Latest news with #FentyBeauty
Hype Malaysia
a day ago
- Entertainment
- Hype Malaysia
Fenty Beauty, Rabanne, Anastasia Beverly Hills & More: New Beauty Drops To Level Up Your Glow Game!
Time to glow up your stash! These fresh drops in beauty and fragrance are serving everything from sculpted cheeks to statement scents. New season, new favourites – let's get into it! Fenty Beauty Fenty Beauty is turning up the heat with five new shades of its bestselling Trace'd Out Pencil Lip Liner. These creamy, longwear pencils deliver rich pigment in one swipe and are made to suit every skin tone – no ashiness, no dragging, no drama. From the soft peachy 'Apri'Caught' to the moody 'Whiskey' and 'They So Vine', these liners are made to contour, define, and fill lips like a pro. Just line, smudge, or fill – and let your lips do the talking. Fenty Beauty Trace'd Out Longwear Waterproof Pencil Lip Liner (RM108) in 'Apri'Caught,' 'Bored Heaux,' 'They So Vine,' 'Whiskey,' and 'Bubble-Tini' is now available at all Sephora stores and online. Rabanne Rabanne's Million Gold Elixir is pure power in a bottle. This intense new fragrance blends mandarin, cardamom, and vanilla with rich notes of sandalwood and patchouli, creating a warm and sensual scent that turns heads without trying too hard. Worn by artist Moses Sumney in the latest campaign, the elixir is made for men who live boldly, dress with flair, and rewrite the rules with every step. It is the kind of scent that owns the room before you even speak. Rabanne's Million Gold Elixir is now available in 50ml and 100ml at selected department stores across Malaysia including Seibu, Isetan, Parkson, SOGO and AEON. Peter Thomas Roth Say hello to smoother, brighter under-eyes. Peter Thomas Roth's latest Peptide Skinjection launches are here to tackle expression lines, puffiness, and tired-looking skin with high-performance ingredients and cutting-edge peptide tech. From the Fill & Fix Under-Eye Cream that hydrates and firms, to the Expression Line Hydra-Gel Patches designed to soften crow's feet and frown lines, these game-changers are the ultimate cheat code to a rested, youthful look. The Peptide Skinjection Fill & Fix Under-Eye Cream (15ml, RM260) and Expression Line Hydra-Gel Patches (60 patches, RM380) are available now at Sephora stores, in-app, and online. Anastasia Beverly Hills Serving face has never been this effortless. Anastasia Beverly Hills just launched its Summer Newness Collection, a four-piece glow squad designed for heat-proof glam and golden hour selfies. Whether you are blurring, bronzing or boosting your SPF, these multitasking heroes – Magic Touch Blush Trio, Hydra Prime SPF 50, Smooth Blur Contour and Smooth Blur Bronzer – melt into skin like a dream and hold up through even the sweatiest of days. This is your shortcut to looking sculpted, sun-kissed and seriously radiant. Anastasia Beverly Hills Magic Touch Blush Trio (S$60 – RM198), Hydra Prime SPF 50 (S$70 – RM231), Smooth Blur Contour (S$50 – RM165) and Smooth Blur Bronzer (S$54 – RM178.20) are now available at Sephora Singapore online and in stores. SKINMADE SKINMADE's latest launch is a game-changer for both sun protection and daily prayers. Skin Miracle Broad Spectrum and Blue Light Sunscreen is the brand's first wuduk-friendly tinted sunscreen that protects, nourishes, and washes off easily without affecting your solat routine. With anti-glycation technology, blue light protection, and nine powerful ingredients, this gentle formula helps prevent signs of aging, dullness, and sagging. It keeps your skin glowing and your routine fuss-free – a real miracle in a bottle. SKINMADE Skin Miracle Broad Spectrum + Blue Light Sunscreen (250ml, RM250) and the limited edition 8th Birthday Blind Box (RM233) are now available on TikTok Shop, Shopee, and Lazada. For more info, visit TAMBURINS TAMBURINS is bottling the scent of summer with BLUE HINOKI, its newest fragrance collection inspired by the drift of hinoki wood meeting the salty breeze of the sea. Think crisp bergamot, pine oil, and sun-drenched olibanum melting into one refreshing, woodsy vibe. The lineup goes beyond your usual perfume – with playful Egg Perfume designs, rattan wearables, and even a chic Perfume Deodorant that stays fresh through the heat. The TAMBURINS BLUE HINOKI collection is now available at the brand's official online and offline stores in Korea.
