Latest news with #Kaathal-TheCore
NDTV
18 hours ago
- Entertainment
- NDTV
John Abraham's Shout Out To Mammootty For Playing A "Gay Politician": "Malayalam Film Industry Is Brave"
New Delhi: Bollywood actor and producer John Abraham has expressed his deep admiration for Malayalam cinema and its leading stars. In an Idea Exchange session with The Indian Express, John shared his interest in producing films inspired by the Malayalam film industry and praised veteran actors Mammootty and Mohanlal. What's Happening Speaking about the kind of cinema he wants to back, John said, "That industry is very brave. So, I think as of today, the best films in the country come from the Malayalam film industry. If you ask who my favourite actor is, I would say Mohanlal by light years. I love Meryl Streep also." He also commended Mammootty for taking on a bold role in Kaathal - The Core. "You look at Mammootty playing a politician and you find out in the film that he is gay. I mean, it's brave for that man to do a film like that," John said, calling himself a huge fan of the actor. Background John revealed that he has set up a writer's room in Kerala with the aim of developing content rooted in Malayalam cinema. "I thought maybe I could borrow from some of their ideas. So, what I did was set up a writer's room in Kerala. Let's generate ideas out of there and see films that could be made nationally or only in Malayalam. I want to produce more Malayalam films because it's the right time, they are fantastic. But, I also want to produce other films," he said. On the work front, John Abraham was last seen in the political thriller The Diplomat. His next film, Tehran, will release directly on ZEE5 on August 14.
Time of India
4 days ago
- Entertainment
- Time of India
Malayalam filmmaker Jeo Baby strongly reacts to 'The Kerala Story' getting National Award: 'Such misrepresentation…'
Malayalam filmmaker Jeo Baby recently shared how the National Awards have lost their value in the current era. In an interview, the director, who helmed projects like 'Kaathal - The Core' and 'The Great Indian Kitchen', stated that movies that spread the propaganda of the ruling parties are honoured with the awards. Jeo Baby on National Film Awards In an interview with the Hindustan Times, Jeo Baby shared that in the last decade, he has witnessed this pattern. He added that the awards have not lost their significance now, as the government is pushing the plots and scripts that align with the one who is ruling. He said, "Why have these awards when the movies cannot be treated on merit? What's the value of these awards?" Jeo Baby on ' The Kerala Story ' The filmmaker further stated that 'The Kerala Story' not only misrepresented the facts about the state but also its "script, direction and acting" were not according to the National Film Awards standards. He further shared that he has no "disappointment" at a personal level. However, the director added that he is not happy with 'The Kerala Story' getting the award. He emphasised that the movie was not made properly. He said, "Such misrepresentation of facts is quite scary." Earlier, Kerala CM Pinarayi Vijayan had expressed his disappointment after 'The Kerala Story' was announced as the winner in the Best Direction and Best Cinematography categories at the National Awards. The 71st National Film Awards were announced on August 1, 2025. More about the film Meanwhile, the film's story revolves around three Kerala women who are forced to follow Islam and eventually made to join ISIS. The movie was backed by Vipul Amrutlal Shah , while Sudipto Sen helmed the project. It was released in May 2023 and earned over Rs 300 crore at the box office.
India Today
4 days ago
- Entertainment
- India Today
Malayalam director Jeo Baby questions National Film Award for The Kerala Story
Director Jeo Baby, who has helmed films like 'Kaathal - The Core' and 'The Great Indian Kitchen', recently reacted to the 71st National Awards winners. While mentioning 'The Kerala Story', he emphasised how National Awards have lost their value over the in a recent interview with Hindustan Times, stated that films that "back the agenda of the ruling parties", are given preference at the National Film Awards. He said, "For the past 10 years or so we have seen this pattern. Movies that seem to back the agenda of the ruling parties have won awards at the national level. These awards seem to have no significance now, as they are encouraging plots and scripts that only the people in power believe in. Why have these awards when the movies cannot be treated on merit? What's the value of these awards?"advertisementThe 'Kaathal - The Core' director also stated that 'The Kerala Story' not just misrepresented facts, but also its "script, direction and acting" were not at par with National Film Awards standards. "No. Personally, I've no such disappointment. But the awards given to 'The Kerala Story', a movie that misrepresented facts, is hugely disappointing. Not only was the movie full of lies, it was also shoddily made. The script, direction and acting were below par. Such misrepresentation of facts is quite scary," he added. Recently, Kerala Chief Minister Pinarayi Vijayan also criticised the National Award win for 'The Kerala Story'. The Kerala CM in his X post wrote, "By honouring a film that spreads blatant misinformation with the clear intent of tarnishing Kerala's image and sowing seeds of communal hatred, the jury of the #National FilmAwards has lent legitimacy to a narrative rooted in the divisive ideology of the Sangh Parivar (sic)."He further wrote, "Kerala, a land that has always stood as a beacon of harmony and resistance against communal forces, has been gravely insulted by this decision. It is not just Malayalis, but everyone who believes in democracy, must raise their voice in defence of truth and the constitutional values we hold dear. (sic)"The film's director, Sudipto Sen, in an interview with India Today said, "I have, I have a mixed bag reaction. Number one, I'm sure he did not see the film. I would request, he's a very, very senior politician and a very, very revered politician, so I would request him to watch the film."'The Kerala Story' won two awards at the 71st National Film Awards - Best Direction, and Best Cinematography. The film follows a group of Kerala women who are coerced into embracing Islam, sexually abused and are eventually made to join from 'The Kerala Story', there were also mixed reactions to actor Shah Rukh Khan winning Best Actor for 'Jawan'. Director Blessy also expressed disappointment over 'The Goat Life' being snubbed by the 71st National Film Awards were announced on August 1, 2025.- EndsMust Watch
