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From Prime Circle to viral stardom: Neil Breytenbach and son Jesse rock the world
From Prime Circle to viral stardom: Neil Breytenbach and son Jesse rock the world

IOL News

time3 days ago

  • Entertainment
  • IOL News

From Prime Circle to viral stardom: Neil Breytenbach and son Jesse rock the world

Cantrel is not just another band - it is a testament to the power of connection, legacy and evolution. Image: Supplied The rock scene has a fresh heartbeat - and it's coming from a father and son duo in South Africa that's turning heads far beyond their hometown. Meet Cantrel, the explosive new band making waves on the global stage with their debut EP, 'Jump'. Made up of Pietermaritzburg-born Neil Breytenbach, the legendary keyboardist and co-songwriter from one of SA's most iconic rock bands, Prime Circle, and his equally talented son, Jesse Breytenbach, Cantrel is more than just a collaboration - it's a generational bridge that fuses experience, passion and raw talent into a sound that's both timeless and thrillingly new. 'Independent Media Lifestyle' caught up with the duo, who opened up about their sound, their relationship and the wild ride they have been on since 'Jump' dropped. A leap of sound: the story behind 'Jump' The EP's title track sets the tone for what Cantrel is all about: energy, joy and movement. ''Jump' is a high-energy, feel-good song designed to make the audience move, feel happy and jump for joy,' said Neil. 'It's our way of connecting instantly with listeners - whether they are in the front row at a gig or blasting it through headphones.' It's that infectious spirit that makes "Jump" feel like a sonic celebration - something the world could use a little more of right now. Viral success: "Walls" hits over a million views Their track 'Walls' is resonating worldwide, and the proof is in the numbers: the song recently blew up on TikTok, racking up over a million views. 'We are blown away,' Neil admitted. 'We had no idea it would go viral like this. But we have been putting out good energy, manifesting positivity and success. I guess the universe was listening. And honestly, this feels like just the beginning.' It's a defining moment for any artist - watching strangers across the globe sing your lyrics and vibe with your story. Fresh yet familiar: a sound that bridges eras So what exactly is the Cantrel sound? According to Jesse, it's a dynamic fusion of old-school rock grit with modern flair. 'Our sound is high-energy and feel-good - something that just makes you want to move,' he said. 'Bands like Limp Bizkit, Nirvana and Seether influence us. We bring that recognisable rock edge and blend it with contemporary sounds.' They have also mastered the art of versatility. While their mainstage gigs are electric and full of swagger, Cantrel also strips it down for acoustic sessions that offer a more personal, intimate experience. From Prime Circle to Cantrel: Neil on creating with family For Neil, collaborating with his son is a completely different kind of musical chemistry than what he is known for with Prime Circle. 'Every band has its own energy. With Cantrel, it is just the two of us. It is raw, unfiltered, emotional and focused. With Prime Circle, we are a full band of five, which brings our own depth. "But this? This is personal. Cantrel is what happens when Nirvana and Limp Bizkit have a baby - and I love it.' Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Cantrel is not just another band - it is a testament to the power of connection, legacy and evolution. Image: Supplied A new generation's take on rock Jesse represents a fresh wave of rockers redefining the genre without losing its soul. 'A lot of modern rock leans on heavy production and electronic layering,' he explained. 