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Hailee Steinfeld and Beau Jost Allen Get Married in a Beautiful Ceremony in California; Know More DEETS
Hailee Steinfeld and Beau Jost Allen Get Married in a Beautiful Ceremony in California; Know More DEETS

Pink Villa

time2 days ago

  • Entertainment
  • Pink Villa

Hailee Steinfeld and Beau Jost Allen Get Married in a Beautiful Ceremony in California; Know More DEETS

It seems that Hailee Steinfeld finally said 'I Do' to Josh Allen, and it was surely in ' Capital Letters.' Yes, you read that right!. On May 31, the singer and actress and her beau exchanged vows in a ceremony held in California, per E! News. The Edge of Seventeen star wore a strapless white gown, matching elbow-length gloves, and a long veil, per the pictures released by People magazine. She wore her hair in a bun. Along with her face, her earrings also shone brightly. When did Josh Allen propose Hailee Steinfeld? The couple walked down the aisle after they got engaged on November 22, 2024. The Football quarterback popped the question in a beautiful backdrop filled with flowers, overlooking the water. Once this news was rolled out on social media, many netizens shared positive comments for the pair. For the unknown, the couple initially sparked romance speculations after their May 2023 dinner date in New York City. However, amid the rumors, they chose to stay low-key about their relationship. Why did the couple stay private about their romance? It seems that there was a solid reason behind them keeping their relationship out of the spotlight. When Steinfeld appeared on Who What Wear in February, she shared that when one realizes that so much is 'already out there in every other aspect of your life,' then one cherishes the 'little that isn't.' She added, 'It just makes things extra special, and it's just for you.' However, keeping their relationship low-key doesn't keep them from showing support for one another. Allen and everything her beau does, each day, let alone during the season. Along with that, Steinfeld stated that she was so thankful to be able to 'share this' with Allen as well.

Andrew Tate and Brother Tristan Charged With 21 U.K. Crimes, Including Rape and Human Trafficking
Andrew Tate and Brother Tristan Charged With 21 U.K. Crimes, Including Rape and Human Trafficking

Yahoo

time5 days ago

  • General
  • Yahoo

Andrew Tate and Brother Tristan Charged With 21 U.K. Crimes, Including Rape and Human Trafficking

Andrew Tate and his brother, Tristan, have been charged with 21 crimes in the U.K., including rape, actual bodily harm and human trafficking, prosecutors have said. Britain's Crown Prosecution Service authorized the charges against the siblings ahead of an extradition warrant issued last year to bring them back from Romania, where they face separate charges, BBC News reported. More from The Hollywood Reporter Susie Wolff Is Putting the F(emale) in F1 Guillermo del Toro to Host Canadian Horror Film Festival (Exclusive) Edge of Seventeen: How the K-Pop Powerhouse Is Reinventing Itself The CPS decision came after it received a file of evidence from Bedfordshire Police about allegations made in the U.K. The Tates were born in the U.S. but moved to the U.K. as children. They deny the charges brought against them. Andrew Tate, 38, is a former kickboxer-turned-social media personality whose content was geared towards extreme misogyny. The YouTuber first rose to fame on the U.K. reality show Big Brother in 2016, but he was removed from the house six days after footage emerged of him appearing to attack a woman. Now, with millions of followers across his social media accounts, Tate has said, among other things, that women are a man's property and that rape victims 'bear the responsibility' of their attacks and has regularly discussed hitting and choking women. He faces 10 charges connected to three alleged victims, including rape, actual bodily harm, human trafficking and controlling prostitution for gain. His younger brother, Tristan Tate, 36, faces 11 charges connected to one alleged victim, including rape, actual bodily harm and human trafficking, the BBC also said. Best of The Hollywood Reporter Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More Hollywood's Most Notable Deaths of 2025 Hollywood's Highest-Profile Harris Endorsements: Taylor Swift, George Clooney, Bruce Springsteen and More

Stevie Nicks' former beachfront condo in LA — where she lived at the height of her career — hits market for $3.9M
Stevie Nicks' former beachfront condo in LA — where she lived at the height of her career — hits market for $3.9M

New York Post

time01-05-2025

  • Entertainment
  • New York Post

Stevie Nicks' former beachfront condo in LA — where she lived at the height of her career — hits market for $3.9M