Perth Now
2 days ago
- Entertainment
- Perth Now
The Smurfs star Rihanna identifies with Smurfette 'a lot'
Rihanna feels she identifies with Smurfette "a lot". The 37-year-old singer voiced the blonde-haired blue cartoon character in the 2025 musical-fantasy-comedy film Smurfs, and Rihanna admits she shares her alter-ego's tough, fearless and determined character traits. She told the new issue of Britain's HELLO! magazine: "She's still a girl's girl but she is also tough, which I love. "She's not afraid of anything, or anyone. She's a leader, determined, and she never gives up. I really feel like I identify with her a lot." Rihanna - who owns the cosmetics Fenty Beauty brand, and the Savage X Fenty lingerie label - added: "She's a beautician and an aesthetician too, so it felt like we have a lot in common. "I've always identified with Smurfette, right back to when I was four or five years old, so when this opportunity came up, I just couldn't believe it. "It's a dream come true." The performer thinks little girls will want to aspire to be like Smurfette after they have seen the movie. She added: "She's real and accessible, and you're charmed by her. "Little girls are going to believe they can be her or be friends with her." Despite having had previous movie roles, including DreamWorks' Home as the voice of Gratuity 'Tip' Tucci, Rihanna feels "much more confident" as a musician than an actor. She explained: "I feel much more confident as a musician than I do with acting. "I have so much respect for actors, and it's definitely very intimidating to be amongst them. It's scary. "But I think as long as I work at it, I don't see why I wouldn't do film. I've had fun experiences so far." Rihanna says her sons, RZA, three, and Riot, 23 months - who she has with her husband, 36-year-old rapper A$AP Rocky - cannot wait to see Smurfs. She said: "They're excited about it. "To be there with them to see Smurfette on screen with my voice coming out of her mouth is a huge moment. It's fun to share this with them." The film sees the Smurfs rescue Papa Smurf (John Goodman) after evil wizards Razamel and Gargamel (both voiced by JP Karliak) take him. And with the help from new pals, they "must discover what defines their destiny to save the universe". Rihanna - who contributed music to the film's soundtrack - hopes the movie will make audiences realise that they can achieve anything in life, as well as the importance of teamwork. She said: "I hope they have fun watching it and come away with the positive message that, to achieve anything in life, [it] takes a team. "We all need a strong team around us. I know I do."
Daily Mirror
3 days ago
- Entertainment
- Daily Mirror
Inside Faye Winter's makeup bag with ‘brightening' Charlotte Tilbury concealer
Faye shared the exact products she uses on Instagram Love Island star Faye Winter has taken to Instagram to share some of her favourite beauty products, including a Charlotte Tilbury concealer that shoppers love. Faye shared the Charlotte Tilbury Beautiful Skin Radiant Concealer that you can buy from Cult Beauty for £28. The concealer currently has over 200 reviews on the beauty site, with an average star rating of 4.5 out of a possible five stars. One shopper who loved the concealer said: "Amazing brightening concealer, tried in a flagship store to do a wear test and using in conjunction with the corrector has really brightened up my eye area. "It's very hydrating. The shade match is perfect." Faye also shared some of the other beauty products she uses, which include the Trinny London Trinity Multitasker for blush that costs £36. The product is a handy stick that can be used for lips, cheeks, and eyes. For her foundation, Faye used the Huda Beauty Easy Blur, which is currently on offer at Beauty Bay for £26 down from £32, and her bronzer is the £30 Fenty Beauty Sun Stalk'R Instant Warmth Bronzer, which you can also shop at LOOK FANTASTIC. Faye also used the Soft Pinch Luminous Powder Blush by Selena Gomez's brand Rare Beauty, currently £18 down from £26 at Rare Beauty, and e.l.f's £10 Power Grip Primer that can be bought from Boots. As well as the Charlotte Tilbury concealer, Faye used the brand's popular Airbrush Flawless Finish Powder which is also shoppable at Cult Beauty for £39. Other products used in Faye's post which was titled 'GRWM using cruelty free brands' include the Fenty Beauty Gloss Bomb Lip Luminizer which is £19 at LOOK FANTASTIC. This is said to give a hydrating high shine finish. Also in the video and available at LOOK FANTASTIC is the Heliocare 360 Color Gel Oil-Free Sunscreen Protector SPF50+ which retails for £33 but has been cut to £25. If you're in the market for a new concealer and fancy some more options, then you can also shop the NARS Radiant Creamy Concealer from LOOK FANTASTIC for £27 that gives a creamy medium to full coverage or the Tarte Shape Tape Contour Concealer available at Cult Beauty for £29. Despite plenty of shoppers loving the Charlotte Tilbury Beautiful Skin Radiant Concealer, one didn't get on with the formula saying: "Tried to love this… found it drying and wasn't great at covering dark circles. It gives a fair amount of coverage if you don't have major eye bags or discolouration etc." Other shoppers were pleased with their purchase, however, with another writing: "Lovely and lightweight under the eyes . Definitely makes me look less tired." Another dubbed the concealer their 'favourite', commenting "I have tried hundreds of concealers over the years and this is by far my favourite. "Medium coverage, which is good for natural every day and also buildable for more full coverage." A third who titled their review 'fab' wrote "Love this concealer - easy to apply and lovely consistency."
