Latest news with #EdagaiyeApaghatakkeKarana
The Hindu
18-06-2025
- Entertainment
- The Hindu
The short film surge in Kannada: Young filmmakers are oozing promise with relatable stories
For the third consecutive year, the Kannada film industry is enduring a dull phase. Barring a few impressive attempts from newcomers (Nimma Vasthugalige Neeve Javabdararu, Nodidavaru Enantare, Edagaiye Apaghatakke Karana), Sandalwood hasn't produced enough quality content to pull the audience to theatres. Robbed of the big-screen experience, movie lovers have turned to YouTube to watch films, albeit in a shorter format. The biggest positive amidst the dry period is the consistent flow of interesting short films from aspiring filmmakers. These youngsters haven't compromised on the quality of their projects, ensuring the concept and production are on par with any mainstream feature film. To their advantage, the movies have been backed by Kannada stars, who have released the shorts on their official channels. Jaishankar Aryar's festival hit Shivamma (2022) — a beautiful rural satire on a woman's rollercoaster journey in a multi-level marketing business — was produced by Rishab Shetty. Now, the youngster has received the backing of the Kantara actor-director for his short It Was Nice Meeting You. Breakup cycle The beautiful relationship drama, streaming on Rishab Shetty Films, has 4.5 lakh views so far. 'Prime Video released the Modern Love Mumbai and Modern Love Hyderabad in 2022. I directed this movie as my entry for a possible Modern Love Bengaluru series, but the OTT platform wasn't interested in Kannada content. So the film remained in the can for three years,' says Jaishankar. ALSO READ:'Shivamma Yarehanchinala' movie review: A delightful take on the life of a spirited woman Post the widespread acclaim for Shivamma, Jai Shankar revived his short with sound mixing and music. It Was Nice Meeting You, starring Jaishankar and Ashwitha Hegde, is a realistic take on a couple's break-up cycle. The short delves into the struggles of letting your loved one go. 'Some relationships don't work, and a separation is the best outcome for both individuals. I have tried to reflect the need for closure in relationships,' says Jaishankar, who is overwhelmed by the response to the short. 'People are calling it their story. Reels from my film have reached lakhs of people.' Jaishankar has a script for a feature-length romance. 'We celebrate 96 (starring Vijay Sethupathi and Trisha) so much, but I feel Kannada needs to have its own poignant romantic dramas. Of course, there is Paramathma (2010), but we need to have more.' Tryst with AI The urge to experiment drew Abhay to direct Imagine, a 15-minute short on the dangers of AI. Streaming on PRK Audio, a YouTube channel helmed by Ashwini Puneeth Rajkumar, producer, and wife of superstar Puneeth Rajkumar, the film has gained praise for its technical brilliance. 'My DOP, Rahul Roy, and I wanted to create something with the blazar anamorphic lens, which is perhaps the most affordable anamorphic lens. We wanted to shoot a film in two days. I wrote a two-page script, and we shot the movie in four hours,' reveals Abhay. The short is a gripping one-night story of a youngster trying to break himself free from the control of AI. Apart from directing and starring in the film, Abhay has also written and edited Imagine. 'I explored my cinematic abilities with the movie,' says Abhay, who acted and executive-produced the 2024 dark comedy Family Drama. ALSO READ:'Family Drama' movie review: This dark comedy comes into its own in a hilarious second half Family Drama, with many hilarious stretches, is an interesting attempt despite its flaws. However, the film failed at the box office, and Imagine is sort of a redemption for Abhay. He is writing a feature film script and awaiting the release of his next, Valavaara, a movie about familial bonds and sibling rivalry. Coming-of-age tale Madhu Kalale worked in the direction team of the impressive crowd-funded college drama Daredevil Musthafa (2023), distributed by Dhananjaya. The actor has released Madhu's short, Summer Love, on his channel, Daali Pictures. Madhu is a fan of love stories. 'Amruthavarshini (1997) is one of my favourites. I also like the Mani Ratnam kind of romantic dramas,' he says. Summer Love isn't a conventional love story involving the meet-cute moments of a young couple. The film is a boy's (played by a charming Aashith) coming-of-age tale as he struggles to express his feelings for his childhood friend. 