Latest news with #FIVB


Time of India
3 days ago
- Sport
- Time of India
Lack of game time hurting Indian volleyball players
Jerome Vinith CHENNAI: Members of the Indian volleyball community struggle to recall when the men's national team was last seen in competitive action. India finished a creditable sixth at the Hangzhou Asian Games two years ago, but since then there has hardly been any international exposure for the team. There is also no clarity on which tournament they will take part in after the CAVA Nations League, scheduled in Fergana, Uzbekistan, from Thursday. Volleyball is currently run by the Indian Olympic Association-formed ad-hoc committee and the players have been left in the dark about the future. That is why the spikers, with an eye on next year's Asian Games, are treating the Nations League as an event with 'immense importance'. India have been pitted along with Iran, Uzbekistan and Turkmenistan in Pool A of the seven-team tournament. 'The Indian government approved our participation. Despite the challenges, we have to show everyone that we are good enough for this level. Only if we win a medal will we receive more support in the lead-up to the Asian Games. We are hopeful of going on exposure tours in the coming months,' setter A Muthusamy, a key component of the 14-member squad, told TOI from Uzbekistan. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Especialista recomenda: simples truque alivia as varizes facilmente Fim das Varizes Undo Experienced attacker Jerome Vinith, who is back in the national fold, stressed on the importance of competing in tournaments regularly. 'Many are wondering why India's ranking has dropped over the past two years (India's name does not feature in the latest FIVB list). It is simple; we do not play in events consistently. When we are in such a situation, events like this will help us understand where we stand as we work towards the Asian Games. The tournament will give us an idea about the current standard of some of the other teams in the continent,' said the 32-year-old Vinith. Although the players got no game time at the international level recently, they are optimistic about beating the odds with a good show. 'In terms of coordination, it was challenging at the start of the pre-tournament camp. But we have not been facing any difficulty since then. Playing under a foreign coach (Dragan Mihailovic) has given me a new perspective. We do not have a weak link in the squad, so we should be able to manage,' said Muthusamy while exuding confidence. 'I do not think it will be difficult to gel well on court. Setter is the one who holds the team together. One of our setters (Muthusamy) has played with most of them in the squad,' said Vinith. The general consensus is that the players' job will become much easier if normalcy is restored in the Volleyball Federation of India, whose elections have long been pending. Get IPL 2025 match schedules , squads , points table , and live scores for CSK , MI , RCB , KKR , SRH , LSG , DC , GT , PBKS , and RR . Check the latest IPL Orange Cap and Purple Cap standings.

