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Whitney Houston's tragic final moments 'feasting on food' with gravy boat in bathtub
Whitney Houston's tragic final moments 'feasting on food' with gravy boat in bathtub

Daily Mirror

time27-07-2025

  • Entertainment
  • Daily Mirror

Whitney Houston's tragic final moments 'feasting on food' with gravy boat in bathtub

The Bodyguard actress sold more than 170 million albums and won six Grammys but substance abuse led to her undoing - we take a look back at the premature end to her life Whitney Houston was once pop music's shining star but away from the spotlight, her life was in freefall. ‌ The How Will I Know singer was just 48 when she died, after battling drug addiction for decades. Despite entering rehab on numerous occasions, Whitney had been unable to break free from the addictive substances that shaped her life. ‌ Shockingly, the star earned £76 million over the years but by the time of her death in 2012, her fortune was all gone. We take a look back at the final days that marked a tragic end to Whitney 's once glittering career... ‌ READ MORE: Whitney Houston's bodyguard reveals he almost 'gave up everything' to be her lover At the top of her game, the singer from New Jersey's talent was unmatched but after marrying Bobby Brown in 1992, her drug use escalated. Whitney starred in smash hit movie The Bodyguard the same year. "After The Bodyguard it started getting heavy - cocaine, marijuana," she told chat show host Oprah Winfrey in 2009, admitting to spending seven months in her pyjamas, sitting on the sofa getting high on crack cocaine."You're living in the same house, and you're sitting next to that person and you're not saying a word for a week. And you just sit there watching TV. That bad," she said. ‌ "I didn't think about singing any more - I'd totally forgotten about that life. I had so much money by that time." Whitney walked out of rehab after just five days in 2004 and failed again the following year. She told Oprah she was drug free in 2010 but pulled out of a string of planned gigs in the UK and America the same year, citing ill health. By 2011 Whitney had returned to rehab in 2011 and in February 2012 was due to stage a comeback at the Grammys, arriving in Los Angeles several days before the award ceremony. Whitney reportedly appeared "dishevelled" and "erratic" and was spotted wandering aimlessly through the Beverly Hilton hotel with wet hair, waving her arms around. ‌ The star's last ever public appearance came on February 9 when she took to the stage with Kelly Price to sing Jesus Loves Me. On the morning of July 11, she had breakfast at the hotel with daughter Bobbi, then sources say she retired to suite Suite 434, ordered more food and took some Xanax ahead of Clive Davis' party where she was due to perform that evening. "She frequently took anti-anxiety medications to help her sleep after nights of heavy partying," a source told Radar Online. "She also took them before big performances to calm her nerves." ‌ Whitney apparently then took a phone call from her cousin, singer Dionne Warwick, about seating arrangements for that evening, followed by another from her mum, gospel singer Cissy Houston, which the publication described as 'cheerful and upbeat'. She is said to have told her assistant that she had a sore throat and was going to take a bath before the pre-Grammys bash. Next, the troubled star reportedly ordered more room service, eating a burger with fries as she ran the bath. She took a turkey sandwich and some jalapeno peppers into the bathroom with her, along with a gravy boat of olive oil - presumably to add to the bath to soften her skin. ‌ According to the report, her bodyguards heard her singing in the tub. But shortly before 3pm they realised she had been quiet for some time. One guard called out, but there was no answer, and when he knocked, there was no response so he opened the door and found Whitney face down in the bathtub. Paramedics attempted CPR but pronounced the iconic singer dead at the scene. Toxicology reports found Whitney had a mix of cocaine, cannabis, Xanax, Benadryl and Flexeril in her system. The Bodyguard star's autopsy report found that she had heart disease so advanced that one artery was 60 per cent blocked. Whitney's official cause of death was given as accidental drowning contributed to by heart disease and cocaine use. Tragically, her daughter with Brown, Bobbi Kristina, suffered a similar fate just three years later. Bobbi was just 22 when she was found unconscious in a bathtub at her home after ingesting drugs and alcohol.