'We show the story of a young boy, comfortable with his laidback lifestyle and hesitant to take responsibilities, getting a reality check,' says Madhu. The tone of the film is delightfully gentle, and the smooth conversations between the characters are the highlight. Reflecting on the response (2.3 lakh views) to his short, Madhu says Summer Love has given him the confidence to film a feature. 'It has helped me understand the pulse of the audience. I co-write the script with Aashith. As a director, to bounce ideas off your lead actor was a unique experience.' Of loneliness and problems of men Rupesh SK, who directed and starred in the short Seniors, maintained the high production value of a feature film. The emotional drama deals with the theme of loneliness in old age. It also reflects the ignorance of modern men's issues in society. The short is available on KRG Connects, the official channel of the popular banner KRG Studios. 'We shot a promotional song that depicted the challenges of making this film. It caught the attention of KRG Studios,' says Rupesh about his crowd-funded project. 'We shot the film in two and a half days, but the post-production happened in phases as we waited for funds.' After several private screenings, which involved the presence of film industry members, Rupesh has managed to form a film community aimed at helping newcomers. An aspiring actor, Rupesh is relieved that his movie has generated conversations about men's problems and emotionally resonated with the elderly. ALSO READ:Karthik Gowda: Kannada cinema lacking in consistency The charming mini-series Colors on Rishab Shetty Films and the haunting short Chaaye, available on Raj B Shetty's Lighter Buddha YouTube channel, are other impressive short-form content in recent times. The Kannada short film community is buzzing more than ever before, and the committed and gifted young filmmakers have given hope to the industry.
Hindustan Times
14-06-2025
- Entertainment
- Hindustan Times
Edagaiye Apaghatakke Karana's Diganth: I have never catered to any other section but the multiplex crowd
Kannada actor Diganth's latest theatrical release, Edagaiye Apaghatakke Karana, has him playing a left-hander, who gets caught in a series of mishaps, sparked by his left-handedness. The dark comedy suspense thriller, directed by Samarth B Kadkol, has Diganth reuniting with his Pancharangi co-star Nidhi Subbaiah (of Ajab Gazab Love fame), and introduces newbie Dhanu Harsha to Kannada cinema. Stream Doodh Peda Diganth's movies like Manasaare, Pancharangi and Gaalipata 2, etc., with OTTplay Premium Going by the trailer and the promotional material of Edagaiye Apaghatakke Karana, the impression one gets is that the film is a comedy that is likely to appeal to an urban audience and not a wider section like how Upadhyaksha and Hostel Hudugaru Bekagiddare did. 'Edagaiye Apaghatakke Karana is, most definitely, an urban comedy and not like Upadhyaksha,' says Diganth. But then, isn't the team limiting itself by being classified a 'multiplex film'? Also, given that this exactly the audience that is shunning theatres these days, does that not put them on the backfoot? 'I don't think I have ever catered to any other section, but the multiplex crowd. Even when I did Manasaare and Pancharangi, it was more of a family audience kind of comedy and drama, it was never massy or the kind that reached all the people in Karnataka. I've never done the below-the-belt kind of comedy,' explains Diganth. The actor, who has not had a great box office run with most of his recent releases, including Laughing Buddha, Marigold, Bachelor Party, etc., adds that Edagaiye Apaghatakke Karana is one of those films that he did because he loved the script and not because he had bills to pay. Has there been a shift in the kind of films/roles he's been picking up? He is, after all, also a part of the upcoming gangster flick Uttarakaanda, led by Shivarajkumar and Dhananjaya. 'Uttarakaanda is the first film in which I have tried something different with my look and general appearance, a more rugged, ghutka-chewing thug. That's a film I am super excited about,' he says, and adds, 'Like I have said earlier, I am now free to experiment; I can do whatever I want in terms of the projects I do. Having said that, Uttarakaanda and Edagaiye Apaghatakke Karana were conscious choices to try something different, as is my upcoming film with the makers of Shakhahaari, Kinnara Jogi, in which I play a street magician.'
