Latest news with #I'mComingOut
Glasgow Times
17-05-2025
- Entertainment
- Glasgow Times
Diana Ross slashes ticket prices for only Scottish date
The I'm Coming Out singer announced a "surprise seat ticket offer" for her Glasgow OVO Hydro show on June 25 this year. An email sent out to fans said: "From now until 10am, Monday 19 May you can see Diana Ross - Live in Concert for just £40 + fees!" The message goes on to explain that if you participate, you will be randomly assigned a seat anywhere in the venue. READ MORE: What Glasgow gave Diana Ross when US singer dazzled city in the 70s Diana Ross slashes ticket prices for only Scottish date (Image: Sourced) They explained: "You pay for a ticket, and you'll get a great seat anywhere in the venue from front to back - all you need to do is sit back, sing along, and enjoy the show." Diana last played in Glasgow at the Hydro in June 2022. READ MORE: Diana Ross to perform show at Glasgow OVO Hydro The American legendary singer is known as the 'Queen of Motown' and shot to fame as the lead singer of the group the Supremes. One fan couldn't believe the offer: "Diana Ross for only £40?! What a steal! "She might sing I'm Coming Up, but I'll be SNAPPING up that bargain."
Yahoo
08-05-2025
- Entertainment
- Yahoo
Diana Ross Wears Dramatic 18-foot Shawl, Tracee Ellis Ross Plays With Proportions in Marc Jacobs for Met Gala 2025 Red Carpet
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways The 2025 Met Gala turned into a family affair for Tracee Ellis Ross, Diana Ross and Evan Ross on Monday night in New York City. The trio attended the high-profile event ahead of the Metropolitan Museum of Art's spring exhibition. For the occasion, each Ross family member styled a look that spoke to their individual approach to fashion and catered to the theme in a unique way. Tracee Ellis Ross opted for a custom look courtesy of Marc Jacobs. More from WWD Tracee Ellis Ross The Emmy-nominated actress' suited attire played with proportions, featuring billowing soft pink trousers with a fuchsia bow at the waist and bordeaux jacket juxtaposed by a white ruffled blouse. The 'Black Mirror' actress' look coordinated with her hat, as well. As for her mother's look, Diana Ross brought the drama to the 2025 Met Gala — her first appearance at the event since 2003. She attended the gala alongside her son, Evan Ross. The 'I'm Coming Out' singer's look featured a large feathery hat in white, which coordinated with her allover crystal embellished gown. Diana Ross The centerpiece of Ross' look, however, was her dramatic shawl with long cuffs of plumage to accentuate her look. At 18 feet, the train was embroidered with all of the names of her children and her grandchildren. Posing alongside his mother, Evan Ross styled a contemporary and edgy suited look. Evan Ross wore a black jacket with sharp shoulders and shimmering elements lining the fabric. He paired the look with high-waisted trousers and wore a distressed cream silk top with a plunging neckline, showcasing his green and silver statement necklace. Evan Ross, left, and Diana Ross The 2025 Met Gala, held Monday at the Metropolitan Museum of Art, features the theme 'Superfine: Tailoring Black Style.' The event highlights Black dandyism and menswear, with a 'Tailored for You' dress code. Cochairs include Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams and Anna Wintour. View Gallery Launch Gallery: Met Gala 2025 Red Carpet Arrivals Photos, Live Updates Best of WWD Sign up for WWD's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.
