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Time of India

Purulia girl's tale on Mumbai migrants in competition at Venice film fest

1 2 3 Kolkata: A Purulia girl's film about two migrant women in Mumbai, whose lives become unexpectedly intertwined, is in competition with 18 other feature films in the Orizzonti section of the 82nd Venice International Film Festival. Anuparna Roy's 'Songs of Forgotten Trees', set in Mumbai, is inspired by the story of her childhood friend from Monpura village in Bengal. The Hindi film, filmed by a cinematographer from Bengal, is competing with Teona Strugar Mitevska's film on Mother Teresa. Roy, whose first short film was shot in Purulia, is also keen showcase the Bengal where she grew up. The film's cinematographer, Debjit Samanta, is from Kolkata. "Sakyadeb Chowdhury from SRFTI is the second unit DOP. They are an integral part of my film. Though my film is set in Mumbai, my childhood experiences of Bengal form the springboard for the script. Growing up as a girl in rural and not elite Bengal, I experienced how institutions from schools to family made gender-based discrimination feel normal. In my village school, boys received books and toys. We girls received rice rations based on our body weight until fourth grade," Roy added. As a child attending Ranipur High School, Roy became friends with a girl named Jhuma Nath. "Our village, Narayanpur, was predominantly inhabited by Rajputs. I met Jhuma in Class V and quickly grew fond of her. However, everything changed when I mentioned her name to my father. The caste divisions were deeply entrenched, even within my own family. Despite being a mining engineer, my father reacted with disapproval upon hearing Jhuma's surname. He mocked me for developing a close friendship with someone from the Nath community," she recalled. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata Roy was too young to protest against caste discrimination. "I couldn't understand why my father refused to accept my friendship with her. From the next day, I stopped speaking to her. Jhuma would often approach me and quietly ask why I had changed. I had no answer. Eventually, I learned that she married and would never return to school. My intention was to make a documentary about searching for her, but my proposal was not approved by the Public Service Broadcasting Trust (PSBT)," she said. For the feature film, Roy developed the concept further. The protagonist is a sex worker and wannabe actor in Mumbai whose sugar daddy provides her with an apartment. She sublets the living room to another migrant woman from north India. "My protagonist clings to memories of a lost girl from her childhood. The memories she shares are drawn from my own recollections of Jhuma. In the film, I use the metaphor of the Hollong tree from Assam, often referred to as the forgotten tree. In the story, it symbolises the girl my protagonist has lost," Roy explained, who worked in the corporate sector while writing this film. The film also explores the platonic relationship the two migrant women share. "It also shows how these two women are stuck in the same routine of a straight, male-dominated society. They are not able to express their true feelings for each other until they clearly see how the world around them is like a closed circle, built and controlled by men. In cinema, we women are rarely seen as we are. Instead, we are often sugar-coated through the male gaze, packaged, labelled, and filtered through imposed political, religious, and social frameworks. My film resists that. It attempts to reclaim the space where women exist not as symbols, metaphors, or vessels of ideologies but as themselves," Roy said. Roy is keen to shoot in Bengal. "My first short film, 'Run To The River', was shot in Bengal. It was made in Purulia's local dialect and won a special jury mention at the festival in Russia's Cheboksary and was at festivals in Stuttgart and London. I am keen to return to shoot in Bengal. But the language will be regional, not one used by the elite Bengali language. It will criticise the urban elite's propaganda on culture, language, and system," she said. Kolkata: A Purulia girl's film about two migrant women in Mumbai, whose lives become unexpectedly intertwined, is in competition with 18 other feature films in the Orizzonti section of the 82nd Venice International Film Festival. Anuparna Roy's 'Songs of Forgotten Trees', set in Mumbai, is inspired by the story of her childhood friend from Monpura village in Bengal. The Hindi film, filmed by a cinematographer from Bengal, is competing with Teona Strugar Mitevska's film on Mother Teresa. Roy, whose first short film was shot in Purulia, is also keen showcase the Bengal where she grew up. The film's cinematographer, Debjit Samanta, is from Kolkata. "Sakyadeb Chowdhury from SRFTI is the second unit DOP. They are an integral part of my film. Though my film is set in Mumbai, my childhood experiences of Bengal form the springboard for the script. Growing up as a girl in rural and not elite Bengal, I experienced how institutions from schools to family made gender-based discrimination feel normal. In my village school, boys received books and toys. We girls received rice rations based on our body weight until fourth grade," Roy added. As a child attending Ranipur High School, Roy became friends with a girl named Jhuma Nath. "Our village, Narayanpur, was predominantly inhabited by Rajputs. I met Jhuma in Class V and quickly grew fond of her. However, everything changed when I mentioned her name to my father. The caste divisions were deeply entrenched, even within my own family. Despite being a mining engineer, my father reacted with disapproval upon hearing Jhuma's surname. He mocked me for developing a close friendship with someone from the Nath community," she recalled. Roy was too young to protest against caste discrimination. "I couldn't understand why my father refused to accept my friendship with her. From the next day, I stopped speaking to her. Jhuma would often approach me and quietly ask why I had changed. I had no answer. Eventually, I learned that she married and would never return to school. My intention was to make a documentary about searching for her, but my proposal was not approved by the Public Service Broadcasting Trust (PSBT)," she said. For the feature film, Roy developed the concept further. The protagonist is a sex worker and wannabe actor in Mumbai whose sugar daddy provides her with an apartment. She sublets the living room to another migrant woman from north India. "My protagonist clings to memories of a lost girl from her childhood. The memories she shares are drawn from my own recollections of Jhuma. In the film, I use the metaphor of the Hollong tree from Assam, often referred to as the forgotten tree. In the story, it symbolises the girl my protagonist has lost," Roy explained, who worked in the corporate sector while writing this film. The film also explores the platonic relationship the two migrant women share. "It also shows how these two women are stuck in the same routine of a straight, male-dominated society. They are not able to express their true feelings for each other until they clearly see how the world around them is like a closed circle, built and controlled by men. In cinema, we women are rarely seen as we are. Instead, we are often sugar-coated through the male gaze, packaged, labelled, and filtered through imposed political, religious, and social frameworks. My film resists that. It attempts to reclaim the space where women exist not as symbols, metaphors, or vessels of ideologies but as themselves," Roy said. Roy is keen to shoot in Bengal. "My first short film, 'Run To The River', was shot in Bengal. It was made in Purulia's local dialect and won a special jury mention at the festival in Russia's Cheboksary and was at festivals in Stuttgart and London. I am keen to return to shoot in Bengal. But the language will be regional, not one used by the elite Bengali language. It will criticise the urban elite's propaganda on culture, language, and system," she said.