Latest news with #Gaza:DoctorsUnderAttack
Daily Record
a day ago
- Health
- Daily Record
Medics to give insight into life in war-torn Gaza at documentary screening in Paisley
Members of Medical Aid for Palestine will be at the Wynd Centre on Tuesday, August 19 as part of a screening of the Gaza: Doctors Under Attack documentary People will have the opportunity to hear from medics who have treated people in Gaza at a special event in Paisley next week. Doctors, including Abdulla Alhasso, will give a first-hand account of their experiences of looking after vulnerable people in Gaza before it was engulfed by war. Members of Medical Aid for Palestine will be at the Wynd Centre on Tuesday, August 19 as part of a screening of the Gaza: Doctors Under Attack documentary. The documentary features live footage of medics treating the injured following attacks by the Israeli Defence Forces (IDF), as well as their detention and mass disappearances. Members of the production team who made the documentary will also take part in a Q&A session. The event is being organised by Paisley 4 Palestine in partnership with Scottish Palestinian Health Partnership (SPHP). John Kelly, a founding member of Paisley 4 Palestine, said both the documentary and guests would provide a powerful insight into the battle for survival at a time when journalists are prevented from entering and reporting in Gaza. He told the Paisley Daily Express: 'This is a real opportunity for people in Paisley to hear first hand from medical volunteers as well as those behind this powerful documentary. 'SPHP held a screening recently at Glasgow University which was full to capacity on the night. We hope the people of Paisley will similarly turn out to watch it. 'The clear message from us is that people just need to keep talking about Palestine, we want people to continue to shine a spotlight on what is happening there and the suffering of the Palestinian people.' Doctors Under Attack bills itself as a 'forensic investigation' into claims that the IDF has been systematically targeting Palestinian medics in Gaza's hospitals. It demonstrates what the UN has called a pattern of attacks, in which hospitals first come under bombardment, are later besieged and finally invaded by tanks and soldiers. It is then, the Palestinians allege, doctors are taken and detained. In the documentary, doctors who have since been released, and an Israeli whistleblower, say medics are being systemically tortured. The documentary was first broadcast by Channel 4 in July. Despite the previous broadcast of the documentary, public screenings across west Scotland have proved incredibly popular, with people also keen to hear from those who have been on the ground in Gaza in the past two years. Gaza: Doctors Under Attack was initially commissioned by the BBC but it infamously backed out of broadcasting it due to partiality concerns. This was despite an Israeli whistleblower confirming accounts of torture by the IDF and analysis by independent human rights organisations. The documentary also features the harrowing violence inflicted on innocent Israelis during Hamas' attack on southern Israel on October 7, 2023, when more than 1,000 people were killed and 250 people were taken hostage.
The National
27-07-2025
- Entertainment
- The National
Our governments must stand up for the TV industry
Refusing to screen Gaza: Doctors Under Attack, the forensic investigation of the targeting, detainment and torture of medics in Gaza, the BBC stated 'that broadcasting this material risked creating a perception of partiality that would not meet the high standards that the public rightly expect of the BBC'. Thankfully, Channel 4 stepped up to the plate. If you haven't already, I urge you to watch this film on the channel's video on demand service. It's an exceptional and authoritative piece of current affairs journalism. Over on the BBC iPlayer, you can watch Surviving October 7th: We Will Dance Again which has just been selected as the Outstanding Current Affairs Documentary at the 46th News and Documentary Emmy awards that recognise excellence in American television programming. READ MORE: 'He belongs in The Hague': Keir Starmer fiercely criticised over Gaza speech It is an unflinching, moving account of the brutal assault on partygoers at the Nova Music Festival, one of the sites in Israel attacked by Hamas on October 7, 2023, when some 1200 civilians were killed and another 251 taken hostage. Both are important films that contain searing testimony, strong language, graphic violence and disturbing scenes. Both combine outstanding reporting and documentary storytelling to provide