Latest news with #JacobElordi
Yahoo
3 hours ago
- Entertainment
- Yahoo
Jacob Elordi On Playing A Haunted POW In ‘The Narrow Road To The Deep North' And His Growing Zeal For Acting As He Tees Up ‘Frankenstein' & ‘Wuthering Heights'
Jacob Elordi keeps waiting for the day he might lose his love for acting. It hasn't happened yet, and he hopes it never will. In fact, the Australian actor, who most recently played a haunted prisoner of war in Justin Kurzel's The Narrow Road to the Deep North, feels like he's just getting started. More from Deadline Jacob Elordi & Lily-Rose Depp To Star In Cormac McCarthy Adaptation 'Outer Dark' — Red Hot Project Bubbling At The Cannes Market Guillermo Del Toro's 'Frankenstein' Debuts First Teaser At Netflix Tudum 'Carrie' Series Officially Sets Summer Howell As Lead; Samantha Sloyan, Josie Totah & Amber Midthunder Among Cast 'I'm just incredibly open to being a part of the circus right now, in a way. I really love being an actor. I don't know, silly as that it may sound, the love for it just keeps going deeper and deeper,' he tells Deadline. In The Narrow Road to the Deep North, adapted from Richard Flanagan's novel, Elordi stars as Lieutenant-Colonel Dorrigo Evans, a celebrated World War II hero who is haunted by his experiences in a Japanese prisoner of war camp and memories of an affair with Amy Mulvaney (Odessa Young) that sustained him through the darkest of times. In the interview below, he breaks down his process for Narrow Road and also speaks about his upcoming roles in Guillermo Del Toro's Frankenstein and Emerald Fennell's Wuthering Heights. DEADLINE:Snowtown. JACOB ELORDI: Well, the whole movie was something I hadn't seen before. The kind of loose, handheld, intimate way that it was shot … and those colors and those kinds of houses, it all kind of had a great impact. But there's a couple of scenes that stand out. There was this one incredible moment where his brother comes home and something happens in the living room of their home, and Justin, just kind of sat on the door with the camera. He didn't move from the door. He didn't cut. He just sat on the door and he let this kind of horrific, Cain and Abel act play out just in this one shot. I remember never really being able to forget that shot. DEADLINE: The Narrow Road to the Deep North? ELORDI: I think the intrigue to me from working with him was how much space and freedom he gives the performer. He doesn't let the camera or the lights or the sound get in the way of the performance, which is not to say that happens all the time, but he's very particular about the performance coming before everything, which as an actor is like as close as you can get to a theater experience on screen. I was taken by how kind of gentle he was. It all makes sense after meeting him and then watching his films back. But he has such a sensitivity with his actors and with the frame and with his work. DEADLINE: ELORDI: Just as an actor, yeah, I think you always want to have time to obsess over the script and get your little mind map going and see how many things you can join and what you can come up with. But I have to also say I've learned from experience now, like Frankenstein, for example, I only got cast in that just before the film. So you kind of hit the ground running. It was figuring the film out as we shot a little bit. That, in its own way, was a totally freeing experience as well. So I kind of don't know which I prefer. I think it depends on the project and where you're at. DEADLINE: ELORDI: Well, Dorrigo is, on paper, the embodiment of stoicism and stillness. I was glad to have like a year to prepare to sort of slow my internal world down a little bit and try and find that kind of patience. I'm glad that I didn't have to rush into that. DEADLINE: ELORDI: We shot separately. We shot what we called, on the set, the 'Summer of Love.' That was the first portion of filming, and that was a few weeks, which was pre-war. So I still had relatively okay body weight, and I was given the opportunity as a performer to have all of the memories that Dorrigo takes with him into the camps for real. We wrapped that and had a six-week break over Christmas, in which all the boys had to go into a boot camp, and we lost all our weight. Then towards the end of January, I believe, we came back in and then shot the prisoner camps. So I was lucky enough to have this long run of experience as the character, and then be met with the contrast of the death camps. So I got to play it