A beachfront condominium in Marina del Rey, California once owned by rock legend Stevie Nicks has listed for $3.9 million, offering a rare glimpse into the early solo years of the Fleetwood Mac star, according to a press release. The 2,091-square-foot residence, located on Outrigger Street just south of Venice Beach, features two bedrooms, 2.5 baths, and direct access to the sand, along with sweeping views of the Pacific Ocean. The home, built in 1974, still reflects the bohemian aesthetic of its former occupant. 15 Nicks sold the home in 1982 to Madeline and Philip Schwarzman, the parents of current listing agent Elana Besserman, who was born in the unit. Neuefocus Photography 15 Stevie Nicks at her Marina del Rey home in 1981. Chris Walter Among its period details are a sunken living room, wood-framed windows tilted to resemble a yacht's interior, and a bathroom adorned with vintage wallpaper. A glass-lined balcony faces the water, while the dining area — raised and outfitted with hardwood floors — connects to a carpeted living space. Nicks occupied the property in the early 1980s as she transitioned into her solo career following her rise to fame with Fleetwood Mac. 15 The unit occupies 2,091 square feet. Neuefocus Photography 15 The living room. Neuefocus Photography 15 One of just three in the 1974-built building — the condo sits directly on the sand. Neuefocus Photography The apartment even makes a brief appearance in the music video for 'Edge of Seventeen,' from her debut solo album, 'Bella Donna.' BAM Magazine, in a 1981 profile, described the view from the living room as 'an endless expanse of sand, ocean and sky.' Photographs from the period show Nicks in the space, surrounded by tropical plants and recording equipment, dancing in the kitchen and posing at a mirrored vanity. That mirror remains one of the unit's standout features. 'As we walked into the primary bedroom, glamour hit us as we were met with a completely mirrored wall, mirrored dressing table and mirrored refrigerator … reflecting celebrity life!,' Madeline Schwarzman, who purchased the condo with her husband, Philip, from Nicks in 1982, told Mansion Global, which reported on the listing. 15 Stevie Nicks sitting at her piano in the condo. Chris Walter 15 The home still exudes the rock star vibe from when Nicks lived there in the early 1980s during the launch of her solo career. Neuefocus Photography 15 Stevie Nicks in the living room of her home. Chris Walter 15 The kitchen. Neuefocus Photography The listing is held by Elana Besserman and Shelton Wilder of Christie's International Real Estate Southern California. Besserman is uniquely connected to the unit — she was born there and lived in the apartment until the age of 5, when her parents moved one floor up. They later purchased the upstairs unit in 1991. 'It still feels very artistic and different,' Besserman said of the building's creative atmosphere. 'Even in my parents' unit, people are always struck by the style, because it's very much an artist building.' 15 The space features a sunken living room, mirrored fixtures, wood-framed windows and a glass balcony with panoramic ocean views. Neuefocus Photography 15 The home also made a brief appearance in her 'Edge of Seventeen' music video. Neuefocus Photography 15 One of 2.5 bathrooms. Neuefocus Photography The building contains just three units on a single level, a level of privacy that's rare for oceanfront properties in Los Angeles. 'The privacy of the building with only 3 units and all one level is something very rare for an on-the-beach property,' Besserman told The Post. Residents also have access to a shared rooftop and designated parking, including guest spaces in a nearby lot — an especially valuable feature in the often-congested beach zone. 'The views are the price of admission. All you see is beautiful, white sand and the waves crashing,' Wilder told The Post in an email. 15 One of two bedrooms. Neuefocus Photography 15 A walk-in closet. Neuefocus Photography 15 The condo includes access to a shared rooftop and guest parking, a rare perk for a beachfront LA property. Neuefocus Photography Though it's unclear exactly when Nicks acquired the property, listing agents and archival materials suggest she lived there for several years during the early 1980s. 'Elana's parents purchased Unit 2 in 1982 from Stevie and then bought unit 3 in 1991,' Wilder said. 'No idea when Stevie bought it but based on the images of her in the space and the interviews that reference the home, she lived there for a few years.' Now 76, Nicks remains based in Los Angeles and recently announced at the Pollstar Awards — where she was inducted into the Hall of Fame — that she's working on her first album in more than 10 years. Her inspiration came, she said, after being evacuated from her Pacific Palisades home during a wildfire and spending 92 days in a hotel room.

In Two New Works, the Power of Generational Connections
In Two New Works, the Power of Generational Connections