'But we want to keep it real - a massive live sound that still holds on to that gritty, iconic '90s feel. It is about blending the new with the old in a way that still hits hard.' It is this approach that gives Cantrel an edge - staying competitive without compromising the heart of rock 'n roll. Family ties, on and off stage One of the most compelling aspects of Cantrel is their dynamic as a father-son duo. While many would shy away from mixing business and family, for Neil and Jesse, it has been nothing short of joyful. 'We have a fun, respectful relationship, and the creative process flows well,' Jesse said. 'There have not been any clashes because we know how to work with each other and avoid stepping on toes. The best part? Getting to share the stage and make memories together.' And those memories go deeper than just music. 'Before Cantrel, I would not see my dad for long periods when he was on tour with Prime Circle,' Jesse added. 'Now, we get to travel and create together. It has been a real blessing.' Born into rock: Jesse's musical upbringing For Jesse, the world of rock was not something he had to find - it was all around him from day one. 'I grew up on rock. It is in my blood,' he said. 'Watching legends, learning how they write and seeing how they are still rocking today - it has been incredibly inspiring. I never felt the need to rebel against it. I embraced it.' Proud dad, proud partner Neil beamed when asked what had surprised him most about working with his son. 'Jesse's an amazing frontman, guitarist and songwriter. His drive and focus blow me away. He sets goals and goes after them, one by one. I am so proud of him. The world is lucky to have a soul like his.' What's next: tour dates and new music on the horizon Cantrel has just wrapped up an international tour that took them across Germany, Austria, Switzerland and Istanbul - but they are far from slowing down. 'We're gearing up for a South African tour running from September to December 2025,' Neil revealed. 'Follow our socials for updates - we will be dropping all the dates soon.' And there's more: a new album is already in the works and set for release in early 2026. Plus, fans in Germany can look forward to another overseas tour. 'We're excited to get back to our fans in Germany,' Jesse said. 'And we cannot wait to hit the road across SA. This is just the beginning for Cantrel.' Cantrel is not just another band - it is a testament to the power of connection, legacy and evolution. With their infectious energy, global vision and heartfelt message, they are not just making music - they are making moments. And if 'Jump' is any indication of what is to come, the world better buckle up - because Cantrel is just getting started. Lutho Pasiya recommends: rock artists worth discovering. Ross Harding: Harding is known for his blues-infused hard rock sound that seamlessly blends the soul of classic rock with the grit of '90s grunge and an alternative edge. With a vocal tone that commands attention and guitar work that ranges from searing riffs to haunting blues licks, he has quickly built a reputation for authenticity and intensity - both on stage and in the studio. The Man Motels: The Man Motels are an electrifying power trio, infusing alternative punk rock with grunge power trio. Known for their raw energy, punchy riffs and no-frills attitude, the band channels the spirit of garage punk with the angst and grit of '90s grunge. Fusing breakneck tempos with emotionally charged lyrics, they have carved out a space in the local scene for their DIY ethos and explosive live shows. The Dirty Skirts: The Dirty Skirts are an energetic indie rock outfit known for their eclectic, high-octane sound that fuses post-punk attitude with infectious hooks and a genre-blurring edge. Their take on indie rock smashes together an eclectic montage of gritty guitars, danceable rhythms and art-rock flair - creating music that is as unpredictable as it is unforgettable.