chronologically, which is not something you get to do often when you're shooting. DEADLINE: ELORDI: I mean, for me, it was so immediate, because I'd spent the years stripping my life back a little bit so that when I got to filming, I just got to live in it every day. My reality really was what was sort of happening for him in the story and and in his life — not in some way where it was like some hokey pokey method thing, but more just when everyone around you all put our central focus into achieving this one goal, something happens on a production, and it happens rarely, and you fall into this kind of fugue state together. DEADLINE: ELORDI: I mean, not necessarily challenging. It's a rewarding process to sort of internalize things and contemplate things and just watch for a while and listen. There's a great gift in listening. As an actor, when you think about the craft of acting, to be able to just sit there and actually force yourself to listen instead of trying to do something or be something, is a really freeing experience. What I found in the silence is that when you do hold things in, and when you consider things, the weight of them feels so much more present than when you kind of just say how you feel all the time. So it was kind of cathartic in a way, I suppose. DEADLINE: ELORDI: I mean, it's interesting, because it is ever-present in men, especially from that generation, and especially Australian men from that generation, our fathers and grandfathers. I think a lot of people can see the similarities there, and especially in return from war as well. Some people's dads came home and never spoke again. I don't have a social comment on it, but it's interesting. DEADLINE: ELORDI: I mean, either fortunately or unfortunately, as a performer, you end up becoming like a cliché performer. So I spend a great deal of time, probably far too much time, sitting and looking inward. The best thing about performance for me, is the cliché — to lose yourself in somebody else's life. And I always told myself I would punch myself if I said that, but there is this very real thing that happens when you slow down and you consider things from places that you wouldn't usually. You have the liberty to consider, and then you get to attempt to experience them. There's no way you get to do all of that and it doesn't affect you in some kind of way, either like a therapy or, for some people, maybe like a curse. I don't know, but I find it incredibly cathartic. DEADLINE: ELORDI: The funny thing is, they keep changing — the experience that I had seven years ago on a film, how I felt about it immediately to how I feel about it now, and what I've sort of learned from it. The moments where I didn't think I was learning something, I was. For example, I just worked with Guillermo del Toro, and it feels like he planted these unconscious Easter eggs in my brain. So it's an ongoing thing, but the kind of filmmakers that I've worked with whose work I love, they're the people that have made the greatest change in me. I think it's just because you're a part of somebody's singular artistic vision, you know? There's no feeling quite like that for me. DEADLINE: ELORDI: I get more and more intrigued every day by the freedom that I have to act at the moment. So, it's nothing specific. It's more just every day I keep thinking I'm going to not feel like it, and every day I wake up and I just want to keep acting. So I'm just incredibly open to being a part of the circus right now, in a way. I really love being an actor. I don't know, silly as that it may sound, the love for it just keeps going deeper and deeper. I hope I can keep working with filmmakers that I love, and then also find new filmmakers and new ways of making movies. It's endlessly exciting. DEADLINE:Frankenstein? ELORDI: I mean, I think Frankenstein is an epic fairy tale. I genuinely don't think I've seen something like this. It's beautiful. I'm quite anxious for people to see it. I'm intrigued for everybody to see the creature for the first time. It's really, really beautiful work by Mike Hill. DEADLINE:Wuthering Heights? ELORDI: I've only seen small clips of it and still photos, but it's one of the most pleasingly photographed films that I've ever seen. It's genuinely astonishing. The screenplay that Emerald wrote is genius, and Linus Sandgren's work on the camera is untouchable. I'm so excited by the size of these movies. They're movies that make you want to go to the cinema. I haven't seen something that punches that big in a really