Latest news with #HousewifeoftheYear
The Irish Sun
2 days ago
- Entertainment
- The Irish Sun
‘Heartbreaking to watch' – RTE viewers left stunned by ‘powerful' Housewife of the Year documentary
RTE viewers were left stunned after watching the "powerful" and "heartbreaking" Housewife of the Year documentary. The documentary, directed by award-winning filmmaker Ciaran Cassidy, had its Irish TV premiere on 2 Housewife of the Year had its Irish TV premiere on RTE One last night Credit: Instagram 2 The documentary sparked a strong reaction from RTE viewers Credit: Instagram It looked back at the "shocking" Housewife of the Year competition, which ran from 1968 to 1995. The annual contest saw women from across the country compete for the title live on national television. The competition celebrated "cookery, nurturing, and basic household management skills" - but what was shown on screens didn't always reflect the reality of life for Irish women at the time. The read more on RTE Former contestants told the story of a resilient generation of women and how they changed a country. Many recalled their direct experiences of marriage bars, lack of contraception, Magdalene laundries, financial vulnerability, boredom and shame, all while being contestants in the competition. From 1982 onwards, the competition aired on RTE and featured not just the contest itself but also footage of the women at home. The documentary has sparked a strong reaction from RTE viewers as many took to READ MORE ON THE IRISH SUN Sylvia said: "It's sad and frustrating, upsetting, limiting, suppressive for a generation who had to stay at home and look after the family." Keith wrote: "What an awful country we lived in back then, shocking." 'That's when panic set in' - Watch Camogie ace & gold medallist's scary cliff moment on Death Road in RTE's Uncharted Marc commented: "Watching Housewife of the Year. Incredibly well put together Irish documentary. Is it shocking? I'd say infuriating." 'INCREDIBLE WOMEN' Grace said: "Housewife of the Year was a masterpiece of contextualisation - such a clever way to present Ireland of the time. "These diverse women's stories a microcosm of Irish society. So glad they got the opportunity to share their lived experiences since." Joanne wrote: "Had the privilege of seeing this at the Toronto Irish Film Festival this winter. "Such a powerful, sobering, film. More power to these incredible women. To all women." Another added: "Heartbreaking to watch these stories being told. What some of these women have been put through."
Irish Independent
3 days ago
- Entertainment
- Irish Independent
Housewife of the Year review: Award-winning documentary unearths the sad stories behind an Irish TV relic
Today at 13:00 The period between feature documentaries showing at festivals and cinemas, then turning up in our living rooms has shortened significantly in recent years. Ciaran Cassidy's excellent Housewife of the Year (RTÉ1, Monday, June 2) did the festival circuit last year, winning a prize at Galway Film Fleadh, and enjoying a limited run in cinemas. And yet television, where it will reach a much larger audience, feels like its natural home. After all, television was the home of the bizarre spectacle that was the Housewife of the Year competition. It started in 1967, was televised live by RTÉ from 1982 and lasted – astonishingly – until 1995. From the outset, it was a cringe-inducing anachronism. The contestants were judged on qualities including sense of humour, budgeting skills, civic-mindedness and their ability to prepare 'a simple meal' for the hubby coming home from a hard day's work. They were also encouraged, Rose of Tralee-style, to do a party piece. 'It's very good to be good-looking, but that's no excuse for bad cooking,' ran one self-penned poem. Presiding over the whole thing was host Gay Byrne. Clips from the original broadcasts, skilfully assembled by editor Cara Holmes, remind us that Byrne – who always received an inordinate amount of credit for supposedly dragging Ireland into the light of modernity when it was others, mainly women, who were doing the real heavy lifting – could be gratingly patronising. 