Latest news with #Geller
The Star
29-07-2025
- Business
- The Star
From designer shoes to toasters, scavengers salvage luxury goods abandoned by college students
Valentino sneakers that retail for US$980 (RM4,165). A Tovala toaster oven, originally US$390 (RM1,655). A Clear Home Design Lucite table, which would have cost US$899 (RM3,820) – except in this case, it was free. Lena Geller found those items, and many others, in the trash room of her apartment building in Durham, North Carolina, the United States after scores of Duke University students had moved out at the end of the spring semester. "It feels wrong for this much stuff to have been thrown out,' Geller wrote in an article for INDY Week, where she's a staff writer. She kept a spreadsheet of the roughly 70 items she found in the trash, estimating, after doing some research, that they originally retailed for US$6,600 (RM28,040) in total. "I've had a few friends text me after reading the piece, like, 'We should put together some kind of business plan',' Geller, 26, said in an interview. "It does feel like most of the stuff that I got was just sitting there. I do think there's a lot of money to be made.' Two pairs of designer shoes and a Lucite table that once belonged to Duke University students. Every year, as graduation season ends, many departing students throw away or simply abandon expensive household items and luxury goods instead of donating or taking them back home. Local residents and scavengers are stepping in, rescuing items to reuse or sell, then touting their finds on social media. Peter Valley, a 47-year-old software company founder, has been selling discarded books from college students for years. To him and many other scavengers, college campuses are a virtually inexhaustible source of goods that can be resold, kept or donated. "My earliest success was dumpster diving at Caltech in Pasadena,' he said. "My girlfriend and I dumpster dived a couple thousand dollars' worth of books from the campus recycling centre. That was a big 'aha!' moment, where I realised that this could be a real business.' These days, Valley is primarily focused on his software business. Reselling books nets him a monthly income in what he describes as a "low four-figure amount'. At his peak, he said, he had five-figure months. Haul videos Some scavengers post haul videos of their finds on social media. Late spring sees an explosion of such content because that is when college students move out of their dormitories. "The stuff college kids waste is crazy,' a TikTok user with the handle @bethanytaylorr posted last month. Her 27-second video of rummaging through the dumpster at an unidentified college and rescuing household items has been viewed nearly four million times. Such social media posts can serve as both advertisements and how-to guides. "The whole point of this is to get the stuff out of the landfill and have someone who can use it have it,' said Megan Godinez, whose TikTok account, MeganTheDDMvp, has nearly 500,000 followers. Godinez said there was a difference between foraging on college campuses and in the dumpsters behind the outlets of retail giants like Williams Sonoma or Home Depot. "College stuff is home stuff that you use — cleaning products, toilet paper, paper towels, a ton of Tide Pods (laundry detergent pods) and dish soap,' she said. "They're extremely useful.' A toaster oven that was previously used by Duke University students. Carla Manlapaz, 62, also finds plenty of household items when she dumpster dives at the college near where she lives in north central Texas (she did not want to reveal the name of the college for fear that school officials would crack down). She also found a Fender guitar, which she said she is hoping to sell on Facebook Marketplace for US$200 (RM850). She sells other items on sites like Etsy or Poshmark. "It's very exhilarating when you see all this good stuff that you can either make a little money on or use or donate to someone else,' Manlapaz said. "It's a thrill. I mean, I'm 62, and I'm retired. Doesn't take that much to amuse me.' College campus dumpster diving isn't new, but social media has given it prominence. At the University of Wisconsin, a stretch of August has long been known as "Hippie Christmas' because so many students deposit their unwanted belongings on front lawns. Bostonians, who live in something of a giant college town, devoutly mark "Allston Christmas' each September. In a 1991 essay, Lars Eighner, who became famous for chronicling his experiences with homelessness, said that he focused his scavenging on a college town and that he found "it advantageous to keep an eye on the academic calendar'. In recent years, many colleges have adopted what Scott Galloway, a podcaster and marketing professor at New York University's Stern School of Business, has called "the posture of luxury brands', with lavish housing and gyms fit for professional athletes. Some say such amenities inflate costs while doing nothing in the way of education. Yet many parents