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Ashi Singh on staying relevant: Visibility matters, but not at the cost of quality
Ashi Singh on staying relevant: Visibility matters, but not at the cost of quality

Hans India

time7 days ago

  • Entertainment
  • Hans India

Ashi Singh on staying relevant: Visibility matters, but not at the cost of quality

Television actress Ashi Singh, who made her debut with Secret Diaries: The Hidden Chapters in 2015, believes staying visible is important in the entertainment industry—especially at her current career stage. However, she is equally cautious about choosing quality over quantity when it comes to her work. Speaking about the importance of being consistently seen in today's fast-paced world, Ashi shared, 'At this stage, I do feel I need to be visible. But I don't want to take up projects just for the sake of staying in the limelight. That's where social media helps me stay connected with my audience.' The actress, known for her roles in Gumrah, Crime Patrol, and Savdhaan India, says she becomes more active on Instagram when she's not working on a project. 'I make sure to engage with fans and be present online. It helps bridge the gap between projects. If I can't be on screen at the moment, maybe I will take up something worthwhile in a few months that will bring me back into the spotlight. I don't stress too much about it,' she added. Ashi is currently seen in Sony SAB's romantic-comedy Ufff… Yeh Love Hai Mushkil, where she stars opposite Shabir Ahluwalia. The series follows Kairi, a resilient young woman raising her siblings, who frequently clashes with Yug Sinha, a cynical lawyer with a troubled past. Their initial rivalry eventually evolves into an emotional tale of love, healing, and family. Her journey has been diverse—from playing Naina Agarwal in Yeh Un Dinon Ki Baat Hai (2017–2019), to portraying Yasmine in Aladdin – Naam Toh Suna Hoga, and Meet Hooda in Meet: Badlegi Duniya Ki Reet. She also ventured into OTT with First Copy, where she starred as Afreen opposite comedian Munawar Faruqui. With a growing list of roles and a strong social media presence, Ashi Singh continues to strike a balance between relevance and meaningful storytelling.

Karan Johar remembers dad Yash Johar on Father's Day with emotional post and old pic, pens gratitude note
Karan Johar remembers dad Yash Johar on Father's Day with emotional post and old pic, pens gratitude note

Hindustan Times

time15-06-2025

  • Entertainment
  • Hindustan Times

Karan Johar remembers dad Yash Johar on Father's Day with emotional post and old pic, pens gratitude note

Filmmaker Karan Johar remembered his dad, Yash Johar, with an emotional note on Father's Day. Taking to Instagram on Sunday, Karan also shared an old photo of himself with his father. (Also Read | Karan Johar recalls his dad Yash Johar left him detailed letter saying: 'These people you trust, these you don't') In the black and white photo, Karan and Yash sat next to each other on the set of a film. Yash was seen telling Karan something, who listened carefully. Karan also thanked his father for teaching him about good storytelling and giving him courage. Sharing the photo, he captioned it, "He made films with soul & for the he lived life with even more." "He taught me that good storytelling begins with your good heart. Thank you for giving me the courage to feel deeply. Thank you for giving me the courage to show these feelings on the biggest screens possible. Happy father's day papa, thank you (sparkles emoji)," he added. Reacting to the photo, Farah Khan wrote, "Love him." Maheep Kapoor, Sonali Bendre and Bhavana Pandey, among others, posted red heart emojis. A post shared by Karan Johar (@karanjohar) Yash Johar, the founder of Dharma Productions, died in June 2004. He produced many films in his career, such as Dostana (1980), Duniya (1984), Agneepath (1990), Gumrah (1993), Duplicate and Kuch Kuch Hota Hai (1998), Kabhi Khushi Kabhie Gham (2001) and Kal Ho Naa Ho (2003), among others. A post shared by Karan Johar (@karanjohar) On Sunday, Karan also dedicated a post to himself as he is a father to twins--Yash and Roohi. He shared a picture collage with his children and wrote, "Some decisions are impulsive, some decisions are strategised and some are just blessed…. My decision to be a single parent has been the single most emotionally satisfying decision I could have ever made… the answer to my every prayer to the universe…." Karan talked about the advice he was given on being a parent. 'I was told to read books, listen to podcasts and to speak to other parents for help and guidance .. and while I truly appreciate all the good intentions of generous advice I feel each journey of a parent ( more so a single parent ) is truly unique and needs to be dealt with on your personal instinct… there are no rules for parenting there are just instincts that guide me everyday…,' he added. "I know I will falter, fumble and fall…. But the abundant love always makes me eventually rise…. Today I celebrate myself … for completing my own half existence with the presence of my blessings Roohi and Yash… they filled a deep void and created some more space for love in my aura and heart… #happyfathersday," he concluded.

