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Business Upturn
09-07-2025
- Entertainment
- Business Upturn
Who is Blackbeard's father in One Piece? Here's what we know
By Aman Shukla Published on July 9, 2025, 19:30 IST Last updated July 9, 2025, 13:46 IST If you're a One Piece fan, you've probably been buzzing about the mysterious Marshall D. Teach, better known as Blackbeard. This cunning pirate has kept us on the edge of our seats with his dark ambitions and unique powers. But one question has sparked countless debates across the Grand Line: Who is Blackbeard's father? Buckle up, because we're diving into the latest revelations and juicy details about Blackbeard's lineage that every One Piece enthusiast needs to know! Blackbeard: The Pirate Shrouded in Mystery Before we uncover the truth about Blackbeard's father, let's set the stage. Marshall D. Teach, or Blackbeard, is no ordinary pirate. As the captain of the Blackbeard Pirates and one of the Four Emperors, he's a force to be reckoned with. What makes him stand out? He's the only known person in One Piece to wield two Devil Fruits—the Yami Yami no Mi (Darkness) and the Gura Gura no Mi (Quake). This feat, combined with his ruthless cunning, has cemented his status as a major antagonist and a foil to Monkey D. Luffy. But Blackbeard's backstory is where things get intriguing. We know he grew up as an orphan, joined the Whitebeard Pirates at age 12, and later betrayed them to pursue his own dreams. His connection to the 'Will of D.' and his unique body structure hint at something deeper. So, who could his father be, and how does this tie into his larger-than-life presence in the One Piece world? The Big Reveal: Is Rocks D. Xebec Blackbeard's Father? The One Piece fandom exploded with excitement when a spoiler of Chapter 1154 dropped a bombshell: Rocks D. Xebec, the legendary pirate captain of the Rocks Pirates, is confirmed to be Blackbeard's father! This revelation, long speculated by fans, has sent shockwaves through the community. Who Is Rocks D. Xebec? Rocks D. Xebec is one of the most infamous figures in One Piece history. As the leader of the Rocks Pirates, he was a terrifying pirate who aimed to dominate the world. His crew included legends like Whitebeard, Big Mom, and Kaido, making them a powerhouse that even the World Government feared. Rocks met his end 38 years ago during the God Valley Incident, where he was defeated by Gol D. Roger and Monkey D. Garp. The World Government erased most information about him, leaving only whispers of his legacy. The Evidence Linking Rocks and Blackbeard Eiichiro Oda, the mastermind behind One Piece , has been dropping subtle hints about this father-son connection for years. Here's why fans were already suspicious: The Saber of Xebec : Blackbeard's main ship is named the 'Saber of Xebec.' Since Rocks' full name isn't common knowledge in the One Piece world (thanks to the World Government's cover-up), Blackbeard's choice of name suggests a personal connection. Hachinosu (Beehive Island) : Both Rocks and Blackbeard use Hachinosu as their base of operations. This shared location feels like more than a coincidence. The Will of D. : Both Rocks and Blackbeard carry the mysterious 'D.' initial, tying them to a lineage of world-shakers like Luffy, Roger, and Ace. Similar Ambitions : Rocks dreamed of becoming the king of the world, a goal Blackbeard echoes with his ruthless pursuit of power, from stealing Devil Fruits to challenging Emperors. Visual Clues: Chapter 1154 reveals Rocks' appearance for the first time, showing his two-tone hair, which eerily resembles Blackbeard's distinctive look. These clues, combined with the official confirmation in Chapter 1154, seal the deal: Rocks D. Xebec is Blackbeard's father. Ahmedabad Plane Crash Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at
Nylon
09-07-2025
- Entertainment
- Nylon
The Private Museum celebrates SG60 with an exhibition that honours love and legacy between artists Chua Mia Tee & Lee Boon Ngan
A common misconception that we have about art in Singapore is how we often look at it as something superficial that either reflects a person's societal status, or is used as a decorative measure to elevate the ambience of a location. This belief is largely due to the typical monetary value of art pieces that make them seem more of a luxury to have than the necessity to own. Hoping to change the perception of how Singaporeans view art, the Private Museum is looking to offer an alternative perspective to art with its latest exhibition to celebrate Singapore's 60th birthday — The Art of Lee Boon Ngan: Celebrating 60 Years of Singapore through the Love of Chua Mia Tee & Lee Boon Ngan. Image courtesy of Chua Mia Tee and the Chua Family. This landmark exhibition strives to honour the love and legacy between two Singaporeans who have dedicated their lives to art and the nation, focusing on Lee Boon Ngan who became an artist in her own right as she remained the steadfast and quiet strength of the family as a mother and wife to Cultural Medallion recipient Chua Mia Tee; who is widely recognised for his contributions to Singapore's national visual identity through his realist paintings. Featuring rarely seen portraits of their children and grandchildren, the exhibition is a poignant tribute to dedication and resilience, offering a biographical window into the private world of a family bound by art. My Grandchild, Ernestine (2017) by Chua Mia Tee from the collection of Chua Mia Tee and the Chua Family. Speaking to NYLON Singapore, Ernestine Chua who is the granddaughter of the artists and an artist in her own right, shared that while she had interests in different art mediums as a kid, it was also the 'great luxury' that she had of having artists in her home that eventually got her started on her path as an artist. 