The Hindu
13-06-2025
- Entertainment
- The Hindu
‘Edagaiye Apaghatakke Karana' movie review: Diganth is delightful in this mostly engaging crime comedy
Filmmakers often get carried away while dealing with off-beat topics. A major shortcoming in a film involving a quirky subject is the amount of time it takes to establish the concept. In Edagaiye Apaghatakke Karana, director Samarth Kadkol doesn't make such a mistake. As the title suggests, the film delves straight into the daily struggles of left-handers and the social bias they face. In the middle of a secret date with Pooja (Nidhi Subbaiah) at her apartment, Lohith (Diganth) discusses how the Indian business market hasn't catered to the 10 percent of the population of left-handers. It's a casual conversation, but we feel the impending danger looming over the couple. This is the real triumph of Edagaiye Apaghatakke Karana. It maintains a nice balance of humour and suspense. Edagaiye Apaghatakke Karana (Kannada) Director: Samarth B Kadkol Cast: Diganth, Nidhi Subbaiah, Dhanu Harsha, Krishna Hebbale Runtime: 122 minutes Storyline: Lohith, an IT employee, finds himself caught among unexpected mishaps and twisted events triggered by one seemingly trivial accident. The film is also self-aware. Lohith and Pooja break into a jig in the middle of their date. The song feels like a disruption in a film that's promising a crime thriller. As soon as the song ends, a message appears on the screen, reading: Thank you for your patience. An unexpected death puts the lead character, Lothith, in deep trouble, and the film enters the Sriram Raghavan world of casually amoral characters and idiosyncratic twists. Diganth beautifully anchors this film, proving that he has evolved as a performer over the years. The innocent and socially awkward guy he plays in this film is an evolved version of his famous Dhoodh Peda character from Gaalipata (2008). He brings an immediate likeability to his performance with his wonderful dialogue delivery. Abhimanyu Sadanandan's cinematography and Praddyotan's music complement the film's noir aesthetics. Dhanu Harsha, with a great share of screen time, stands out as she goes toe to toe with Diganth. The movie offsets the theory that strong villains in commercial cinema are male. However, the film needed a strong backstory to the antagonist. ALSO READ:Finding Bengaluru in Kannada cinema The film wobbles in the climax as it tries to blur reality and illusion. By exploring the human psyche, the makers try to recreate the high of the path-breaking Lucia (2013). However, by taking that path, the movie forgets what it wants to say. The thrilling plot of a left hander's problem leading to a freak crime almost gets . The sudden change in tone — from dark comedy to emotion — feels forced. The landing issues apart, Edagaiye Apaghatakke Karana is an engaging watch with enough surprises. Edagaiye Apaghatakke Karana is currently running in theatres
India Today
13-06-2025
- Entertainment
- India Today
Edagaiye Apaghatakke Karana review: Diganth's film is a quirky entertainer
It's easily overlooked that our world is constructed for the comfort of the majority, which are the right-handers. With equal ease, the struggles of left-handers get overlooked as they try to fit into a right-handed world. As mentioned in Samarth Kadkol's 'Edagaiye Apaghatakke Karana', apart from the glory of stylish batting in cricket, the life of a left-hander is just not with acknowledging and appreciating the struggles and adjustments all left-handers go through, the film starring Diganth as a 'leftie', alongside Dhanu Harsha and Nidhi Subbaiah, and cameos from Nirup Bhandari and Radhika Narayan, brings a gritty edge to an 'accident' that has to be Kannada title, 'Edagaiye Apaghatakke Karana' translates to 'Left hand is the cause of the accident'. The film is based on a series of mishaps that follow the accident. Lohith (Diganth), who is a left-hander, is a corporate employee with a work-from-home job, working a night shift. He is invited over on a date by Pooja (Nidhi) to her apartment but is asked to sneak in so her parents don't find out. Flash forward - Lohith is now dealing with three deaths, a cop, Radhika (a 'DJ Tillu' joke), and 'Casper'. Diving any deeper into the plot description might serve as a spoiler. So what was the accident that Lohith was involved in? How did three people end up being killed? Who is Radhika (Dhanu Harsha)? What does being left-handed have anything to do with all this? The answers to these questions - and so much more - make up the plot of the Written and directed by