readily fork over thousands of dollars for interior decorators to work their magic on a child's college dorm. Lena Geller shows a neon heart light with an original retail of $117 that was left behind when Duke University students moved out of her apartment. — Photo: Cornell Watson/The New York Times) At the same time, anxiety about climate change is rising among young people. Rescuing and wearing someone else's Lululemon shorts is one way to fight back against pollution and wastefulness. "It's truly transgressive because it's stepping out of that idea that we have to be consumers,' said Lisa Beiswenger, an assistant professor at Saint Francis University who taught a class on dumpster diving at the University of Akron. Her students discovered that the 300 million tons (272 million tonnes) of waste Americans generate annually, according to the Environmental Protection Agency, include plenty of stuff that can be used, worn or eaten by someone else. Too much junk Blame the "Amazonification' of the US economy, said Rosalie E. Kerr, director of sustainability at Dartmouth College. "If you're going to a party, and the theme of that party is the 1920s, you can go on Amazon and buy a plastic 1920s outfit for US$17 (RM72) with one click. And that's really irresistible.' College move-out season adds a twist because students need to clear out quickly. Many discover that in the previous nine months, they've accrued far too many goods to store or bring home. Into the dumpster the Jazz Age flapper outfit goes. "We have a lot of junk that's in that category,' Kerr said. Then come the dumpster divers. On social media, many marvel at their finds. Someone threw away what? You found that? But not everyone views the scavenging as a social good to be celebrated. "One of the challenges of creating a dumpster diving culture is the inequities,' Kerr said. Only certain people may know when and where to scavenge. Some may lack the physical ability for intensive rummaging. Others may be mistaken for trespassers. "It truly sucks that a Black person could possibly get mistreated or even killed doing the same thing we were doing,' one Reddit user wrote on the site's dumpster diving forum. Lena Geller holds a toaster oven with an original retail of $390 that was left behind when Duke University students. — Photo: Cornell Watson/The New York Times) Some colleges have tried to address the waste. Georgetown University, for example, organises a donation drive intended to align with "the university's Catholic and Jesuit mission', according to an email sent to students, urging them to leave items at one of four sites on campus. The email said that last year, the school "diverted over 49,000lbs (22 tonnes) of material, valued at almost US$334,000 (RM1.4mil)'. But sustainability experts say that on many campuses, such efforts are either limited or nonexistent, leaving dumpster divers to perform an important service. Anna Sacks, a Manhattan-based waste expert, criticised Columbia University for not doing nearly enough to make sure that students can either donate or resell items like mini fridges, which are too cumbersome to carry home. At the same time, access to campus has been heavily restricted, making it an all but impregnable dumpster diving destination. "To see this every single year is disgusting,' Sacks said. This year, she scavenged what she could, even as she approached her ninth month of pregnancy. "I got maple syrup that I just had with my yogurt,' she said. Her friend scored a Moncler jacket retailing for more than US$2,000 (RM8,500). (A spokesperson for Columbia did not respond to a request for comment.) Scavenging veterans say that anyone wishing to join their ranks should look for schools with high populations of international students, who are unlikely to haul televisions on transoceanic flights. For safety and camaraderie, go with a group. And do remember that you're going to be sorting trash. "I bring hand sanitiser,' Sacks said. – ©2025 The New York Times Company
Kuwait Times
29-06-2025
- Entertainment
- Kuwait Times
‘Mission: Impossible' composer Lalo Schifrin dies aged 93
Famed composer Lalo Schifrin, who created themes for a host of hit Hollywood films and television shows -- including the instantly recognizable 'Mission: Impossible' score -- died Thursday aged 93, US media reported. Born in Argentina, Schifrin blended the influences of his classical and symphonic training with jazz and modern sounds in his diverse and vast oeuvre, which includes the scores for around 100 films, some of them the best-known of their generation. His death was confirmed by his son, Ryan Schifrin, to several entertainment trade publications. Schifrin's work for film includes 'The Cincinnati Kid (1965) and 'Bullitt' (1968), both with Steve McQueen, Paul Newman's 'Cool Hand Luke' (1968), and Clint Eastwood's 'Dirty Harry' (1971). He also created the score to the 1960s 'Mission: Impossible' television series, which inspired the theme of the massive film franchise starring Tom Cruise. A