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Hindustan Times
10 hours ago
- Entertainment
- Hindustan Times
Singer Rekha Bhardwaj performs at Bharat Mandapam and says, ‘Dilli dilwalon ki hai, main bhi Dilli se hoon'
Swirling like a dervish transposed to a musical land, popular singer Rekha Bhardwaj enchanted Delhi on Sunday evening. Her concert Jazbaa saw Bharat Mandapam's Plenary Hall filled to capacity as she performed soothing numbers such as Kabira (Yeh Jawaani Hai Deewani; 2013) and Phir Le Aya Dil (Barfi!, 2012). Rekha Bhardwaj recently performed live in Delhi, at Bharat Mandapam (Pragati Maidan)'s Plenary Hall.(Photos: Shantanu Bhattacharya/HT) Mid-song, she paused and confessed, 'Dilli dilwalon ki hai, main bhi Dilli se hoon,' to a resounding round of applause. Each note of her performance elicited a 'waah' or 'kya baat hai' from members of the audience. In turn, the artiste said: 'Bahut badi nemat hai ki hum sab saath mein hain. Kuch ghante bina kisi soch ke ya stress ke sangeet mein guzaar sakte hain. Mujhe lagta hai yeh bahut badi blessing hai (It's a blessing that all of us are able to spend a few hours amid music, and away from any stress).' It wasn't just her mellifluous voice that enraptured the audience — the veteran singer's alta adorned hands, too, played a part. She said, 'This palm facing upwards is to receive from the existence, and the other palm facing downwards is to give back what we receive from existence. This evening is for everyone present here, or even (those not present) — the vibrations of music have a long reach.' For more, follow HT City Delhi Junction
Time of India
3 days ago
- Entertainment
- Time of India
(Exclusive) Rekha Bhardwaj: Let's not call an item song a ghazal
Rekha Bhardwaj highlights the shift in focus towards instant success among youngsters, impacting the creation and use of ghazals in films. She notes the pressure to create viral hits often leads to the superficial inclusion of ghazals, sometimes mislabeled as item songs. Youngsters want instant success,' shares Rekha Bhardwaj , emphasising how even if a film includes a ghazal today, it's often just to create an instant hit. At the recently concluded ghazal festival Khazana in the city, the singer spoke about the power of live performances, how ghazals have evolved and why they must be treated with reverence. Excerpts: 'Youngsters want instant gratification and success, toh focus change hota hai' Rekha, who has lent her voice to songs like Phir Le Aaya Dil, Kabira and Genda Phool, among others, points out how the pursuit of virality creates pressure. She elaborates, 'Youngsters want instant gratification, instant success and instant appreciation... toh focus change hota hai. Even if they include ghazals in a film, they will only do so to ensure it becomes a hit. Ek ajeeb sa pressure hai ki gaana hit hona chahiye. Phir toh mushkil hai. There are filmmakers who have used a certain Sufi ghazal in their film, but it's actually an item song. Why don't they call it what it is? If you are making an actress do belly dance on a ghazal, then you should call it an item song.' While she dislikes the idea of using the term 'ghazal' loosely, she doesn't entirely condemn item songs. She explains, 'It's not wrong to have an item song because it's part of our culture — nautanki, kothe pe gaana bajana, it's all part of our culture. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Mini House for 60 sqm for Seniors with Toilet and Bath (Price May Surprise You) Pre Fabricated Homes | Search Ads Search Now Undo Let's take pride in that. There's nothing wrong with having such songs if the situation calls for it in the film.' 'Ghazal is a facet of love, romance and longing' Rekha feels that what sets ghazals apart is their emotional core. 'Ghazal ek poetry hai jise hum melody ke through express kartein hain. It's a facet of love, romance, longing and shringaar ras. Ghazals are eternal. The best thing is that youngsters are taking up this form, more in the interiors than the metros. But this genre needs more exposure.' 'Aaj ke ghazalon ka, qawaaliyon ka, rang badal raha hai ' The singer believes that there has been a generational shift in creative focus in movies and music. She says, 'Yes, there aren't many ghazals in film albums, but there are composers like Pritam, Vishal (Bhardwaj), who do include ghazals in their films. The only thing is that aaj kal ghazalon ka, qawaaliyon ka, rang badal raha hai, and ab aesthetics ke hisab se hota hai.' She adds, 'Youngsters apne exposure ke hisab se hi ghazal banayenge. If you take Urdu words from Google and put them in a ghazal, woh toh kam hi padega na.' "Youngsters want instant gratification, instant success and instant appreciation... toh focus change hota hai. Even if they include ghazals in a film, they will only do so to ensure it becomes a hit." - Rekha Bhardwaj