authoritative insights into the killing and trauma that will take generations to overcome, if ever. But one of them isn't being shown by the BBC. Problem is, with genocide, there can be no impartiality. It is a criminal act. The controversy surrounding the shelving of Doctors Under Attack, and another, Gaza: How to Survive a Warzone, isn't the only reason why the BBC is presently under the cosh. It has just decided to transmit the latest series of MasterChef despite sacking presenters Greg Wallace and John Torode, the former for inappropriate behaviour of a sexual nature, the latter for using racist language. Taking into account the contestants who will have poured their culinary souls into the making of this series, these two despicable men will be on our screens for a bit longer yet. (Image: BBC) Many of the freelancers who experienced or witnessed their offensive behaviour will not have wanted to be FOBB-ed off. Fear Of Being Blacklisted is rife among the television freelancers who actually make these programmes, especially just now when 57% of factual off-screen talent can't find work, forcing many to abandon their hard-earned careers. The Film and TV Charity 2024 Looking Glass Survey paints a bleak picture of the state of mental health and wellbeing among professionals working behind the scenes in the UK. Around 30% of freelancers surveyed had thoughts of taking their own life in the past 12 months. For one TV freelancer, it was tragically too much. John Balson, a producer, who took his own life last May, told numerous health professionals he was having suicidal thoughts and flagged 'work-related stress' on several occasions to them in the weeks leading up to his death. I recently spoke with a counsellor who has supported more than 350 desperate film and tv freelancers, and a number of Scottish freelancers have reached out to me this year to share their experiences of being bullied, gruelling working hours and conditions or suffering unfairly at the hands of their bosses. Television can be an extremely toxic place to work. If one executive has a bad word to say about a freelancer, usually made in passing, often received second or third hand, without any substantiation or opportunity to respond, they're out. There's little care or formal protection for broadcast freelancers. When they finish a contract, they simply disappear, increasingly not to another job. When it comes to hiring and firing practices, television is essentially the Wild West. But it doesn't have to be this way. For the past 12 months, Dr Richard Wallis from Bournemouth University's Centre for Excellence in Media Practice has been embedded at Fremantle, a large London-based multinational television production and distribution company. The Supportive Off-Boarding pilot scheme he's been running is designed to provide much-needed support through the introduction of short, structured conversations offered at the end of a freelancer's contract. Including space to say thank you, exchange feedback, reflect on personal development, and discuss what's next. Crucially, it's led by someone outside the direct reporting line, so not a line manager or the show's producer. What a tremendous difference this would make if adopted industry-wide. Meanwhile, Directors UK, Pact, BBC Studios and ITV Studios have established the Directors and Producers Forum, agreeing a set of engagement guidelines for better ways of working aimed at ensuring film and TV directors are treated in accordance with nine agreed best practices. This includes the creative role of director being properly respected, the provision of adequate prep time and health and safety safeguarding being of paramount importance. These guidelines must now be backed up with a formal reporting process with qualifying productions displaying a broadcasting kitemark at the end of the credits in the same way as for Albert certification, the system developed by Bafta for sustainable production in film and television. Distracting from all the brilliant films and programmes that are made by the BBC, with Charter renewal on the horizon in 2027, I fear the controversy over the Gaza documentaries and presenters will have a profoundly negative impact on the future of public service broadcasting (PSB). There are big decisions to be made soon about how it will be funded. Recent pronouncements by the DCMS are deeply worrying, not least because of the UK Government's refusal to stand up to the growing power of American tech giants. The broadcasting regulator is complicit too. This week, Ofcom told the PSB's survival is a question of being more visible on TikTok and YouTube, a platform that pockets 