Latest news with #Gallo
CNBC
2 days ago
- Business
- CNBC
A stock you likely never heard of set to ride the AI 'tidal wave,' according to Jefferies
AvePoint could be well positioned to "ride the AI wave," according to Jefferies. Jefferies initiated coverage of the data management software stock with a buy rating and a $22 per share price target, which is about 17% above Friday's $18.79 close. Analyst Joseph Gallo said that AvePoint has solidified its position as an "industry standard" in the data protection software sector and could benefit from greater consolidation as artificial intelligence adoption spreads. AVPT YTD mountain AvePoint stock in 2025. "AVPT has impressively cemented itself as a data protection platform for the changing enterprise data estate," Gallo wrote on Sunday. "AI is making data estates more complex & AVPT's unified suite of data solutions enables businesses' mission-critical operations in light of the AI tidal wave." Gallo's base case envisions the company will make progress turning a profit on a GAAP basis and grow revenue by 20% or more in 2025 and 2026. "AvePoint should be a beneficiary of consolidating data management spend via its platform as enterprise and SMB customers struggle to manage their data sprawl in the wake of AI implementation," the analyst added. Shares have gained nearly 14% in 2025.
The Citizen
2 days ago
- Sport
- The Citizen
U20 champions of the rugby world, Junior Boks are back in SA
The under-20 team beat New Zealand in the final in Italy at the weekend, to win their first title in 13 years. Junior Boks captain Riley Norton shows off the U20 Championship trophy to fans at OR Tambo International airport on Monday. Picture: Sydney Seshibedi/Gallo Images The all-conquering Junior Springboks have returned home from Italy where they won the World Rugby U20 Championship on Saturday, by beating their New Zealand counterparts 23-15 in the final. Kevin Foote's team went unbeaten in the tournament. They recorded good wins against Australia, England and Scotland in pool play and then triumphed against Argentina in the semi-finals. It was South Africa's first win at under-20 level in 13 years. A small group of cheering fans welcomed the players and coaches back to South Africa on Monday morning. 'This is a very proud day for rugby in South Africa, and I would like to congratulate Kevin and the team on an outstanding performance in the tournament,' said Mark Alexander, the president of the SA Rugby Union. 'The group have been welded into a formidable unit over the course of this year and many of them have the potential to go on to higher honours, I am sure. 'Their victory is a tribute to all the hard work done at high school level by educators and coaches, and at our provincial unions from whom these players are drawn. 'Appointing a head coach in Kevin, who has franchise experience, was also an important part of the progress this group have shown, and I would like to commend him, his backroom team, and the High Performance Department at SA Rugby for what they have achieved in such a short space of time.' Fans interact with Junior Boks players at their arrival in the country on Monday morning. Picture: Sydney Seshibedi/Gallo Images Play at a higher level Junior Boks flyhalf Vusi Moyo finished the tournament as the top points' scorer with 63, while Haashim Pead scored six tries, placing him second for the most five-pointers behind Georgia's Mikheili Shioshvili (7). Foote said after the final in Rovigo on Saturday, a number of the under-20 players should now be considered for senior duty in the Currie Cup and possibly even the United Rugby Championship next season. 'I actually think quite a lot of them could make the step up. Once you put these guys in the right environment they will flourish,' said Foote. 'This is such a talented group and in the right environment they will kick on. I think you are going to see a lot of these names going forward for South African rugby and in the URC.'