Elle
4 days ago
- Entertainment
- Elle
Inside ELLE's Biggest Beauty Moments, According to 2 Former Editors
Over the decades, ELLE has always celebrated beauty in all its forms, from groundbreaking cover moments like Rihanna's heart-shaped makeup in October 2017, marking the debut of Fenty Beauty, to viral stories like 'The Truth About Crème de la Mer.' As we reminisce about some of our favorites, we also wanted to go behind the scenes of how it all happened. So we spoke with two previous beauty directors: Jean Godfrey-June, who worked at the magazine from 1994–2000, and Emily Dougherty, who served as beauty director for close to 20 years, beginning in 2002. Along with a selection of memorable covers from each decade, here's what they remember about working at ELLE, including sharing offices with a Kennedy, lunches with French movie stars, hiking African mountains, and the haircut that made people steal the cover of the magazine right off the newsstand. What was your most memorable beauty event? Jean Godfrey-June: Hermès once invited us out to New Jersey, and everybody was like, 'New Jersey?!' A car brought us to a forest, and we got in carriages draped with Hermès Rocabar blankets, which brought us up through the hills. It was late fall, smelled like fire, and the sun was setting behind the trees. Actors in costume jumped out of the darkness to whisper to us about the different ingredients in the Rocabar scent. At the top of the hill, there were ancient stables from God knows when, all beautifully tiled. Hermès had made a table that ran the length of the stables, and they had hand-carved, not just the plates and platters and saucers for the dinner, but every fork and knife, too—all out of wood. The other one I really remember was when Gucci (during the Tom Ford era) came out with [the] Rush [perfume], and we were invited to an event at the Carlyle. I was directed up to a room, where I assumed there would be lots of PR people and a presentation—the usual fragrance event. Instead, I walk in, and there was just Tom Ford, sitting there on the bed. He patted it and said, 'Come sit next to me.' We talked about perfume, the feeling of a rush, and sex, of course. It was definitely one of the sexiest experiences I've had that didn't involve actual sex. Emily Dougherty: Oh, there have been so many pinch-me moments. My stories would be re-published in ELLEs around the world, so I was often the only U.S. editor invited to global launches. For the launch of Alien, Mugler flew us on military transport from Cairo to the Siwa Oasis. We stayed at the base Adrère Amellal, a mountain where, at the very top, according to the brand, Alexander the Great was rumored to have been buried, and where one could find mysterious runes that inspired the letters cut into each bottle of Alien. We were given small silver amphoras filled with orange flower water to splash on our dusty hands and feet, and stayed in buildings made of translucent salt bricks that, lit only by candlelight, would flicker like fireflies. On the last day, I climbed to the top of the mountain before the sun rose. I didn't find Alexander's tomb or any runes, but I did find a petrified sand dollar the size of a salad plate, a reminder of the ancient Miocene sea, dry for seven million years. And rather than ship back the giant perfume factices—each over a foot tall—Mugler gave them to whomever would bring one home. So I carried the enormous purple crystal under my arm, like a model in a perfume ad, all the way back to the states. What were some of your favorite covers? ED: There are so many! But the first one I remember that really made an impact was a 2005 Heidi Klum cover. She has bleached hair and blunt bangs. People were ripping the cover off of ELLE in drugstores across the country to take to their hairstylist. They weren't even buying the issue. It really showed how powerful a haircut can be. What were the ELLE offices like? JGJ: [They had] unbelievable views, and JFK Jr. popping up from George downstairs to gossip. The scent of vetiver, Gilles Bensimon's [the former International Creative Director of ELLE] signature fragrance, that I could smell the second he got off the elevator. I'd be like, 'He's here, guys.' Le Bernardin was a block away, so that was the very glamorous cafeteria. I once had lunch there with Gilles and Catherine Deneuve—I don't know why he included me, but he did—and I just about died. But I was once complaining about my dark circles to Bobbi Brown, and she was like, 'Oh, you're looking at yourself in