55% of the ad revenue generated by content creators. The UK Government recently published a Creative Industries Sector Plan full of hyperbole and very little detail or concrete measures to support Scotland's film and TV production talent. Millions of pounds will be poured into training for jobs that do not exist. Scotland's already highly skilled and experienced talent, anyone over the age of 40, is being written off. There's a blind faith that the gods of Createch will come good. But Google, Netflix, Amazon, Meta et al are not our friends in this respect. Only regulation will ensure there's a level playing field. The forecast isn't promising, and unless our Governments stand up for us, Scotland's film and TV production talent won't flourish. If you are having thoughts of suicide, please reach out for help, speak to someone you trust or call one of these helplines: Samaritans: 116 123 (available 24/7) Breathing Space: 0800 83 85 87 (available Monday to Thursday 6pm to 2am. At weekends, open between Friday 6pm and Monday 6am) NHS 24 mental health hub on: 111 (available 24/7) Peter Strachan is a Bafta-nominated film director and producer who sits on the board of trade body Directors UK
The National
20-07-2025
- Politics
- The National
Doctors Under Attack: A film about Gaza you can't look away from
Waking in the morning to shocking reports, killings, drone attacks, forced migrations, innocent civilians targeted, icecaps melting. All the stupefying, ungraspable numbers. The feeling of helplessness, guilt even at not being able to do anything. And then trying to start your day. For the sake of 'balance', we're made to listen to apologists, explaining why these people had to die, or be driven from their homes, or left to starve. Or that none of it really happened at all. Government spokespeople justifying why there's nothing whatsoever they can do about it. READ MORE: When 'critical friends' fall out: Angus Robertson's Israel meeting details revealed So why should we watch the news? It's distressing. For some, it can lead to real mental problems. To doomscrolling, going down the rabbit hole of poisonous social media. The world's gone mad and there's nothing we can do about it. So we bury our heads in the sand. But we know full well it won't make reality go away. We've been numbed to the point of indifference, even cynicism. There's a psychological term for all this – Headline Anxiety. A current example is the documentary, Gaza: Doctors Under Attack. The film the BBC commissioned but for – not to put too fine a point on it – incoherent reasons declined to broadcast. They were finally forced into allowing Channel 4 to show it. So long as there was no reference to the BBC. A film described as 'crucial … that the world needs to see'. I decided not to. Too upsetting. Then I heard there was a public screening in Glasgow. For reasons I still don't quite understand, that felt different. Perhaps I could watch it. Something to do with sharing the pain, the feeling of powerlessness. Clearly I wasn't the only one. The screening, in Glasgow University's 160-seater Andrew Stewart cinema, sold out in a couple of days. As one of the panel said on the night, it was easier to get tickets for the Oasis gig. Is there some comfort to be had in viewing difficult material collectively? A sense of not being alone in the face of horrors. I asked people when I got there what had made them come along. Naturally, there were activists among them, people already involved in one way or another. More, it seemed, were medical workers themselves, doctors, nurses, students. Concerned about colleagues under fire. The screening had been organised by the Scottish Palestine Health Partnership, practitioners trying to do whatever they can for their fellow professionals. It was hosted by the university's Thinking Culture programme which finds innovative and creative ways of, well, making us think. A young man sitting behind me was neither a medical worker nor an activist. He was simply confused and wanted to understand. Like me, he'd decided the documentary was too disturbing to watch at home. And he gave me a good example of his puzzlement … 'This thing about Hamas fighters using hospitals. I've no idea whether they do or not. But even if they did, well, if a gunman goes into a school and starts shooting, we don't solve the situation by blowing up the entire school and all the kids in it.' Throughout the film itself, there were audible gasps and shocked sighs. It was comforting – if that's the word – to hear that other people were as affected by the content as I was. A shared pain, not in any way lessened by being in the company