Hindustan Times
4 days ago
- Entertainment
- Hindustan Times
Jeo Baby questions ‘value' of National Awards if ‘movies cannot be treated on merit', says films backing agenda win now
The National Film Awards announced last week have been the subject of ridicule in many quarters of the movie industry, especially down south. Shah Rukh Khan winning the best actor award over Mammootty's performance in Kathal - The Core and Prithviraj's efforts in Aadujeevitham had raised eyebrows, and so did the awards given to The Kerala Story, which was widely called a propaganda movie. Jeo Baby, director of Kaathal - The Core and The Great Indian Kitchen, talks about how national awards have lost their value over the years. Excerpts from an interview: Malayalam filmmaker Jeo Baby has questioned the National Award wins for The Kerala Story this year. Jeo, what's your reaction to the National Film Awards this year? For the past 10 years or so we have seen this pattern. Movies that seem to back the agenda of the ruling parties have won awards at the national level. These awards seem to have no significance now, as they are encouraging plots and scripts that only the people in power believe in. Why have these awards when the movies cannot be treated on merit? What's the value of these awards? Are you personally disappointed that Kaathal - The Core did not win any award? Was it because it dealt with homosexuality? No. Personally, I've no such disappointment. But the awards given to The Kerala Story, a movie that misrepresented facts, is hugely disappointing. Not only was the movie full of lies, it was also shoddily made. The script, direction and acting were below par. Such misrepresentation of facts is quite scary. Previously, movies that won national awards were held in high esteem, even internationally. But the standards seem to have fallen. Awards to undeserving movies are an embarrassment. Our image internationally will be dented if this continues. It's not fair to the domestic viewers either. Sometimes we send our entries only because we feel the technical crew should not miss out on winning a possible award. What's the kind of defence mechanism that independent movie makers can adopt? I would say let's fight this with outstanding movies. Good art is the best defence against fascism. The trolls on social media are a good indication of what people think of these national awards. The audience is mature in many parts of the country, and they can see through this. Don't you think poor selections like these can demotivate good filmmakers? The good filmmakers should stop making movies for awards. Let them concentrate on their craft. There's a lot of good talent in the industry. They should view these awards in a humorous way. Do you think the jury was under pressure? I'm not sure. Maybe they have instructions from the top. Many of the best movies ever made, even globally, are those that challenged norms, were anti-establishment and spoke truth to power. Yes, I agree. That's why I say that directors should not think of awards as an end goal. Let them make movies without fear or favour.
The Hindu
25-07-2025
- Entertainment
- The Hindu
Director-actor Jeo Baby talks about his outing as an actor in ‘Meesha' and being an actor in other directors' films
It is tempting to ask multi-hyphenate Jeo Baby about the role he prefers — director or actor. He is also a writer, but we will stick to these two. The man behind movies such as The Great Indian Kitchen and Kaathal - The Core, apart from others, does not bat an eyelid, 'I find acting comfortable but I like filmmaking (directing) the most. Acting is a luxurious job — you have all the time in the world. You can make friends, catch up on gossip, read… unlike a director who carries the weight and responsibilities of making a film!' For someone who came to make films, Jeo has taken a detour to acting like Vineeth Sreenivasan and Basil Joseph. His latest film is Emcy Joseph's Meesha, which hits theatres on August 1. 'Meesha is a male-oriented story about masculinity and male friendships, portrayed positively. Not that there is no toxicity. It is politically relevant, progressive and if it clicks, it will be one of those films that would be spoken about in the future,' Jeo says. He is excited about the film and more by the fact that he now gets to act in films made by people outside his circle of friends. 'I was excited when Emcy, the maker of Vikruthi, called me. Meesha explores the 'wildness' in man. Emcy's one line struck a chord — there is a hunter in all of us. And it is so true, we 'hunt' at our workplaces, families…' A lot has changed for Jeo since the last time we met, in 2017, on the eve of the release of his Kunju Daivam, his sophomore film. Incidentally it was also the first film he acted in. 'It was purely to save money on hiring an actor. Some of my friends and I produced the film, and this was one way of cutting costs. Friends like Siddharth Siva noticed that and got me to act in their projects. At the time it was mostly in films by friends, and then it extended to those outside that circle of friends. Emcy and I were not friends before.' Acting, for Jeo, is a way of being part of films he otherwise, as a director or writer, may not make. 