those ELLE bathroom mirrors! That's the worst lighting in the city!' ED: It was such a hodgepodge of incredibly luxurious things in a building that was so run-down. This was before we moved into the Hearst Tower. After a pipe broke, they were worried about mold, so they chopped the bottom of the drywall off across the entire floor. You could look down and see all the way over to ELLE Girl on the other side of the building. One ELLE Girl editor would bring her bunny to work, and it would hop through the drywall gaps. You'd be working at your desk, and the bunny would pop by for a visit. Every day, I got to wake up and go to a magical place where everybody was so in love with the subject that they were working on, whether it was beauty, fashion, books, or film. That's also what made ELLE so different—we had departments that focused on all aspects of culture. It was really about the full scope of what the reader was interested in, not necessarily just fashion and beauty. 1980s Open Gallery How would you describe what the ELLE beauty ethos was for you at the time? JGJ: It was healthy and glowing—pre-Gwyneth, pre-Goop. It was women in neon bikinis on the beach with big hair and glowing skin. Gilles loved this healthy, Amazon sort of look: Glamorous, healthy, and not so much makeup. ED: Even from the very beginning, Gilles was amazing at including a more diverse pool of models, including more body shapes. If we could put a model of color on our beauty opener, that's what we would do. Was it perfect? No. But at the time, in that landscape, it was different and revolutionary. Jean, I don't know if this was similar in your time, but I remember Gilles would shoot in Tahiti or Cabo and would always come back with a beautiful photo of a body part, specifically cleavage, a bottom or a 'front bottom,' as they say in the U.K. JGJ: Every couple of months, Gilles would be like [French accent], 'You know, we should do a butt issue.' ELLE France at one point had a butt issue. All I could say was, 'Yes, definitely.' Of course we never did it. We redirected that male-gaze perspective and used it to focus on women's health, being strong, and being well, both physically and mentally. ED: My early days at ELLE were really an exercise in how to take a body part photo and say something interesting about it. This is the big challenge in beauty historically–how do you say something new and interesting about red lipstick when it's already been written about a million times. Jean showed firsthand that you can write about a red lipstick a million ways and surprise each time. That's what she established at ELLE—that smart, poetic writing about something that could feel very quotidian. 1990s Open Gallery What pre-existing beauty or magazine standards did you want to challenge? JGJ: When I started in beauty, it was very much about 'fixing' the reader, talking down to them, assuming that they're feeling flawed and terrible. I wanted to address people as if they felt great about themselves—that they were cool, chic, and beautiful. Initially, people would say, 'But that doesn't sell things,' but it did sell things. ED: I've always asked writers to avoid the second person: You've got this problem, here's how you can fix it. You can only use second person if you're celebrating the chicness of the reader. Remember when you were at Le Club 55 and Kate Moss stole your sunscreen? My philosophy at ELLE, and in life: The reader is never flawed. The reader is never broken. We are all perfect just the way we are. Here are just some interesting things to make your life more fun. Or here's an interesting read about a technology that's absolutely kooky but also incredibly promising. So many publications had the assumption that the reader is lesser. I remember working at other places where you would use a word like 'molecule,' and they would say, 'Do we need to explain what a molecule is?' At ELLE, we would take six to nine months to research a story, even just a short 500-word piece—I had a network of researchers at universities, cosmetic chemists, and dermatologists on call. At no time, would someone say, 'Do they know what a molecule is?' The criticism I got, which was also the biggest compliment, was 'Oh, it's too brainy. It goes too much into the research.' ELLE is about science. If you don't want that depth, that's okay—there are tons of other places you can go. JGJ: Men's magazines at the time always spoke to a smart reader; GQ was never like, 'Oh, will this truck driver get it?' But those were the questions people asked about women reading magazines. 