Latest news with #Ginny&Georgia
Yahoo
21 hours ago
- Entertainment
- Yahoo
Squid Game Slays Nielsen Streaming Top 10 With Season 3 Release, Ironheart Does What Daredevil Never Did
Netflix's Squid Game with the release of its third and final season dominated Nielsen's latest U.S. ranking of streaming originals. For the week of June 23, Squid Game amassed 3.2 billion minutes viewed across 22 total episodes, marking the chart's second-largest tally of the year — trailing only the 4.6 billion minutes that Squid Game racked up during the Dec. 30, 2024-Jan. 5, 2025 measurement period. More from TVLine KPop Demon Hunters Delivers a Netflix First While Repeating at No. 1 on English Films Chart Marvel Chief Talks Young Avengers Team-Up Potential, Affirms Daredevil Will Ignore Events of Thunderbolts* Blindspot Claims No. 1 on Nielsen Streaming Top 10, Ginny & Georgia Again Tops Originals Nielsen notes that Squid Game drew considerable viewership from Hispanic audiences (who accounted for 44% of the watch time). Adults 18-49 made up the bulk of the total (58%), though it was weighted a bit toward the Under 35 crowd (32%). Placing a distant second on the originals chart was Peacock's Love Island USA (with 1.8 billion minutes/235 episodes), followed by Netflix's The Waterfront (1.5 billion minutes/eight episodes), Netflix's Ginny & Georgia (980 million minutes/30 episodes) and the chart return of Hulu's The Bear (920 million minutes/38 episodes). Rounding out the Top 10 streaming originals for the week of June 23 were Disney+'s Ironheart (526 million minutes/three available episodes) — landing on the Top 10 chart whereas Marvel Television predecessor Daredevil: Born Again never did during its entire Season 1 run — Netflix's Trainwreck: Poop Cruise docu (512 million minutes), Netflix's America's Sweethearts: Dallas Cowboy Cheerleaders (488 million minutes/14 episodes), Prime Video's We Were Liars (420 million minutes/eight episodes) and Netflix's Stranger Things (380 million minutes/34 episodes). Want scoop on any of the shows above? Shoot an email to InsideLine@ and your question may be answered via Matt's Inside Line!
Buzz Feed
6 days ago
- Entertainment
- Buzz Feed
23 Bad TV Character Storylines
We recently asked the members of the BuzzFeed Community to tell us what storyline completely ruined a TV character's growth. Here's what they said: When Ginny became more like her mother on Ginny & Georgia. "Ginny started off kind and a bit unsuspecting. She was always headstrong and had issues, but had a likable vulnerability. Then she became almost menacing. She started to treat Maxine (her supposed best friend) terribly, lied to her dad over and over, manipulated Simone, blackmailed Cynthia, hated Paul without knowing the whole story, and although Gil was an abuser, setting him up as a murderer was just diabolical because he really did love Austin. Poor Austin was just a ploy in her web of lies. Even Georgia realized that she was becoming different. Ginny was becoming Georgia."—vibrantshield91 When Miranda cheated on Steve in And Just Like That. "On SATC, Miranda was the anti-romantic who fell in and out of love with Steve. Her being a lawyer and his being a bartender and later bar owner were worlds apart, yet in real life, love doesn't know anything but love. In the first movie, Steve confessed to cheating, which ruined Carrie and Big's initial wedding day. Continuing with AJLT, Miranda cheated on Steve with Che, Carrie's boss. Seeing Miranda as a person who disrespected her marriage with cheating and chasing Che made her look desperate and whiny, not to mention a hypocrite. Miranda is so cringe now, I can't stand her. The fun, sarcastic Miranda is gone and replaced by someone else. I wonder if, at some point, Miranda had a lobotomy."—Anonymous When Eric cheated on Adam in Sex Education. "He effed up their whole relationship, which will never fail to infuriate me."—famousphone424 When Fiona let Liam get into her drugs, which almost killed him on Shameless. "I was done with her and the show after that."—creepster When Michael turned out to be alive on Jane the Virgin, but had amnesia. "It just absolutely ruined his character. I'm not over." —emwren When Olivia Pope became head of B613 on Scandal. "She was always a strong, independent woman who did what was right (well, most of the time). She spent three seasons trying to end B613, and in the last season, she became the head of B613 and became everything that she hated."—itsmeshahbano When Quinn was obsessed with getting Beth back in Glee. "Everything about it was so wrong. Also, PUCK HOOKING UP WITH RACHEL'S (AND BETH'S) MOM was horrible. That whole part of the season just ruined so many characters."