Latest news with #Eastern-inspired
Scottish Sun
26-04-2025
- Entertainment
- Scottish Sun
World's oldest museum cafe is one of the most beautiful in the UK
It was one of the first ever museums to have a cafe COFFEE BREAK World's oldest museum cafe is one of the most beautiful in the UK Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) THE WORLD'S oldest museum cafe can be found in the UK - and it's barely changed in 150 years. Found inside the Victoria and Albert Museum, the ornate room dates back to 1868. Sign up for Scottish Sun newsletter Sign up 5 The cafe opened to the public in 1868 Credit: ©Victoria & Albert Museum, London 5 There are three themed sections to the cafe Credit: ©Victoria & Albert Museum, London Originally designed by James Gamble, William Morris and Edward Poynter, the V&A's cafe features opulent decorations showcasing the style of the Victorian era. The cafe has been serving customers for over 150 years and was the first of its kind. Museums originally never used to have cafes or anywhere for visitors to rest and enjoy refreshments, until Henry Cole came up with the idea of introducing an in-house refreshment room. Cole had learnt about the needs of visitors when he managed The Great Exhibition in 1851. One of the things that was high priority for visitors, was being fed and watered. Many other museums took until the 20th century to introduce a refreshment room. Large lights hang from the ceiling, stained glass windows litter the walls, grand arches stretch across the structure and colourful ceramic tiles line the floors. The cafe essentially splits into three sections, each designed by a different artist. The Gamble Room was designed by James Gamble, the Poynter Room by Edward J. Poynter, and The Morris Room by William Morris. Over the past 15 decades, not much inside the cafe has changed. World's biggest $1B mega-museum built for body of King Tut to open Artwork is spread across the walls, and there are a number of fascinating artefacts to gaze at. The Gamble Room, which was originally known as the Centre Refreshment Room, was the largest and intended to be the first room visitors saw. The room features a Renaissance Revival style, with colourful tiles and enamelled ceiling plates and was even compared to the glitz of Paris at the time. The Poynter Room, was initially the Grill Room, and features blue-toned tiles with Dutch influences. Eastern-inspired motifs including peacocks and waves, depictions of the months, seasons and zodiacs can also be seen across the room. The tiles were painted by female art students, which was an unusual commission for women at the time. 5 William Morris even designed a section of the cafe Credit: ©Victoria & Albert Museum, London 5 The cafe is open everyday, 10am to 5pm Credit: Alamy The third room, the Morris Room, was originally the Green Dining Room and designed by Morris before he was famous. The room features a Gothic Revival and Elizabethan style with olive branch decorations, hares and hounds, and stained glass windows. The three rooms all opened to the public in 1868 and were designed to showcase a range of different contemporary styles. In addition, originally there were different menus for different social classes. The Victoria and Albert Museum's (V&A) cafe, located in London, is open from 10am to 5pm, Monday to Friday and serves a variety of different coffees, pastries, sandwiches, salads, cakes, freshly baked scones and speciality teas. London is also home to a weird museum located underneath an office, and it is free to enter. Plus, a major new museum is due to open in the city in 2027.
The Irish Sun
26-04-2025
- Entertainment
- The Irish Sun
World's oldest museum cafe is one of the most beautiful in the UK
THE WORLD'S oldest museum cafe can be found in the UK - and it's barely changed in 150 years. Found inside the Victoria and Albert Museum, the ornate room dates back to 1868. Advertisement 5 The cafe opened to the public in 1868 Credit: ©Victoria & Albert Museum, London 5 There are three themed sections to the cafe Credit: ©Victoria & Albert Museum, London Originally designed by James Gamble, William Morris and Edward Poynter, the V&A's cafe features opulent decorations showcasing the style of the Victorian era. The cafe has been serving customers for over 150 years and was the first of its kind. Museums originally never used to have cafes or anywhere for visitors to rest and enjoy refreshments, until Henry Cole came up with the idea of introducing an in-house refreshment room. Cole had learnt about the needs of visitors when he managed The Great Exhibition in 1851. Advertisement Read more on museums One of the things that was high priority for visitors, was being fed and watered. Many other museums took until the 20th century to introduce a refreshment room. Large lights hang from the ceiling, stained glass windows litter the walls, grand arches stretch across the structure and colourful ceramic tiles line the floors. The cafe essentially splits into three sections, each designed by a different artist. Advertisement Most read in City breaks The Gamble Room was designed by James Gamble, the Poynter Room by Edward J. Poynter, and The Morris Room by Over the past 15 decades, not much inside the cafe has changed. World's biggest $1B mega-museum built for body of King Tut to open Artwork is spread across the walls, and there are a number of The Gamble Room, which was originally known as the Centre Refreshment Room, was the largest and intended to be the first room visitors saw. Advertisement The room features a Renaissance Revival style, with colourful tiles and enamelled ceiling plates and was even compared to the glitz of Paris at the time. The Poynter Room, was initially the Grill Room, and features blue-toned tiles with Dutch influences. Eastern-inspired motifs including peacocks and waves, depictions of the months, seasons and zodiacs can also be seen across the room. The tiles were painted by female art students, which was an unusual commission for women at the time. Advertisement 5 William Morris even designed a section of the cafe Credit: ©Victoria & Albert Museum, London 5 The cafe is open everyday, 10am to 5pm Credit: Alamy The third room, the Morris Room, was originally the Green Dining Room and designed by Morris before he was famous. The room features a Gothic Revival and Elizabethan style with olive branch decorations, hares and hounds, and stained glass windows. Advertisement The three rooms all opened to the public in 1868 and were designed to showcase a range of different contemporary styles. In addition, originally there were different menus for different social classes. The Victoria and Albert Museum's (V&A) cafe, located in London, is open from 10am to 5pm, Monday to Friday and serves a variety of different coffees, pastries, sandwiches, salads, cakes, freshly baked scones and speciality teas. London is also home to a weird museum located underneath an office, and it is free to enter. Advertisement Plus, a 5 The cafe also features a lot of artwork and different styles Credit: ©Victoria & Albert Museum, London