'Oh, maybe this is too big of a word for the little ladies!' 2000s Open Gallery ED: ELLE has also always been about personal style. That word is overused nowadays, but back then, it wasn't a thing. Gilles would deconstruct a fashion look, combine it with a bikini on a beach. I promoted the same ethos for beauty. There's no such thing as an in-and-out list. If you want to get a perm, get a perm. If you want to shave your head, do it. If you want to wear black lipstick, do it. JGJ: You didn't need to be in the club, on the inside, to be glamorous. My first-person column, Godfrey's Guide, was from an outsider's perspective, and the idea was, oh, you can come with me to this crazy fashion show . 2010s Open Gallery What was a story you remember fighting for? JGJ: I wanted to do one on people snooping in medicine cabinets at parties, and I was challenged. [Someone asked], 'Is that even interesting?' But [our editor-in-chief] got it and was just like, 'Call Fran Lebowitz, Nan Kempner.' Of course, everybody looks in the medicine cabinet at a party: They're looking for drugs, beauty products and God knows what else. That was a fun one—that got at the fascination around what someone actually has in their cabinet—which is just perennially interesting. Look at Into the Gloss , years later! What made ELLE Beauty feel special to you? ED: When I started at ELLE, there were only two types of magazines. There were those that looked at beauty through a filter of service, very problem-and-solution. Beauty didn't feel fun; it felt more like a job to do. Your face cleanser was as exciting as your dish soap. Then the other group of magazines was 100-percent style-focused, with the editor-as-dictator and in-and-out lists. I would take the best of both: I would use fashion-world access to celebrate everyday products and real-world beauty. Today, this is table stakes for beauty, but at the time, nobody else was combining things in that way. It was about always pushing to offer a contrasting narrative. Never judgmental, but rather about creating a more empowering narrative for women. In the early 2000s, mainstream culture said that women had to be tiny and perfect, like little dolls. There were plastic-surgery makeover TV shows like The Swan . We had the beginning of the Kardashians. HD cameras. Beauty culture was obsessed with the micro—every square inch of skin, tiny millimeters mattered. The challenge was, How do we stay with readers who are looking for that kind of information, but provide them something that maybe is empowering and positive? There was a constant beat of, How do we do better for our readers? How do we do better for women? For the world? JGJ: Science certainly powers a lot of beauty, and a lot of the innovation in beauty. But there's also a big part of beauty and certainly fashion that is fun, silly, and just for pleasure. The combination of those two things—the science and the fun—is really interesting. ED It's still what makes ELLE such a great read today. Outside of ELLE, I feel like we have lost a bit of the pleasure of beauty in the past couple of years, and we've gone back to more of beauty feeling like a job or just another thing on a to-do list. ELLE gives us the permission to enjoy the beauty of a red nail polish or a new fragrance, and says that it's okay to indulge, to feel pleasure, to enjoy life through beauty. 2020s Open Gallery
Elle
4 days ago
- Entertainment
- Elle
How to Recreate the Most Iconic Beauty Looks From ELLE Covers
For 40 years, ELLE covers have sparked trends and major moments. Heidi Klum's cover in May 2003 inspired a slew of women to ask their hairstylists for choppy bangs, while Rihanna's avant-garde October 2017 cover celebrated the launch of Fenty Beauty. In honor of our milestone anniversary, we chose iconic beauty looks from every era, plus how to try them yourself with tips from renowned hairstylists and makeup artists. 1980s For this the October 1989 cover, Claudia Schiffer's glam—with her high blush placement and voluminous windswept curls—perfectly reflects a time when bigger was better. 'The '80s were all about drama,' says Dove hairstylist Clayton Hawkins, who recalls that signatures of the decade include big curly perms, bouncy bobs, and fluffy feathered styles. He remembers that every makeup cabinet had a teasing comb, mousse, and hairspray to give hair more height and body. The bouncy curled blowout that Schiffer wore here has been replicated by Hawkins today on celebrities like Rachel Zegler and Ashley Park. 