—Anonymous When Topanga turned down a scholarship to Yale so she could be with Cory in Boy Meets World. —sf4581 When Haley got back together with Dylan on Modern Family. "Haley going back to Dylan was definitely one of the worst because she had grown so much."—rbd89 When Spike attempted to rape Buffy on Buffy the Vampire Slayer. "That was a very bad decision."—matdyjames When Debbie tricked her boyfriend into getting her pregnant at 15 on Shameless. "She was doing so well before that, then she just became trash."—A_Panda When Rory dropped out of Yale on Gilmore Girls. "She stole a boat, dropped out of Yale, lived with her grandmother, and ignored Lorelai for months because one guy told her she didn't have what it took to be a journalist. That's something you do when you're 15, not when you're 20."—s463b03bd4 When Jaime left Brienne for Cersei in Season 8 of Game of Thrones. "When he said he did everything for Cersei, it didn't make sense because it was established in previous seasons that he did what he did for the people and saved millions of lives. It completely ruined his character arc and I pretend the last two seasons never happened."—districtrue When Andy sailed away on the boat without Erin on The Office. "I have no idea why they took his character in that direction. I can't believe how he treated Erin by leaving her to be on the boat and all the lying he did to Robert California to cover his own ass. The whole series he was portrayed as caring (if sometimes incompetent) to his coworkers and then he randomly did that. He did have an anger issue when his job was stolen, but it made sense because a total stranger stole his job! They just randomly turned him into this selfish person for no reason who only cared about himself."—irwhite1993 When Danny's regressed to a sexist jerk on The Mindy Project. "He was always super supportive of Mindy and proud of her work as a doctor but then as soon as they had the baby, he started gaslighting her, tried to trick her into getting pregnant again and generally shaming her for wanting to keep her job!"—sunshine193 Everything Sabrina Spellman did in Seasons 3 and 4 of Chilling Adventures of Sabrina. "She used to be a smart, ambitious, independent and likeable character in the beginning. She even defied her father, the devil, by refusing to rule Hell with him. In Season 3, she became OBSESSED with ruling Hell and made the most selfish decisions, like creating a cheap clone of herself to rule Hell, no matter who she hurt in the process."—a402635290 When Anya started doing coke on Degrassi: The Next Generation. "I quit watching Degrassi (after YEARS) immediately after the shot of Anya doing coke at a club. Anya? ANYA? Student Council Anya? Cheerleader Anya? Anya who had a HUGE falling out with Holly J. because Holly J. was always forcing her into bad situations and getting them in trouble? LARPer Anya?? Nope, NOPE, do not buy it."—chelseajack When Toby leaked classified information on The West Wing. "He leaked classified information on a military space program so the US would be forced to send help to some stranded astronauts. It was so out of character for him and it was heavily implied that he was covering for someone else like CJ. Not only did it completely blow up his storyline by forcing him out of the White House, but he turned into a total ass afterward."—annpricot When Guzman became a classist jerk again on Season 4 of Elite. "The show had him go from a dumb jerk to a better man to make his growth part of his journey. Alas, they erased said growth by making him a dumb jerk again to make the Guzman, Ari, and Samu love triangle work."—superkay When Schmidt cheated on Cece and Elizabeth by dating them both at the same time. "I couldn't get past it."—kthomas8836 When Cordelia slept with Angel's son Connor on Angel. "From Buffy the Vampire Slayer to Angel we watched her go from a spoiled teenage girl to a wonderful strong, caring young woman, only for her to turn evil and sleep with Angel's son. She got 'pregnant' by Connor, went into a coma and died. It was an unforgivable character assassination. Cordelia deserved better!"—itsspeltpauline And finally, wjem Alex Karev left Jo and Meredith to get back together with Izzie on Grey's Anatomy. "Alex Karev's departure from Grey's Anatomy was utter, utter rubbish. Look, I understand that the actor wanted to leave to pursue other projects, fair enough. However, they didn't have to ruin his character in the process, but my god, did they ruin all of that wonderful character development and growth and then some."—ravenbard"Why create one of the best character developments in TV HISTORY only to have him backtrack and exit the show how he did."—Anonymous"It ruined 16 seasons of character development."—Anonymous What's a storyline that ruined a TV character? Tell us in the comments or use the anonymous form below.