New York Times

time29-04-2025

  • Entertainment
  • New York Times

In Two New Works, the Power of Generational Connections

Adam Gwon's new musical, 'All the World's a Stage,' is an unassuming, 100-minute marvel that follows a closeted math teacher at a rural high school in the 1990s. Like some of that decade's gay-themed indie movies, including the earnest 'Edge of Seventeen' and 'Trick,' this musical is not looking to reinvent the wheel with its storytelling, but is charming, specific and appealing in its rendering of gay life outside the mainstream. Ricky (Matt Rodin), a 30-something teacher with a new job, befriends a kind secretary, Dede (Elizabeth Stanley), and meets Sam (Eliza Pagelle), a rebellious student in whom he finds a kindred love of theater and simmering need to break free from societal expectations. They bond over 'Angels in America,' the new risqué play and the source of her monologue for an acting scholarship audition. But her selection threatens the school administration's conservative sensibilities. At the same time, Ricky is striking up a romance with Michael (Jon-Michael Reese), the owner of a gay-friendly bookstore in a slightly more progressive town where he's settled down. When Ricky's two worlds inevitably collide, they do so with well-crafted wit. Gwon's yearning, pop-classical score flows together beautifully, yet is composed of numbers distinct enough to allow the four excellent cast members to flex their skills. That balance between individuality and unity proves a key theme, expressed in the title's idea that each of us is always adapting our performance across circumstances. (He also has fun with some clever lyrics, at one point setting up 'hara-kiri' to seemingly rhyme with 'Shakespearean.') The director Jonathan Silverstein draws warm portrayals from his troupe (matched by a quartet playing onstage) in his modest, efficiently staged Keen Company production at Theater Row. Jennifer Paar's costumes are instantly evocative; button-up shirts and wire-frame glasses for the teacher and bomber jackets for his pupil. Patrick McCollum's movement work is gently expressive and Steven Kemp's scenic design is similarly to-the-point, with a bookcase or chalkboard rolled in as needed, a lone student desk and an American flag hanging ominously in the corner. Gwon locates in each of his archetypal characters a unifying love of art. Whether it's Dede's penchant for schmaltz like 'The Notebook,' or the radical zines Michael sells, they all seek escape through culture. This disarmingly powerful show aims for the same, and lovingly succeeds. At the Bushwick Starr in Brooklyn, Shayok Misha Chowdhury is engaging in his own generational classroom performance in 'Rheology.' Chowdhury, a writer and director whose 2023 play 'Public Obscenities' wove together academia and deep sentiment, this time enlists his mother, the physicist Bulbul Chakraborty, for a theatrical take on exposure therapy. The short, presentational piece in which they both star is clear in its ambitions: Chowdhury cannot bear the thought of losing his mother, so decides to see what staging her death might feel like. How this all unfolds is its own delight, with a lively structure that's a mishmash of scientific lectures, traditionally staged scenes and meditations on how the two have grown closer by seeing each other passionately pursue their work. Mother and son have a natural stage presence that prompted me to consider the nature and reality of performance. (When I saw the show, just as I thought it was all too heady, an audience member ran out crying during a frank discussion of parent mortality.) As in 'Public Obscenities,' Chowdhury plays with form and language. The show is performed in English and Bangla, and uses supertitles, live camera feeds, singing, and a cello accompaniment, by George Crotty, reminiscent of the melodrama in both Bollywood and in Bernard Herrmann's film scores. Krit Robinson's lablike set, Mextly Couzin and Masha Tsimring's lighting, Tei Blow's sound and Kameron Neal's video designs shine in a surreal moment toward the end. Like his earlier works, 'Rheology,' named after the study of the flow behavior of substances, combines Chowdhury's Bengali heritage and knack for rigor (his father, too, was a scientist) with his own artsier, more American tastes. For a promising artist in New York theater, it feels like a special new intervention in the sandbox he's claimed for his exploration.

Fleetwood Mac icon Stevie Nicks confirms upcoming album after decade-long hiatus
Fleetwood Mac icon Stevie Nicks confirms upcoming album after decade-long hiatus

Express Tribune

time18-04-2025

  • Entertainment
  • Express Tribune

Fleetwood Mac icon Stevie Nicks confirms upcoming album after decade-long hiatus

Stevie Nicks, the iconic voice behind Fleetwood Mac and unforgettable hits like "Edge of Seventeen," has confirmed that a new album is on the way. After a decade-long hiatus, the 76-year-old singer has revealed her upcoming work will reflect her personal experiences, particularly her love life, with lyrics already written. Speaking during her induction into the Pollstar Live Hall of Fame on Wednesday night, Nicks shared that the album, currently titled Ghost, had come together unexpectedly in the past few weeks. 'I'm actually making a record right now,' she said, adding, 'I call it the Ghost record because it just kind of happened in the last couple of weeks. I have seven songs and they are autobiographical, real stories where I'm not pulling any punches for probably the first time in my life.' She went on to explain that these songs would offer an intimate look into her past, saying, 'They're not airy-fairy songs that you're wondering who they're about, but you really don't get it. They are real stories, memories of mine, of fantastic men.' The album's creation was sparked by the turmoil Nicks faced when forced to leave her Los Angeles home due to the devastating wildfires. Ghost will mark Nicks' first album release in 14 years, following 2011's In Your Dreams. The project is set to feature collaborations with renowned artists such as Tom Petty, Joe Walsh, Don Henley, and Jimmy Iovine, making it an eagerly awaited return for the legendary artist.

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