pipe-smoker in his younger years and bespectacled with a mane of silver hair later, he was also a highly respected international orchestra conductor and jazz pianist. Boris Claudio Schifrin was born in Buenos Aires on June 21, 1932 into a musical family, his father Luis Schifrin being the concert master of the city's Philharmonic Orchestra for 25 years. He learned piano at a young age, developing an extensive knowledge of classical music. His introduction in his teens to jazz and the American sound -- through its greats such as Charlie Parker, George Gershwin and Louis Armstrong -- was like a conversion, he would say later, and set his life on a new course. After training in Paris, Schifrin returned to Buenos Aires and set up his own big band, with a performance notably impressing jazz legend trumpeter Dizzy Gillespie. 'So after we finished, Dizzy came to me and said, did you write all these charts? And I said, yes. Would you like to come to United States? I thought he was joking. He wasn't,' Schifrin recounted to NPR in 2007. 'I wouldn't be here had it not been for that moment,' he told the US radio. Schifrin moved to the United States in 1958 and became a US citizen over a decade later. In Hollywood, television producer Bruce Geller asked him to create scores for his television series 'Mission: Impossible' (1966) and 'Mannix' (1969). Geller's brief was for 'a theme that's exciting, promising, but not too heavy' and anticipates the action to follow, Schifrin told NPR in 2015. Geller said that when 'people go to the kitchen and get a Coca-Cola, I want them to hear the theme and say, Oh, this is 'Mission: Impossible',' he recounted. The score he delivered earned Schifrin two Grammy music awards in 1967, adding to two for the albums 'The Cat' (1964) and 'Jazz Suite On The Mass Texts' (1965). Shifrin received several Academy Award nominations for his film work including for 'Cool Hand Luke.' In 2018, he received an honorary Oscar for lifetime achievement, presented by Eastwood.—AFP
France 24
27-06-2025
- Entertainment
- France 24
Lalo Schifrin, composer of 'Mission: Impossible' score, dies aged 93
Famed composer Lalo Schifrin, who created themes for a host of hit Hollywood films and television shows -- including the instantly recognizable "Mission: Impossible" score -- died Thursday aged 93, US media reported. Born in Argentina, Schifrin blended the influences of his classical and symphonic training with jazz and modern sounds in his diverse and vast oeuvre, which includes the scores for around 100 films, some of them the best-known of their generation. His death was confirmed by his son, Ryan Schifrin, to several entertainment trade publications. Schifrin's work for film includes "The Cincinnati Kid (1965) and "Bullitt" (1968), both with Steve McQueen, Paul Newman's "Cool Hand Luke" (1968), and Clint Eastwood's "Dirty Harry" (1971). He also created the score to the 1960s "Mission: Impossible" television series, which inspired the theme of the massive film franchise starring Tom Cruise. A pipe-smoker in his younger years and bespectacled with a mane of silver hair later, he was also a highly respected international orchestra conductor and jazz pianist. Boris Claudio Schifrin was born in Buenos Aires on June 21, 1932 into a musical family, his father Luis Schifrin being the concert master of the city's Philharmonic Orchestra for 25 years. He learned piano at a young age, developing an extensive knowledge of classical music. His introduction in his teens to jazz and the American sound -- through its greats such as Charlie Parker, George Gershwin and Louis Armstrong -- was like a conversion, he would say later, and set his life on a new course. After training in Paris, Schifrin returned to Buenos Aires and set up his own big band, with a performance notably impressing jazz legend trumpeter Dizzy Gillespie. "So after we finished, Dizzy came to me and said, did you write all these charts? And I said, yes. Would you like to come to United States? I thought he was joking. He wasn't," Schifrin recounted to NPR in 2007. "I wouldn't be here had it not been for that moment," he told the US radio. Schifrin moved to the United States in 1958 and became a US citizen over a decade later. In Hollywood, television producer Bruce Geller asked him to create scores for his television series "Mission: Impossible" (1966) and "Mannix" (1969). Geller's brief was for "a theme that's exciting, promising, but not too heavy" and anticipates the action to follow, Schifrin told NPR in 2015. Geller said that when "people go to the kitchen and get a Coca-Cola, I want them to hear the theme and say, Oh, this is 'Mission: Impossible'," he recounted. The score he delivered earned Schifrin two Grammy music awards in 1967, adding to two for the albums "The Cat" (1964) and "Jazz Suite On The Mass Texts" (1965). Shifrin received several Academy Award nominations for his film work including for "Cool Hand Luke." In 2018, he received an honorary Oscar for lifetime achievement, presented by Eastwood.