'Are you a women's libber?' he asks one woman, as the audience whoop with laughter and clap like performing seals. The whole thing was an embarrassment ripe for mockery, and mock it plenty of people did. Cassidy uses the Housewife of the Year competition, absurd as it was, as a jumping off point for a look at how generations of women were subjugated by the State and the church A lesser documentary might have gone down the point-and-snigger route: 'Look at this! Can you believe how backward Ireland was in those days?' Instead, Cassidy uses the Housewife of the Year competition, absurd as it was, as a jumping off point for a look at how generations of women were subjugated by the State and the church – which were basically one and the same entity – sometimes with the collusion of their husbands and parents. In its own unwitting way, the competition was a small brick in the wall of sexism and misogyny that kept Irish women where the patriarchy thought they belonged: in the kitchen and the maternity ward. ADVERTISEMENT Learn more There's no narration, no learned talking heads. Just the faces and voices of some of the women who entered it and, in some cases, won. We see them first as they were in those old clips, then as they are now – standing on a bare stage, telling their personal stories of sadness and cruelty from a time when contraception and divorce were outlawed, and women had to give up work as soon as they married (teachers were an exception). One was married at 20. At 31, she had 13 children, including four sets of twins. 'I didn't know which end of me was up,' she says. Her husband drank their money. The more kids she had, the more he retreated to the pub. She used to take a pot to a food centre to have it filled with stew. On the bus home, everyone could smell the stew – the smell of embarrassment. She entered the competition for the prize – £300 in cash and a gas cooker – and won. Another, having taken some photos of herself and her two friends on an innocent rowing boat trip with some boys when she was 16, left the film in the pharmacy for developing. The pharmacist brought the pictures to the local priest, who showed them to her parents and said: 'You need to do something about this one.' They took his advice and deposited her with the Magdalene Sisters, then left without saying goodbye. Vivid and moving as their recollections are, there's a remarkable lack of bitterness here There were stories here of a woman abandoned by her husband, of one who made contact with the mother who'd given her up for adoption, only to be told by her half-sisters, 'You weren't wanted then and you're not wanted now,' and of one who gave up a nursing career in London to marry into a life of domestic drudgery. 'I was doing things that didn't need doing at all, just to occupy my mind,' she says. Vivid and moving as their recollections are, there's a remarkable lack of bitterness here. The Housewife of the Year show may have been a symbol of a repressive society, but some of them look back on it with a certain degree of affection.
Irish Independent
4 days ago
- Entertainment
- Irish Independent
Today's top TV and streaming choices: Housewife of the Year, Raiders of the Lost Ark and The Better Sister
Dragon Hearts RTÉ One, 6.30pm In 2020, Ireland's first dragon boat-racing club was formed in Dublin. Here, those who are passionate about the fast-growing sport explain why it's so important to them, revealing its impact on them both physically and mentally. Code of Silence Virgin Media One, 9pm We're reaching the halfway point of the gripping drama, and matters are about to get even more dangerous for Alison. She uncovers important information by following Braden and Liam to a building site, but begins to question the bond she has formed with the latter. Housewife of the Year RTÉ One, 9.30pm Feature-length, award-winning documentary. It takes a look back at the Housewife of the Year contest, which was broadcast annually on TV between 1967 and 1995. Some of those who took part discuss their experiences. Raiders of the Lost Ark RTÉ One, 3.30pm Steven Spielberg's perfect bank holiday film stars Harrison Ford as adventurous archaeologist Indiana Jones who comes face to face with Nazis while on the trail of the Ark of the Covenant. Karen Allen co-stars. Dept. Q Netflix, streaming now DCI Carl Morck may be an excellent investigator, but there's no hiding from the fact that he's a terrible co-worker. There's the small matter of his scathing sarcasm, which has left him without a single friend in the Edinburgh police force. Then there's the rather more serious issue of him having fatally shot a young officer and permanently injured his partner. Unsurprisingly enough, following this tragic turn of events, Morck is relegated to Department Q: a cold-case unit which was created as a publicity stunt. Although the force is thrilled to see Carl go, he soon sets about assembling a group of outcasts who are