Metro
06-05-2025
- Entertainment
- Metro
Zendaya's iconic reaction to Diana Ross 'upstaging' her on Met Gala red carpet
Diana Ross made a fabulous grand entrance at the 2025 Met Gala on Monday night – and one star who was sure to let that happen was Zendaya. The Marvel actress, 28, who wore a custom Louis Vuitton three-piece white suit for the occasion, was seen patiently waiting on the carpet at the Metropolitan Museum of Art behind music legend Ross. The I'm Coming Out singer, 81, was attending her first Met Gala in over 20 years, having last graced the famous steps in a red gown in 2023. For 2025, Ross oozed glamour in a crystal-embellished floor-length gown, paired with a white satin feather-trimmed cape with a dramatic 18-foot train that was embellished with the names of her five children and eight grandchildren, according to Vogue. She finished off her look, which was designed in collaboration with her son Evan Ross and Nigerian designer Ugo Mozie, with a matching wide-brimmed white hat, fully covered in feathers, and chandelier-style drop earrings. Ross wowed many an attendee at the prestigious fundraising event, and that included Zendaya. In a clip captured from the carpet and shared on social media, the star was praised for quietly standing back and looking on admiringly while Motown icon Ross, who rocked Glastonbury with her set in 2022, had her moment in the spotlight. She waited as Ross and her 36-year-old son Evan posed for pictures and then held back even as publicists and photographers directed her, beaming as Ross – let's face it – completely owned the event's blue carpet. Zendaya also had a warm exchange with Evan as stepped out the frame to leave his mum to a few outfit tweaks and further photographs, touching his arm as they negotiated the photographers on the carpet. 'Zendaya is literal perfection – in class and style!' praised one fan – referencing her look and gracious behaviour – as @dinsycummins added: 'Zendaya is a gem!' To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video 'Respecting your elders is what you're supposed to do. Brrrrravo, Zendaya,' chimed in Jenn Gee, as @ observed: 'That's a class act.' 'I've never seen Zendaya pale in comparison to anyone but the one and only Diana Ross, now that's rarefied air right there,' commented Delia. 'She is legendary and she looked like a Queen. Zendaya looks amazing too.' The two-time Emmy winner for Euphoria later had her own chance to shine on the carpet in her outfit, which beautifully reflected this year's theme of Superfine: Tailoring Black Style with a dress code of 'Tailored for You'. She attended without fiancé Tom Holland, as has become custom for the couple, although the Spider-Man actor, also 28, was snapped leaving the hotel where Zendaya had got ready earlier on Monday. He has never appeared at the event with her, with the couple avoiding attending each other's red carpets too unless they are in a project together – such as Sir Christopher Nolan's upcoming star-studded adaptation of The Odyssey. More Trending He recently explained why to Men's Health, stating: 'Because it's not my moment, it's her moment, and if we go together, it's about us.' It was instead more of a moment for Zendaya and the other man in her life – longtime stylist Law Roach, who has worked with the former Disney Channel star since 2011, when she was just 14. Tickets for the Met Gala cost $75,000 (£56,227) per plate and this year's proceedings were hosted by co-chairs Pharrell Williams, Lewis Hamilton, Colman Domingo, father-to-be A$AP Rocky and absent LeBron James, who worked alongside Vogue editor Anna Wintour. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Car smashes into Jennifer Aniston's mansion with man 'held at gunpoint' MORE: Inside Rihanna and A$AP Rocky's relationship as she confirms third pregnancy at Met Gala MORE: Kim Kardashian shoots security guard fiery glare as he steps on her Met Gala dress
Metro
04-05-2025
- Entertainment
- Metro
Musicians never seem to retire - and its all down to orgasms
It's 2025 and The Rolling Stones are still rockin' out 63 years after they formed. Sir Paul McCartney, now 82, sang The Beatles in front of a 20,000 London O2 audience in December. Fleetwood Mac's Stevie Nicks, 76, filled out and lit up Hyde Park last summer, Annie Lennox is living her Sweet Dreams on stage at 70, and Diana Ross is still singing I'm Coming Out in her 2025 tour. Anyone sensing a theme? Why, when most of us are clamming to retire in our 60s, can musicians not put the kettle on, hang up their mics and say with absolute certainty that their performing days are behind them? (We're talking about the big music dogs here – where financial gain is not a motivation for touring into their 80s…) The trend is not just because music is a 'fun' job – it goes deeper than that, according to Boo Radleys lead singer and chartered psychologist Dr Simon Rowbottom. Dr Simon is still touring with the Wake Up Boo! hitmakers 33 years after they formed – so he would know. The Music Industry Therapist Collective's 'resident rockstar psychologist' tells Metro: 'There's a huge amount of enjoyment that is very, very important for people. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video 'I think it is something deep, something extraordinarily deep about music. We're the only species that creates music, and I think there is something incredibly psychologically important about it. 'It gives us a real sense of calm. It gives us a sense of excitement. It gives us a sense of creativity. It gives us a way to express emotion. So I think even though people like me can step away from the public face of music for a while, we never really step away from music,' he says. 