'This way I can be around cinema, work with directors whose style of working or sensibility is completely different and understand how such films are or can be made. As an actor I get to be in films that I am probably never going to make or could not make. I get to see how it is made, and be exposed to the performance of different actors, various departments and their approach to cinema. Also, I feel a sense of community!' From making indie films, his first film was 2 Penkuttikal (2016), to Kaathal - The Core, he has come a long way. Today, those following Malayalam cinema look forward to a Jeo Baby film, making him a pan-Indian phenomenon. 'My films got me to where I am. 2 Penkuttikal, though not a commercial success, did well in the festival circuit. That led to the next and next…' It was during that film that he became acquainted with Tovino Thomas, not yet the name he is today. That led to Tovino expressing a desire to act in Jeo's future projects and Kilometres and Kilometres coming up for discussion. While waiting for the project to materialise, Kunju Daivam got made, which was followed by Kilometres and Kilometres, produced by Tovino and a friend. Attributing interconnectedness to his films, he says, 'So, whatever success there is, it is because of the movies that came before. Why Kaathal? Because of The Great Indian Kitchen. Mammootty saw that film and texted that he liked it. I replied that I was happy and proud that he felt that way.' The Great Indian Kitchen got him noticed by Mammootty. But before Kaathal - The Core, there were films like Freedom Fight and Sree Dhanya Catering. Speaking to Jeo and Kaathal - The Core not coming up is impossible. It is possibly one of those rare mainstream Malayalam or Indian films for that matter that attempted a sensitive portrayal of homosexuality without the stereotypical tropes. Mammootty as Mathew Devassy was a casting coup. Jeo explains how that came about. 'I liked the script by Adarsh Sukumaran and Paulson Skaria. But the big question was 'who will be the actor?' Mammootty would be ideal, in our minds. If it was not Mammootty, we may or may not have done the film.' While talking about how Mammootty came on board Kaathal, without too much of a delay and the film getting made one cannot help but wonder about the role of luck. Jeo disagrees, 'No, luck is not a factor in any of this. Luck, if you want to call it that, is the reward of our efforts. Winning a lottery is luck, getting decent food in a restaurant…call that luck. But I don't think it applies to work.' He uses Mammootty coming on board Kaathal to illustrate his point. 'I told Anto Joseph about the film. Within a week the project was on, with Mammootty. It was not luck. He is an actor who does things differently. When I met him, he knew I made The Great Indian Kitchen and would possibly have something [a film] of interest for him. It is not luck, it is the result of the work put in. We reached the film organically.' Making 'The Great Indian Kitchen' A conversation with Jeo is incomplete without referencing The Great Indian Kitchen. The film resonated deeply with women across demographics and geography, making him a feminist icon of sorts for 'seeing' and 'showing' women. The Hindi remake Mrs. resonated similarly and provoked discussions like the original. When I congratulate him for having made the film, he says, 'I am Nimisha Sajayan's character. I have always shared chores with my partner, I did not think of it as a burden. However, when a time came that my partner's schedule was packed I took over the role. I always thought of my 'helping' at home with a dash of pride. But, after a week, I gained new appreciation for my mother, partner, sister and all women! I was losing my mind with the relentlessness of household chores. Nimisha's character's experiences are mine. That is when you understand the womenfolk and the work they do for us. The Great Indian Kitchen was not planned, it was based on something that happened to me in my life and I made a film out of it.' Circling back to what he said about his role in Meesha and the role with its negative shades and being guided by Emcy to essay the stylised character, I ask if he is a director's actor. 'Absolutely. I aspire to be a director's actor. In most of the roles I have done, as an actor, I cannot bring in anything from my experiences. I have to depend on the director. Also, an actor stands to gain immensely from the director's inputs,' he adds. Working in the second season of the JioHotstar series Kerala Crime Files was one such experience. 'As director Ahammed [Khabeer] had a very clear idea of what he wanted from his actors and for that there were multiple takes. That kind of clarity helps an actor immensely, making you a better actor and director too.' So, as a director, what does he prefer? He replies unequivocally, 'A director's actor. It gives an actor the space to grow. With Nimisha [Sajayan], for instance, we discussed her role [in The Great Indian Kitchen] at length. So she understood where the character was coming from. The actor understands the trajectory of that person and that happens only when both stakeholders, the actor and director, discuss the role.' He adds how Nimisha and Suraj Venjaramoodu grew their characters way beyond how he envisioned them, likewise Mammootty and Sudhi Kozhikode in Kaathal - the Core. 'When actors do that it is grace. Not everyone can do that. Joju [George] also can. He contributes immensely and is interested and invested. I know from Kunju Daivam and the anthology Freedom Fight (Old Age Home). One of the films that got him the State Award for best actor (2021).' Jeo has a bunch of films he has committed to, and is in the process of writing his next film, 'an entertainer', he underlines. The question of pressure is inevitable, the pressure of having a The Great Indian Kitchen and Kaathal - The Core under his belt. He laughs, 'No! I don't feel any pressure. I do have high blood pressure though. My doctor tells me it could be because of work stress and I refuse. I am one of those people who does not get angry or get worked up even on the sets. Possibly because I have a good team or, maybe, I am plain lucky!'