The Sun
27-06-2025
- Entertainment
- The Sun
‘Mission: Impossible' composer Lalo Schifrin dies aged 93
LOS ANGELES: Famed composer Lalo Schifrin, who created themes for a host of hit Hollywood films and television shows -- including the instantly recognizable 'Mission: Impossible' score -- died Thursday aged 93, US media reported. Born in Argentina, Schifrin blended the influences of his classical and symphonic training with jazz and modern sounds in his diverse and vast oeuvre, which includes the scores for around 100 films, some of them the best-known of their generation. His death was confirmed by his son, Ryan Schifrin, to several entertainment trade publications. Schifrin's work for film includes 'The Cincinnati Kid (1965) and 'Bullitt' (1968), both with Steve McQueen, Paul Newman's 'Cool Hand Luke' (1968), and Clint Eastwood's 'Dirty Harry' (1971). He also created the score to the 1960s 'Mission: Impossible' television series, which inspired the theme of the massive film franchise starring Tom Cruise. A pipe-smoker in his younger years and bespectacled with a mane of silver hair later, he was also a highly respected international orchestra conductor and jazz pianist. Boris Claudio Schifrin was born in Buenos Aires on June 21, 1932 into a musical family, his father Luis Schifrin being the concert master of the city's Philharmonic Orchestra for 25 years. He learned piano at a young age, developing an extensive knowledge of classical music. His introduction in his teens to jazz and the American sound -- through its greats such as Charlie Parker, George Gershwin and Louis Armstrong -- was like a conversion, he would say later, and set his life on a new course. After training in Paris, Schifrin returned to Buenos Aires and set up his own big band, with a performance notably impressing jazz legend trumpeter Dizzy Gillespie. 'So after we finished, Dizzy came to me and said, did you write all these charts? And I said, yes. Would you like to come to United States? I thought he was joking. He wasn't,' Schifrin recounted to NPR in 2007. 'I wouldn't be here had it not been for that moment,' he told the US radio. Schifrin moved to the United States in 1958 and became a US citizen over a decade later. In Hollywood, television producer Bruce Geller asked him to create scores for his television series 'Mission: Impossible' (1966) and 'Mannix' (1969). Geller's brief was for 'a theme that's exciting, promising, but not too heavy' and anticipates the action to follow, Schifrin told NPR in 2015. Geller said that when 'people go to the kitchen and get a Coca-Cola, I want them to hear the theme and say, Oh, this is 'Mission: Impossible',' he recounted. The score he delivered earned Schifrin two Grammy music awards in 1967, adding to two for the albums 'The Cat' (1964) and 'Jazz Suite On The Mass Texts' (1965). Shifrin received several Academy Award nominations for his film work including for 'Cool Hand Luke.' In 2018, he received an honorary Oscar for lifetime achievement, presented by Eastwood.
Business Times
26-06-2025
- Entertainment
- Business Times
‘Mission: Impossible' composer Lalo Schifrin dies aged 93
[LOS ANGELES] Famed composer Lalo Schifrin, who created themes for a host of hit Hollywood films and television shows - including the instantly recognisable Mission: Impossible score - died on Thursday aged 93, US media reported. Born in Argentina, Schifrin blended the influences of his classical and symphonic training with jazz and modern sounds in his diverse and vast oeuvre, which includes the scores for around 100 films, some of them the best-known of their generation. His death was confirmed by his son, Ryan Schifrin, to several entertainment trade publications. Schifrin's work for film includes The Cincinnati Kid (1965) and Bullitt (1968), both with Steve McQueen, Paul Newman's Cool Hand Luke (1968), and Clint Eastwood's Dirty Harry (1971). He also created the score to the 1960s Mission: Impossible television series, which inspired the theme of the massive film franchise starring Tom Cruise. A pipe-smoker in his younger years and bespectacled with a mane of silver hair later, he was also a highly respected international orchestra conductor and jazz pianist. A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up Boris Claudio Schifrin was born in Buenos Aires on June 21, 1932 into a musical family, his father Luis Schifrin being the concert master of the city's Philharmonic Orchestra for 25 years. He learned piano at a young age, developing an extensive knowledge of classical music. His introduction in his teens to jazz and the American sound - through its greats such as Charlie Parker, George Gershwin and Louis Armstrong - was like a conversion, he would say later, and set his life on a new course. After training in Paris, Schifrin returned to Buenos Aires and set up his own big band, with a performance notably impressing jazz legend trumpeter Dizzy Gillespie. 'So after we finished, Dizzy came to me and said, did you write all these charts? And I said, yes. Would you like to come to United States? I thought he was joking. He wasn't,' Schifrin recounted to NPR in 2007. 'I wouldn't be here had it not been for that moment,' he told the US radio. Schifrin moved to the United States in 1958 and became a US citizen over a decade later. In Hollywood, television producer Bruce Geller asked him to create scores for his television series Mission: Impossible (1966) and Mannix (1969). Geller's brief was for 'a theme that's exciting, promising, but not too heavy' and anticipates the action to follow, Schifrin told NPR in 2015. Geller said that when 'people go to the kitchen and get a Coca-Cola, I want them to hear the theme and say, Oh, this is Mission: Impossible,' he recounted. The score he delivered earned Schifrin two Grammy music awards in 1967, adding to two for the albums The Cat (1964) and Jazz Suite On The Mass Texts (1965). Shifrin received several Academy Award nominations for his film work including for Cool Hand Luke. In 2018, he received an honorary Oscar for lifetime achievement, presented by Eastwood. AFP