'Music is something that is in your soul for life.' Tasmin Embleton, a specialist music industry psychotherapist who founded the Music Industry Therapist collective, agrees. 'Being a musician is more of a vocation than a job,' she says, adding: 'For many, that calling or creative urge doesn't end as you age, or as musical trends change.' Embleton explains how performance acts like a flattering mirror for musicians, where the audience reflects their best selves. 'If performance is where you feel most like yourself, or most like a version of yourself you like and feel is worthy of love, you will have a strong motivation to keep on performing,' she explains. 'The spotlight meets a need in certain musicians. It fills a hole, it fills a need that they have to feel a sense of worth, a sense of self esteem,' Dr Simon says, caveating that this isn't the case with every musician. 'But I think for a lot of musicians there is a search for a sense of validation; even adoration. 'There is definitely something to be said about what happens when these disappear – how somebody can feel depressed, purposeless, and that they don't have value anymore. 'I think it's a vital thing to consider for musicians' mental health when they step away from the limelight – or worse, are forced to step away from that kind of limelight. Where do they get that sense of worth from when the audiences are no longer there?' Research has shown that people working in the music industry are more prone to mental health problems than the general population, with musicians being up to three times more likely to suffer from depression, according to Mind. 'Performing can facilitate highly pleasurable 'flow' states where you feel fully immersed in the task at hand, feel present, have a sense of mastery and lose self-consciousness,' explains Embleton. 'If you are lucky enough to have a 'peak' experience on stage, then you might feel a profound high and experience an altered state of consciousness.' Heightened awareness could also be achieved, where senses sharpen like when colour looks more vivid, which is an addictive feeling. A 'flow state' is a mental state in which a person is completely engrossed in a single task or activity. Mihaly Csikszentmihalyi, an influential figure in positive psychology, coined the term, which is also described as 'being in the zone'. Tasks that encourage a flow state have a few characteristics: they are challenging, but not impossible, and rewarding. Signs you are in 'flow' include being totally focused, not thinking about yourself, and enjoying the activity in tasks such as sports, games, reading, creative hobbies, or even gardening. While in a state of flow, the world fades away and nothing else seems to matter. 'The rapturous ecstasy of peak experiences can be induced by orgasms, drug use and experiences of 'collective joy' such as concerts and religious experiences,' says Embleton. 'So physically, and due to the personal and social reasons mentioned previously, it can lead you to craving being on stage.' Peak experiences are the most wonderful experiences of your life – moments of total ecstacy, which conjure a sense of awe, wonder, or amazement. 'I don't think it's an advisable career path,' says Dr Simon. 'I would be concerned about young people going into it.' 'Probably not, no,' agrees Embleton, when asked if a career in music is good for mental health. 'Not everyone suffers, but many people do. That's why we advise psychological support from as early as possible. 'While we know that making music is therapeutic, the conditions of working in the music business are not conducive to good health. This is widely accepted by the business.' One of the reasons Embleton set up the Music Industry Therapist Collective was to provide support for musicians at every stage in their careers, which can often be turbulent, ever-changing and short-lived. More Trending 'Many are dropped suddenly from contracts or leave the industry without a sense of what to do next, what skills are transferrable and what else they might be good at,' she says. 'As their careers are so tightly tied to their sense of self, this rejection can be devastating, leaving them with shame which may need to be worked through in order to move on and reinvent oneself away from the music business. 'So in some ways, those who can work into their 60s are the lucky ones.' Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: The truth behind the five craziest theories about The Beatles MORE: Original Beatles drummer who was sacked from band retires after 'wonderful ride' MORE: How Paul Mescal's 'body transformation' for Beatles biopic role could be dangerous
The Guardian
14-03-2025
- Entertainment
- The Guardian
The rise of Hot Dub Time Machine: ‘No matter how good a DJ is, you're still pretending to be a musician'