'My grandparents were very warm and welcoming about the way they spoke and created art, and there was never a pressure on me as a kid to produce art,' she said. 'I think that this environment really fostered the interest in art and why I took it on a higher education level because I started off with such a healthy and welcoming way to sort of explore art in different mediums.' On the left: Still-life (Fruits) (2014) by Lee Boon Ngan, On the right: Fruits (2014) by Ernestine Chua. Both from the collection of Chua Mia Tee and the Chua Family. This open and nurturing experience between Ernestine and her grandparents led her to easily adopt the fundamentals of art without feeling like she had to attend a class, and motivated her to create various types of art, including her very first oil painting at age 15, which she had done together with her grandmother in the studio. It was also during this moment when something her grandmother said went on to become a form of mantra whenever she worked on a project. 'It was when she said, the most important part of painting is when you mix and choose your colours in the palette before you touch brush to canvas,' said Ernestine. This advice from her grandmother was something that stuck with Ernestine and heavily influenced the way she painted and the way that she would add colours, layered on heavily, without taking anything away or even blending them with gradients. A recent artwork of her grandparents by Ernestine Chua. She explained, 'I think it sort of stemmed from the way the both of them paint with such precision and their choice of colour were very calculated on the palette before they went onto canvas.' Even though Ernestine may not dabble in the fine arts per se, having gone to school for illustration and visual media, she still finds a way to incorporate her grandparents' art styles into her art form, by appreciating colour like they would, and utilising the fundamentals she learned from them to translate 3D to 2D art and vice versa. The exhibition brings together a selection of both grandparents' artworks showcasing Chua Mia Tee's renowned landscape painting and portraits of public figures, and Lee Boon Ngan's exquisite flower paintings. When asked what her favourite pieces were from her grandparents, Ernestine was quick to point out her grandmother's pink peonies and her grandfather's portrait of her grandmother as the two that she would 'hound' her family about all the time. Peonies (1995) by Lee Boon Ngan from the collection of Chua Mia Tee and the Chua Family. This was largely due to the fact that both art pieces used to be familiar sights she would see around the house. The pink peonies used to sit over the family's dining table while the portrait of her grandmother had sat at the top of the stairs. 'Every memory I have of the house has a minimum of three paintings in the peripheral or in the background. So, those two paintings in particular are what I have a grip on,' she said. But, aside from the sentimental value, Ernestine sees those two artworks as pieces that represents quite a few of her grandparents' strengths. 'My grandmother was very meticulous with the way she painted and you can see a lot of different representations of the peony petals in shapes and tones,' said Ernestine. While she claims that she is 'bias' when it comes to her grandfather's portrait of her grandmother, she explained that it was because it was an 'very understated' but yet a comfortable painting of her grandmother doing her own art. My Wife (1980) by Chua Mia Tee from the collection of Chua Mia Tee and the Chua Family. It was also a form of photographic moment of her grandmother. 'Like me, my grandmother didn't to be photographed but my grandfather had so many paintings of her in such natural, candid positions that I never felt like I missed out on any photographs.' From glimpses of their shared studio space to works that speak of everyday affection, the exhibition harmonises two monumental figures and foregrounds the often invisible labour of love behind art too, reminding us that it is not always about the grand gestures but also the tender, often uncelebrated choices that shape lives and legacies. When asked what she hoped visitors will take away from the exhibition, Ernestine said: 'I'm very happy that there's a strong focus on my grandmother because she very much drove the car in raising us. As meticulous as she was in her practice, she was in life as well as raising us as children, so I hope people would consider her work a little more.'