Yahoo
6 days ago
- Health
- Yahoo
A Statement from the Global Virus Network (GVN) on the Rapidly Escalating Measles Crisis in the U.S. and Worldwide
GVN Urges Immediate Action to Reverse Declining Immunization Rates Amid Largest U.S. Measles Surge in Decades TAMPA, Fla., July 16, 2025 (GLOBE NEWSWIRE) -- The Global Virus Network (GVN), a coalition of leading human and animal virologists from 80+ Centers of Excellence and Affiliates in more than 40 countries, is sounding the alarm over a sharp resurgence of measles cases in the United States and globally. This resurgence, fueled by falling vaccination rates, threatens to erode decades of public health progress. Measles is one of the most contagious viruses known to humans and is entirely preventable through routine vaccination. The U.S. is now experiencing its highest number of measles cases in over 30 years, with nearly 1300 confirmed cases reported across nearly 40 states in 2025 alone. A recent outbreak in Texas, its largest since the 1990s, has resulted in the death of two children and hundreds of cases concentrated in areas with low vaccine coverage, such as Gaines County. According to publicly available data, the percentage of K–12 students in Gaines County with a conscientious exemption to at least one vaccine has generally increased over the past decade, rising from 4.83% in the 2015–2016 school year to 14.54% in 2024–2025. While some fluctuations in the percentages were reported, the overall trend shows a significant rise, particularly in recent years. Additional clusters have been confirmed in New Mexico, Kansas, California, Ohio, Pennsylvania, Montana, and Kentucky, among others. These outbreaks underscore how quickly the virus can spread, especially among unvaccinated children. The U.S. Centers for Disease Control and Prevention (CDC) reports that kindergarten vaccination rates have dropped below 93% nationally during the 2023-2024 school year, while nonmedical exemptions have climbed to a record 3.3%. These figures are below the 95% threshold needed for levels of herd immunity to prevent outbreaks. Globally, measles is surging in Africa, Southeast Asia, and Europe, exacerbated by war, displacement, fragile health systems, and interrupted vaccination campaigns. The World Health Organization (WHO) and the CDC report that over 10.3 million cases occurred worldwide in 2023, up from just 10,000 in 2022, a 30-fold increase. Half of all large outbreaks occurred in Africa, with significant upswings in Europe, where 41 of 53 countries reported measles cases. The Americas reported an 11-fold increase in early 2025 measles cases, many of them imported by travelers returning from high-incidence regions. 'As global travel rebounds, localized outbreaks can quickly become international threats,' said Robert C. Gallo, MD, chairman of the Scientific Leadership Board and co-founder of the GVN. 'This is not just about measles, it's a warning about what happens when we let our guard down against vaccine-preventable diseases.' Dr. Gallo, who is most widely known for his co-discovery of HIV as the cause of AIDS, is also the James P. Cullison Professor of Medicine and director of the Institute of Translational Virology and Innovation at the University of South Florida Morsani College of Medicine, and director of the Microbial Oncology Program at Tampa General Hospital (TGH) Cancer Institute. Complications from measles are not rare. In unvaccinated populations, 1 to 3 in 1,000 infected children die, while many more suffer from pneumonia, severe diarrhea, deafness, or encephalitis. Some children go on to develop subacute sclerosing panencephalitis, a deadly neurologic condition that can appear years after infection. 'Every measles outbreak is a failure of public health infrastructure and public trust,' said Scott C. Weaver, MS, PhD, GVN Center of Excellence Director at The University of Texas Medical Branch and Scientific Director of the Galveston National Laboratory. 'We cannot afford complacency. The MMR vaccine is safe, effective, and essential to safeguarding our communities, especially the most vulnerable among us.' The GVN urgently calls for: Immediate vaccination of unvaccinated children and adults with the MMR vaccine. Stronger public health messaging. Improved outbreak surveillance and response systems at local, national, and global levels. Focused efforts in underserved and rural communities, where access and hesitancy pose heightened risks. As a network dedicated to pandemic preparedness, the GVN warns that the erosion of routine immunization not only endangers individual lives but also undermines global capacity to respond to future viral threats. GVN experts are available for interviews and commentary. About the Global Virus Network (GVN)The Global Virus Network (GVN) is a worldwide coalition comprising 80+ Virology Centers of Excellence and Affiliates across 40+ countries, whose mission is to facilitate pandemic preparedness against viral pathogens and diseases that threaten public health globally. GVN advances knowledge of viruses through (i) data-driven research and solutions, (ii) fostering the next generation of virology leaders, and (iii) enhancing global resources for readiness and response to emerging viral threats. GVN provides the essential expertise required to discover and diagnose viruses that threaten public health, understand how such viruses spread illnesses, and facilitate the development of diagnostics, therapies, and treatments to combat them. GVN coordinates and collaborates with local, national, and international scientific institutions and government agencies to provide real-time virus informatics, surveillance, and response resources and strategies. GVN's pandemic preparedness mission is achieved by focusing on Education & Training, Qualitative & Quantitative Research, and Global Health Strategies & Solutions. The GVN is a non-profit 501(c)(3) organization. For more information, please visit Media Contact:Nora Samaranayakensamaranayake@
