Latest news with #IfIWereaRichMan
Yahoo
14-03-2025
- Entertainment
- Yahoo
Broadway's Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt and Kelli O'Hara star on album
NEW YORK (AP) — Lea Salonga stepped onto a Manhattan stage last spring and sang something unusual for her — 'Edelweiss' from the musical 'The Sound of Music,' a song usually performed by the paternal Captain von Trapp. It was part of MCC Theater's annual 'Miscast' gala that's celebrating 25 years with an album of top musical theater stars performing songs from roles in which they would not traditionally be cast. It drops March 28. In addition to Salonga, the album has performances by an A-list of Broadway: Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt, Kelli O'Hara, Katrina Lenk, Stephanie J. Block, Rachel Zegler, Raúl Esparza, Heather Headley, Aaron Tveit and Gavin Creel. Zegler channeled her inner green ogre for 'Who I'd Be' from 'Shrek,' and Lenk borrowed Tevye's 'If I Were a Rich Man' from "Fiddler on the Roof." Headley, who originated the role of Nala in 'The Lion King,' instead sang Simba's moving ballad 'Endless Night.' 'We have some that are just funny and silly. We have some that actually change the meaning of a song when someone sings them. We have some that's just a phenomenal person singing a phenomenal song and that's enough,' says Scott Galina, manager of musical programming and development at MCC. 'So it really feels like it captures the breadth of the way a 'Miscast' performance can land.' Other highlights include a live version of 'Take Me or Leave Me' from 'Rent' by Tveit and Creel, a capture made more special because of the death of Creel last year. And Groff and Jordan sing the two divas' anthem 'Let Me Be Your Star' from 'Smash.' Noblezada gets muscular singing 'Go the Distance' from 'Hercules,' and Platt gets in a green mood to sing Elphaba's 'The Wizard and I' from 'Wicked.' O'Hara submits a tender 'Beautiful City' from 'Godspell,' while married couple Leslie Odom Jr. and Nicolette Robinson sing 'The Human Heart' from "Once on This Island." 'There's not a track on the album that you get to and you're like, 'Oh, this is a skip,'" says Will Van Dyke, musical director for 'Miscast" for the past six years. 'That's like my goal in everything — you never want to have a skip track on there.' MCC Theater is a nonprofit, off-Broadway company that delights with its spring gala 'Miscast' surprises, which started in 2001 and went online for a few years during the pandemic. To make the new album, the performers were asked to recreate their live songs in the studio, giving engineers a cleaner sound. Whittling down the various performances over the decades to fit on a 12-album collection — called 'MCC Theater's Miscast: The Studio Sessions' — wasn't easy but some songs popped out for having made a lasting impact. 'Katrina Lenk is still hearing about people who talk about her singing 'If I Were a Rich Man,'' says Galina. 'These are moments that have become bigger for these people than we certainly ever could have intended.' MCC Theater will celebrate its 25th anniversary on April 7 with a 'Miscast' gala at the Hammerstein Ballroom. It will honor Sheryl Lee Ralph and MCC Youth Company alum and artist Travis Raeburn. The 'Miscast25' lineup will feature performances by Tituss Burgess, Cole Escola, Jordan Fisher, Steven Pasquale, Nicole Scherzinger, Britton Smith, Phillipa Soo, Ephraim Sykes, Jordan Tyson, Michael Urie and Tveit. Funds raised by the gala and the album go back to MCC Theater. Over the years, 'Miscast' has seen the landscape of Broadway change with more unconventional choices in race, gender and age. Galina points to a recent gender-swapped version of Stephen Sondheim's 'Company' that transformed the male lead Bobbie into a woman. 'A lot of years before my time at 'Miscast,' you would have women singing 'Being Alive' from 'Company' or 'Mary Me a Little' from 'Company,'' he says. 'And now there's been a production on Broadway with a woman playing Bobbie. So, there are no rules around that anymore, which is amazing.'