Yahoo
25-04-2025
- Business
- Yahoo
'Luxury' business opens atria Watford location
A 'luxury' business has opened its 33rd location inside atria Watford shopping centre. The High Street complex has welcomed London-based perfume brand Sunnamusk as the newest addition to its offering. Its mall kiosk is now open just outside TKMaxx on the lower mall level. 'Say hello to luxury – Sunnamusk has arrived at atria Watford,' a spokesperson said yesterday (April 24). 'Step into a world of premium fragrances, perfume oils, and home scents that redefine elegance.' Started in Whitechapel market by five brothers in 2009, the business aims to bring 'Eastern-inspired aroma' to the UK and include a wide range of long-lasting perfumes made with higher concentrations of essential oils, as well as home fragrances, perfume oils, and bespoke fragrances. Sunnamusk currently has 23 branches in the UK, three in France, one in the Netherlands, three in Germany and three in Sweden. The Watford branch offers a gift wrap service and is open 9am to 6pm Monday to Saturday and 11am to 5pm on Sundays.
Asharq Al-Awsat
05-03-2025
- Entertainment
- Asharq Al-Awsat
New Dries Van Noten Designer Blends the Archive with a New Voice in Paris
Julian Klausner presented his first womenswear collection as creative director of Dries Van Noten Wednesday at the Opéra Garnier in Paris, a setting that reflected the historical influences woven throughout his designs. The fall Paris Fashion Week show marked a new chapter for the Belgian house following Van Noten's departure last year after three decades at the helm. Klausner, who had worked on the brand's womenswear since 2018, approached the collection with a balance of archival references and new interpretations. Elements of 1930s tailoring were evident in sloping shoulders and vintage head caps, while draped gowns in floral devoré fabric brought a modern take to historical silhouettes. A metallic oversized suit adorned with silent foulard motifs reinforced an Art Deco influence, while an Obu belt with textured banding added an element of Eastern-inspired opulence. Throughout the collection, Klausner maintained the brand's signature layering and textural contrasts, integrating structured tailoring with softer, more fluid elements. Yet, at times, the collection reflected the challenges of creative transition. A maximalist coat with an exaggerated silhouette skewed the proportions, making for a striking visual statement but one that risked overwhelming the model. Some pieces felt exploratory rather than fully resolved, suggesting Klausner is still refining his perspective, balancing reverence for the house's legacy with the need to establish his own creative direction. The tension between continuity and evolution was evident throughout, as he tested the boundaries of familiar Dries Van Noten signatures. Still, Klausner's foundation within the brand is clear. Dries Van Noten was known for unexpected combinations and an evolving aesthetic that shifted from season to season, and Klausner has expressed his intent to continue in that spirit. His first ready-to-wear collection demonstrated a strong understanding of the house's codes, setting the stage for future refinement. If this women's debut is any indication, Klausner is well-positioned to build upon its legacy.
Yahoo
05-03-2025
- Entertainment
- Yahoo
New Dries Van Noten designer blends the archive with a new voice in Paris
PARIS (AP) — Julian Klausner presented his first womenswear collection as creative director of Dries Van Noten Wednesday at the Opéra Garnier in Paris, a setting that reflected the historical influences woven throughout his designs. The fall Paris Fashion Week show marked a new chapter for the Belgian house following Van Noten's departure last year after three decades at the helm. Klausner, who had worked on the brand's womenswear since 2018, approached the collection with a balance of archival references and new interpretations. Elements of 1930s tailoring were evident in sloping shoulders and vintage head caps, while draped gowns in floral devoré fabric brought a modern take to historical silhouettes. A metallic oversized suit adorned with silent foulard motifs reinforced an Art Deco influence, while an Obu belt with textured banding added an element of Eastern-inspired opulence. Throughout the collection, Klausner maintained the brand's signature layering and textural contrasts, integrating structured tailoring with softer, more fluid elements. See for yourself — The Yodel is the go-to source for daily news, entertainment and feel-good stories. By signing up, you agree to our Terms and Privacy Policy. Yet, at times, the collection reflected the challenges of creative transition. A maximalist coat with an exaggerated silhouette skewed the proportions, making for a striking visual statement but one that risked overwhelming the model. Some pieces felt exploratory rather than fully resolved, suggesting Klausner is still refining his perspective, balancing reverence for the house's legacy with the need to establish his own creative direction. The tension between continuity and evolution was evident throughout, as he tested the boundaries of familiar Dries Van Noten signatures. Still, Klausner's foundation within the brand is clear. Dries Van Noten was known for unexpected combinations and an evolving aesthetic that shifted from season to season, and Klausner has expressed his intent to continue in that spirit. His first ready-to-wear collection demonstrated a strong understanding of the house's codes, setting the stage for future refinement. If this women's debut is any indication, Klausner is well-positioned to build upon its legacy.