Rouge, Nadia Nakai and Moozlie drop ‘Juicy' - serving bars, boss moves and serious swagger
Rouge, Nadia Nakai and Moozlie drop ‘Juicy' - serving bars, boss moves and serious swagger

IOL News

time21-07-2025

  • Entertainment
  • IOL News

Rouge, Nadia Nakai and Moozlie drop ‘Juicy' - serving bars, boss moves and serious swagger

For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied South African hip hop just got a serious dose of bold energy, power and unapologetic flair with 'Juicy' - the latest high-octane single from rapper Rouge, featuring fellow heavyweights Nadia Nakai and Moozlie. Produced by the ever-reliable Wichi 1080, 'Juicy' is a bass-thumping celebration of womanhood, lyrical excellence and unity in a genre that has often sidelined women. For the first time, these three rap titans come together on a song that embodies their collective strength. Each voice is distinct, each verse electric. Rouge delivers her signature sharpness, Nakai brings charisma and attitude, and Moozlie comes through with fearless confidence. The result? A song that commands attention and demands replay. 'Independent Media Lifestyle' caught up with the musicians to discuss the making of 'Juicy', sisterhood in hip hop and why this track might mark a new chapter for female-led rap in SA. Rouge didn't set out to make a feminist anthem. The song came from a spontaneous studio session without a set agenda. 'Honestly, there wasn't anything in particular I went in trying to create,' she explained. 'I just wanted to have fun. It was such a natural process, and 'Juicy' came out of that energy. Afterwards, my team and I realised the track needed powerful female voices. Who better than Moozlie and the powerhouse that is Nadia Nakai?' That instinct to collaborate wasn't just about names. For Rouge, it was about sound and presence. 'Both of them have earned their stripes. You know when Nadia's on a track. You know when Moozlie's on a track. They each bring their flair. Plus, let's be honest - they are two of the biggest brands in the game.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied Rouge credits producer Wichi 1080 for helping shape the high-octane sound. 'He just gets me,' she said. 'Wichi, knows my ear. It didn't take long for him to cook up something I fell in love with. He's also very hands-on - he does not just make the beat and walk away. He makes sure I sound my best.' Rouge made it clear that the industry is not giving women in hip hop respect - they are taking it. 'The women are doing it unapologetically, and I'm loving it,' she said. Her writing process remains intense and personal. 'I usually find a quiet place, beat on my chest, mumble words until they form bars,' she said with a laugh. It's critical and a little obsessive, but that's my way. I want every verse to be well-crafted. It's a gift and a curse, but I would not change it.' 'Juicy' also marks a personal comeback. 'I'm back in the game. And I'm so glad to have done it with women who have worked incredibly hard for their respect. What a way to return.' As for the video shoot? She said: 'Let's just say it was sexy, fun and unapologetic - just like the song. And yes, you will see more of us three in the future.' When Rouge first sent 'Juicy' Nakai's way, she was instantly sold. 'The song is fire!' she said. 'I knew I had to jump on it the moment I heard it.' Known for her witty one-liners and Instagram-worthy bars, Nakai approached her verse with lighthearted intent. 'I wanted it to feel fun, full of caption-type lines. But confidence is key. If you are not confident in your own craft, no one else will believe in you.' Despite her success, she still faces moments of being underestimated as a woman in hip hop. 'Even now, it can feel like a boys' party. That's why it is so satisfying to keep breaking barriers. 'Juicy' is a part of that - it is us stepping into our power, loudly.' As for working with Rouge and Moozlie? Nakai said, 'It was exciting. Three strong women, all bringing their A-game. You could feel the energy in the room.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied For Moozlie, 'Juicy' is a declaration of belonging. 'As a woman in this game, especially in hip hop, you constantly have to remind people that you belong, not just as a feature, but as a force,' she said. Her verse reflects that exact energy. 'I wanted it to be bossy, playful and empowered. Rouge had such a strong concept, and I knew I had to leave my stamp on it. It's always about how to bring the Moozlie flair while elevating the track.' Though each artist came into the studio with her vibe, the chemistry was seamless. 'We all brought our own sauce,' Moozlie explained. 'But the synergy was there. Rouge even helped restructure my verse - suggested swapping around the 8 bars, which changed the flow. She understands songwriting in such a dope way.' More than just a collaboration, 'Juicy' is a cultural reset for female-led rap in SA. 'I want young women to feel empowered when they hear this. It's for the girls who know they are the main character, who own their beauty and boldness. That fire? It is in all of us.' And when asked if 'Juicy' might spark more female unity in the game? 'Absolutely,' Moozlie affirmed. 'This is just one example of what happens when we come together instead of competing. There is more than enough space for all of us to win. The energy now is collaboration over competition, and I am here for all of it. With 'Juicy', Rouge, Nakai and Moozlie have not just made a banger - they have made a statement. This track does not just amplify their voices; it lays the foundation for a new era of South African hip hop - one where women are no longer knocking at the door. They are kicking it wide open! One to watch: Lutho Pasiya's spotlight on promising young South African female hip hop artists. Dee Koala: Known for her distinctive voice and lyrical flow in isiXhosa and English, Koala burst onto the scene with her breakout track 'Whuzet' and has since solidified herself as a rising force. Her debut album '4 The Khaltsha" paid homage to her Khayelitsha roots and showcased her raw talent, authenticity and style. Money Badoo: Badoo is part rapper, part fashion icon and 100% energy. With her futuristic visuals, versatile flows and fearless self-expression, she's been carving her own lane in the genre. Tracks like 'All My Friends" and '47K$' have earned her both critical attention and a growing fan base. Indigo Stella: Having worked with the likes of Nasty C and Priddy Ugly, Stella brings a mix of melodic rap, confidence and introspective bars. She's known for being self-produced and genre-bending. Tracks like 'Boss Up' and 'Pay It Up" showcase her lyrical range and independence.