long time. DEADLINE: ELORDI: This thing kind of just happened naturally, where I got the books again, because I've read them in my life, and something happened in this process where I just I read them brand new, each page with a pencil out. It just brought fresh ideas to my mind. I didn't have any kind of preconceived ideas. They're just these really rich characters, and I was really just excited to play them. I remember I went to Guillermo, and I said, 'Which version of the book should I read?' He sent me all this stuff. And then I was like, 'and do you think I should watch the movies?' And he looked at me like I was crazy. He was like, 'They're just movies. They can't f*cking hurt you.' I remember him saying that. Then I just dove in and realized that nothing could bog me down or get in my way, because I was so excited by the process. Best of Deadline Everything We Know About 'Nobody Wants This' Season 2 So Far List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More Everything We Know About 'Happy Gilmore 2' So Far
Hindustan Times
5 hours ago
- Entertainment
- Hindustan Times
‘This should have a wide theatrical release': Frankenstein trailer leaves fans wanting a big screen experience
Frankenstein trailer: Guillermo del Toro's highly-anticipated adaptation of the classic Mary Shelly novel is coming soon. At the Tudum event of Netflix, the makers released the first teaser trailer of the gothic horror film, and the first reactions were overwhelmingly positive. The film releases in November, but fans are already excited to watch the film starring Oscar Issac, Jacob Elordi and Christoph Waltz. Several fans rallied that the film deserves a proper theatrical release. (Also read: Mysterious Stranger Things audio goes viral ahead of Season 5 trailer, fans left confused) Reacting to the two minute-long teaser trailer, which gave fans a peek into the stunning sets and sounds of the film, a fan commented: "Guillermo del Toro is for theaters, not for Netflix. All that man makes its art. Release it on theaters!" A second fan said, 'This deserves a wide theatrical release. I will be seated.' 'I think we can all agree that this should be released in theaters. Guillermo's efforts deserve it,' said another. A comment read, 'This is great! It should be released in theaters. If anyone can bring us a perfect Frankenstein movie, it's definitely Guillermo del Toro. What do I expect from here? What this director always achieves: combining an absolutely unique horror aesthetic with a complex and deeply human story. Can't wait!' A second comment read, 'This definitely deserves a theater release... watching at home will never be the same no matter how much you spend on a tv and home theater.' 'Please release this in theaters!!! this deserves to be seen on a proper screen. I'm so pumped Frankenstein is my favorite book ever,' cried another fan. Watch the trailer here: Jacob Elordi will portray Frankenstein's monster in the film. The film also stars Mia Goth, Lars Mikkelsen, David Bradley and Charles Dance. The film's official logline reads, 'A brilliant but egotistical scientist brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation."
Buzz Feed
2 days ago
- Entertainment
- Buzz Feed
10 Must-See Movies At Sydney Film Festival 2025
One of life's greatest joys is going to the movies by yourself. Taking your seat by yourself, perhaps giving an air of mystery or intrigue, as you get ready to be the cinephile you truly are. Letterboxd at the ready, snacks brought from home in a Ziploc bag, emotional support water bottle giving you all the comfort you a truly liberating experience and I encourage you ALL to do it. Plus, even if everyone in the cinema is a complete stranger to everyone else, you're all going to laugh, or cry, or scream — or all three — at the same movie you're about to watch. And there's no better place to condense all these good feels and good vibes into a short space of time than at a film festival. This year, the Sydney Film Festival has come in swinging with some huge titles I've been dying to see. It Was Just An Accident First on the list is the winner of this year's Palme d'Or at Cannes i.e. the big dog movie award of all big dog movie awards. Directed by Iranian director Jafar Panahi, It Was Just An Accident is a thriller that promises to be the ultimate revenge the key characters aren't sure that they're taking revenge on the right person. It's meant to be equal parts exhilarating, funny, and morally grey — sounds like a must-watch to