Tom Lowndes wants to tell me a theory. 'I think DJing is the professional wrestling of the music industry,' he says. 'Wrestling, in the end, no matter how good it is, it's still people pretending to fight. The DJ, no matter how good you are, you're still pretending to be a musician.' He doesn't mean this as a bad thing, of course. Since 2011, Lowndes has performed under the persona of DJ Tom Loud, the ringmaster of Hot Dub Time Machine, a hugely popular music party that tours the world. Throughout the 2010s 'Hot Dub' built a cult following at the Adelaide and Edinburgh fringes, before riding the bubbles and crashes of Australia's 2010s festival landscape and playing big overseas slots from the desert of Coachella to a 15th-century Transylvanian castle. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Like wrestling, the key to DJing is playing to the crowd, he says: 'I'm all about the connection. The whole time I'm playing, I'm looking at the crowd. My hands can kind of do the DJing on their own.' The Hot Dub Time Machine concept is simple: over two hours, Lowndes takes his audience from 1954 to the present day, skipping across decades and genres with childlike glee. He typically begins with Bill Haley and the Comets' Rock Around The Clock, before leapfrogging from one track to another via shared musical DNA or lyrical themes. In the 1970s, Daddy Cool's Eagle Rock might turn into Boney M's Daddy Cool. By the 1980s, the horn blasts of Diana Ross's I'm Coming Out blend into Eye of the Tiger, which in turn becomes John Farnham's Pressure Down. In the 1990s, Yothu Yindi's Treaty blurs into TISM's Greg! The Stop Sign!!, before Tag Team's Whoomp! (There It Is!) unexpectedly turns into Nicki French's 1994 cover of Total Eclipse of the Heart. 'My process now is that I make a very, very carefully constructed set … and then I don't do it,' he says. '[I'll have] a really orchestrated, intricate, chronologically correct set. I put a huge amount of effort and thought into what songs will work, the energy and the pacing, all that stuff. And then I look at all their faces and go, 'No, they just want to hear [Earth, Wind & Fire's] September right now'. 'What I do is daggy – I'm a retro DJ,' he adds. 'But when you're playing George Michael and Fred Again within half an hour of each other, there's something about that that makes the George Michael cooler by association, and makes the Fred Again more fun.' Lowndes' early music tastes were shaped by Triple J's request line and his parents' Stones and Beatles cassettes, followed by a heavy metal phase. A stint in London introduced him to ecstasy and rave culture, before returning to Australia to settle into his first career as a sound designer. He spent a few years working on Channel Nine's Underbelly series, and added horse noises to nearly 200 episodes of McLeod's Daughters – he even supplied the crunching metallic noises when Claire's ute fatefully went over the cliff in season three. But he could 'feel the death knell of the Australian television drama', that he was going to need to find new work soon. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion 'There's a real cliche of the bitter sound guy, and I could just feel myself turning into one of those,' he says. 'I just wanted to make my own thing.' During another job, on the Channel Ten sketch comedy show The Ronnie Johns Half Hour, he befriended comedians like Heath Franklin, Felicity Ward and Dan Ilic. Lowndes had been dabbling with DJing in his bedroom when Ilic invited him to DJ at comedy shows. It took a while to find his feet. Drawing from his TV background, he started incorporating video clips and pop culture references into his act, which he called Tom's Video Dance-a-Rama – 'which was also wildly unsuccessful,' Lowndes says. With the help from some friends, including Ronnie Johns alumnus Jordan Raskopoulos, he landed on the time-travel gimmick, and a catchier name: Tom's Video Dance-a-Rama became Hot Dub Time Machine, a play on the largely forgotten comedy film Hot Tub Time Machine released the previous year. The novel, crowd-pleasing format suddenly clicked. Lowndes' early success on the Fringe circuit landed him slots at music festivals like Splendour in the Grass and Falls festival. With his management, he soon expanded into the festival market in 2016 with Hot Dub Wine Machine, which saw Lowndes regularly play to between 8,000 to 15,000 punters at wineries around Australia. 'It was a whirlwind. Everything we touched was more successful, more exciting. We would throw more money and do all this stuff, more alcohol, more drugs,' he says. 'It's funny to hear these rock'n'roll cliches coming out of my mouth as a time-travelling DJ. But it did all happen, and then all of a sudden, you're like, 'Hang on, how the fuck did I get here? I don't want to be someone who owns a festival. I'm not a business person, I'm a DJ.' Meeting Lowndes in Adelaide at the start of his latest Hot Dub tour, he's now left much of that behind. He parted ways with his former manager, sold his Wine Machine stake for a dollar during the pandemic, and cut out alcohol entirely. 'I've been sober for five years,' the father of three reflects. 'I used to just be drunk and continue the party. I think everybody in the music industry at some point reaches a point where they have to reckon with alcohol. 'It's really cool drinking and partying with 21-year-olds for a long time, but then all of a sudden it's not cool. You have got to decide – do you want to be the older guy in the industry who has his shit together that people can look up to? Or do you want to be that older guy in the industry who's a bit embarrassing?' Later that night, as Lowndes bounces on to the stage like a gangly human pogo stick, beaming at the crowd over his moustache and triggering 2010s-era air horn effects, it seems his wrestling theory might be on to something. When he performs karate chops to conduct the crowd in a mass sing-along of Abba's Voulez Vous, there's no doubt. 'I know, it's a weird way to make a living!' he yells into the microphone – and the next banger plays. Hot Dub Time Machine's show Can't Stop is touring Australia and New Zealand from 29 March–24 May; see here for all dates.