Rouge, Nadia Nakai and Moozlie drop ‘Juicy' -serving bars, boss moves and serious swagger
Rouge, Nadia Nakai and Moozlie drop ‘Juicy' -serving bars, boss moves and serious swagger

IOL News

time21-07-2025

  • Entertainment
  • IOL News

Rouge, Nadia Nakai and Moozlie drop ‘Juicy' -serving bars, boss moves and serious swagger

For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied South African hip hop just got a serious dose of bold energy, power and unapologetic flair with 'Juicy' - the latest high-octane single from rapper Rouge, featuring fellow heavyweights Nadia Nakai and Moozlie. Produced by the ever-reliable Wichi 1080, 'Juicy' is a bass-thumping celebration of womanhood, lyrical excellence and unity in a genre that has often sidelined women. For the first time, these three rap titans come together on a song that embodies their collective strength. Each voice is distinct, each verse electric. Rouge delivers her signature sharpness, Nakai brings charisma and attitude, and Moozlie comes through with fearless confidence. The result? A song that commands attention and demands replay. 'Independent Media Lifestyle' caught up with the musicians to discuss the making of 'Juicy', sisterhood in hip hop and why this track might mark a new chapter for female-led rap in SA. Rouge didn't set out to make a feminist anthem. The song came from a spontaneous studio session without a set agenda. 'Honestly, there wasn't anything in particular I went in trying to create,' she explained. 'I just wanted to have fun. It was such a natural process, and 'Juicy' came out of that energy. Afterwards, my team and I realised the track needed powerful female voices. Who better than Moozlie and the powerhouse that is Nadia Nakai?' That instinct to collaborate wasn't just about names. For Rouge, it was about sound and presence. 'Both of them have earned their stripes. You know when Nadia's on a track. You know when Moozlie's on a track. They each bring their flair. Plus, let's be honest - they are two of the biggest brands in the game.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied Rouge credits producer Wichi 1080 for helping shape the high-octane sound. 'He just gets me,' she said. 'Wichi, knows my ear. It didn't take long for him to cook up something I fell in love with. He's also very hands-on - he does not just make the beat and walk away. He makes sure I sound my best.' Rouge made it clear that the industry is not giving women in hip hop respect - they are taking it. 'The women are doing it unapologetically, and I'm loving it,' she said. Her writing process remains intense and personal. 'I usually find a quiet place, beat on my chest, mumble words until they form bars,' she said with a laugh. It's critical and a little obsessive, but that's my way. I want every verse to be well-crafted. It's a gift and a curse, but I would not change it.' 'Juicy' also marks a personal comeback. 'I'm back in the game. And I'm so glad to have done it with women who have worked incredibly hard for their respect. What a way to return.' As for the video shoot? She said: 'Let's just say it was sexy, fun and unapologetic - just like the song. And yes, you will see more of us three in the future.' When Rouge first sent 'Juicy' Nakai's way, she was instantly sold. 'The song is fire!' she said. 'I knew I had to jump on it the moment I heard it.' Known for her witty one-liners and Instagram-worthy bars, Nakai approached her verse with lighthearted intent. 'I wanted it to feel fun, full of caption-type lines. But confidence is key. If you are not confident in your own craft, no one else will believe in you.' Despite her success, she still faces moments of being underestimated as a woman in hip hop. 'Even now, it can feel like a boys' party. That's why it is so satisfying to keep breaking barriers. 'Juicy' is a part of that - it is us stepping into our power, loudly.' As for working with Rouge and Moozlie? Nakai said, 'It was exciting. Three strong women, all bringing their A-game. You could feel the energy in the room.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied For Moozlie, 'Juicy' is a declaration of belonging. 'As a woman in this game, especially in hip hop, you constantly have to remind people that you belong, not just as a feature, but as a force,' she said. Her verse reflects that exact energy. 'I wanted it to be bossy, playful and empowered. Rouge had such a strong concept, and I knew I had to leave my stamp on it. It's always about how to bring the Moozlie flair while elevating the track.' Though each artist came into the studio with her vibe, the chemistry was seamless. 'We all brought our own sauce,' Moozlie explained. 'But the synergy was there. Rouge even helped restructure my verse - suggested swapping around the 8 bars, which changed the flow. She understands songwriting in such a dope way.' More than just a collaboration, 'Juicy' is a cultural reset for female-led rap in SA. 'I want young women to feel empowered when they hear this. It's for the girls who know they are the main character, who own their beauty and boldness. That fire? It is in all of us.' And when asked if 'Juicy' might spark more female unity in the game? 'Absolutely,' Moozlie affirmed. 'This is just one example of what happens when we come together instead of competing. There is more than enough space for all of us to win. The energy now is collaboration over competition, and I am here for all of it. With 'Juicy', Rouge, Nakai and Moozlie have not just made a banger - they have made a statement. This track does not just amplify their voices; it lays the foundation for a new era of South African hip hop - one where women are no longer knocking at the door. They are kicking it wide open! One to watch: Lutho Pasiya's spotlight on promising young South African female hip hop artists. Dee Koala: Known for her distinctive voice and lyrical flow in isiXhosa and English, Koala burst onto the scene with her breakout track 'Whuzet' and has since solidified herself as a rising force. Her debut album '4 The Khaltsha" paid homage to her Khayelitsha roots and showcased her raw talent, authenticity and style. Money Badoo: Badoo is part rapper, part fashion icon and 100% energy. With her futuristic visuals, versatile flows and fearless self-expression, she's been carving her own lane in the genre. Tracks like 'All My Friends" and '47K$' have earned her both critical attention and a growing fan base. Indigo Stella: Having worked with the likes of Nasty C and Priddy Ugly, Stella brings a mix of melodic rap, confidence and introspective bars. She's known for being self-produced and genre-bending. Tracks like 'Boss Up' and 'Pay It Up" showcase her lyrical range and independence.