The Independent
14-03-2025
- Entertainment
- The Independent
Broadway's Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt and Kelli O'Hara star on album
Lea Salonga stepped onto a Manhattan stage last spring and sang something unusual for her — 'Edelweiss' from the musical 'The Sound of Music,' a song usually performed by the paternal Captain von Trapp. It was part of MCC Theater's annual 'Miscast' gala that's celebrating 25 years with an album of top musical theater stars performing songs from roles in which they would not traditionally be cast. It drops March 28. In addition to Salonga, the album has performances by an A-list of Broadway: Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt, Kelli O'Hara, Katrina Lenk, Stephanie J. Block, Rachel Zegler, Raúl Esparza, Heather Headley, Aaron Tveit and Gavin Creel. Zegler channeled her inner green ogre for 'Who I'd Be' from 'Shrek,' and Lenk borrowed Tevye's 'If I Were a Rich Man' from "Fiddler on the Roof." Headley, who originated the role of Nala in 'The Lion King,' instead sang Simba's moving ballad 'Endless Night.' 'We have some that are just funny and silly. We have some that actually change the meaning of a song when someone sings them. We have some that's just a phenomenal person singing a phenomenal song and that's enough,' says Scott Galina, manager of musical programming and development at MCC. 'So it really feels like it captures the breadth of the way a 'Miscast' performance can land.' Other highlights include a live version of 'Take Me or Leave Me' from 'Rent' by Tveit and Creel, a capture made more special because of the death of Creel last year. And Groff and Jordan sing the two divas' anthem 'Let Me Be Your Star' from 'Smash.' Noblezada gets muscular singing 'Go the Distance' from 'Hercules,' and Platt gets in a green mood to sing Elphaba's 'The Wizard and I' from 'Wicked.' O'Hara submits a tender 'Beautiful City' from 'Godspell,' while married couple Leslie Odom Jr. and Nicolette Robinson sing 'The Human Heart' from "Once on This Island." 'There's not a track on the album that you get to and you're like, 'Oh, this is a skip,'" says Will Van Dyke, musical director for 'Miscast" for the past six years. 'That's like my goal in everything — you never want to have a skip track on there.' MCC Theater is a nonprofit, off-Broadway company that delights with its spring gala 'Miscast' surprises, which started in 2001 and went online for a few years during the pandemic. To make the new album, the performers were asked to recreate their live songs in the studio, giving engineers a cleaner sound. Whittling down the various performances over the decades to fit on a 12-album collection — called 'MCC Theater's Miscast: The Studio Sessions' — wasn't easy but some songs popped out for having made a lasting impact. 'Katrina Lenk is still hearing about people who talk about her singing 'If I Were a Rich Man,'' says Galina. 'These are moments that have become bigger for these people than we certainly ever could have intended.' MCC Theater will celebrate its 25th anniversary on April 7 with a 'Miscast' gala at the Hammerstein Ballroom. It will honor Sheryl Lee Ralph and MCC Youth Company alum and artist Travis Raeburn. The 'Miscast25' lineup will feature performances by Tituss Burgess, Cole Escola, Jordan Fisher, Steven Pasquale, Nicole Scherzinger, Britton Smith, Phillipa Soo, Ephraim Sykes, Jordan Tyson, Michael Urie and Tveit. Funds raised by the gala and the album go back to MCC Theater. Over the years, 'Miscast' has seen the landscape of Broadway change with more unconventional choices in race, gender and age. Galina points to a recent gender-swapped version of Stephen Sondheim 's 'Company' that transformed the male lead Bobbie into a woman. 'A lot of years before my time at 'Miscast,' you would have women singing 'Being Alive' from 'Company' or 'Mary Me a Little' from 'Company,'' he says. 'And now there's been a production on Broadway with a woman playing Bobbie. So, there are no rules around that anymore, which is amazing.'