Yahoo
18-07-2025
- Business
- Yahoo
Strangers Things have happened: Netflix profits soar but investors are not happy
Netflix has been running lines from a similar script for the past three years: widening its lead in video streaming while delivering financial results that have easily exceeded the analyst projections that steer investors. While Netflix's profit eclipsed Wall Street's expectations by a wide margin in the April-June quarter, its revenue came in right around the bar set by analysts. The Los Gatos, California, company earned $3.1 billion (€2.7bn), or $7.19 per share, a 46% increase from the same time last year. Revenue rose 16% to $11.08bn (€9.5bn). Management also slightly raised its revenue forecast for the entire year—between $44.8bn (€38.5bn) and $45.2bn (€38.8bn), up from the $43.5bn (€37.4bn) to $44.5bn (€38.2bn) it had forecast previously. "Our higher forecast primarily reflects the weakening of the US dollar vs. most other currencies, plus healthy member growth and ad sales," said the statement. "We're really incredibly excited about the back half of this year and confident that it keeps rolling in '26," Netflix co-CEO Ted Sarandos added. The weakening dollar boosted the results in the past quarter, too, but as the management was hastily underlining, fundamentals were also supporting it strongly. "We've got healthy member growth, and that even picked up nicely at the end of Q2, a bit more than we expected," Spencer Adam Neumann, Chief Financial Officer told analysts during a Thursday video conference. Although he believes Netflix remains "perfectly positioned to keep thriving," analyst Thomas Monteiro said investors were disappointed that the company didn't boost its full-year guidance for revenue and its profit margins by even more against the backdrop of its accelerating momentum. Related Netflix profit jumps as price hikes and subscription growth beat expectations Netflix and France's TF1 join forces as traditional TV struggles Netflix's shares were down by more than 1.8% in after-hours trading, indicating investors expected an even more robust performance. But that is a minor stumble, given Netflix's stock price has soared 43% this year. The stock's strong run began during the second half of 2022 when the company introduced a low-priced version of its service with commercial interruptions as an antidote to an abrupt downturn in subscribers. The video streaming service is also faring well in Hollywood, as evidenced by the 120 Emmy nominations showered upon its programs earlier this week – second only to HBO Max. In the past quarter, Netflix hailed "Sirens," "Ginny & Georgia" and "The Four Seasons" as being among its most-watched programming. The popularity of Netflix's scripted programming combined with weekly World Wrestling Entertainment spectacles, high-profile boxing matches and periodic National Football League games has enabled its service to retain subscribers while its prices rise, including on the cheapest tier. Netflix stopped providing quarterly updates on its total subscribers at the beginning of this year, but the company's revenue growth leaves no doubt that the number has grown from the 302 million reported at the end of 2024. How Netflix is turning into an advertising magnet Although Netflix still isn't selling enough commercials to require a disclosure of its advertising revenue, management continues to highlight the growth in its results. Netflix said its ad revenue for this year is on pace to double from last year. Unlike most major tech companies, Netflix has had the benefit of peddling a service that so far has avoided being whipsawed by President Donald Trump's fluctuating trade war. But Trump has threatened to introduce tariffs on entertainment made outside the US, a move that could hit Netflix especially hard because of its global reach. In an apparent olive branch for the president, Netflix made the unusual move of citing its commitment to the US in its quarterly shareholder letter. The company disclosed that it had invested an estimated $125bn (€107.6bn) in the US from 2020-2024 and cited sound stages and production facilities in New Mexico and New Jersey as examples of its ongoing expansion in its home country. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
18-07-2025
- Business
- Yahoo
Strangers Things have happened: Netflix profits soar but investors are not happy
Netflix has been running lines from a similar script for the past three years: widening its lead in video streaming while delivering financial results that have easily exceeded the analyst projections that steer investors. While Netflix's profit eclipsed Wall Street's expectations by a wide margin in the April-June quarter, its revenue came in right around the bar set by analysts. The Los Gatos, California, company earned $3.1 billion (€2.7bn), or $7.19 per share, a 46% increase from the same time last year. Revenue rose 16% to $11.08bn (€9.5bn). Management also slightly raised its revenue forecast for the entire year—between $44.8bn (€38.5bn) and $45.2bn (€38.8bn), up from the $43.5bn (€37.4bn) to $44.5bn (€38.2bn) it had forecast previously. "Our higher forecast primarily reflects the weakening of the US dollar vs. most other currencies, plus healthy member growth and ad sales," said the statement. "We're really incredibly excited about the back half of this year and confident that it keeps rolling in '26," Netflix co-CEO Ted Sarandos added. The weakening dollar boosted the results in the past quarter, too, but as the management was hastily underlining, fundamentals were also supporting it strongly. "We've got healthy member growth, and that even picked up nicely