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Economic Times
4 days ago
- Business
- Economic Times
RRP Defence partners with French firm CYGR to set up drone manufacturing plant
TIL Creatives AI generated image RRP Defence on Saturday announced that it has partnered with French firm CYGR to set up a drone manufacturing facility in India at an initial investment of around USD 50 million (around Rs 430 crore). This partnership aims to deliver advanced drone systems designed for tactical, surveillance, and industrial use, leveraging French-American technology and Indian manufacturing capability, the RRP group company said in a statement. The two companies are expected to invest USD 50 million initially in the facility, which will be scaled up to USD 100 million later, RRP Defence Chairman Rajendra Chodankar said. The facility, to be located in Navi Mumbai, will support the production of next-generation drones, including nano drones, ISR drones, and hand-launched fixed-wing drones. The focus would be on defence, homeland security, and industrial drone solutions, it said, adding that the plant would contribute to India's high-skill employment and aerospace exports. "By combining our local manufacturing strength and field understanding with CYGR's world-class drone technologies, we are building systems that meet India's unique operational needs," Chodankar said."Through this collaboration with RRP Defence Ltd, we are not only transferring technology, but also co-developing future-ready solutions that support India's defence and surveillance landscape," CYGR France Director George El Aily said.
News18
4 days ago
- Business
- News18
RRP Defence partners with French firm CYGR to set up drone manufacturing plant
Last Updated: Mumbai, Jul 19 (PTI) RRP Defence on Saturday announced that it has partnered with French firm CYGR to set up a drone manufacturing facility in India at an initial investment of around USD 50 million (around Rs 430 crore). This partnership aims to deliver advanced drone systems designed for tactical, surveillance, and industrial use, leveraging French-American technology and Indian manufacturing capability, the RRP group company said in a statement. The two companies are expected to invest USD 50 million initially in the facility, which will be scaled up to USD 100 million later, RRP Defence Chairman Rajendra Chodankar said. The facility, to be located in Navi Mumbai, will support the production of next-generation drones, including nano drones, ISR drones, and hand-launched fixed-wing drones. The focus would be on defence, homeland security, and industrial drone solutions, it said, adding that the plant would contribute to India's high-skill employment and aerospace exports. 'By combining our local manufacturing strength and field understanding with CYGR's world-class drone technologies, we are building systems that meet India's unique operational needs," Chodankar said. 'Through this collaboration with RRP Defence Ltd, we are not only transferring technology, but also co-developing future-ready solutions that support India's defence and surveillance landscape," CYGR France Director George El Aily said. PTI IAS BAL BAL view comments First Published: July 19, 2025, 15:00 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
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Business Standard
4 days ago
- Business
- Business Standard
French firm CYGR, RRP Defence to launch $50 mn drone plant in Navi Mumbai
RRP Defence on Saturday announced that it has partnered with French firm CYGR to set up a drone manufacturing facility in India at an initial investment of around USD 50 million (around Rs 430 crore). This partnership aims to deliver advanced drone systems designed for tactical, surveillance, and industrial use, leveraging French-American technology and Indian manufacturing capability, the RRP group company said in a statement. The two companies are expected to invest USD 50 million initially in the facility, which will be scaled up to USD 100 million later, RRP Defence Chairman Rajendra Chodankar said. The facility, to be located in Navi Mumbai, will support the production of next-generation drones, including nano drones, ISR drones, and hand-launched fixed-wing drones. The focus would be on defence, homeland security, and industrial drone solutions, it said, adding that the plant would contribute to India's high-skill employment and aerospace exports. "By combining our local manufacturing strength and field understanding with CYGR's world-class drone technologies, we are building systems that meet India's unique operational needs," Chodankar said. "Through this collaboration with RRP Defence Ltd, we are not only transferring technology, but also co-developing future-ready solutions that support India's defence and surveillance landscape," CYGR France Director George El Aily said.
Time of India
4 days ago
- Business
- Time of India
RRP Defence partners with French firm CYGR to set up drone manufacturing plant
RRP Defence on Saturday announced that it has partnered with French firm CYGR to set up a drone manufacturing facility in India at an initial investment of around USD 50 million (around Rs 430 crore). This partnership aims to deliver advanced drone systems designed for tactical, surveillance, and industrial use, leveraging French-American technology and Indian manufacturing capability, the RRP group company said in a statement. Explore courses from Top Institutes in Select a Course Category healthcare Product Management Data Analytics Artificial Intelligence Technology Leadership Operations Management Project Management MBA Public Policy MCA Cybersecurity Digital Marketing Healthcare Degree CXO Data Science Finance others Others Design Thinking PGDM Data Science Management Skills you'll gain: Duration: 11 Months IIM Lucknow CERT-IIML Healthcare Management India Starts on undefined Get Details The two companies are expected to invest USD 50 million initially in the facility, which will be scaled up to USD 100 million later, RRP Defence Chairman Rajendra Chodankar said. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Struggling With Belly Fat? Try This at Home Home Fitness Hack Shop Now Undo The facility, to be located in Navi Mumbai , will support the production of next-generation drones, including nano drones, ISR drones, and hand-launched fixed-wing drones. The focus would be on defence, homeland security, and industrial drone solutions, it said, adding that the plant would contribute to India's high-skill employment and aerospace exports. Live Events "By combining our local manufacturing strength and field understanding with CYGR's world-class drone technologies, we are building systems that meet India's unique operational needs," Chodankar said. "Through this collaboration with RRP Defence Ltd, we are not only transferring technology, but also co-developing future-ready solutions that support India's defence and surveillance landscape," CYGR France Director George El Aily said.