of strangers, but still consoling. On the other hand, the experience was more intense than watching on TV. You couldn't pause it for a moment, get your breath back. Couldn't go and make a cuppa to gird yourself to continue watching. The documentary is extremely well made – it holds your attention from the start. It shows more explicit footage than we're used to in British broadcasting – there was no mistaking the violence and cruelty that was taking place. Now. Dead children. Mass graves. Torture victims. It made me think of watching horror movies on the big screen. But there's a huge, inescapable, difference. Not simply that one is fiction and the other is appallingly real. In a fictitious movie, we ~ enjoy the thrill, in a safe space, and usually see the baddies get their comeuppance. The whole point is that it's not real, it's escapism. Gaza: Doctors Under Attack is anything but escapist. There is no resolution reward. Ben de Pear, the documentary's producer, came to Glasgow for the screening. He said, before showing his film: 'I can't say I hope you enjoy it. You won't.' His documentary is dispassionate, serious journalism; its aim is not to entertain, but to assiduously follow the evidence. And that evidence is far more chilling than any fright flick. I use the phrase 'safe space'. Had this been a fiction then perhaps a cinema in Glasgow is a safe place to watch terrible, made-up, things. But one of the speakers had reminded us that a young health worker, Dima Alhaj, had been killed along with her baby, husband, and virtually her entire family in 2023. Dima had been an Erasmus student at Glasgow University, where we were sitting now. That brings the horror closer to home. Whether we like it or not, Palestine is not so very far from us. Nor is Sudan, or Myanmar, or Kharkiv, or Tehran. As another speaker, a doctor, said, what is happening in Gaza has changed us all. We can turn off the TV, but the bloodshed doesn't stop. Changing channels won't protect us. We are involved. The BBC's decision to try and wash its hands of Doctors Under Attack only drew attention to both the film and its own mismanagement of it. As if we have learned nothing from banning the Sex Pistols, or Frankie Goes To Hollywood. The Clockwork Orange, Lady Chatterley, Kneecap, Gaza: How To Survive a Warzone … official prohibition only increases public appetite. According to Ben de Pear, the BBC had obstructed the entire process almost from the moment they had commissioned it. From his journalistic perspective, the accusation of targeting civilian healthcare must surely merit investigation. Nothing like it has happened in modern history. But the corporation, he felt, was 'frightened'. Fear of political reprisal, as much as any bias, led them into disarray. (A predicament that won't surprise anyone who took an interest in the Scottish Independence referendum.) At the end of the screening, a woman said to me: 'I wish I hadn't seen it. But I'm glad I did.' And laughed nervously: 'Does that make any sense?' Yes, I think it does. It was clear from the medical people on the panel, and those in the audience, that they feel the need for such films. The victims of violence – whether in Israel/[[Palestine]], Russia/Ukraine, Sudan or wherever – need us to know of their plight. Especially where journalists are forbidden, where state propaganda conceals what is actually going on. I had wondered, before going, if there might be something uplifting, something hopeful, in the experience of watching difficult material in the public sphere. There was. The courage and decency of ordinary people in terrible circumstances, health professionals going about their jobs even when they themselves have become the target, and have lost loved ones. All that might have been apparent watching alone at home on TV. But being in the presence of brave volunteers, helping not for any political motive but because it's what they do, that was heartening. The admiration and gratitude for organisations such as the Palestine Red Crescent Society. People who risked their lives by telling what they had witnessed, Israelis as well as Palestinians. Do we have, as human beings, a duty to watch such films? To listen to the morning news, the evening headlines. Painful though it all might be. Perhaps it could propel us into some kind of action, however meagre. Write to our MP or MSP. Donate to a charity. Protest. One of the speakers summed it up for me. A colorectal surgeon who has been volunteering in Gaza said before showing some clips of his own experiences, 'I'm sorry'. 'Sorry to make you see this. But I think it's important. I think you need to see this.'