The Citizen
12-07-2025
- Sport
- The Citizen
Springbok player ratings from 45-0 win against Italy in Gqeberha
The Boks won the second Test 45-0 but it was still not a convincing performance by the reigning world champions. Makazole Mapimpi scored one of the Springboks' seven tries against Italy in Gqeberha on Saturday. Picture: Anton Geyser/Gallo Images The Springboks beat Italy 45-0 in the second Test between the teams in Gqeberha on Saturday to seal a 2-0 series win after also winning the first Test in Pretoria 42-24 the week before. This is how The Citizen rated the performance of the Springbok players on Saturday, out of 10. Willie le Roux 6: The newest member of the Bok 100-Test club delivered an erratic performance. He made a few basic errors, but also made the kick for Edwill van der Merwe's second try. Left the action in the 56th minute. Edwill van der Merwe 8: He scored two tries, both of them excellently taken. He made some good runs in attacking play, chased the high kicks well and was busy throughout the match. Canan Moodie 6: He scored a wonderful try after a powerful run in the midfield, made some good tackles and also contributed in other defensive efforts. Sadly didn't get too many chances to show his full range of skills. Canan Moodie in action against Italy on Saturday. Picture: Anton Geyser/Gallo Images Andre Esterhuizen 7: It was a solid all-round performance from the centre. He made several carries, and tackled strongly, he received kick-offs well and packed down at flanker because Jasper Wiese was red carded. Makazole Mapimpi 6: He didn't get too many chances, but he made a good pass to Grant Williams for the scrumhalf's try, he won a breakdown penalty, he chased kicks and also scored a try. Manie Libbok 7: He was solid in everything he did though he missed two early kicks at goal. In the end, his distribution was solid, his kicking out of hand was decent, and he slotted five conversions. He also did some cleaning up in defence. Grant Williams 8: A very satisfying outing by the scrumhalf. He scored a try after some excellent following up, and his line break and offload led to Moodie's try. He was busy around the rucks and fringes. Jasper Wiese 4: He was only on the field for 22 minutes before getting a red card for a head butt. In that time he made some good carries, tackled strongly and got involved in plenty of the action – maybe a little too much. Jasper Wiese received a red card early in the game. Picture: Richard Huggard/Gallo Images Pieter-Steph du Toit 6: In his first game back after a long injury layoff, he took some lineout ball, carried hard at times and put in some tackles, but it was not the vintage Du Toit we have come to know. Marco van Staden 6: He busied himself at the rucks and he got stuck in all over the field for a satisfying performance. He also got pinged at the breakdown on occasion. Left the action after 57 minutes. Ruan Nortje 8: He is the new Franco Mostert … always working hard and getting stuck in all over the field. He took lineout ball, cleaned rucks, carried over the gainline, tackled Italians … all in a hugely busy all-round performance. Salmaan Moerat 6: He knocked on badly on one occasion, and also gave away a penalty at a ruck. He won a few lineouts and carried well at times. He left the action after 56 minutes. Wilco Louw 7: The Bok scrum was dominant throughout the contest, without ever really getting their reward. He scrummed well and carried nicely at times, but he also picked up a yellow card for head contact. Malcolm Marx 8: His lineout throwing was again excellent, as it was the week before. He won a breakdown penalty, carried strongly and got stuck in. He also scored a try after some excellent general maul play in open play. Thomas du Toit 5: He was pinged early on for a few mis-timed early shoves by the Boks and battled to settle. He cleaned a few rucks and carried on occasion but was surprisingly taken out of the action in the 30th minute. Bench 7: It was a better showing than the week before, with Ox Nche making a big impact at scrum time when he joined the action for Louw. Jan-Hendrik Wessels missed a number of lineout throws, but was busy in general play and he scored a try at the end. Cobus Wiese and Evan Roos carried strongly and worked hard to keep the Boks on the front foot, while Asenathi Ntlabakanye did his bit in 20 minutes to help the Boks win the game. Among the backs replacements, Cobus Reinach kicked a bit much, while he pulled off two good tackles, and Sacha Feinberg-Mngomezulu and Ethan Hooker had few chances to do much in attack, but they helped ensure the Boks remained the dominant team until the end.