The Hindu
08-07-2025
- Health
- The Hindu
Book launch programme to be held in Bengaluru on July 10
Kannada publications — Mahatma Gandhi and Prakruti Chikitse (Nature Cure), and Hannugalu Mattu Arogya (Fruits and Health) authored by Vasundhara Bhupati; and Chandrana Belakalli, a collection of short stories by G. Sharanappa — will be released on Thursday, July 10. Minister for Health and Family Welfare Dinesh Gundu Rao will release the books. The function is scheduled to take place at 4 p.m. at Dr. D. Chinnaiah Auditorium, located on the first floor of Jayadeva Institute of Cardiovascular Sciences, Jayanagar 9th Block. Published by Jana Prakashana, the books explore the themes of health, nature-based healing, and creative Kannada literature.
Time of India
23-04-2025
- Entertainment
- Time of India
Who is Sajal Malik? Pakistani TikTok influencer's alleged private video sparks online debate
(Pakistani TikTok Influencer Sajal Malik | Image source: sajalmalikofficial) On April 22, 2025, a video allegedly featuring Pakistani TikTok personality Sajal Malik in an intimate setting surfaced online, rapidly gaining attention across various social media platforms. The clip's circulation has ignited widespread debate among internet users, with discussions focusing on the video's authenticity, privacy concerns, and the broader implications for digital content creators. This incident has brought to light the challenges faced by public figures in the digital age, where personal content can be disseminated widely and rapidly, often without consent. Who is Pakistani TikTok influencer Sajal Malik Sajal Malik is a prominent figure in Pakistan's social media landscape, known for her engaging content on TikTok, where she has amassed over 176,000 followers and more than two million likes. Her content primarily includes street interviews and discussions on social issues, which have resonated with a broad audience. In addition to TikTok, she maintains an active presence on Instagram, sharing lifestyle content and participating in trending challenges. Public reaction and online discourse on the alleged video The emergence of the alleged video has elicited a spectrum of reactions from the online community. While some users have expressed outrage and demanded clarification, others have defended Malik, urging respect for her privacy and cautioning against the spread of potentially harmful content. A segment of users has questioned the video's authenticity, suggesting it may be a case of mistaken identity or digital manipulation. The incident has sparked discussions about the ethical responsibilities of content sharing and the potential consequences of viral misinformation. Sajal Malik's response As of the latest reports, Sajal Malik has not issued a public statement regarding the video. Her silence has fueled further speculation and debate among netizens. In similar past incidents involving public figures, responses have varied, with some choosing to address the situation directly, while others have opted for legal recourse or withdrawal from public platforms. Context of similar incidents This incident is not isolated within Pakistan's digital influencer community. Previous cases involving figures like Minahil Malik and Imsha Rehman have also seen the circulation of alleged private videos, leading to significant personal and professional repercussions. These events have highlighted the vulnerabilities faced by online personalities and the need for robust mechanisms to protect individuals from digital exploitation. Also read | Genshin Impact Codes | Fruit Battlegrounds Codes | Blox Fruits Codes | Peroxide Codes
