Latest news with #Fantoni
Yahoo
29-06-2025
- Sport
- Yahoo
This Week In Lazio History: June 23-29
Between June 23-29, Lazio won in European tournaments, fought to reach a national final, drew a playoff, and won both the Fornari Cup as well as the Cup of the Alps. Matches of the Week Date: Sunday, June 24, 1923 Venue: Campo Oncino, Torre Annunziata Fixture: Savoia Lazio 3-3, Southern Division Final, First Leg Lazio draw against Savoia in the first leg of the Southern Division Final. The Biancocelesti can still reach the National final. Advertisement Date: Sunday, June 23, 1929 Venue: Stadio San Siro, Milan Fixture: Lazio Napoli 2-2, National Division, 8th place Playoff Playoff for first ever single Serie A ends in draw so rematch needed but more surprises were on the way Date: Sunday, June 26, 1932 Venue: Campo Testaccio, Rome Fixture: Roma Lazio 0-3, Coppa Fornari Final Lazio beat Roma for the first time in the Coppa Fornari final with a Fantoni I brace and Malatesta. Date: Sunday, June 27, 1937 Venue: Stadio PNF, Rome Fixture: Lazio Hungaria 3-2, Round of 16, Central European Cup Lazio go 3-0 up and then resist the visitor's attempt at a comeback. Advertisement Date: Saturday, June 27, 2020 Venue: Stadio Olimpico, Rome Fixture: Lazio Fiorentina 2-1 A goal by Luis Alberto eight minutes from time gives Lazio win and hope Match In Focus Date: Friday, June 25, 1971 Venue: St. Jakob Stadium, Basel Fixture: Basel Lazio 1-3, Cup of the Alps Final Unknown to the players, club, new manager, and fans – this is where the glory started. It had been an awful season. President Umberto Lenzini and manager Juan Carlos Lorenzo had argued all year over basically everything and the team suffered the consequences. Lazio had finished 15th which meant relegation. Lenzini had already chosen Tommaso Maestrelli as new manager for the following season but at the end of the current season they had to play the Cup of the Alps and for this competition Bob Lovati took over. Advertisement This was the 11th edition of the cup. It was a competition between Italian and Swiss sides. This year eight teams took part, divided into two mixed groups. The A Group was made up of Lazio, Sampdoria, Lugano and Winterthur. The B Group had Varese, Verona, Basel and Lausanne. The formula was that each team played the foreign team in their group twice (so no matches between Italians). The highest-placed Italian and Swiss teams would then qualify for the final. The points were calculated from the points from the four matches added to the goals scored. Lazio had reached the final, winning three games and drawing one. Their opponents were Basel, the holders of the cup as they had won the past two editions. They were considered a decent team, had some good players in Karl Odermatt, Walter Balmer, and Peter Ramseier, and had a highly respected manager in German Helmut Benthaus (who would later win the Bundesliga with Stuttgart in 1984). They had come second in the Swiss league (would also win it the following year) and reached the Last 16 in the European Cup (lost to eventual winners Ajax). The Biancocelesti scored early with Pierpaolo Manservisi but the Swiss equalised towards the end of the first half. Despite a referee, who clearly had eyesight problems, Giorgio Chinaglia scored a brace and Lazio won the cup. A great satisfaction for the club after a difficult season. It was certainly not the European Cup or UEFA Cup but it held some prestige at the time. The Biancocelesti had performed well and the win was given great emphasis in the local and national media. Advertisement Serie B awaited but with today's triumph, the new manager Maestrelli and President Lenzini's promise not to sell Chinaglia to Juventus the future looked brighter. And it certainly was. In Memory: Renato Ziaco The 1973-74 scudetto, as we all know, was made possible thanks to a wild and talented bunch of players managed by the maestro Tommaso Maestrelli. But, behind the scenes, there were also others who made that miracle possible. Among these we must certainly place Renato Ziaco, legendary doctor of that team. Renato Ziaco was born in Rome on February 20, 1927. At 23 he graduated in Medicine with specialisation in orthopaedics. In 1960 he was part of the medical unit at the Olympic Games. In 1961 he was called by Lazio to substitute Professor Domenico Bolognese. Ziaco worked for the Biancocelesti for 25 years. He was not just a doctor, he was a psychologist and an innovator. The team went to him not