The National
15-07-2025
- Politics
- The National
Media expert raises fears over BBC Gaza documentary review
The BBC was found to have breached one of its editorial guidelines on accuracy after it failed to disclose that the narrator in the axed documentary Gaza: How to Survive a Warzone was the son of a Hamas official. However, the review crucially stated on page one there was nothing 'in the narrator's scripted contribution to the programme that breached the BBC's standards on due impartiality' while it added there was no evidence 'to support a suggestion that the narrator's father or family influenced the content of the programme'. Professor Des Freedman, who works in the media department at Goldsmiths, University of London, said these points have not been widely focused on by the mainstream media, with most headlines homing in on the single accuracy breach. READ MORE: Angus Robertson hits out as Labour 'keep UK veto on Scottish laws' And he fears the review and the way in which the breach has been reported on will now give the BBC "cover" to make more 'cowardly decisions' on Gaza coverage. 'I think it provides BBC executives, who have already made some cowardly decisions such as decided to drop the Doctors Under Attack documentary, with cover to say that actually doing this kind of work in Gaza is too complicated,' he told The National. 'They will do this in the light of the fact they know there will be pressure placed on them. 'The best way of responding to that pressure is not to give in, because that pressure will still come. It's actually to make sure you commission serious, high-quality current affairs programmes and documentaries that assess what's going on. 'My worry is they are going to interpret this as yet another reason to steer clear [of investigative Gaza coverage].' Freedman (below) added he has concerns over the review branding the documentary a 'higher-risk project' which might require more intense oversight, such as 'embedding a BBC executive into the independent production company'. (Image: Goldsmiths) He added: 'Why should a documentary about the most appalling war crimes taking place be seen as higher risk? 'Surely the risk would be not to report it. 'I find it worrying it's put into that category of higher risk with more editorial intervention by people who have already demonstrated that they are not willing to sanction impartial reporting of the attacks on Gaza.' While the review was going on, the BBC axed the Basement Films documentary Gaza: Doctors Under Attack following concerns that it would 'not meet the high standards' of impartiality – a move that was widely criticised especially after it was broadcast by Channel 4 with no formal concerns raised. Ofcom boss Melanie Dawes said at the weekend that failings on Israel-Palestine coverage present a "real risk" for the BBC. She said it had been guilty of 'own goals' in its reporting and declined to give executives her support. Upon discovering the Gaza: How to Survive a Warzone narrator, Abdullah, was the son of Ayman Alyazouri, who has worked as deputy minister of agriculture in Gaza's government, the BBC removed the documentary from iPlayer. In an email to staff – shared on social media by Basement Films – BBC News CEO Deborah Turness said the BBC would not reinstate the documentary in full but would explore re-editing some of the material. READ MORE: Everything to know about the BBC's Gaza, Glastonbury and Gregg Wallace crises Freedman insisted the documentary must be reinstated in full as he warned that 'breaking it up into morsels' could create even more problems for the BBC. 'They should reinstate the programme onto iPlayer as soon as possible in full, making clear what has happened and allow viewers to make their own minds up,' he said. 'A breach of accuracy does not mean in itself that that programme cannot continue on iPlayer. 'I think the BBC have acknowledged this because Deborah Turness has suggested that the programme could in parts be reintroduced to iPlayer. That's such a typically cowardly way of doing things. 'There is an appetite for this type of content, a comprehensive report has found in terms of programme content, it was pretty much flawless […] so there is no objective reason why the programme shouldn't be put back up there.' He added: 'The idea you can break this up into morsels is exactly what we don't need. We need proper investigative reporting of what's been going on [in Gaza]." Ex-BBC journalist Karishma Patel also said there was "no editorial reason" for the BBC not to put the programme back on iPlayer with details of the narrator's background outlined. She said: "The one breach of BBC editorial policy can easily be resolved by signposting the relevant context in the film, alongside a proper explanation of how ministerial roles operate in Gaza. "I see no editorial reason why the BBC should not air and upload this amended version of the film - an important piece of public service journalism - to BBC iPlayer. "But there is a broader conversation to be had here – if the BBC is serious about signposting the relevant connections of every contributor, why not tell us when an interviewee has served in the Israeli military? "If the BBC is serious about including all relevant context in its news coverage, why not highlight the ICC arrest warrant out for Benjamin Netanyahu whenever he's mentioned? "The inconsistency in how these rules are applied, especially around Gaza, is distorting reality and misleading audiences." When approached for comment, the BBC directed The National to a statement from Turness which said: 'At the heart of this programme were powerful and important stories that need to be told. But it's clear that in this programme we made a significant mistake. "This is why we have drawn up a robust action plan to make sure all of Peter Johnston's recommendations are implemented. "Our audiences deserve the highest possible standards of accuracy from the BBC, and we are strengthening our editorial oversight to ensure that we deliver this for them. "We remain committed to reporting from Gaza, despite the fact that international journalists are not allowed in."