The great cosmetic comeback: why stars are undoing their enhancements
The great cosmetic comeback: why stars are undoing their enhancements

IOL News

time17-07-2025

  • Entertainment
  • IOL News

The great cosmetic comeback: why stars are undoing their enhancements

SZA revealed her decision to remove her breast implants after suffering painful scar tissue and fibrosis, a consequence of her dense breast tissue. Image: Instagram It wasn't so long ago that getting plastic surgery was whispered about behind closed doors. Today, it's practically part of a skincare routine. Just look at Kris Jenner, the 'momager' behind the Kardashian-Jenner empire, whose seemingly age-defying transformation sparked rumours of a deep-plane facelift that might have turned the clock back by a decade. There's nothing wrong with wanting to feel good in your skin, whether that means smoothing a wrinkle or adding volume where genetics left you wanting. But in a surprising twist, a growing number of people, including Hollywood's most recognisable faces, are choosing to go backwards: they're undoing procedures they once celebrated. From 'more is more' to 'less is best" 'Professor Chrysis Sofianos, a consultant plastic surgeon, told "Independent Media Lifestyle" in a previous interview, 'This isn't just a fleeting trend, it's a cultural moment that invites us all to rethink what body confidence really means. "The exaggerated curves made famous by celebrities in the late 2010s are giving way to a more athletic, natural silhouette. Beauty standards are shifting, and so is what we value in our bodies.'Sometimes, the decision is deeply personal. Some say the results didn't age well. Others face medical problems, such as chronic pain, discomfort, or difficulty finding clothes that fit. 'Many people feel physically uncomfortable or no longer recognise themselves in the mirror,' Sofianos adds. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ SZA took out her breast implants Singer SZA opened up on the "S.H.E. MD" podcast about why she removed her breast implants. With a family history of breast cancer, she admitted, 'I snuck and got it anyway,' only to suffer painful scar tissue and fibrosis because of her naturally dense breast tissue. 'So I took them out, and now, they're just my boobs,' she shared candidly. Jojo Robinson from The Real Housewives of Durban also embraced this idea, sharing her experience of having her facial fillers dissolved and seeking more permanent changes through a facelift Image: Supplied Jojo Robinson dissolved her fillers Jojo Robinson from "The Real Housewives of Durban" also embraced this idea, sharing her experience of having her facial fillers dissolved and seeking more permanent changes through a facelift. 'I wanted a more permanent solution for my facial appearance,' she explained, highlighting that these reversals often stem from a desire for lasting authenticity. Former TV presenter Lalla Hirayama has championed the importance of mental and physical health, reiterating that removals, such as her own breast implants, can often be linked to health issues. Image: Instagram Lala Hirayama removed her breast implants Former TV presenter Lalla Hirayama has championed the importance of mental and physical health, reiterating that removals, such as her own breast implants, can often be linked to health issues. Sami Sheen removed her breast implants Daughter of Denise Richards and Charlie Sheen, shared her own journey on Instagram in 2023. After health struggles and 'weirdest symptoms' for nearly two years, she discovered she had breast implant illness. 