debutant Samarth Kadkol, 'Edagaiye Apaghatakke Karana', or 'EAK' in short, is an entertainer. The film lives up to all the expectations set by the trailer, from a creative as well as a technical standpoint. A funny thriller that doesn't stray into any kind of melodramatic emotions or social messaging, but stays true to its genre and delivers what's promised. Samarth Kadkol is certainly a name to be noticed, with the potential for a promising future in Kannada cinema.'EAK', from a writing point of view, is tightly knit with all loose ends tied by the end of the 122-minute runtime. However, it is not without flaws, and that is particularly evident in the first half of the film. The story takes its own sweet time to start gathering pace. The sluggish narrative in the first half leaves one thinking, 'These ideas are interesting but why am I feeling bored?' This is evident because, although the ideas seem interesting, the scenes written to execute them are second half is certainly the strength of the film. It is packed with rib-tickling jokes paired with flabbergasting twists - a chemistry that, when done right, is a match-winner (e.g. 'Andhadhun'). An escalation that starts at the interval keeps scaling new heights until the big climax reveal (a perfect one at that) - and then some. The 'then some' are the additional revelations stacked after the main climax, which were intended to resolve loose ends, but the execution felt somewhat shoulders the film efficiently as he carries the entertainment quotient of the film - without which the film would have collapsed. He makes the best use of his innocent demeanour and comic timing to make Lohith believable and invoke a connection between the audience and the story. Dhanu Harsha, another debutant, has also done a good job with her role as Radhika. Her character's name and the situations she faces with Lohith by her side are certainly a reminder of DJ Tillu and his Radhika from the Telugu film, 'DJ Tillu'.The rest of the cast, including Nidhi Subbaiah, Krishna Hebbale and others, along with cameos by Nirup Bhandari and Radhika Narayan, deliver good performances that complement Diganth and raise the bars of the film. Diganth and Nidhi Subbaiah's pairing - a duo loved by the Kannada audience in the 2010 Yogaraj Bhat film 'Pancharangi' - was a reunion that was anticipated, but not what was by Abhimanyu Sadanandan and editing by Praveen Shivanna stand out in the film, making it technically appealing as well. Even though the film was operated on a limited budget, the aesthetic frames, set designs, colour themes and more made it visually appealing. The match cuts, innovative transitions and crisp edits kept the film engaging. The rest of the technical departments also contributed effectively to the film's impact.A good balance has been maintained throughout the film that neither lets it become too commercial nor allows it to get too deeply involved in technical storytelling. The director found a sweet spot and held on to it throughout the film, ensuring an enjoyable flavour. For those who are suckers for gritty situational comedy with good twists and deadly turns, 'Edagaiye Apaghatakke Karana' is certainly recommended. 3.5 out of for 'Edagaiye Apaghatakke Karana'.
New Indian Express
12-06-2025
- Entertainment
- New Indian Express
Samarth Kadkol: I hope Edagaiye Apaghatakke Karana will be the next Lucia
Directing a film about left-handers might not be the most obvious way to make a cinematic debut. But for Samarth Kadkol, nothing about the journey of Edagaiye Apaghatakke Karana (EAK) — a black comedy suspense thriller — was typical. His path to the director's chair was filled with unplanned turns, quiet revolutions, and a passion for often overlooked stories. Just like the left-handers his film champions. 'I didn't start out wanting to make movies,' Samarth admits, and adds, 'A short film I made on physical disability — honestly, it was done by fluke — ended up moving one of my professors to tears. That's when I realised what cinema could do. That was the spark.' That accidental magic became the matchstick for a fire that never dimmed. From making award-winning mobile phone films to being recognised by Google, Samarth's early days were scrappy and raw, but curious. But a car accident changed everything. While recovering in Mumbai, he decided to apply to Whistling Woods International. There, he found not just formal training but a deeper purpose. He worked on socially rooted campaigns and amplifying gender narratives, including a short film that caught the attention of Bollywood insiders.