all keen to prove themselves. Yes, it does sound a bit like Slow Horses, which is quite the gauntlet for Netflix to throw. Only time will tell if it's worthy of comparison. With yer man from Leap Year (Matthew Goode) essentially playing a hybrid of Gary Oldman's Jackson Lamb and Jack Lowden's River Cartwright, I wouldn't hold my breath. A Widow's Game Netflix, streaming now Picture it: August 2017. In a Valencia parking lot, a man is found stabbed seven times. The city's Homicide Group, led by a veteran inspector, races to solve the case, which appears to be a crime of passion. Their investigation soon takes a shocking turn, pointing to an unlikely suspect: Maje, the victim's seemingly sweet and stoic widow, married to him for less than a year. Mission: Impossible Fest Disney+, streaming now We can never get enough of the Mission: Impossible movies, it seems. You can now watch all the prequels to the recently released The Final Reckoning if you're so inclined. Bono: Stories of Surrender Apple TV+, streaming now Behold Bono's one-man stage show, exploring the personal experiences that have shaped him as a son, father, husband and activist. Oh, and as one of the planet's biggest rock stars. If Owen Wilson's signature shtick is more to your liking, The Stick lands Wednesday. Good Boy Prime Video, streaming now In order to combat crime in a perilous underworld, a group of former medal-winning athletes exchange the podium for police badges. In an exciting, action-packed ride, Yun Dong-ju (Park Bo-gum) and his group battle a formidable criminal syndicate. Also on Prime Video, we have season 2 of The Second Best Hospital in the Galaxy, courtesy of producers Maya Rudolph and Natasha Lyonne. The Better Sister Prime Video, streaming now D'you know what society needs? More portrayals of women being pitted against each other. Based on Alafair Burke's novel, however, this eight-part thriller attempts to turn things. When media executive Chloe (Jessica Biel) and her estranged sister Nicky (Elizabeth Banks) are reunited after a murder, they must unravel long-buried family secrets to uncover the truth.
New York Times
07-03-2025
- Entertainment
- New York Times
‘Housewife of the Year': Contestants Look Back in Dismay
There's a temptation, when making a documentary about some obviously retrograde practice from the past, for filmmakers to treat their subject like something to gawk at. Can you believe how backward earlier generations were? Let's all point and stare and wince. 'Housewife of the Year' (in theaters), directed by Ciaran Cassidy, could very easily have gone in that direction. The film is about (and named after) a live, prime-time televised competition that took place from 1969 to 1995 in Ireland — and it's pretty much what it sounds like. Women, generally married and raising a large family, were judged on qualities ranging from sense of humor and civic-mindedness to budgeting, preparing a simple meal and, of course, keeping up their appearance. All of this, the movie briefly explains via text onscreen, can be seen as an effort to prop up the social order in a deeply religious, deeply traditionalist country where it was virtually impossible for a married woman to maintain many kinds of employment. 'The state shall endeavor to ensure that mothers shall not be obliged by economic necessity to engage in labour to the neglect of their duties in the home,' Article 41.2 of the Irish Constitution proclaims. The competition helped reinforce those values. As Irish society changed, especially with respect to women's rights and reproductive freedoms, the competition eventually turned into 'Homemaker of the Year,' open to all genders. But that's not the focus of the documentary, nor is there ponderous narration explaining to us what happened. Instead, 'Housewife of the Year' focuses on two main ways of telling its story. The first is archival footage from the competition, which reinforces how much of it focused on patronizing and even belittling the women as they participated, via the male host, Gay Byrne, interviewing them onstage. It's remarkable to watch. But woven throughout are present-day interviews with many of the participants, now much older, who see things differently than they probably did back then. They tell stories of what was really going on in the background: alcoholic or deadbeat husbands, economic catastrophes, backbreaking labor. One woman, Ena, talks about having given birth to 14 children by the time she was 31, owing largely to the ban on contraception. Want all of The Times? Subscribe.