Associated Press
14-03-2025
- Entertainment
- Associated Press
Broadway's Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt and Kelli O'Hara star on album
NEW YORK (AP) — Lea Salonga stepped onto a Manhattan stage last spring and sang something unusual for her — 'Edelweiss' from the musical 'The Sound of Music,' a song usually performed by the paternal Captain von Trapp. It was part of MCC Theater's annual 'Miscast' gala that's celebrating 25 years with an album of top musical theater stars performing songs from roles in which they would not traditionally be cast. It drops March 28. In addition to Salonga, the album has performances by an A-list of Broadway: Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt, Kelli O'Hara, Katrina Lenk, Stephanie J. Block, Rachel Zegler, Raúl Esparza, Heather Headley, Aaron Tveit and Gavin Creel. Zegler channeled her inner green ogre for 'Who I'd Be' from 'Shrek,' and Lenk borrowed Tevye's 'If I Were a Rich Man' from 'Fiddler on the Roof.' Headley, who originated the role of Nala in 'The Lion King,' instead sang Simba's moving ballad 'Endless Night.' 'We have some that are just funny and silly. We have some that actually change the meaning of a song when someone sings them. We have some that's just a phenomenal person singing a phenomenal song and that's enough,' says Scott Galina, manager of musical programming and development at MCC. 'So it really feels like it captures the breadth of the way a 'Miscast' performance can land.' Other highlights include a live version of 'Take Me or Leave Me' from 'Rent' by Tveit and Creel, a capture made more special because of the death of Creel last year. And Groff and Jordan sing the two divas' anthem 'Let Me Be Your Star' from 'Smash.' Noblezada gets muscular singing 'Go the Distance' from 'Hercules,' and Platt gets in a green mood to sing Elphaba's 'The Wizard and I' from 'Wicked.' O'Hara submits a tender 'Beautiful City' from 'Godspell,' while married couple Leslie Odom Jr. and Nicolette Robinson sing 'The Human Heart' from 'Once on This Island.' 'There's not a track on the album that you get to and you're like, 'Oh, this is a skip,'' says Will Van Dyke, musical director for 'Miscast' for the past six years. 'That's like my goal in everything — you never want to have a skip track on there.' MCC Theater is a nonprofit, off-Broadway company that delights with its spring gala 'Miscast' surprises, which started in 2001 and went online for a few years during the pandemic. To make the new album, the performers were asked to recreate their live songs in the studio, giving engineers a cleaner sound. Whittling down the various performances over the decades to fit on a 12-album collection — called 'MCC Theater's Miscast: The Studio Sessions' — wasn't easy but some songs popped out for having made a lasting impact. 'Katrina Lenk is still hearing about people who talk about her singing 'If I Were a Rich Man,'' says Galina. 'These are moments that have become bigger for these people than we certainly ever could have intended.' MCC Theater will celebrate its 25th anniversary on April 7 with a 'Miscast' gala at the Hammerstein Ballroom. It will honor Sheryl Lee Ralph and MCC Youth Company alum and artist Travis Raeburn. The 'Miscast25' lineup will feature performances by Tituss Burgess, Cole Escola, Jordan Fisher, Steven Pasquale, Nicole Scherzinger, Britton Smith, Phillipa Soo, Ephraim Sykes, Jordan Tyson, Michael Urie and Tveit. Funds raised by the gala and the album go back to MCC Theater. Over the years, 'Miscast' has seen the landscape of Broadway change with more unconventional choices in race, gender and age. Galina points to a recent gender-swapped version of Stephen Sondheim's 'Company' that transformed the male lead Bobbie into a woman. 'A lot of years before my time at 'Miscast,' you would have women singing 'Being Alive' from 'Company' or 'Mary Me a Little' from 'Company,'' he says. 'And now there's been a production on Broadway with a woman playing Bobbie. So, there are no rules around that anymore, which is amazing.'
