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Feid Taps Tony Hawk for "ANDO XXIL" Video
Feid Taps Tony Hawk for "ANDO XXIL" Video

Hypebeast

time23-05-2025

  • Entertainment
  • Hypebeast

Feid Taps Tony Hawk for "ANDO XXIL" Video

Summary AFeidxTony Hawkcollab was not on our 2025 bingo card, but Ferxxo's newest single, 'ANDO XXIL' proves the pair might just be the duo we didn't know we needed… The latest single lifted from his forthcoming studio project, 'ANDO XXIL' is self-written and produced by Feid and finds the versatile musician leaning into the '90s and 2000s rap that he grew up listening to. However, it's the early 2000s-coded music video that takes the cake. 'Ya no fumo, sorry, 'toy con Tony Hawk haciendo ollie / Siempre ando feliz, siempre ando holy,' Feid spits on the first verse as he playsTony Hawk's Pro Skaterin his living room – Hawk then appearing next to him. The two eat bowls of cereal and play the video game in front of the TV, the nostalgic footage interspersed with that of Feid and his crew salivating around Italy. Watch the full music video for 'ANDO XXIL' in the gallery above and stream the song on all streaming platforms now.

Sabrina Carpenter, Hozier, Doja Cat to Headline Austin City Limits Festival 2025
Sabrina Carpenter, Hozier, Doja Cat to Headline Austin City Limits Festival 2025

Yahoo

time06-05-2025

  • Entertainment
  • Yahoo

Sabrina Carpenter, Hozier, Doja Cat to Headline Austin City Limits Festival 2025

Sabrina Carpenter, Hozier, Doja Cat, Luke Combs, the Strokes, John Summit, Doechii, Feid and Cage the Elephant are the top-billed artists at the 2025 Austin City Limits festival. The nine-stage, two weekend celebration of music and community will take place October 3-5 and October 10-13 at the festival's traditional location of Zilker Park. The lineup of the year also includes T-Pain, Empire of the Sun, Djo, Pierce the Veil (W2), Rilo Kiley (W2), Maren Morris (W1), Zeds Dead, Sammy Virji, Polo & Pan, Role Model, and more. The full lineup appears below; three-day tickets for both weekends will go on sale at 12pm CT today. More from Variety ADVERTISEMENT This year's showcase of Texas natives features a diverse and dynamic mix, including Maren Morris (W1), Dylan Gossett, Tanner Usrey, Asleep at the Wheel (W1), INOHA (W1), Johnny Stimson (W2), SL Houser (W1), Geto Gala (W1), Farmer's Wife (W2), Alex Amen (W2), Shallowater (W2), Aaron Page (W1), Huston-Tillotson University Jazz Collective (W2), and Disciples of Christ (W1) and more. 3-Day General Admission, GA+, VIP and Platinum Tickets, Hotel + Festival Experience, and Group Hospitality Packages will go on sale today at 12pm CT at Plans are available starting at only $25 down. 1-Day Tickets will be available at a later date. Music fans ages 8 and under are welcome free of charge to all general admission areas with a ticketed adult. Austin Kiddie Limits programming information will be announced later this summer. Hulu returns as the Official Streaming Destination of ACL Festival. Catch three days of select live performances, interviews, and much more during Weekend One, October 3-5. Full broadcast lineup and schedule to be announced later this summer. Best of Variety Sign up for Variety's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

Colombian court rules Karol G and J Balvin song violated rights of children
Colombian court rules Karol G and J Balvin song violated rights of children

Yahoo

time09-04-2025

  • Entertainment
  • Yahoo

Colombian court rules Karol G and J Balvin song violated rights of children

A high court in Colombia has ruled that the reggaeton song '+57' by urban music stars J Balvin and Karol G violated the rights of children because its lyrics 'sexualized' minors. In a 14-page ruling, the court ordered Karol G, J Balvin and several other reggaeton singers – including Feid, DFZM and Maluma - who helped to record the song last year to refrain from publishing music that violates the rights of children and teenagers. 'Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development,' the court said. The song generated controversy in Colombia when it was released in November, with organizations that defend the rights of children quickly calling for its removal. '+57' is named after Colombia's telephone country code and talks about a young woman who goes partying "despite having an owner.' The woman, 'who has been a hot mama since she was 14' ("Mamacita desde los fourteen") enters a disco and begins to do shots. The song also refers to weed 'starting to work', passing 'the drinks mouth to mouth' and 'no room for your butt in the car.' Karol G, whose real name is Carolina Giraldo, apologized for the song on her Instagram account last year, saying that the lyrics had been 'taken out of context' but also adding that she realized she had 'a lot to learn.' 'As artists, we are exposed to public opinion, and to the individual interpretations of people who like us and people who differ with what we do,' read her apology. 'I feel a lot of frustration for the misinformation that has been given, about the false posts that I have supposedly made and deleted from twitter, an account that I have not used for more than six months. In this case, unfortunately, the lyrics of a song, with which I sought to celebrate the union between artists and put to shine my people … were taken out of context." She added: 'None of the things said in the song have the direction they have been given, nor was it said from that perspective but I listen, I take responsibility and I realize that I still have a lot to learn. I feel very affected and I apologize from the bottom of my heart.' Following the backlash and pressure from the Columbian Congree and the Colombian Institute of Family Welfare (ICBF), the lyric was changed to: "Mamacita desde los eighteen". The song was recorded in Karol G's hometown of Medellin, Colombia's main tourist destination and a city that has become famous for nurturing several famous reggaeton singers. However, Medellin has also struggled to protect minors from sexual predators, who visit the city in search of young women.