Mahesh Bhatt fondly remembers Reema Lagoo 8 years after her sudden demise
Mahesh Bhatt fondly remembers Reema Lagoo 8 years after her sudden demise

Time of India

time31-05-2025

  • Entertainment
  • Time of India

Mahesh Bhatt fondly remembers Reema Lagoo 8 years after her sudden demise

Reema Lagoo , known for the warmth she radiated on screen and the emotional depth she brought to her roles, left the film industry in mourning when she suddenly passed away on May 18, 2017. Filmmaker Mahesh Bhatt — who collaborated with her across film and television — in a candid chat with ETimes, recalls the moment he heard the news of her demise and the stillness that followed. Fondly remembering the many creative moments together, Bhatt honoured her memory, her artistry, and the profound legacy she left behind. We lost Reema Lagoo — someone you collaborated with so often — far too soon, didn't we? Mahesh Bhatt: Even now, eight years after her sudden passing, I see her luminous eyes, her unspoken warmth, the stillness from which her performances flowed. Some presences don't vanish. They settle into the heart. What was your reaction to her sudden demise? Bhatt: Eight years ago, on an ordinary morning, my phone rang. It was Gurudev Bhalla , my protégé, producer of Naamkaran. 'Sir,' he said gently, 'Reema Lagoo is gone. She passed this morning. The shoot is cancelled. May I come pick you up?' His words froze the day. As sudden as death—everything changed. Moments later, I stood beside her. Still. Silent. The warmth gone. She was 58. And just like that, memory took over. What were some of your memories of working with this charming actress? Bhatt: I was back on the set of Aashiqui, day one. Reema was playing a single mother —quiet, dignified, wounded. The scene where she asks her son to return her mangalsutra— a silent declaration that the marriage is over, became the soul of the film. Another moment that lingers was her advice to Anu(Aggarwal), the young lead, not to give up her career just to soothe a man's insecurity. Reema played that scene with rare conviction, quietly challenging the old scripts that demanded women surrender their dreams. She didn't just perform it—she lived it. Thereafter, you went on to work with her on several projects Bhatt: We worked again in 'Gumrah', with Sridevi, where she played a mother revealing a long-buried truth as she approached death. And later in Naajayaz, as a woman torn between her son—a cop—and her lover, an underworld don. Reema's performances never shouted; they ached, they endured, they spoke with stillness. Then came 'Naamkaran', the television adaptation of your film 'Zakham'? Bhatt: When we were casting the matriarch, I said, 'Only Reema Lagoo.'. She had stepped away from screen work, was doing theatre, but agreed to meet. After hearing the part, she smiled and said, 'Will you direct the first episode, just to set the tone?' I said, 'Yes, Reema ji. I will.' That day, I returned to the set—and watched her breathe life into that world. She uplifted everyone. Her grace, her precision, her emotional depth turned every line into something more. Her death must have shaken you. Bhatt: That breath was gone. We stood around her, stunned. It felt as though time had paused, the sun extinguished at high noon. But she lives on—in memory, in every frame she graced, in the quiet strength she brought to her roles. Thank you, Reema ji—for the truth you embodied, and the light you left behind. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .

Exclusive- Imlie fame Gautam Handa on Road Trip Day says 'Such adventure helps you to reconnect with yourself'
Exclusive- Imlie fame Gautam Handa on Road Trip Day says 'Such adventure helps you to reconnect with yourself'

Time of India

time23-05-2025

  • Entertainment
  • Time of India

Exclusive- Imlie fame Gautam Handa on Road Trip Day says 'Such adventure helps you to reconnect with yourself'