Telegraph
20-02-2025
- Entertainment
- Telegraph
Fiddler on the Roof, London: What to know about the acclaimed musical revival and how to find tickets
What is Fiddler on the Roof about? The 1964 Broadway musical, Fiddler on the Roof, remains incredibly popular with theatre fans due to its combination of a stirring story, potent themes, and an extraordinary klezmer-inflected score featuring songs such as If I Were a Rich Man, Matchmaker, Sunrise, Sunset, and Tradition. Based on a short story by Sholem Aleichem, and featuring a book by Joseph Stein, music by Jerry Bock and lyrics by Sheldon Harnick, the story centres on a milkman, Tevye, who lives in a village called Anatevka that adheres to Jewish religious and cultural tradition. However, Tevye faces a major challenge to those conventions via his three daughters, who all choose – to his mind – unsuitable husbands. There is a wider political context too. The village is under threat from the Russian tsar (the story is set in 1905), whose forces are menacing the local community in an echo of the real-life pogroms, and there are also clear parallels with the geopolitical tensions of today. Jordan Fein's astonishing revival of the beloved musical was a smash hit at Regent's Park Open Air Theatre last year, and it is now this summer's hot ticket at London's Barbican Centre. How to buy tickets for Fiddler on the Roof You can find seats for the London production of Fiddler on the Roof on Telegraph Tickets. Check the site for the latest prices. The cast Fiddler on the Roof has had some legendary actors leading its cast over the years, including Zero Mostel, Chaim Topol, Alfred Molina and Andy Nyman. Its vivid ensemble storytelling gives great opportunities to multiple actors inhabiting these characters, from parents Tevye and Golde to the three spirited daughters, their suitors, and gossipy local matchmaker Yente. This dynamic revival featured American actor Adam Dannheisser as Tevye alongside Lara Pulver as Golde, Liv Andrusier, Hannah Bristow and Georgia Bruce as their daughters, and Beverley Klein as Yente. It is yet to be confirmed if they will all reprise their roles at the Barbican. Fiddler is directed by Jordan Fein, who previously wowed audiences with his fresh take on musical Oklahoma!. The choreography is by Olivier Award-nominated Julia Cheng, who created the distinctive movement for the West End revival of Cabaret, and the unforgettable design is by Olivier-nominated Tom Scutt. The details Where is Fiddler on the Roof playing? Fiddler on the Roof runs at the Barbican on Silk Street in central London, close to Liverpool Street Station, St Paul's Cathedral and the City of London. What is the running time of Fiddler on the Roof? The running time of Fiddler on the Roof is 2 hours and 40 minutes including an interval. How long is Fiddler on the Roof running for? Fiddler on the Roof is booking to July 19, 2025. What is the minimum age for Fiddler on the Roof? The age recommendation for Fiddler on the Roof is 12+. Does Fiddler on the Roof have accessible tickets? Yes, the show has captioned, BSL and audio-described performances scheduled. Find more information on the theatre website. The review 'This triumphant revival of the classic musical is a masterclass in balancing innovation with tradition… Fein and Fiddler are a match made in heaven.' Read the full Telegraph review. FAQs Will Fiddler on the Roof go on tour? Yes, it will. Following its critically claimed and incredibly popular run at Regent's Park Open Air Theatre in 2024, Fiddler on the Roof is playing at the Barbican in the summer of 2025 for a limited eight-week run and then embarking on a major tour of the UK and Ireland. Is Fiddler on the Roof set in Russia or Ukraine? Fiddler on the Roof is set in the fictional village of Anatevka in 1905. However, the writer of the original stories on which it is based, Sholem Aleichem, had in mind the real-life town of Boyarka near Kyiv in Ukraine. At the time, the town was part of the Russian Empire. Is it appropriate for kids? The official age guidance for Fiddler on the Roof is 12+. It has many elements that younger theatregoers will enjoy: it's a family drama centring on loving but strict parents and rebellious children. However, there is also some darker material concerning violence and prejudice.