'I'm hoping to get them removed asap so I can start feeling better,' she wrote to her followers. Sami Sheen, daughter of Denise Richards and Charlie Sheen, took to Instagram in 2023 to document her struggles with breast implant illness, noting that her implants were giving her "weirdest symptoms Image: Snappchat screeshot Blac Chyna removed her fillers and butt injections At 19, Angela White (better known as Blac Chyna) got illegal silicone butt injections from an unlicensed provider. Years later, she had them removed after the procedure took over eight hours due to complications. On Instagram, she warned, 'Do not get silicone shots. You can get sick, you can die.' She also dissolved her facial fillers, saying she wanted to 'embrace the real me'. Cardi B removed her illegal butt injections The "Bodak Yellow" singer also went public about removing 95% of the illegal biopolymer injections she got in her 20s. 'All I'm going to say is… don't!' she told her young fans on Instagram Live. Angela White cautioned her followers, stating, 'Do not get silicone shots. You can get sick, you can die." Image: Instagram Kardashian-Jenner clan dissolved their fillers Even celebrities who opted for seemingly harmless enhancements later changed their minds. Khloé Kardashian confessed on "Kocktails with Khloé" that she dissolved fillers in her face because they made her 'look crazy.' Kylie Jenner, who famously sparked a lip filler trend at just 16, later revealed she dissolved her filler too. Recent pictures of Kim and Khloe Kardashian on their way to the wedding festivities Image: Supplied: Instagram/Kim and Khloe Kardashian Courtney Cox dissolved cheek fillers This movement isn't just about avoiding complications. It reflects a wider cultural pivot. L'Officiel reported how Courteney Cox felt she 'went overboard' with fillers and now embraces ageing naturally. Yolanda Hadid also made headlines for removing implants, fillers, Botox, and hair extensions, writing on Instagram: 'Living in a body free of breast implants, fillers, Botox, extensions and all the bullshit I thought I needed… until the toxicity of it all almost killed me.' Courtney Cox exemplified this cultural pivot, stating that she'd gone 'overboard' with fillers and now prefers to age gracefully. Image: Instagram Tiny Harris reversed her BBL Tiny Harris, once known for her curves, also removed her butt implants, telling fans on Instagram, 'It looks this way 'cause I had it removed.' Experts say it's not about shaming cosmetic surgery, it's about informed choice. Sofianos emphasises the importance of thinking ahead: 'Beauty trends change, but your health and comfort will always matter more.' The American Society of Plastic Surgeons also notes that revision and removal surgeries are increasingly common, often linked to complications, lifestyle changes, or evolving tastes (ASPS 2022 Report). In the end, whether you choose to enhance or reverse is deeply personal. What's becoming clear, though, is that the conversation is shifting. From just asking, 'How can I look younger?' to asking, 'Will this still feel like me in ten years?' It's a conversation worth having with yourself and your doctor. And maybe, just maybe, the real glow-up isn't in the perfect filler or the snatched waist, but in feeling at home in your own skin. Hadid put it best: 'Your health is your wealth. Please make educated decisions.'

