Latest news with #Fuori
Yahoo
6 days ago
- Entertainment
- Yahoo
Mario Martone's ‘Fuori' With Valeria Golino Gets 7½-Minute Ovation At Cannes Premiere
Mario Martone's Cannes Film Festival Competition title Fuori had its world premiere Tuesday night at the Lumière Theater, earning a 7 1/2–minute ovation. From a script by Ippolita Di Majo and Martone, and starring Valeria Golino as writer Goliarda Sapienza, Fuori is inspired by Sapienza's 1983 autobiography L'Università di Rebibbia (The University of Rebibbia) and follows her journey as the Italian publishing world rejects L'arte della gioia (The Art of Joy), the book she dedicated a decade to writing. More from Deadline 'Fuori' Review: Valeria Golino Exudes Humanity In Mario Martone's Refreshing Biopic Of A Struggling Literary Pioneer – Cannes Film Festival Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews 'Romería' Review: Carla Simón Takes The Scenic Route For A Highly Personal Journey Of Self-Discovery - Cannes Film Festival Reeling from this blow, Sapienza is promptly arrested and imprisoned for jewelry theft, but there is a silver lining: she forms solid bonds with her fellow inmates and continues to meet with them over the course of a long, hot summer. In particular, Sapienza becomes close with a political activist and repeat offender named Roberta (Matilda De Angelis). Ultimately, the relationship between the two women serves to inspire Sapienza to embrace life and joy once more, although those around her may not understand their continuing strong bond. The Art of Joy was written between 1967 and 1976, and published posthumously, and co-writer and director Martone's casting of Golino as Sapienza has specific relevance since Golino directed a six-part TV adaptation, which aired earlier this year. Elodie Di Patrizi, a singer and actor known as Elodie, stars alongside Golino and De Angelis, the latter known for the Sydney Sibilia-directed Rose Island (2020) and Niccolò Castelli's Atlas (2021). The cast also includes Corrado Fortuna. In 2018, Martone's film Capri-revolution was selected by the Venice Film Festival. Best of Deadline Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds All The 'Mission: Impossible' Movies In Order - See Tom Cruise's 30-Year Journey As Ethan Hunt
Black America Web
7 days ago
- Entertainment
- Black America Web
Gallery: Naomi Campbell's Cannes Moment Continues A Week Full Of Jaw-Dropping Black Celebrity Style
Source: Karwai Tang / Getty Queen mother Naomi Campbell descended on Cannes this week, and her appearance was everything we thought it would be. The international influencer and supermodel didn't just walk the carpet – though she did werk it. The British beauty owned it. Queen Mother was every bit a legend, an icon, and the moment. Naomi Campbell Brings Major Queen Energy To Cannes Last year, the 54-year-old linked up with Law Roach and made headlines in a nearly-naked number. This year, she switched it up, showing her style versatility. Attending the premiere of Fuori, Naomi hit the carpet in a Dolce & Gabbana Alta Moda gown that instantly became one of the festival's most talked-about looks. The dress served grandeur, drama, and all-out royalty. The D&G piece featured an embellished gold corset bodice, delicate lace, ornate gemstone embroidery, and an enormous black tulle skirt. And, you know Naomi's hair and beauty were just as flawless. Naomi gave us a soft, radiant beat—bronze lids, glowing skin, and a glossy nude lip. But her hair is what set the look off. Quite literally. Source: Lyvans Boolaky / Getty Naomi Campbell Swaps Out Her Signature Straight Tresses For A Fabulous Natural 'Fro The mother of two ditched her signature buss-down middle part and straight bundles for a more natural look. She rocked a full, fluffy natural afro that we loved. Big, beautiful, and unapologetic, Naomi's hair was the perfect complement to her over-the-top dress while providing style and attitude that is uniquely her. This Cannes couture moment hit even harder since Naomi skipped the Met Gala earlier this month. The fashion world was ready for her to slay – and she did not disappoint. Further, Naomi's standout red carpet moment came just two days before her 55th birthday. What a better way to show you are still that girl than to slay like this? Gallery: Cannes Continues To Bring Out Black Hollywood's Finest Naomi wasn't the only starlet showing off their style over the past few days. From Halle Berry's judge-worthy moments to Rihanna's vibrant turquoise goddess gown that dominated social feeds earlier this week, Cannes continues to serve nonstop fashion. See our gallery of more looks. We're talking Ryan Destiny, Taraji P. Henson, Angela Bassett, and more. Gallery: Naomi Campbell's Cannes Moment Continues A Week Full Of Jaw-Dropping Black Celebrity Style was originally published on Taraji P. Henson doesn't play when it comes to major moments – and her Cannes looks are no different. Before heading out to film events, she posed in a gold Ulla Johnson gown that shimmered with every step. The fit was flawless, and that pixie cut was sitting just right. Her glow? Immaculate. She looked like money, success, and auntie-you-wish-you-had vibes all rolled into one. Taraji was styled by Wayman and Micah. Source:Getty Ryan Destiny attended the Vie Privée (A Private Life) red carpet looking like a rich truffle. Styled by Law Roach, her chocolate brown Schiaparelli dress hugged every curve and showed off her flawless body. That