Time Business News
22-05-2025
- Sport
- Time Business News
What Is the Official Height of a Volleyball Net
Volleyball is governed by precise rules that standardize court dimensions and equipment across all levels of play. One question that often arises is, 'What is the official height of a volleyball net?' The Fédération Internationale de Volleyball (FIVB) dictates two primary official net heights: for men's competition, the top of the net must be exactly 2.43 meters (7 feet 11⅝ inches) above the court surface; for women's competition, it must measure 2.24 meters (7 feet 4⅛ inches). These heights apply to both indoor and beach volleyball under international regulation. Setting the official height of a volleyball net requires calibrated measurement tools. Referees typically carry a standardized tape measure or a laser gauge, ensuring that the measurement is taken precisely at the center of the net. Although the net attaches to posts on either side of the court—separated by 9.5 to 10 meters—the measurement tolerance is strict: a deviation of more than 2 centimeters (¾ inch) from the designated height constitutes a fault, mandating immediate adjustment. This precision preserves fairness and ensures all matches—whether local tournaments or international championships—adhere to uniform standards. Youth leagues and developmental programs often use modified net heights to suit younger athletes. In USAV junior divisions, boys aged 13–14 compete at 2.35 meters (7 feet 8½ inches), gradually transitioning toward the full men's height. Similarly, girls in that age group play at 2.24 meters, aligning with the adult women's standard. Players under 12 may see net heights as low as 2.10 meters (6 feet 10¾ inches) to foster skill development by allowing more rally interactions and successful attack attempts. Beach volleyball maintains the same official height of a volleyball net as indoor play: 2.43 meters for men and 2.24 meters for women. Despite sand conditions that hamper vertical leaping, professional and collegiate beach players adapt their training to master spike timing and block footwork. Amateur or recreational beach leagues sometimes adopt intermediate or adjustable heights (e.g., 2.35 meters) for coed events, balancing competitive equity between male and female participants. Mesh netting, top tape, and side bands must remain identical in width and color for beach and indoor nets, ensuring visibility and consistency. Adaptive formats such as sitting volleyball also specify an official net height, albeit much lower. The FIVB recognizes sitting volleyball as a Paralympic sport with court dimensions of 10×6 meters—smaller than stand-up volleyball. In this format, the men's net is set at 1.15 meters (3 feet 9¼ inches), and the women's net at 1.05 meters (3 feet 5½ inches). Players remain seated with their pelvis in contact with the floor when playing and blocking; the reduced net height emphasizes speed, agility, and ball control rather than jumping. In recreational and community centers, portable net systems often cater to various official heights. Telescopic posts allow net adjustment from 1.80 meters (5 feet 11 inches) up to 2.45 meters (8 feet). Users should verify attachment points against a reliable measuring tape to ensure they replicate the official height of a volleyball net when preparing for competitive play. Regular inspection of winch mechanisms, cables, and mesh condition is essential; a frayed cable can lead to an unintended sag, inadvertently lowering the net below regulation height. In conclusion, the official height of a volleyball net serves as a cornerstone of standardized play: 2.43 meters for men's indoor and beach competition, 2.24 meters for women's indoor and beach competition, and 1.15/1.05 meters for men's and women's sitting volleyball, respectively. Youth and recreational leagues may use adjusted heights to accommodate developing skills or coed balance, but competitive integrity hinges on strict adherence to these FIVB-defined measurements. By recognizing and implementing these official net heights, helps athletes, coaches, and facilities maintain consistent, fair, and challenging volleyball environments. o4-mini TIME BUSINESS NEWS


Qatar Tribune
18-05-2025
- Sport
- Qatar Tribune
Al Rayyan crowned 2025 Asian volleyball champions
TOKYO: Al Rayyan was crowned Asian volleyball champions after a deserved 3-0 victory over Japan's Osaka Bluteon in the final match of the AVC Men's Champions Leagueheld in Tokyo. Al Rayyan dominated the match and achieved a major accomplishment to add to its impressive continental and international record. Al Rayyan officially qualified for the 2025 FIVB World Club Volleyball Championship to be held at the end of this year under the auspices of the International Volleyball Federation (FIVB). Al Rayyan secured their place in the final after a (22-25, 25-22, 23-25, 25-23, 17-15) victory over Japan's Suntory in the semifinals.


Korea Herald
17-05-2025
- General
- Korea Herald
Art of Giving: A Global Initiative for Peace and Happiness
BHUBANESWAR, India, May 17, 2025 /PRNewswire/ -- Art of Giving (AOG) is a life philosophy that inspires millions around the globe to practice kindness, compassion, and community engagement. It was conceptualised and led by Prof. Achyuta Samanta, educationist and social reformer. It has become a civic movement dedicated to fostering peace and happiness through selfless giving. The movement is based on a simple yet powerful truth: that human beings, in their essence, are wired to give. Happiness and peace, which are the most natural human aspirations, often get buried under material pursuits. Art of Giving calls people back to that natural instinct of sharing, helping, and loving without expectation or reward. The seeds of AOG were sown long before it had a name. Prof. Achyuta Samanta, having grown up in abject poverty and adversity, began practicing the art of giving as early as the age of five—when he himself had little to give. This lifelong commitment to selfless giving transformed into a mission, and on 17th May 2013, he formally launched the philosophy of Art of Giving as a global movement. Since then, 17th May has been celebrated every year as the International Day of Art of Giving, with each year focusing on a specific theme. Every year, Art of Giving selects a new theme that aligns with contemporary needs and emotional resonances. It started in 2014 with themes around Society, Spirituality, and Humanity. In 2015, the theme was Kompassion: The Garment Bank, which urged people to donate old clothes to those in need. During the challenging pandemic period of 2020, the theme was AOG Fights Corona, focusing on supporting frontline workers and affected families. In 2021, My Mother My Hero became a deeply emotional campaign where participants wrote letters of gratitude to their mothers. In 2024, the theme Let ' s AOG broadened the idea of universal participation. And now in 2025, as AOG in its 12th edition compassion, the theme is Neighbour Good – Bringing Good to the Neighbourhood. This year's theme focuses on taking kindness to the most immediate circle, our neighbours and local community. From 2nd to 16th May, people around the world observed the Fortnight of Happiness, by engaging in small, meaningful gestures—sharing snacks or tea, visiting elderly neighbours, organising apartment meetups, or participating in neighbourhood events. On 17th May, grand celebrations will take place globally. Art of Giving has grown exponentially in the last decade. Today, the AOG family includes over 2.5 million active members. Additionally, the philosophy now finds representation in over 220 national federations of the FIVB (Fédération Internationale de Volleyball), extending its values through sports and youth movements worldwide. Though AOG was formally launched in 2013, its values are timeless. Charity, or 'daan,' has always been central to Indian culture. Every major religion—Islam's zakat, Christianity's charity, Buddhism's acts of compassion, Jainism's saving lives and spreading knowledge, Judaism's tzedakah, and Zoroastrianism's call to fight poverty as a moral duty upholds giving as sacred. What Prof. Samanta has done through AOG is to modernise this wisdom, remove religious and geographical filters, and build a global, inclusive, and joyful movement rooted in humanity.