Music Review: Dierks Bentley's 'Broken Branches' offers safe, familiar, cold beer country

time13-06-2025

  • Entertainment

Music Review: Dierks Bentley's 'Broken Branches' offers safe, familiar, cold beer country

Nashville hitmaker Dierks Bentley has delivered 'Broken Branches,' his eleventh studio album that leans into some well-tread country rock territory, the kind that invariably involves broken hearts, trucks and a cold beer. Look, Bentley knows what he's doing. The album is 11-tracks of catchy, country rock radio filler and there's not much mystery to its musical roadmap. But therein lies his calling card: Dependable songs with few rough edges. Thematically, many of the tracks on the superstar's latest effort hint at internal struggles, but allow Bentley and the listener to escape them unscathed. 'Jesus Loves Me' is an admirable acoustic slow burn about finding religion but losing a woman. 'Thought maybe if I hit my knees / She'd think about hitting the brakes,' Bentley sings. There is slight salvation for the Phoenix-born singer: 'Yeah, Jesus loves me / But she don't.' On the title track, the jukebox stomp 'Broken Branches,' Bentley gets a nice assist from fellow country hitmakers John Anderson and Riley Green. Ostensibly it's an energetic drinking song about family lines, but lyrics like 'We shoulda gone to college / Coulda gained a little knowledge,' which pull from a popular childhood rhyme, feel like they're underperforming. What Bentley does extremely well is execute what his — and the modern genre's — biggest fans might expect. Tales of a tough exterior with a warm, if fragile, heart underneath. But his familiar is derivative. Palatable country is how you get on the radio and stay on it. Songs about beer and trucks are Spotify deliverables. If you like your country artists with a longer rap sheet, you'll need to look further than 'Broken Branches.' Even the few attempts at invention don't totally land, like the rowdy, rocking 'She Hates Me,' which includes a surprising interpolation of post-grunge band Puddle of Mudd's 2001 hit 'She (Expletive) Hates Me.' If there's a pleasant find here, it's Stephen Wilson Jr. duetting with Bentley on the opening track, 'Cold Beer Can.' It's the most memorable song on the album — with its plucky instrumentation and ascendant chorus, which showcase Wilson Jr.'s rich voice and guitar talents.

Music Review: Dierks Bentley's 'Broken Branches' offers safe, familiar, cold beer country
Music Review: Dierks Bentley's 'Broken Branches' offers safe, familiar, cold beer country

San Francisco Chronicle​

time13-06-2025

  • Entertainment
  • San Francisco Chronicle​

Music Review: Dierks Bentley's 'Broken Branches' offers safe, familiar, cold beer country

Nashville hitmaker Dierks Bentley has delivered 'Broken Branches,' his eleventh studio album that leans into some well-tread country rock territory, the kind that invariably involves broken hearts, trucks and a cold beer. Look, Bentley knows what he's doing. The album is 11-tracks of catchy, country rock radio filler and there's not much mystery to its musical roadmap. But therein lies his calling card: Dependable songs with few rough edges. Thematically, many of the tracks on the superstar's latest effort hint at internal struggles, but allow Bentley and the listener to escape them unscathed. 'Jesus Loves Me' is an admirable acoustic slow burn about finding religion but losing a woman. 'Thought maybe if I hit my knees / She'd think about hitting the brakes,' Bentley sings. There is slight salvation for the Phoenix-born singer: 'Yeah, Jesus loves me / But she don't.' On the title track, the jukebox stomp 'Broken Branches,' Bentley gets a nice assist from fellow country hitmakers John Anderson and Riley Green. Ostensibly it's an energetic drinking song about family lines, but lyrics like 'We shoulda gone to college / Coulda gained a little knowledge,' which pull from a popular childhood rhyme, feel like they're underperforming. What Bentley does extremely well is execute what his — and the modern genre's — biggest fans might expect. Tales of a tough exterior with a warm, if fragile, heart underneath. But his familiar is derivative. Palatable country is how you get on the radio and stay on it. Songs about beer and trucks are Spotify deliverables. If you like your country artists with a longer rap sheet, you'll need to look further than 'Broken Branches.' Even the few attempts at invention don't totally land, like the rowdy, rocking 'She Hates Me,' which includes a surprising interpolation of post-grunge band Puddle of Mudd's 2001 hit 'She (Expletive) Hates Me.' If there's a pleasant find here, it's Stephen Wilson Jr. duetting with Bentley on the opening track, 'Cold Beer Can.' It's the most memorable song on the album — with its plucky instrumentation and ascendant chorus, which showcase Wilson Jr.'s rich voice and guitar talents.