at the end of Q2, a bit more than we expected," Spencer Adam Neumann, Chief Financial Officer told analysts during a Thursday video conference. Although he believes Netflix remains "perfectly positioned to keep thriving," analyst Thomas Monteiro said investors were disappointed that the company didn't boost its full-year guidance for revenue and its profit margins by even more against the backdrop of its accelerating momentum. Related Netflix profit jumps as price hikes and subscription growth beat expectations Netflix and France's TF1 join forces as traditional TV struggles Netflix's shares were down by more than 1.8% in after-hours trading, indicating investors expected an even more robust performance. But that is a minor stumble, given Netflix's stock price has soared 43% this year. The stock's strong run began during the second half of 2022 when the company introduced a low-priced version of its service with commercial interruptions as an antidote to an abrupt downturn in subscribers. The video streaming service is also faring well in Hollywood, as evidenced by the 120 Emmy nominations showered upon its programs earlier this week – second only to HBO Max. In the past quarter, Netflix hailed "Sirens," "Ginny & Georgia" and "The Four Seasons" as being among its most-watched programming. The popularity of Netflix's scripted programming combined with weekly World Wrestling Entertainment spectacles, high-profile boxing matches and periodic National Football League games has enabled its service to retain subscribers while its prices rise, including on the cheapest tier. Netflix stopped providing quarterly updates on its total subscribers at the beginning of this year, but the company's revenue growth leaves no doubt that the number has grown from the 302 million reported at the end of 2024. How Netflix is turning into an advertising magnet Although Netflix still isn't selling enough commercials to require a disclosure of its advertising revenue, management continues to highlight the growth in its results. Netflix said its ad revenue for this year is on pace to double from last year. Unlike most major tech companies, Netflix has had the benefit of peddling a service that so far has avoided being whipsawed by President Donald Trump's fluctuating trade war. But Trump has threatened to introduce tariffs on entertainment made outside the US, a move that could hit Netflix especially hard because of its global reach. In an apparent olive branch for the president, Netflix made the unusual move of citing its commitment to the US in its quarterly shareholder letter. The company disclosed that it had invested an estimated $125bn (€107.6bn) in the US from 2020-2024 and cited sound stages and production facilities in New Mexico and New Jersey as examples of its ongoing expansion in its home country. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
eNCA
18-07-2025
- Business
- eNCA
Netflix profits surge off ads, higher subscription prices
NEW YORK - Netflix reported stronger-than-expected second-quarter results, with profit jumping 45 percent year-over-year as the streaming giant benefited from subscription price increases and a growing advertising business. Revenue climbed 16 percent to $11.1-billion in the quarter ended June 30, beating analyst estimates and the company's own guidance, while net profit surged to $3.1-billion. The company raised its full-year revenue forecast, noting that it expects revenue to be between $44.8-billion and $45.2-billion in 2025, up from a range of $43.5-billion to $44.5-billion. Netflix highlighted strong performance from its content offers in the quarter, with major hits including the third season of "Squid Game," which drew 122 million views. It "has already become our sixth biggest season of any series in our history, with just a few weeks of viewing so far," the company said in a statement. Other standout titles included the third season of "Ginny & Georgia" with 53 million views and "Sirens" with 56 million views. There was also the animated film "KPop Demon Hunters" with 80 million views, which became "one of our biggest animated films ever" and generated a soundtrack that topped music charts globally. "Korean content continues to be popular with our audience," the company said, pointing to the continued success of international programming that has become a hallmark of Netflix's global strategy. Netflix expressed optimism about the second half of 2025, highlighting an upcoming slate that includes the highly anticipated second season of "Wednesday," the final season of "Stranger Things" and new films from major directors including Kathryn Bigelow and Guillermo del Toro. The company has also announced plans to expand live programming with marquee boxing matches and NFL games, as it continues to diversify its content offerings beyond traditional on-demand entertainment. Netflix shares have surged more than 40 percent year-to-date as investors have responded positively to the company's shift toward profitability, which saw it crack down on password sharing and turn to ads for more revenue. The company counted over 300 million subscribers last December, at the end of a particularly successful holiday season, when it gained almost 19 million new subscriptions. But the company no longer discloses these figures, in order to focus on audience "engagement" metrics (time spent watching content). In the quarter, Netflix continued to build out its advertising capabilities, saying that it expects to roughly double ads revenue in 2025, though it did not provide specific figures. The service is forecasting $9-billion in revenues from its ad-based subscriptions by 2030.