me. On Swift Horses Jacob Elordi hooking up with Diego Luna. Will Poulter hooking up with Daisy Edgar-Jones. It's a romantic drama (obviously) set against the aftermath of the Korean War, so you know it's going to balance that should they/shouldn't they romantic questions with the moral dilemma of wartime considering Elordi's fresh off the back of another wartime drama with The Narrow Road to the Deep North, you can be sure he's well and truly in his bag with this one. Together It's probably the most anticipated Aussie movie of the year, and it's set to kick off the entire festival with a bang. Starring IRL lovers Dave Franco and Alison Brie, this movie, helmed by Michael Shanks in his directorial debut (!), isn't going to be one for the faint-hearted. Take my warning now — If you watched The Substance last year because everyone was talking about it, only to leave horrified, maybe skip this everyone else, this body horror is opening the festival for a reason. It's going to be a big one, and you're gonna see Dave and Alison like you've never seen them before. My Father's Shadow This movie is the first Nigerian film to ever make the Cannes official selection, and now Aussies are getting a chance to watch the drama that's slowly winning audiences over of the best parts of the Sydney Film Festival is that it gives you a chance to see movies you'd probably never be able to otherwise, and My Father's Shadow is the perfect example of that. Following a father and his two young kids as they head into Nigeral's capital Lagos, the kids become exposed to political views that they've never seen in their rural home — and, apparently, all through stunning cinematography. The Mastermind If you're anything like me, you probably can't get enough of Josh O'Connor after watching Challengers last year. Now, our boy is booked and busy, and has a slew of movies currently in production, but the one that has me most excited is The a heist movie set in the '70s (so completely different to Challengers) and stars Alana Haim (yes, of that HAIM) in her second ever movie role after absolutely killing it in 2021's Licorice Pizza. Dangerous Animals A nail-biting, truly Australian horror movie that stars Jai Courtenay as a shark-obsessed serial killer hunting down Zephyr, played by Yellowstone's Hassie Harrison, a Gold Coast surfer to determined to survive the killer's sadistic I say more??? The Secret Agent Sometimes you just really need to sink your teeth into a heavy political thriller that really gets your wheels year, that movie is The Secret Agent, out of Brazil. Set amid the draconian political era of Brazil as last year's Oscar-winning I'm Still Here, this movie follows a guy on the run from the regime, taking on an assumed identity while also looking to reunite with his son. But a wanted man is still a wanted man, so he's going to need to figure something out before he's snatched right back I, for one, can't wait to watch it unfold. Twinless Now, Sydney Film Festival's official website says the less you know about Twinless going into it, the better. I'm all for experiencing movies like that (I knew nothing about Everything Everywhere All At Once before attending a preview screening that would ultimately change my life).That being said, here's what we do know. This movie is about a queer bromance, stars Dylan O'Brien, and it's meant to have you peeing yourself with laughter. Sign me TF up. Eddington Pedro Pascal, Emma Stone, Joaquin Phoenix and Austin Butler (!) star in this movie about a fictional town riddled by COVID-19 (!!) in May 2020 directed by the evil genius behind Hereditary and Midsommar, Ari Aster (!!!).While I'm personally not ready for films and TV to depict the pandemic, I know Ari Aster's take is going to be so creative and twisted that I'll have no choice but to sit and watch. And finally, Fwends Girl fed up with her Sydney law firm job heads to Melbourne to reconnect with her mate, who is a bit of a space cadet (head's always in the clouds). Seems simple, right?This promises to be a movie that is strictly, above all else, about female friendship. We're gonna watch these two best mates recount office horror stories, break-up tales and whatever else fills their brains as they trawl through Melbourne, and I have a feeling its going to reach so far into our souls and psyche that we won't be able to stop thinking about it long after the credits have rolled. You can check the full program for the 2025 Sydney Film Festival, and snap up remaining tickets, here.
