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A Tribe Called Red returning to Hamilton with new name
A Tribe Called Red returning to Hamilton with new name

Hamilton Spectator

time21-05-2025

  • Entertainment
  • Hamilton Spectator

A Tribe Called Red returning to Hamilton with new name

Evolution and change are not things Tim (2oolman) Hill and sidekick Bear Witness shy away from. That goes for the sound, the music skills and the group's name. In 2021, the once four-man group named 'A Tribe Called Red' changed to the Halluci Nation, and now the duo is bringing its music to Hamilton. Hill said the two changed the name because it was time. 'Me and Bear's relationship changed,' said Hill. 'We're family, now more so than ever, and when you have that kind of bond, it really makes you think that you can do anything.' The name did not come out of nowhere, with the group having released 'We Are the Halluci Nation' in 2016. On Thursday, May 22, the Halluci Nation perform at Bridgeworks in Hamilton as part of their 'Path of the Baby Face' tour. Attendees will hear music from the duo's three-song EP released in April 2025 under the same name as the tour. 'It feels like we're on a mission to try to create our greatest work yet,' said Hill. The group started out in 2007 in Ottawa nightclub Babylon, when founding members and DJs Ian (DJ NDN) Campeau, Bear Witness and Jon (DJ Frame) Limoges, and later Dan (DJ Shub) General, started a night for Indigenous youth. From then, the group evolved, with several members joining and leaving over the years. Hill joined the group in 2014, replacing General, who left to spend more time with family. In 2017, Campeau announced his departure from the group, citing a shift in his career goals and growing apart from the other members. Since its inception, the group has had music featured in video game 'Fortnite,' performed at music festival Coachella and won three Juno Awards. 'I'm really happy to hear that everybody's been so on board with what we've been up to and us expanding our sound,' said Hill. For Hill, this show is especially important, as his mother, sister and aunt will be in the crowd. 'They're the ones who are really locked in for everything that we do, so it's nice to be around home,' said Hill, who is from Six Nations. 'To have their support and them to be excited is pretty exciting for me.' When: Thursday, May 22, 7 p.m. Where: Bridgeworks, 200 Caroline St. N., Hamilton Tickets: $35, Cheyenne Bholla is a reporter at The Hamilton Spectator. cbholla@

The Halluci Nation's amped-up nod to wrestling, and 3 more songs you need to hear this week
The Halluci Nation's amped-up nod to wrestling, and 3 more songs you need to hear this week

CBC

time30-04-2025

  • Entertainment
  • CBC

The Halluci Nation's amped-up nod to wrestling, and 3 more songs you need to hear this week

Songs you need to hear is CBC Music's weekly list of hot new Canadian tracks. Scroll down to discover the songs our producers are loving right now. Canadian Destroyer, the Halluci Nation feat. Northern Cree Wrestling and the Halluci Nation have often gone hand in hand: in 2015, the electronic duo dropped a wrestling-inspired EP, Suplex, with songs like Bodyslam and The People's Champ. They returned to that theme on their vibrant 2023 EP, The Path of the Heel, and now, they expertly continue the through-line of combat sport on their latest EP, Path of the Baby Face. This time around, Tim "2oolman" Hill and Ehren "Bear Witness" Thomas are rumbling with more energy, as if gearing up to pull off the iconic wrestling flip from which the track takes its name. The Canadian destroyer is a crushing, part-somersault move used to flip an opponent and on the supercharged track, they team up with frequent collaborators Northern Cree to blend powwow music with throbbing dubstep for a heart-racing anthem. Beginning with the singing group's vocals, the track contains thundering drumming that revs up before each drop, adding some bite to moody synths. Northern Cree's vocals dip in and out, wobbling over the glitchy, rapid beats as the fast-paced song swirls around that heartbeat-like drumming. As it all comes together, it's clear to see that the pressure-building, riveting track would make a perfect walk-out song for the ring. — Natalie Harmsen Telenovela, Isabella Lovestory Isabella Lovestory's latest peek into her forthcoming sophomore album is a feast for the ears and eyes. The single, Telenovela, is accompanied by a larger-than-life music video directed by Charlotte Rutherford, that devolves into chaos as she's taken through many melodramatic telenovela skits, which end with a coital experience between her and her television (you have to see it to believe it). The neoperreo (reggaeton's baby cousin) track is all brash synths, dembow rhythms, headknocking drums and outlandish lyrics. A personal fave comes on the chorus when Isabella Lovestory warns that she and her "Barbarella bitches" aren't afraid to back down from a fight: "Si no te meto el tacón de cristal," which translates to "I'll stick my crystal stiletto in you." — Kelsey Adams Pool Party, Penny & the Pits Get your water shoes and goggles ready — it's time for a surf-rock swim with New Brunswick's Penny & the Pits. The new offshoot from Penelope Stevens, one-third of avant-rock trio Motherhood, Penny & the Pits is here to make you move, with irresistible riffs and feminist lyrics that lend a deliciously dark undertone to a fun time. "I spent a lot of time making challenging work that would test both myself and the listener," Stevens said, of their time with Motherhood. "Now, I'm trying to make music that feels good; music that connects the heart to the body." While Penny & the Pits is a Penelope Stevens project, the band's live iteration also features beloved local names: Megumi Yoshida (Century Egg, Dog Day, Not You), Colleen Collins (Construction & Destruction) and Grace Stratton (Nightbummerz, Glitterclit). Don't let yourself miss their live shows this pool season. — Holly Gordon Future Emma, Billianne Billianne's been on a killer run lately. The singles she's released since 2024 have showcased such a beautiful blossoming for the emerging artist. Her latest, Future Emma, really highlights the full breadth of her potential. It's been clear since the Milton, Ont. singer's cover of Tina Turner's Simply the Best in 2022 that she has an exemplary voice — full and robust — but on Future Emma, she's flexing all new vocal chops. In an interview with The Luna Collective at SXSW she said "out of all the songs in my musical hard drives and catalogs, I think I'm most proud of my voice on this song." The way she soars and soars some more on the chorus is goosebump-inducing. In the same interview, Billianne delved into writing the song for her friend who was going through some "really hard life circumstances" that she "shouldn't have to deal with at such a young age." Future Emma is tinged with hope, articulating that no matter what the world drops at your feet, you can make it through: "It's not how it's supposed to be/ The smoke's gonna clear eventually." — KA

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