'Full, bouncy hair just makes you feel powerful,' he says. Schiffer's makeup also fit the era, according to makeup artist and face sculptor Joseph Carrillo. 'That look is pure late '80s glamour: bronzed skin, sculpted cheeks, and a glossy nude lip,' he says. It was a time of excess and creativity in makeup, and cheeks were everything. 'It was all about blush, lots of blush,' adds makeup artist Sandy Linter. 'The girls who started doing their makeup in the 1980s still rely on blush.' That same generous blush trend can be seen today on celebrities like Sabrina Carpenter, and with viral products like the Rhode Pocket Blush. To get the look, Hawkins suggests starting with clean hair and adding a reparative serum like the Dove Intensive Repair 10-in-1 serum to protect your strands and minimize frizz. Once the hair is smooth and blown out, use large hot rollers to form big bouncy curls, and finish with a generous mist of hairspray (in true '80s fashion) to lock in the style. To recreate Schiffer's bold makeup look, Carrillo suggests opting for lots of bronzer to add definition to the cheekbones—he recommends Chanel Les Beiges. 1990s 'The '90s were all about heavy foundation, thin, tweezed brows, and brown lipstick with heavy lip liner,' makeup artist Laura Mercier tells ELLE. This was worn with hair looks that included pixie cuts, chunky highlights à la Carolyn Bessette Kennedy, and choppy cuts like 'the Rachel' from Friends . In the latter half of the decade, we began to see a 'minimalist, fresh-faced aesthetic rise,' Mercier recalls. Glam evolved into a softer, more glossy look, as seen here on Alek Wek. Arriving in November 1997, this was the model's first magazine cover ever. To get a similar glow to Wek, start with a lightweight primer followed by a tinted moisturizer or a touch of the Laura Mercier Real Flawless Foundation for sheer coverage. Next, follow up with a touch of concealer and set with a translucent powder. 2000s The thick, choppy bangs Klum sported on the May 2003 cover sent women running to their stylists in droves to copy the style. Her ultra-smoky eye shadow was the perfect touch to punctuate the quintessential Y2K look, too. Early 2000s beauty trends can be defined as glamorous chaos—just ask celebrity makeup artist Katie Janes Hughes. 'Everything everywhere all at once makeup feels like the 2000s to me,' she says. If this cover showcased heavy shadows and choppy cuts, the next cover was just as likely to feature loose waves and shiny lip gloss. 'The chop was in,' remembers Garren, celebrity stylist and co-founder of R+Co. 'It's resurfaced recently with the blunt bob or razor-cut bob, but back then, I did it with fringe.' Bring a photo of this cover to your stylist to get the same look as women of the 2000s—and you can even achieve Klum's gritty texture with a styling spray like the R+Co Essential Blow Dry Tonic. If you want to update the look, you could opt for a slightly less edgy style. Today's version is 'soft face-framing bangs and long layers, as seen on Dakota Johnson,' says celebrity hairstylist Mara Roszak. 'It's so classic and timeless.' To try this maximal eye look today, keep the focus on that area and keep the rest of the face more bare and minimal. 'Let the eyes be the statement,' Hughes says. 2010s Rihanna has graced the cover of ELLE six times, but this heart-shaped beauty look, created by makeup artist James Kaliardos, is arguably the most unforgettable. The 2010s were all about self-expression in beauty (think YouTubers with cut creases and winged eyeliner). Playful hairstyles like knots, braids, and beach waves allowed for more movement and expression. For this maximalist cover shoot, Kaliardos sketched different abstract makeup looks, and Rihanna chose her favorites—which is how this particular one came to life. 'She walked in ready to create,' Kaliardos says of the megastar's energy on set that day. 'It was such a rare chance to feel creatively free, using her face as a canvas.' For the October 2017 cover story, Rihanna discussed releasing Fenty Beauty with a groundbreaking 40-shade foundation range. At the time of the shoot, the brand was still in production. 'We used large jars of just the colors,' Kaliardos says. 'We used the original Match Stix Shimmer Skinstick in Confetti, an iridescent lavender shimmer, to create the heart on her face. Every look was memorable.' Using hydrating creams like the Fenty Hair Homecurl Curl Cream will also help to nourish the hair while in protective styles like this one.