South China Morning Post
2 days ago
- Entertainment
- South China Morning Post
Netflix trailer for Guillermo del Toro's Frankenstein with Oscar Isaac wows fans
Even as Netflix teased the long-awaited final seasons of Stranger Things and Squid Game, fans appeared to be also transfixed by the trailer of the streaming platform's upcoming Guillermo del Toro film Frankenstein. Advertisement Watched some 3 million times on YouTube within hours of its release at the weekend, the trailer prompted much excitement among fans, but also some fears that the adaptation of Mary Shelley's classic novel might not get a cinematic release. 'My jaw was on the floor the entire time. It's chillingly gorgeous, can't wait for this one,' one person commented. ' Guillermo Del Toro is too good for Netflix. This needs a theatre release asap,' another wrote. The scientist Dr Frankenstein is played by Oscar Isaac, while his creature made up of corpse parts is embodied by Saltburn star Jacob Elordi. The trailer suggests that the Mexican director is interested in both powerful imagery and telling an emotional, intimate story. 'Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation,' Netflix writes.
Daily Mail
2 days ago
- Entertainment
- Daily Mail
Hollywood hunk Jacob Elordi transforms into Frankenstein's Monster for horror revival by Guillermo Del Toro
Hollywood heartthrob Jacob Elordi transformed into the Monster in the first trailer for Guillermo del Toro 's Frankenstein remake, which dropped Saturday. There's a glimpse of the Australian 27-year-old masked while standing, crucifix-like, during Dr. Victor Frankenstein's (Oscar Isaac) reviving, electrical experiment. There's action shots of Jacob, hulking at 6ft5in within a cloak, fighting several men aboard a clipper ship. And there's a menacing shot of Elordi's Monster - believed to have died in a fire 40 years before - on a snowy landscape in the distance of the film set in Eastern Europe in the 19th Century. Alchemy Studios CEO Glenn Hetrick was in charge of the prosthetic make-up after working on Guillermo del Toro's Cabinet of Curiosities in 2022. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop Hollywood heartthrob Jacob Elordi transformed into the Monster in the first trailer for Guillermo del Toro's Frankenstein remake, which dropped Saturday 'I had determined that the memory of my evils should die with me,' Frankenstein said in voiceover. 'Some of what I will tell you is fact. Some is not. But it is all true.' An unseen man asked: 'What manner of creature is that? What manner of devil made him?' 'I did,' Frankenstein replied. 'I had a vision. An idea took shape in my mind. Inevitable. Unavoidable. Until it became truth. In seeking life… I created death.' The Monster is heard growling before screaming his creator's name: 'Victor!' The On Swift Horses producer-star scored the plum part of the Monster after Andrew Garfield, Benedict Cumberbatch, and Doug Jones were attached to previous renditions. 'I'm very, very glad that it was [Jacob] doing it and I am of course disappointed that I didn't get to do it because I love Guillermo, I love Oscar, and everyone that he assembled so I was disappointed,' Garfield told Deadline last December. 'But meeting Jacob felt really serendipitous so that I could really see and hear that maybe he needed that experience more than me.' The 60-year-old Mexican filmmaker's big-screen adaptation of Mary Shelley's 1818 Gothic novel also features Mia Goth, Felix Kammerer, Charles Dance, and Christoph Waltz. And there's a menacing shot of Elordi's Monster - believed to have died in a fire 40 years before - on a snowy landscape in the distance of the film set in Eastern Europe in the 19th Century 'Somebody asked me the other day, does it have really scary scenes?' Guillermo recalled during a Cannes Q&A last month. 'For the first time, I considered that. It's an emotional story for me. It's as personal as anything. I'm asking a question about being a father, being a son… I'm not doing a horror movie — ever. I'm not trying to do that.' Frankenstein will premiere this November on Netflix. There's been well over 14 Frankenstein films brought to the silver screen including James Whale's 1931 classic starring Boris Karloff and Kenneth Branagh's 1994 version starring Robert De Niro. It's not to be mistaken with Maggie Gyllenhaal's 1930s-set remake of The Bride - hitting US/UK theaters March 6 - starring her brother Jake Gyllenhaal, Christian Bale, Penelope Cruz, Annette Bening, and Jessie Buckley.