only when they were injured but also when they simply needed a word of advice or encouragement. He was able to magically cure players who thought they would never play again, or others who overnight suddenly became available even if it had seemed impossible the day before. Once he even went on the bench as manager. In 1963 Juan Carlos Lorenzo could not sit on the bench during matches due to the fact that he was not Italian, and a couple of times when Bob Lovati was sick or suspended, it was Ziaco who had given the tactical orders. Advertisement Ziaco was one of those who was not able to celebrate on May 12, 1974. He was performing surgery on Gigi Martini's fractured shoulder. He was also the first to notice that Tommaso Maestrelli was not well, and the one who desperately tried to save Luciano Re Cecconi after he was shot. In the early 1980s after the Totonero scandal, he briefly left the Lazio medical unit, only to return when Giorgio Chinaglia became president. On January 7 1985, he slipped on the icy track at the Olimpico and fractured a rib. At the hospital they realised he had cancer. He died on June 25 of the same year. Renato Ziaco was a heroic, legendary character, a true gentleman and Lazio supporter. Birthdays This Week Alessandro Varini, 24-26-1900, forward, Italy, 66 appearances, 12 goals (1914-25) Pedro Rizzetti, 25-6-1907, midfielder, Brazil, 45 appearances (1931-34) Pietro Adorni, 25-6-1949, defender, Italy, 52 appearances (1966-69) Vincenzo Gasperi, 27-6-1937, defender, Italy, 149 appearances, 6 goals (1961-66) Piero Cucchi, 27-6-1939, midfielder, Italy, 71 appearances, 4 goals (1967-69) Pierluigi Pagni, 28-6-1939, defender, Italy, 185 appearances, 1 goal (1960-68)
Yahoo
22-05-2025
- Entertainment
- Yahoo
Barry Fantoni, artist, jazzman and supplier of Private Eye gags and cartoons for half a century
Barry Fantoni, who has died aged 85, was a prominent member of the pop art movement in the early 1960s and played a significant role in the early success of the magazine Private Eye. In 1966 he became a national figure as the lead presenter on BBC television's A Whole Scene Going, a programme about pop music and fashion. The Sunday Telegraph critic Philip Purser regarded the existence of the programme as 'an abject admission of failure by the BBC', but Melody Maker voted Fantoni television personality of the year, above Mick Jagger and Tom Jones. In 1967 the Daily Mirror declared: 'He does not so much know what is in, he decides it.' A newspaper profile of the time referred to his 'peculiar face, which suggested… an honest, humbling, shaggy, bearlike simplicity'. Its dominant feature was the majestic nose: '[it] projects, it greets people; if noses could smile, his would.' Fantoni was multi-talented, presenting himself at various times as an artist, comedian, actor, novelist, playwright and poet, as well as a part-time jazz musician. But he was also possessed of multiple identities that appeared at times to be at war with each other, a conflict that prevented him from concentrating his talent effectively. From 1963 he contributed spiky pocket cartoons to early issues of Private Eye, and in 1965 his caricature portrait of Terry-Thomas, in which the popular actor was shown standing by a stage door 'looking dissipated, drunken and dissolute', led to libel damages for 'a grossly impudent and unwarranted attack'. Undeterred, Fantoni next painted a portrait of the Duke of Edinburgh in his underpants that caused a stir when it was exhibited in a West End gallery. Richard Ingrams, editor of Private Eye, described Fantoni as a brilliant self-publicist who had just walked into the office off the street from a very different background to the world of the privately educated Oxbridge graduates who had founded the magazine. Fantoni became the paper's expert on pop music, television and football, taking editorial interests beyond Haydn, Shakespeare and cricket. Ingrams was also tolerant of Fantoni's unorthodox office manners. The editor once entered the room to find his cartoonist rolling around on the floor with one of the secretaries. Ingrams made no comment; he just stepped over them, sat down at his desk and rang down to reception to request a cup of coffee. At Private Eye Fantoni also wrote the obituary verse column of 'EJ Thribb' and co-wrote, with Ingrams, the mock romantic serials of 'Sylvie Krin'. Once, while watching Match of the Day, he heard the celebrated television commentator David Coleman say: 'For those of