Colombian court rules Karol G and J Balvin song violated rights of children
Colombian court rules Karol G and J Balvin song violated rights of children

Euronews

time09-04-2025

  • Entertainment
  • Euronews

Colombian court rules Karol G and J Balvin song violated rights of children

ADVERTISEMENT A high court in Colombia has ruled that the reggaeton song '+57' by urban music stars J Balvin and Karol G violated the rights of children because its lyrics 'sexualized' minors. In a 14-page ruling, the court ordered Karol G, J Balvin and several other reggaeton singers – including Feid, DFZM and Maluma - who helped to record the song last year to refrain from publishing music that violates the rights of children and teenagers. 'Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development,' the court said. The song generated controversy in Colombia when it was released in November, with organizations that defend the rights of children quickly calling for its removal. '+57' is named after Colombia's telephone country code and talks about a young woman who goes partying "despite having an owner.' The woman, 'who has been a hot mama since she was 14' ("Mamacita desde los fourteen") enters a disco and begins to do shots. The song also refers to weed 'starting to work', passing 'the drinks mouth to mouth' and 'no room for your butt in the car.' Karol G, whose real name is Carolina Giraldo, apologized for the song on her Instagram account last year, saying that the lyrics had been 'taken out of context' but also adding that she realized she had 'a lot to learn.' 'As artists, we are exposed to public opinion, and to the individual interpretations of people who like us and people who differ with what we do,' read her apology. 'I feel a lot of frustration for the misinformation that has been given, about the false posts that I have supposedly made and deleted from twitter, an account that I have not used for more than six months. In this case, unfortunately, the lyrics of a song, with which I sought to celebrate the union between artists and put to shine my people … were taken out of context." She added: 'None of the things said in the song have the direction they have been given, nor was it said from that perspective but I listen, I take responsibility and I realize that I still have a lot to learn. I feel very affected and I apologize from the bottom of my heart.' Following the backlash and pressure from the Columbian Congree and the Colombian Institute of Family Welfare (ICBF), the lyric was changed to: "Mamacita desde los eighteen". The song was recorded in Karol G's hometown of Medellin, Colombia's main tourist destination and a city that has become famous for nurturing several famous reggaeton singers. However, Medellin has also struggled to protect minors from sexual predators, who visit the city in search of young women.

J Balvin Adds Record-Extending 37th No. 1 on Latin Airplay With Feid Collab ‘Doblexxo'
J Balvin Adds Record-Extending 37th No. 1 on Latin Airplay With Feid Collab ‘Doblexxo'

Yahoo

time11-03-2025

  • Entertainment
  • Yahoo

J Balvin Adds Record-Extending 37th No. 1 on Latin Airplay With Feid Collab ‘Doblexxo'

J Balvin and Feid's 'Doblexxo' snags the No. 1 spot on Billboard's Latin Airplay chart as the song climbs 6-1 for its first week atop the March 15-dated list. The song lands at the summit in its 13th week. 'I feel super excited to know that our fans have embraced this song in such a way,' Balvin tells Billboard. 'Feid's talent is undeniable and our chemistry when it comes to making music has always been amazing. I can't wait to sing 'Doblexxo' live during my upcoming Rayo tour.' More from Billboard J Balvin Bares His Soul After 'A Moment of Darkness' DDG Accuses Halle Bailey of Keeping Their Son Away From Him on New Song Snoop Dogg Delivers a Surprise Performance at Nashville Bar In the tracking week ending March 6, 'Doblexxo' pulled 8.4 million audience impressions earned in the U.S., according to Luminate; that's a 32% gain from the week prior when the song generated 6.1 million. With 'Doblexxo,' Balvin achieves his record-extending 37th No. 1s since the Latin Airplay chart began in 1994, opening a wider gap from his next competitor (Ozuna, 34 champs). Feid bags his ninth ruler. The latter last reached the top with 'Si Sabe Ferxxo,' with Blessd, which spent a week at No. 1 in June 2024. Except for 2024, Balvin has placed at least one champ every year during his decadelong No. 1 chart career, dating back to '6AM,' featuring Farruko (May 2014). He completed his most lucrative period in 2022, placing nine No. 1 hits between February and October then. The year before, Balvin reached his second-best run, with six No. 1s in 2019. Good reception across Latin rhythmic stations also spurs its coronation on the Latin Rhythm Airplay chart, where 'Doblexxo' jumps 3-1. There, Balvin also stands firmly ahead of the rest, with 37 No. 1s. (Daddy Yankee follows with 35.) The song's 13-week climb to No. 1 marks a longer stride to the top than Balvin and Feid's past pair-up, 'Porfa' — where Maluma, Nicky Jam, Sech and Justin Quiles are also part of the billing — as it ruled after eight weeks in August 2020. 'Doblexxo' is the fourth radio promoted single from Balvin's sixth studio album Rayo, which debuted and peaked at No. 5 on Latin Rhythm Albums last August. All charts (dated March 15, 2025) will update on tomorrow, March 11. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100

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