From laughter to liberation: Conrad Koch talks 'Puppet Power' and comedy's role in tough times
From laughter to liberation: Conrad Koch talks 'Puppet Power' and comedy's role in tough times

IOL News

time08-07-2025

  • Entertainment
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From laughter to liberation: Conrad Koch talks 'Puppet Power' and comedy's role in tough times

Comedy duo Conrad Koch and Chester Missing are back to tickle the funnybone with 'Puppet Power'. Image: Supplied Catch 'Puppet Power', the national tour by comedy duo Conrad Koch and Chester Missing, is coming to the Pieter Toerien Theatre at Montecasino for a limited run from July 10. Ahead of the show, 'Independent Media Lifestyle' caught up with Koch to unpack his journey in the industry, especially with his socio-political commentary that has left Mzansi in stitches. When asked how the evolution of current affairs-driven comedy influenced his latest show, "Puppet Power", he said: 'With the rise of TikTok and other high-reach, high-impact social media, we as comedians have tools we never dreamed of. 'And in this watershed moment in history as far as conversations on race and colonialism globally and in SA, and the influence of the billionaire class turning even Donald Trump and Cyril Ramaphosa into puppets of sorts, the question of power, and in particular 'Puppet Power' has never been more relevant.' He was then asked about what he enjoyed most about leveraging the power of laughter to offset the heaviness of real life. He said: 'South Africans have survived the unimaginable, and having an opportunity to poke fun at the systems that made that happen, to say what many would like to say, via jokes, is a privilege I both do not take lightly and also approach with extreme silliness. 'The reaction and support Chester and I get from ordinary South Africans is incredible and deeply appreciated.' Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Ad loading Chester Missing and Conrad Koch bring back the funny. Image: Supplied He confessed that he never envisioned Chester achieving such widespread acclaim when he first brought him to life. 'Never in a million years did I imagine I'd have a puppet who would be allowed to interview an actual president. It's nuts,' he laughed. As for the new puppets he will be unleashing in his new show, he shared: 'I am super excited for audiences to meet the new characters in this show. I have a celebrity chef rat who used to cook for Donald Trump. He's delightful and new. "My high school teacher, Mr Dixon, is easily Chester's match for comedy clout on stage, although, with Chester's huge social media presence, it may take a while to catch up. Don't tell the puppets I said that.' When asked about the '99% silliness with a dash of satirical truth' in his press release, he explained: 'In the past, my shows were very political, with the likes of Pieter-Dirk Uys shaping my vision. "These days, I have made the shows far more accessible - your 12-year-old will love the show, while still saying what needs to be said about South Africa and global affairs. 'We go from nailing these fake Afrikaner refugees to turning someone in the audience into a talking dinosaur, and more. South Africans want to laugh. So laughter is what they will get.' Having kicked off his tour in a few smaller rooms in Cape Town, Koch also recently received a Standard Bank Ovation Award for it at the National Arts Festival in Makhanda. Where: Pieter Torien Theatre, Montecasino When: July 10 to 13. His upcoming tour dates include: Cape Town (Strand): The Drama Factory, July 24 - 25. George: George Arts Theatre, August 8 Prince Albert: The Showroom Theatre, August 9 Noordhoek: Café Roux, August 15 Durban: Rhumbelow Durban Umbilo12, September 14 Rhumbelow: Northlands, September 19 - 20 Howick: The Old Mushroom Farm, September 11 East London: Legends Exclusive Venue, October 2 Gqeberha: Southern Sun, The Marine, October 3 St Francis Bay: St Francis Bay Brewing Company, October 5

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