you watching in black and white, Chelsea are in the blue strip.' This led to the 'Colemanballs' column, which listed inane or ridiculous comments made by sports commentators. Fantoni was a shrewd businessman (he made £90,000 out of the 'Colemanballs' book, probably the only Private Eye contributor ever to profit from republished magazine material) and he was never one to undersell his talents. In an interview in 1968 he said that 'Ralph Steadman, Gerald Scarfe and Alan Aldridge are the only other three illustrators in this country worth talking about.' Later that year Nude Reclining, a group portrait of a judge, a cardinal and a general reading a pornographic magazine, by an unknown artist called Stuart Harris, was exhibited at the Royal Academy Summer Exhibition; it was in fact the work of Fantoni and Willie Rushton and was subsequently sold at Christie's for 80 guineas. Shortly afterwards Fantoni designed the set for a production of Aeschylus's Prometheus Bound, featuring two crashed cars, a concrete mixer and a selection of bath tubs and beer barrels. Barry Fantoni was born in east London on February 28 1940. His father was Peter Fantoni, a watercolour painter of Italian descent who had designed De Havilland aircraft parts during the Second World War; his mother, Sarah, was Jewish. Barry was educated at Archbishop Temple School for Boys, a notable Church of England grammar school in Lambeth, and aged 14 went to Camberwell School of Art, from which he was expelled four years later for 'unruly behaviour'. It later emerged that his expulsion had followed an exhibition of his portraits of members of the faculty, 'naked à la Toulouse-Lautrec', but with additional erections. He went to work for Barrie's of Brixton, a menswear shop, then took a job as a part-time instructor at Slade School of Fine Art. This unhappy period ended when he walked into the Private Eye office in 1963 and launched his career as a popular celebrity. His first task at the magazine was to repaint the managing director's door. In 1969 Fantoni's career as enfant terrible of the metropolitan pop scene came to an abrupt halt when, under the influence of Christopher Booker – himself under the influence of Malcolm Muggeridge – he experienced a sudden conversion to Christianity and announced that he had started to pray for members of the Royal Family. Fantoni said that he had been 'in the hands of the Devil' when he had previously attacked them. In 1972 he married a former convent girl, Tessa Reidy, who was the editorial secretary at Private Eye, and for six years he edited the parish magazine of St Martin-in-the-Fields. Inspired by the work of Stanley Spencer, he painted a giant canvas depicting 'Jesus passing through Brixton Market' and in December 1970 his 7ft portrait of Beethoven was exhibited in the Festival Hall. By 1982, when The Private Eye Story, an authorised history of the magazine, was published, Fantoni's religious period was over and he objected to the book on the ground that it portrayed him as 'a Jewish sex maniac and halfwit'. From 1983 to 1991 he was Diary cartoonist of The Times. 'I was told that doing a daily cartoon would kill me,' he later said, 'and it very nearly did. It is hard work being funny.' He relaxed at weekends with a jazz band in which he played the saxophone and the clarinet, two of the 13 instruments he claimed to have mastered. In 1991 he collaborated with John Wells, his Private Eye colleague, on Lionel: the Musical, a celebration of the life of the cockney Jewish composer Lionel Bart. Fantoni later commented that every word spoken on stage had been written by him, since John Wells knew nothing at all about either cockneys or Jews. The cast had a difficult first night when the performance was interrupted by the real Lionel Bart, who leapt on to the stage shouting violent objections, and the show closed after eight performances. Following the death of his father in 1986, Fantoni forged a new identity as a born-again Italian and spent some time teaching at an Italian art school, a period which led to his styling himself as 'Professor Barry Fantoni'. His first play, Modigliani, My Love, a meditation on the suicide of the artist's model Jeanne Hébuterne, opened in Paris for a brief run in 1999. In 2010 Fantoni announced his retirement from Private Eye after nearly 50 years as a contributor and, having separated from his wife, moved with his new partner to 'a town house' in Calais. This was in fact a converted repair garage