The Hindu
6 days ago
- Entertainment
- The Hindu
‘Kothapallilo Okappudu' movie review: A bittersweet tale to savour, ponder and debate
A man creates a myth. It spirals into a monstrous illusion, far beyond his control. Can reason untangle such a delusion and help others see the truth? Debut director Praveena Paruchuri's Telugu dramedy Kothapallilo Okappudu (Once Upon a Time in Kothapalli), presented by Rana Daggubati, opens with a quote by French-American writer Anaïs Nin: 'We see things not as they are, but as we are.' It is a line that frames how the characters view the world around them. There are no easy answers here. Written by Guru Kiran Bathula, the story explores complex themes through a light-hearted, engaging lens. As the narrative slowly reveals itself, it becomes hard to look away. New York-based cardiologist Praveena, who previously produced the much-loved indie C/O Kancharapalem, now steps into the director's role to tell a story inspired by real events from rural Andhra Pradesh. Set a few decades ago, Kothapallilo Okappudu roots itself in nostalgia, with references to Chiranjeevi's Gang Leader, Gharana Mogudu, and the stardom of Vijayashanthi and Bhanupriya grounding it in a specific cultural moment. Kothapallilo Okappudu (Telugu) Director: Praveena Paruchuri Cast: Manoj Chandra, Monika, Usha Bonela Run time: 123 minutes Story: To marry the woman of his dreams, a man must destroy a myth that he created. Director of photography Petros Antoniadis brings rural Andhra Pradesh alive in warm, vivid tones — ochre earth meets lush green fields with hills fading into the horizon. His visual framing finds poetry in the everyday. A motorbike, a painted wall, or a shirt in striking turquoise cuts through the muted palette, offering moments of visual relief. At the heart of Kothapallilo Okappudu is a simple premise. Ramakrishna (debutant Manoj Chandra), who runs a local dance recording studio, heads out to meet the woman of his dreams, Savitri (Monika T), near a haystack. What unfolds is chaos, of the kind that upends an entire village's routine and reveals its fault lines. The narrative merits attention. A prologue shows Ramakrishna lamenting beneath a tree. In an early scene, a moneylender, Appanna (played menacingly by Ravindra Vijay), is shown under the tree — a visual echo that later becomes meaningful. His actions in the next few minutes establish his character. An actor who makes a brief appearance here returns later to reveal a new layer. In another scene, a seemingly throwaway line — 'nuvvu devudu anna (you're God, brother)' — deepens as the story unfolds. There is an ongoing tussle between Appanna (a nod to the Telugu word appu, meaning debt) and the zamindar, Reddy (Benerjee), layered with commentary on caste, class and privilege. Gandubabu (Prem Sagar) is fighting for a water tank contract, and in between these village power plays, Ramakrishna is smitten by Reddy's daughter, Savitri. Adhi Lakshmi (Usha Bonela), whom he uses to reach out to Savitri, is a standout character. The film uses the barbs thrown at her dusky skin and her nickname 'Andham' (beauty) to critique society's obsession with fairness. While some of the offensive jibes at her maybe reflective of the society's bias, it would have helped to have a strong counterpoint. Usha Bonela is a quiet revelation, playing the role with affecting realism. While the first few scenes may feel uneven, the narrative eventually settles into a confident rhythm. Unless you've dissected the promotional material, the twist comes as a surprise, shifting the film from a romantic comedy into a layered social drama. The background score by Varun Unni and Mani Sharma's songs — some of which nod to vintage Telugu hits — elevate the drama. Jitendra Mourya and Vishal Gyanchandani keep the production design pared down, highlighting the rustic charm. The script does not spoon-feed its audience. It discusses what people believe in — is belief a lie or simply a need? These ideas are introduced gently. The smaller moments hint at clues hiding in plain sight. For instance, look out for what Ramakrishna says after an incident featuring a bedridden man. There is even a cheeky moment when the film pokes fun at commercial cinema's writers, who are accused of letting their imagination run wild. But this is not a cynical film, it is an earnest one. It asks if power, backed by wealth, should only be with those who inherit them. Supporting characters enrich the tapestry. Ramakrishna's friends are not generic sidekicks. Their lives — much like the village constable who moonlights as a priest — feel specific and lived-in. Manoj Chandra brings a freshness to Ramakrishna and convincingly portrays his arc. Monika's performance is restrained yet impactful. Praveena Paruchuri plays a brief role that asks tough questions. But it is Ravindra Vijay who steals the show with his effortlessly convincing sinister act. They say destruction is easy and creation is hard. But what if the reverse were true? Kothapallilo Okappudu explores this inversion with conviction. The final portions allow room for discussion and debate. Despite its rough edges, this film is a welcome addition to the Telugu indie landscape.