one-shoulder neckline, the pleated texture, and that slit? Chef's kiss. Her skin was glowing, her hair was flipped, and she looked like the kind of soft luxury we talk about in group chats. Source:Getty Chanel Iman floated onto the red carpet looking like a luxe Cinderella. This icy blue moment is everything! From her gown's high-high slit to her soft glam and wispy updo, this supermodel served feminity, fabulouness, and fantasy. Chanel topped off the look diamonds and silver accessories. Source:Getty Angela Bassett served a 'soft glam boss' look during a Mission Impossible film event – and meant it. Taking a break from the red carpet, here she poses in a peachy embellished power suit that is equal parts elegance and edge, paired with a crisp white bustier that snatched the moment. And let's talk about that side-swept hair—silky, bouncy, and giving grown woman glam we'll never get tired of. Black America Web Featured Video CLOSE
Yahoo
7 days ago
- Entertainment
- Yahoo
Naomi Campbell's Fanned-Out Afro Is the Only Cannes Red Carpet Beauty Look I Care About
When you buy through links on our articles, Future and its syndication partners may earn a commission. It's Naomi Campbell's world—we're all just living in it. On May 20, the supermodel hit the red carpet at the Cannes Film Festival for the premiere of Fuori, a biographical drama. As usual, Campbell looked every bit the statuesque beauty she is, from her iconic cheekbones to her hair, styled in a glorious Afro. It's unclear whether the look was achieved with extensions or if it was Campbell's natural hair on display—a rare sight, if ever. Campbell often wears her hair pin-straight with a middle part, including at the 2024 Cannes red carpet. Either way, it made me want to let my own hair down. With a deep side part adding a touch of asymmetry and her edges laid to perfection, Campbell's curls fanned out around her face like a halo. Fitting, since she looked nothing short of angelic. A milky-white manicure only added to the ethereal effect, perfectly complementing her Dolce & Gabbana alta moda gown. Hollywood icons like Campbell have been serving major Afro inspiration lately. At the 2025 Met Gala, Doechii wore her own version of the look, paired with a full Louis Vuitton suit. Kerry Washington has also been spotted with an Afro, after sharing a picture on her Instagram a few weeks back. Styling an Afro doesn't take much, especially if you're more low-maintenance with your hair. Still, I like to stretch mine as long as possible, so below, I share the products I use to keep my typically dry, type 4 hair moisturized and tangle-free when I want my Afro to be on 10. A wide-tooth comb is a non-negotiable when it comes to styling an Afro and detangling curls. I've been obsessed with this one from Cécred because its pointed end helps with parting. $24 at Ulta This leave-in conditioner is always in my bathroom. I use it both on wash and styling days, and it makes detangling my hair a breeze. $16.99 at Target I love using a hair perfume as it cocoons my curls in the most delicious scent. I'm particularly obsessed with the ones from Frederic Malle, specifically, Portrait of a Lady and Musc Ravageur. $180 at Saks Fifth Avenue
Yahoo
7 days ago
- Entertainment
- Yahoo
‘Fuori' Review: A Writer's Wild Life Gets Tame Treatment in a Serviceable Italian Biopic
It's not generally a good sign when explanatory title cards at the start and end of a movie give you vital information missing from the movie itself. But that's what happens with Fuori, a serviceable account of Italian writer Goliarda Sapienza's years as both a prisoner and ex-con, during which she forged relationships with inmates that inspired some of her best literature. Directed efficiently if too tamely by Mario Martone (Nostalgia), and starring Cannes regular Valeria Golino (Rain Man), the film should find an audience in places where Sapienza's books are popular, mainly Italy and France. The author became famous in her homeland after her novel, The Art of Joy, was published in 1998. It was a critical and commercial success that turned Sapienza, who had died two years earlier, into a major voice in Italian literature. She had led a fascinating life before that, growing up in Sicily with socialist-anarchist parents, fighting in her dad's brigade of partisans during World War II, acting on stage and in films (including a tiny role in Visconti's Senso) and trying to make ends meet during years of impoverishment as a struggling writer in Rome — until she wound up stealing a friend's jewelry and found herself locked up. More from The Hollywood Reporter 'The Disappearance of Josef Mengele' Review: An Artfully Directed, Intellectually Vacuous Holocaust-Ploitation Flick Feinberg on Cannes: Oscar Contenders Emerging From First Half Include 'Nouvelle Vague' and Jennifer Lawrence for 'Die, My Love' 'A Magnificent Life' Review: Sylvain Chomet's Beautifully Animated but Clumsily Scripted Love Letter to Marcel Pagnol For those unfamiliar with Sapienza's life or work, much of this is only made clear through the title cards. Otherwise, the script by Martone and Ippolita di Majo focuses solely on the time Sapienza spent in jail — which seems like months in the movie, but in reality was just five days — as well as the period afterwards during which she befriended an inmate, Roberta (Matilda de Angelis), who was young enough to be her daughter. Set in 1980, Fuori seesaws between prison scenes and life on the