Music Review: Dierks Bentleys Broken Branches offers safe, familiar, cold beer country
Music Review: Dierks Bentleys Broken Branches offers safe, familiar, cold beer country

Mint

time13-06-2025

  • Entertainment
  • Mint

Music Review: Dierks Bentleys Broken Branches offers safe, familiar, cold beer country

Nashville hitmaker Dierks Bentley has delivered 'Broken Branches,' his eleventh studio album that leans into some well-tread country rock territory, the kind that invariably involves broken hearts, trucks and a cold beer. Look, Bentley knows what he's doing. The album is 11-tracks of catchy, country rock radio filler and there's not much mystery to its musical roadmap. But therein lies his calling card: Dependable songs with few rough edges. Thematically, many of the tracks on the superstar's latest effort hint at internal struggles, but allow Bentley and the listener to escape them unscathed. 'Jesus Loves Me' is an admirable acoustic slow burn about finding religion but losing a woman. 'Thought maybe if I hit my knees / She'd think about hitting the brakes,' Bentley sings. There is slight salvation for the Phoenix-born singer: 'Yeah, Jesus loves me / But she don't.' On the title track, the jukebox stomp 'Broken Branches,' Bentley gets a nice assist from fellow country hitmakers John Anderson and Riley Green. Ostensibly it's an energetic drinking song about family lines, but lyrics like 'We shoulda gone to college / Coulda gained a little knowledge,' which pull from a popular childhood rhyme, feel like they're underperforming. What Bentley does extremely well is execute what his — and the modern genre's — biggest fans might expect. Tales of a tough exterior with a warm, if fragile, heart underneath. But his familiar is derivative. Palatable country is how you get on the radio and stay on it. Songs about beer and trucks are Spotify deliverables. If you like your country artists with a longer rap sheet, you'll need to look further than 'Broken Branches.' Even the few attempts at invention don't totally land, like the rowdy, rocking 'She Hates Me,' which includes a surprising interpolation of post-grunge band Puddle of Mudd's 2001 hit 'She (Expletive) Hates Me.' If there's a pleasant find here, it's Stephen Wilson Jr. duetting with Bentley on the opening track, 'Cold Beer Can.' It's the most memorable song on the album — with its plucky instrumentation and ascendant chorus, which showcase Wilson Jr.'s rich voice and guitar talents. It also does what Bentley aims for, but misses, throughout the record: It addresses life's touching moments over brews.

Music Review: Dierks Bentley's ‘Broken Branches' offers safe, familiar, cold beer country
Music Review: Dierks Bentley's ‘Broken Branches' offers safe, familiar, cold beer country

Winnipeg Free Press

time13-06-2025

  • Entertainment
  • Winnipeg Free Press

Music Review: Dierks Bentley's ‘Broken Branches' offers safe, familiar, cold beer country

Nashville hitmaker Dierks Bentley has delivered 'Broken Branches,' his eleventh studio album that leans into some well-tread country rock territory, the kind that invariably involves broken hearts, trucks and a cold beer. Look, Bentley knows what he's doing. The album is 11-tracks of catchy, country rock radio filler and there's not much mystery to its musical roadmap. But therein lies his calling card: Dependable songs with few rough edges. Thematically, many of the tracks on the superstar's latest effort hint at internal struggles, but allow Bentley and the listener to escape them unscathed. 'Jesus Loves Me' is an admirable acoustic slow burn about finding religion but losing a woman. 'Thought maybe if I hit my knees / She'd think about hitting the brakes,' Bentley sings. There is slight salvation for the Phoenix-born singer: 'Yeah, Jesus loves me / But she don't.' On the title track, the jukebox stomp 'Broken Branches,' Bentley gets a nice assist from fellow country hitmakers John Anderson and Riley Green. Ostensibly it's an energetic drinking song about family lines, but lyrics like 'We shoulda gone to college / Coulda gained a little knowledge,' which pull from a popular childhood rhyme, feel like they're underperforming. What Bentley does extremely well is execute what his — and the modern genre's — biggest fans might expect. Tales of a tough exterior with a warm, if fragile, heart underneath. But his familiar is derivative. Palatable country is how you get on the radio and stay on it. Songs about beer and trucks are Spotify deliverables. If you like your country artists with a longer rap sheet, you'll need to look further than 'Broken Branches.' Even the few attempts at invention don't totally land, like the rowdy, rocking 'She Hates Me,' which includes a surprising interpolation of post-grunge band Puddle of Mudd's 2001 hit 'She (Expletive) Hates Me.' If there's a pleasant find here, it's Stephen Wilson Jr. duetting with Bentley on the opening track, 'Cold Beer Can.' It's the most memorable song on the album — with its plucky instrumentation and ascendant chorus, which showcase Wilson Jr.'s rich voice and guitar talents. It also does what Bentley aims for, but misses, throughout the record: It addresses life's touching moments over brews.

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