Boston Globe
28-01-2025
- Entertainment
- Boston Globe
‘Housewife of the Year' revisits Ireland's obsession with long-running reality show about women performing domestic duties
'It was absolutely huge,' recalls one former contestant in Advertisement The film — which gets a showcase screening Friday at the Somerville Theatre, presented by the Irish Film Festival, Boston — introduces us to dozens of women who gamely took part in the competition. Still in their childbearing years (one contender had 13 children by age 31, including four sets of twins), they welcomed cameras into their kitchens and donned their best dresses to banter with Gay Byrne, Ireland's most famous media personality, onstage in some of the country's poshest theaters. Ellen Gowan in her home standing on a box with her sash. Juno Films Years later, the women have changed. They've become feminists, or they're returned to the work force, or they've learned to live independently of the former man of the house. Some of them supported the 1995 referendum that approved the constitutional amendment to lift the country's ban on divorce. Some have taken issue with the Irish Constitution, which to this day strongly encourages Irish women not to neglect 'their duties in the home.' 'I think people don't realize how religious Ireland was in the '60s, '70s, and '80s,' says Ciaran Cassidy, who directed the film. 'Anybody who grew up here would realize how total the control of the church was. 'It was a kind of fundamentalism about keeping up with appearances,' he says. 'I think these themes are universal, but it's very difficult when people are living through it to have that kind of perspective at the time.' Advertisement As a boy growing up in County Cavan, Cassidy (who is 45) had a neighbor who had been on the show. 'It was a town of 12 or 15,000, and everyone knew this woman was appearing on the show,' he says. After years as a live event, in 1982 the program became a Saturday night television staple. By 1988, at the height of 'Housewife''s popularity, 5000 women competed. At the time, the host, Byrne, was the biggest star in the country, Cassidy explains. 'It was kind of weird — he almost represented the whole patriarchy. All the different female characters, and just this one man.' Ellen Gowan on stage in the Everyman Theatre, Cork, holding a photo of herself as a girl. Juno Films Byrne, Cassidy says, was like the Johnny Carson of Ireland — if Carson had hosted multiple shows on TV and radio, in an era with no alternative to the one national network. Looking back, the show brims with outdated coiffures and cringeworthy innuendo. When one contestant tells Byrne (who died in 2019) that she has six kids — ages 14, 13, 12, eight, six, and a newborn — he does the math and asks 'What happened to 11, 10, and nine?' 'I couldn't keep going,' she replies. To which Byrne responds with an impish grin, 'Why not?' The film features ample footage from the program, flickering on the screens of vintage vacuum-tube TV sets, staged in the sepia-toned sitting rooms of old homes. "Housewife of the Year" winner Ann McStay posing with her family and husband in 1969. Juno Films 'There was no color back then,' says Dawn Morrissey, the festival's director. 'Women were almost in the background, like curtains.' She grew up in the town of Kildare, where she often watched the show with her mother. 'She had a very different experience,' Morrissey says. 'She only had two kids, by choice. She had lived in London, and she had a career. But the majority of women just didn't get that opportunity.' Advertisement Ireland's massive shift on cultural issues has been well documented in recent years. The country's economic boom, the so-called 'Celtic Tiger' of the late 1990s and early 2000s, has slowed, while the cost of living has risen drastically. Still, Irish creativity 'There's kind of a lot of confidence in the generation,' Cassidy says. 'These are singular stories, but they actually translate internationally if they're executed well. 'There's a lot of skilled people here, a lot of talent. It does feel like an exciting time. Irish people do love stories.' And for the women who once vied to be 'Housewife of the Year,' they're getting another moment in the sun. In the film, they take turns walking out onto a bare stage, beaming for Cassidy's cameras, wearing the sashes they earned long ago. "Housewife of the Year" winner Philomena Delaney onstage at the Everyman Theatre, Cork. Juno Films HOUSEWIFE OF THE YEAR Presented by Irish Film Festival, Boston. Friday, Jan. 31, 7 p.m. Sold out. Somerville Theatre, 55 Davis Square, 617-625-5700 or James Sullivan can be reached at .