North Wales Chronicle
14-07-2025
- Politics
- North Wales Chronicle
BBC News executive says it ‘failed' to ask right questions on Gaza documentary
It comes after a report looking into the documentary, which was removed from BBC iPlayer in February after it emerged that the child narrator was the son of a Hamas official, found that it breached BBC editorial guidelines on accuracy. The review, published on Monday, was conducted by Peter Johnston, the director of editorial complaints and reviews which is independent of BBC News, and found that the programme was in breach of accuracy for 'failing to disclose information about the child narrator's father's position within the Hamas-run government'. It did not, however, find any other breaches of editorial guidelines, including breaches of impartiality, and also found no evidence that 'outside interests' 'inappropriately impacted on the programme'. Speaking on BBC's Radio 4 World At One programme, Deborah Turness, chief executive of BBC News said: 'Our current affairs teams, day in, day out, week in, week out, are creating and pushing out incredibly controversial, difficult, complex documentaries. 'We have really good, best in class systems in place, but in this we failed, and we must put in place new processes which will enable us to continue with our courageous journalism with confidence.' She also added: 'It's about accountability. And I think what you can see today is that the BBC has taken this incredibly seriously. We have led a full and thorough investigation, which we are publishing full and transparently. 'Everything is out there, and we share the action plan that we're now putting into place to prevent this kind of mistake happening again. 'We are responsible for everything that we publish and everything we broadcast. We take it incredibly seriously, and we didn't run those questions to ground.' Ms Turness also addressed a second Gaza documentary, Gaza: Doctors Under Attack, which was originally commissioned by the broadcaster from an independent production company called Basement Films. However, the corporation delayed airing it until the review into Gaza: How To Survive A Warzone was released. The documentary, which includes witness accounts from frontline Palestinian health workers in Gaza and documents attacks on hospitals and clinics, was later pulled entirely and aired on Channel 4 earlier this month. Ms Turness said: 'We want to tell the stories of Gaza. We are telling the stories of Gaza. 'We've got long form projects in the pipeline. We are covering Gaza, and we're covering it with courage and without fear or favour. 'During that production, the BBC raised concerns around the social media activity of one of the journalists. Obviously, we are incredibly protective and conscious of our impartiality and our very high standards of impartiality, and we were concerned about the activity of the journalist concerned. 'We decided, in the light of those concerns, that we would pause broadcast of that documentary while waiting to see what the Peter Johnston report would bring us. 'The film company weren't happy with that pause, and they wanted the journalism to air sooner. So we were trying to find a way around that, trying to find a way without airing the documentary, to put the journalism and the voice of the doctors on our platforms. 'And then came a moment where the lead journalist went on the Today programme to talk about Israel's attacks on Iran and used language around Israel that was really not compatible with the BBC standards of impartiality and made it impossible for us to continue with the project. 'It was very difficult to imagine that it could meet the BBC standards of impartiality, and that it would have created at least a perception of partiality, had we aired it. 'And the right thing to do at that time was to walk away, because no BBC journalist could have said what that journalist said on air, and therefore we have to apply some of the same standards to those who work with us from the outside.'