outside, where Sapienza, who was already in her mid-50s at the time, is back home in Rome trying to write. When she gets a call from Roberta, who's fresh out of jail and looking to reconnect, she begins to reminisce about their days together behind bars. The cross-cutting can feel a bit systematic, but it also adds something dynamic to a movie that's more of a chronicle celebrating the women's burgeoning friendship than a full-fledged drama. Which doesn't mean Roberta's life isn't filled with conflict: She's a total badass, stealing cars whenever she pleases and shooting up heroin every night. Sapienza seems captivated by the young woman, who can go from hot to cold in a heartbeat, acting all seductive in one scene and then treating the older woman with contempt. The two eventually link up with fellow ex-con Barbara (Italian pop star Elodie), who now runs a perfume shop. Together, they form a unique bond that's far more appealing to Sapienza than all the stuffy writers and intellectuals who populate her bourgeois world. The writer's attraction towards the criminal underclass is what makes her books, especially The University of Rebibbia (named after the place where she was incarcerated) and The Certainties of Doubt, so fascinating, but it doesn't necessarily make for great cinema. Martone favors an academic style that can feel rather stolid, even if the tech credits are polished in all departments. Scenes are handsomely lensed by cinematographer Paolo Carnera (Io Capitano) and the recreations of '80s-era Rome by production designer Carmine Guarino (The Hand of God) are expertly handled. The catchy score by Valerio Vigliar is another plus. But not a single sequence in Fuori manages to really stand out. Golino, who also wrote and directed a six-part TV adaptation of The Art of Joy (the pilot premiered in Cannes last year), convincingly embodies a woman who was a rebel in her own time. The actress literally bares herself in certain nude scenes, whether it's upon arriving in prison or during a cheesy shower sequence in which Sapienza, Roberta and Barbara bathe together at the back of the perfume shop, just like they used to do in jail. De Angelis gives an explosive performance as a girl incapable of settling down, oscillating between playing the daughter Sapienza never had and becoming a potential love interest. Fuori means 'outside' in Italian, and the film professes that life after prison is often a continuation of what went on behind bars, which is why so many ex-cons wind up going back in. Martone underscores these ideas in a story showing how Sapienza's experience at Rebibbia impacted her in the years that followed, even if her famous novel was written beforehand. It's a thought-provoking subject that probably plays better on paper than on screen, urging us to seek out the writer's books once the movie is over. Best of The Hollywood Reporter 'The Goonies' Cast, Then and Now "A Nutless Monkey Could Do Your Job": From Abusive to Angst-Ridden, 16 Memorable Studio Exec Portrayals in Film and TV The 10 Best Baseball Movies of All Time, Ranked
Yahoo
7 days ago
- Entertainment
- Yahoo
Cannes: Neon Picks Up Wagner Moura's ‘The Secret Agent' Political Thriller
Neon has acquired the North American rights to the political thriller The Secret Agent from writer and director Kleber Mendonça Filho. The Portuguese language pic — about a technology expert returning to his hometown in 1977 to reunite with his young son and flee the country — premiered in competition in Cannes on Sunday, May 18. Neon is planning a North American theatrical release later this year. More from The Hollywood Reporter 'Fuori' Review: A Writer's Wild Life Gets Tame Treatment in a Serviceable Italian Biopic 'A Useful Ghost' Review: Dead Spirits Inhabit the Appliances of Their Living Loved Ones in a Delightfully Absurd Thai Sex Comedy How Kristi Noem Could Become the New Jeff Probst The Secret Agent stars Wagner Moura, Maria Fernanda Cândido, Gabriel Leon, Carlos Francisco, Alice Carvalho and Hermila Guedes. Set in Recife, Brazil in 1977, the thrillerfollows Marcelo (Moura), a technology expert, as he is on the run from contract killers and federal officials. He arrives in Recife during carnival week, hoping to reunite with his son, only to find the city is unlikely to offer the refuge he seeks. The Secret Agent is the Brazilian filmmaker's third film to premiere In competition at Cannes, after Aquarius in 2016 and Bacurau, which he co-wrote and co-directed with Juliano Dornelles and won the Prix du Jury, in 2019. In 2017, Filho served as the jury president of the Critics' Week section at Cannes and his second documentary Pictures of Ghosts premiered in the Special Screenings section at the 2023 festival. The Secret Agent has Moura returning to Portuguese-language cinema after several years away. The film is produced by Emilie Lesclaux, Nathanaël Karmitz, Elisha Karmitz, Fionnuala Jamison, Olivier Barbier, Leontine Petit, Erik Glijnis, Fred Burke and Sol Bondy. It is a Cinemasópio, MK Productions, Lemming Film and One Two Films presentation. MK2 Films is handling international sales for the film. The distribution deal was negotiated by Neon's Sarah Colvin and Jeff Deutchman, with MK2 Films' Fionnuala Jamison working for the filmmakers. Best of The Hollywood Reporter Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now "A Nutless Monkey Could Do Your Job": From Abusive to Angst-Ridden, 16 Memorable Studio Exec Portrayals in Film and TV