just outside the town centre, where he concentrated on writing detective stories and on the study of Chinese horoscopes, a subject on which he became a leading expert. Fantoni did not speak French and, as a vegetarian, was distressed by the local cuisine, most of which he regarded as 'rubbish'. But he made friends with a nearby café owner who provided him with fried egg and chips on demand. When the town began to fill with migrants seeking ways of breaking through UK border controls, Fantoni's initial dismay was replaced by optimism. He had thought of leaving France, but 'with all the millions of English-speaking UK therapists, priests, film-makers, door-to-door salesmen, shop fitters, librarians and prostitutes coming to aid the migrants, we might decide to stay,' he said. In the event he moved to Turin in 2016, taking a small apartment overlooking the River Po and readopting his Italian identity. He spent his final years developing the character of Harry Lipkin, 'the world's oldest private detective', an 87-year-old retired cop who lived in Warmheart, Florida, and resembled a Jewish Philip Marlowe. (''You can't threaten an 87-year-old man with death,' I growled through my dentures.') In the person of Lipkin, a Jewish-American private eye imagined on the banks of the Po and originally inspired by a resident of the Nightingale Jewish Care Home in Clapham, south London, where his mother had spent the last years of her life, Fantoni finally reconciled the numerous strands of his personality. In 2019 Barry Fantoni published a memoir, A Whole Scene Going On. He is survived by his partner Katie. Barry Fantoni, born February 28 1940, died May 20 2025 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Daily Mirror
22-05-2025
- Entertainment
- Daily Mirror
BBC star dies at home following heart attack as tributes pour in
Barry Fantoni, who wrote scripts for That Was The Week That Was and presented A Whole Scene Going On for the BBC, has died at the age of 85, following a heart attack. He died on Tuesday May 20 at his home in Turin, Italy. The news was confirmed by Private Eye magazine where he also made his mark as a cartoonist. Have I Got News For You star and Private Eye editor Ian Hislop paid tribute. 'Barry was a brilliant multi-talented writer, artist and musician. He was an integral part of Private Eye's comic writing team from the early days in the sixties and I hugely enjoyed collaborating with him when I joined the magazine later on. "He created formats and characters and jokes that are still running and he was for a long time the voice of the great poet and obituarist E J Thribb. So farewell then Barry.' A man of many talents, Fantoni rose to prominence during the 1960s, carving out a unique space in British pop culture. He began his artistic journey at just 14, attending Camberwell School of Arts and Crafts on a Wedgewood Scholarship. His creative spirit flourished early, eventually making him a key figure in the UK's vibrant pop art scene of the 1960s. Fantoni's sharp wit and writing skills landed him a spot on the writing team of the influential satirical programme That Was The Week That Was, hosted by David Frost. Later, in 1966, he stepped into the spotlight himself, hosting the BBC's youth-focused music and fashion programme A Whole Scene Going. The show, which featured acts like The Spencer Davis Group and Pete Townshend, became a cultural touchstone for Britain's under-21s. Hislop said: 'Barry was a brilliant multi-talented writer, artist and musician. He was an integral part of Private Eye's comic writing team from the early days in the sixties and I hugely enjoyed collaborating with him when I joined the magazine later on. He created formats and characters and jokes that are still running and he was for a long time the voice of the great poet and obituarist E. J. Thribb. So farewell then Barry.' In addition to his work on Private Eye, where he was a mainstay from 1963, Fantoni was a cartoonist for The Times, a caricaturist for Radio Times, and later, a record reviewer for Punch magazine in the 1970s. His caricatures captured the likeness and spirit of some of Britain's best-known personalities, including Sir Bruce Forsyth, DJ Tony Blackburn, and comedian Sir Ken Dodd. Fantoni formally retired from Private Eye in 2010 after nearly five decades. Speaking about his decision to step back, he told The Independent, 'It was just time to leave. I'd done it. The establishment isn't even worth puncturing any more.' .
