who has written some of the biggest British hits of the last 40 years, and whose stage outfit is a cagoule.
Paul Heaton has long had a female vocalist at his side as one of the most prolific and highly respected songwriters of his generation, with the likes of The Beautiful South and The Housemartins. When long term collaborator Jacquie Abbott withdrew from their future plans, opportunity knocked for a girl in Lanarkshire.
'I'd uploaded a cover of Rotterdam in October 2020 and Paul had commented on it. I remember at the time being absolutely buzzing, running downstairs to tell my mum and dad,' said Downey, of the moment that changed her life, and that of her joiner dad and cafe worker mum.
'Three years later I got a phone call when I was walking back from the pub one afternoon, asking me if I was available to come and join him.'
Downey raced home to record some voice notes of the Beautiful South standards Perfect 10, Don't Marry Her and You Keep It All In.
(Image: GT) 'They got back later that same day to say, 'Right let's have you on, and see how it goes from there'. But even before the first gig he asked me to stay on for the summer, then before the end of the summer he asked me to sing on his new album and whether I'd like to join him on the Pyramid Stage.'
And so it was that Rianne Downey ascended the throne alongside the King of witty northern pop, following Brianna Corrigan, Alison Wheeler and Abbott, the latter having formed a chart-topping duo with her former Beautiful South bandmate until she withdrew (Heaton has since said Abbott took time out to care for her child who has autism).
In a whirlwind few weeks in the summer of 2023, Downey's career experienced G-force.
'I'd been doing my solo stuff before then. I was dead chuffed with how it was going,' she said. 'I'd supported Gerry Cinnamon at the Barras, Paolo Nutini at the Cavern in Liverpool. The last gig I played before joining Paul was a solo headliner at King Tut's. It was a bit of a jump going from 300 at Tuts to 30,000 at Neighbourhood festival.
'I'll never forget the feeling before I stepped on stage at the first gig with Paul. I knew nothing was going to be the same again. My life has transformed since that gig. I'm in my happy place when I perform, and when I stepped out there with Paul it just felt like home.'
How does it feel to follow in the footsteps of the other women?
'Paul's very pernickety, he liked to get things right, and does things at such a high standard that I know he wouldn't just pick anybody. So it's nice to know how much he would have believed in me to bring me on.'
Downey freely admits she's had to study Heaton's back catalogue, and her co-singer's ways, which she calls 'Heatonisms - the way he pronounces things, the rhythm he sings in.'
She said: 'It didn't feel like it took too much work in the rehearsal room, it all clicked. Paul was telling me to keep my eyes on him when singing, and that helps, you notice each other's mouths, each other's breathing. Each gig we have played, the chemistry has got better. You can rehearse and rehearse but the chemistry grows when you're doing gigs.'
She's on tour around the UK with Heaton this summer and will headline Belladrum Tartan Heart Festival later in the summer, before launching her debut LP, The Consequence of Love, in October.
The album showcases her country leanings, and a knack of getting to the heart of a song's emotional punch, much like Heaton has for 40 years. The title track is a reaction to the living grief of her grandmother's dementia.
'I went into the studio with a bottle of prosecco, a packet of fags and a fish supper,' she said. 'I don't even smoke. Then you step back and realise you've put your trauma into your guitar, onto a bit of paper and you feel better.
'I've always done my solo stuff, but my priority is Paul and that comes first.' she said. 'I'm so lucky that's what I get to call my job now. Everything else is a bonus. It's not even like I can say it's a dream come true. It's so far beyond my dreams.'