Los Angeles Times
27-06-2025
- Entertainment
- Los Angeles Times
In new indie flick ‘Ponyboi,' River Gallo sheds light on an intersex experience
'How the f— does this baby know if she loves her father?' asked River Gallo one day at Walmart, maybe 10 years ago, when they saw an infant sucking on a pacifier emblazoned with the words 'I love my daddy.' 'That started the ball rolling about my own issues with my father and with this compulsory love that we have with our families, specifically with our parents, specifically in this instance with my father, her father, our fathers, and with masculinity in general,' says a radiant Gallo during a recent video interview. The spontaneous moment of introspection planted the seed for what became a 10-minute performance piece while studying acting at NYU — then their USC thesis-turned-short film 'Ponyboi,' released in 2017, which Gallo wrote, starred in, and co-directed with Sadé Clacken Joseph. That project ultimately evolved into 'Ponyboi' the feature, which premiered at the Sundance Film Festival in 2024, became the first film produced under Fox Entertainment Studios' indie label, Tideline, and was released June 27 in theaters across the United States. A consummate multihyphenate, Gallo again wrote the screenplay, served as producer and stars as the titular character: an intersex, Latine sex worker in New Jersey who is desperate to escape their pimp (played by Dylan O'Brien) and the world of crime and violence that surrounds them. Flashbacks to Ponyboi's childhood, made difficult due to the medical procedures forced on them and the temperament of their classically macho Latino father, fill in the viewer on the protagonist's past. Meanwhile, dreamy sequences with a handsome, cowboy hat-wearing stranger named Bruce (Murray Bartlett), an idealized embodiment of a positive masculinity, construct a rich world both visually and thematically in Ponyboi's present. '[At] face value, 'Ponyboi' can seem like, 'Oh, it's just a person-on-the-run kind of movie,' but upon a closer look, it's about someone finding freedom in the acceptance of their past and the possibility that, through transcending their own beliefs about themselves, perhaps their future could be a little brighter,' Gallo explains. Gallo is the child of Salvadoran immigrants who escaped their country's civil war in 1980 and lived undocumented in the U.S. Gallo grew up in New Jersey and showed interest in acting from an early age. It was a strict teacher's unexpected encouragement, after Gallo appeared in a musical during their sophomore year of high school, that convinced them to pursue a life in art. 'My biology teacher, Mrs. Lagatol, came to see my musical, and the next day I was waiting for her to say something to me, and she didn't say anything,' Gallo recalls. 'Then she gave me back a test, and on the test was a little Post-it that said: 'If you had been the only one on stage, it would've been worth the price of admission. Bravo.'' Gallo still keeps that Post-it note framed. Though their parents were supportive, Gallo admits feeling frustration in recent years that their family has not fully understood the magnitude of what they've accomplished as a marginalized person in entertainment: an intersex individual and a first-generation Latine. 'Not to toot my own horn, but for a graduate of any film program, getting your first feature to Sundance is the biggest deal in the world,' says Gallo. 'There hasn't been a person like me to do what I'm doing. There's no precedent or pioneer in my specific identities.' This desire for a more informed validation is even stronger in relation to their father. 'I don't think my dad has seen any of my films. My mom has; she was at the premiere at Sundance, which was really beautiful, and so was my sister,' Gallo says. 'But I wouldn't be surprised if my dad never sees my movies. That's hard, but he's supportive in other ways.' Halfway through our conversation, Gallo realizes they are wearing a Bruce Springsteen T-shirt. That's no coincidence, since 'The Boss,' a fellow New Jerseyan, influenced multiple aspects of 'Ponyboi.' As they wrote the screenplay for the short version, Gallo was also reading Springsteen's autobiography, 'Born to Run,' and that seeped into their work. 