Actor Gautam Handa known for playing the prominent role of Karan in the TV show Imlie, enjoys Road tripping. Today on Road Trip Day, he shared his passion for going on solo road trips. He said, "There's something quietly powerful about taking a long drive alone. No plans. No conversations to keep up. Just you, the road, and the low hum of the engine. In a world that rarely slows down, solo drives offer a rare kind of peace—one where you're not expected to be anywhere or be anyone but yourself." He continued, "Driving alone strips life down to the essentials. You roll the windows down, set the music to your mood, and let the road carry you. It's not about reaching a destination. It's about the drive itself—the stretch of highway, the shifting scenery, the rhythm of your thoughts syncing with the movement of the car." He added, "When you're driving with company, the focus is often outward. You're talking, navigating, coordinating. But when you're alone, it turns inward. It's where thoughts get clearer, emotions settle, and decisions that once felt heavy begin to untangle. You start noticing things: the way the light hits the dashboard, how the road curves against a hillside, the silence between songs. These little moments remind you that peace isn't always found in stillness—sometimes, it's found in motion. " The actor recalls his first to Kasauli and reveals, "I remember my first road trip was when I was in my early 20s. And it was an amazing experience to Kasauli, a beautiful hill station in Himachal Pradesh. I will never forget the memories I made during the trip. With stunning mountain views where I felt like reconnecting with myself." Gautam also shared his last trip was to Trimbakeshwar Jyotirlinga Temple. "My last road trip was to Trimbakeshwar Jyotirling Temple, being a devotee of lord Shiva it was a much-awaited one. And I'm blessed to have experienced the blessings and enjoy the atmosphere filled with devotion and dedication." Gautam is known for featuring in shows like Gumrah, CID , Aahat, Yeh Hai Mohabbatein, Zindagi Abhi Baki Hai Mere Ghost. He was last seen in Pyaar Kii Raahein, before which he played the negative role of Kundan in the TV show Mil Ke Bhi Hum Na Mile.

This actress, who once worked as maid, eloped with another man despite being married, ended up sleeping on the streets due to...; She was...
This actress, who once worked as maid, eloped with another man despite being married, ended up sleeping on the streets due to...; She was...

India.com

time05-05-2025

  • Entertainment
  • India.com

This actress, who once worked as maid, eloped with another man despite being married, ended up sleeping on the streets due to...; She was...

If you're a Bollywood buff, you'll recognise the scene in the photo above from the popular movie Kabhi Khushi Kabhie Gham , where Ashfaque's family comes to see Ruksar, and Ashfaque's grandmother mistakenly thinks the bride is Sayeeda Begum (Daijaan). Actress Shashikala Saigal, who played Ashfaque's grandmother in K3G, is also well-known for portraying Fruity's grandmother in the beloved TV show Sonpari. With over 100 films to her credit and numerous prestigious awards throughout her illustrious career, some of Shashikala's most iconic films include Anupama, Daku, Waqt, Gumrah, Khubsoorat, Bimla, and many others. Despite spending many years in the industry, she had a troubled personal life. Let's begin with her life before entering the film world, she worked as a maid, sweeping and mopping houses to earn a living. She would often go from one studio to another, searching for work. One day, she met Noor Jehan, who gave her a small opportunity by including her in a qawwali scene for the film Zeenat. In 1947, she landed a side role in Jugnu, alongside Noor Jehan and Dilip Kumar. Shashikala made headlines throughout her illustrious career. At the age of 19, she married Om Prakash Saigal, who belonged to the family of Indian cinema's first superstar, K.L. Saigal. However, after a few years, differences began to grow between them. In an old interview, she shared: 'You can call it infatuation or whatever. I was besotted with O.P. Saigal and married him. I thought I'd settle down, but destiny kept me fettered to the camera as his business failed. Despite the money I made, I was frustrated and angry at how actresses like Shyama had graduated to lead roles while I was stuck with second leads and bit roles, even doing double shifts to keep my kitchen fires burning. The regular fights with my husband saw me send my daughters to a boarding school in Panchgani.' When Shashikala Eloped with Her Boyfriend Despite being married to O.P. Saigal, Shashikala was in a relationship with another man. She later admitted that her boyfriend had misled her at the time, calling it the biggest mistake of her life. With nowhere to live, she ended up sleeping on pavements. In an emotional interview, she recalled, 'Yes, destiny wasn't done playing me a bad hand. Differences between my husband and me worsened when the kids were in boarding school. That's when, in a misguided moment straight out of my film Gumrah, I eloped with another man abroad—leaving behind my husband, kids, and career. It was the biggest mistake of my life, for which I paid dearly. I was humiliated and tortured for days until I returned—crazy and broken. For days, I roamed the streets like a madwoman, sleeping on pavements, eating whatever I could find, and touring ashrams and temples in search of peace.'

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