Cision Canada
17-05-2025
- General
- Cision Canada
Art of Giving: A Global Initiative for Peace and Happiness
BHUBANESWAR, India, May 17, 2025 /CNW/ -- Art of Giving (AOG) is a life philosophy that inspires millions around the globe to practice kindness, compassion, and community engagement. It was conceptualised and led by Prof. Achyuta Samanta, educationist and social reformer. It has become a civic movement dedicated to fostering peace and happiness through selfless giving. The movement is based on a simple yet powerful truth: that human beings, in their essence, are wired to give. Happiness and peace, which are the most natural human aspirations, often get buried under material pursuits. Art of Giving calls people back to that natural instinct of sharing, helping, and loving without expectation or reward. The seeds of AOG were sown long before it had a name. Prof. Achyuta Samanta, having grown up in abject poverty and adversity, began practicing the art of giving as early as the age of five—when he himself had little to give. This lifelong commitment to selfless giving transformed into a mission, and on 17th May 2013, he formally launched the philosophy of Art of Giving as a global movement. Since then, 17th May has been celebrated every year as the International Day of Art of Giving, with each year focusing on a specific theme. Every year, Art of Giving selects a new theme that aligns with contemporary needs and emotional resonances. It started in 2014 with themes around Society, Spirituality, and Humanity. In 2015, the theme was Kompassion: The Garment Bank, which urged people to donate old clothes to those in need. During the challenging pandemic period of 2020, the theme was AOG Fights Corona, focusing on supporting frontline workers and affected families. In 2021, My Mother My Hero became a deeply emotional campaign where participants wrote letters of gratitude to their mothers. In 2024, the theme Let ' s AOG broadened the idea of universal participation. And now in 2025, as AOG in its 12th edition compassion, the theme is Neighbour Good – Bringing Good to the Neighbourhood. This year's theme focuses on taking kindness to the most immediate circle, our neighbours and local community. From 2nd to 16th May, people around the world observed the Fortnight of Happiness, by engaging in small, meaningful gestures—sharing snacks or tea, visiting elderly neighbours, organising apartment meetups, or participating in neighbourhood events. On 17th May, grand celebrations will take place globally. Art of Giving has grown exponentially in the last decade. Today, the AOG family includes over 2.5 million active members. Additionally, the philosophy now finds representation in over 220 national federations of the FIVB (Fédération Internationale de Volleyball), extending its values through sports and youth movements worldwide. Though AOG was formally launched in 2013, its values are timeless. Charity, or 'daan,' has always been central to Indian culture. Every major religion—Islam's zakat, Christianity's charity, Buddhism's acts of compassion, Jainism's saving lives and spreading knowledge, Judaism's tzedakah, and Zoroastrianism's call to fight poverty as a moral duty upholds giving as sacred. What Prof. Samanta has done through AOG is to modernise this wisdom, remove religious and geographical filters, and build a global, inclusive, and joyful movement rooted in humanity.