'I remember taking a trip to the Jersey Shore that summer and then looking up at the Stone Pony, the venue where [Springsteen] had his first big performance, and just being like, 'Stone pony, stone pony, pony, pony, pony boy, ponyboi. That's a good name.' And then that was just what I decided to name the character' For Gallo, the emblematic American singer-songwriter represents 'the idea of being working class,' which Gallo thinks 'transcends political ideology.' As a child of immigrants, Springsteen's work speaks to Gallo profoundly. 'My dad, who is more dark-skinned than me, was an electrician, and he was a union guy who experienced all this racism in New York unions,' Gallo says. 'There's so much of what I see in Bruce Springsteen in my father and also just in how Bruce Springsteen describes his relationship with his dad, who was also a man who couldn't express his emotions.' For the feature, Gallo enlisted Esteban Arango, a Colombian-born, L.A.-based filmmaker whose debut feature, 'Blast Beat,' premiered at Sundance in 2020. But while Gallo believes Arango understood the nuances of the narrative, it admittedly pained them to relinquish the director's chair. But it was a necessary sacrifice in order to focus on the performance and move the project along. 'It was difficult because I went to school for directing,' Gallo explains. 'But I just don't think the movie would've happened on this timeline if I had wanted to direct it. It would've taken much longer, and we needed the film at this moment in time.' Arango brought his own 'abrasive' edge to the narrative. 'I felt the story needed more darkness,' the director explains via Zoom from his home in Los Angeles. 'The hypermasculine world of New Jersey is constantly trying to oppress and reject Ponyboi, because they have a much softer, feminine energy they want to project.' The contrast between the tenderness of Ponyboi's interiority and the harshness of their reality is what Arango focused on. Though Arango hesitated to take on the film, given that he is not queer, his personal history as an immigrant functioned as an entry point into this tale of shifting, complex identities. Still, throughout the entire process, Arango was clear that, first and foremost, 'Ponyboi' was a story centering intersex people — and all those who don't fit into the rigid gender binary. 'Their plight should be our plight, because they are at the forefront of what it means to be free,' he says. 'When somebody attacks them or doesn't understand why they present themselves as they are, it's really an attack on all of us, and it's a reflection of our misunderstanding of ourselves.' Back in 2023, Gallo was one of three subjects in Julie Cohen's incisive documentary 'Every Body,' about the intersex experience, including the ways the medical industry performs unnecessary procedures in order to 'normalize' intersex people. Gallo confesses that for a long time they thought being intersex was something they would never feel comfortable talking about — something they even would take 'to the grave,' as they put it. 'There's no other way that I can explain the fact that now I've made so much work reflecting on my identity other than it being an act of God,' Gallo says. 'Because I just had the feeling that the world needed it now, and also that I needed it now. I'm glad that 'Ponyboi' taught me about the agency that I have over my art and myself and my life.' Anti-trans legislation, Gallo explains, includes loopholes enabling doctors to 'normalize' intersex bodies and continue the medically unnecessary, and at times nonconsensual surgeries on intersex youth. 'The intersex narrative in [trans legislation] is invisible and not spoken about enough,' they say. 'These are also anti-intersex bills.' To fully understand Gallo as a person and an artist, one should watch both 'Every Body' and 'Ponyboi.' The doc shows the bones of what made Gallo who they are without symbols, just the raw facts of how their intersex identity shaped them. 'Ponyboi,' on the other hand, exposes their interior life with the poetry that the cinematic medium allows for. However, what happens with 'Ponyboi' now isn't as important to Gallo as the fact that the movie exists as a testament of their totality as a creative force. 'Love my movie, hate my movie, I don't care, because my movie healed something deep inside of me that I was waiting a lifetime to be healed from,' Gallo states fervently. 'Intersex people are still invisible in this culture, but I can at least say that I don't feel invisible to myself anymore. And it was all worth it for that.'