Hindustan Times
5 days ago
- Entertainment
- Hindustan Times
Get to know... Aadhya Anand
Currently I am: Soaking in the monsoon magic from my balcony Aadhya Anand says her most starstruck moment was meeting Alia Bhatt. High point in life: My first big premiere night. Low point in life: Long shoots. I always miss home. On my playlist: Kabira, from Yeh Jawaani Hai Deewani; Tum Hi Ho Bandhu, from Cocktail; songs by The Weeknd. One thing I would never buy: Crocs, and wear them with no socks. Today I'm craving: Pani puri, as always. Last thing I ordered online: Organisers to compartmentalise my makeup and accessories. App I check before bed: Instagram. Guilty! My favourite subject in school: English Literature and Business Studies. I'd swipe right on: Compassion and a sense of humour. My secret skill: I have a knack for creating stunning mood boards. A magic tool I wish I had: A teleportation device to beat Mumbai traffic. My favourite Sunday memory: Family brunch with everyone at the table. My most star-struck moment: Meeting Alia Bhatt, who's an absolute sweetheart. My favourite bad habit: Hitting snooze at least three times in the morning. My mum has given up. If I could travel back or forward in time, I'd…: I'd rather stay where I am right now. The best thing about fame: Being able to inspire young dreamers. The worst thing about fame: You're judged about everything, all the time. From HT Brunch, July 26, 2025 Follow us on
Economic Times
30-06-2025
- General
- Economic Times
Sant Kabir is for all
'Kabira teri jhopadi gal katiyan ke pass/ jo karenge so bharenge/ tu kyun bhaye udas,' thus spoke Sant Kabir, the mystic saint-poet, a significant figure of the Bhakti movement. His words still resonate, offering solace to tormented souls - to those who struggle to endure injustices faced by animals, women and children caught in conflict zones. With the utter simplicity of his verses composed in a blend of regional and colloquial languages, Kabir was an unsparing critic of the caste system and religious hypocrisy. His universal faith, rooted in love and devotion, challenged rigid social structures and meaningless rituals. He advocated mutual understanding between all faiths and emphasised presence of the Divine within. Kabir is an unusual name that means 'Great' - it is a sign of the eternal presence of God in man. Kabir did not identify himself with either Muslims or Hindus. His was a quest for the formless, without attributes, who transcends time, space and cause. Sufis included him in their teachings, and Hindus in bhakti tradition. He believed that wisdom can be achieved through the power of love - 'Dhai akhar prem ka, padhe so pandit hoi.' His philosophy left no space for pride or arrogance, reminding all of the inevitable end that awaits every being: 'Kabira garv na kijiye, kaal gahe kar kes, Na jaane kahan marenge, ghar ke bheetar des' - 'Kabir, be not proud, time will seize you by the hair; you know not where you will die, whether at home or in a foreign land. Kabir remains an apostle of faith, promoting social equality and spiritual wisdom - which remain overwhelmingly relevant even today.
News18
22-04-2025
- Entertainment
- News18
Rekha Bhardwaj Stops Performance Mid-Song After Fireworks Disrupt Her Bhopal Concert
Last Updated: Renowned singer Rekha Bhardwaj stopped her performance in Bhopal when fireworks disrupted her song, Lambi Judai. A viral video shows her irritation, calling the fireworks "very unmusical." In a recent concert in Bhopal, renowned singer Rekha Bhardwaj was visibly frustrated when the organisers set off fireworks during her live performance. This prompted her to stop singing mid-song. A video of the incident has now gone viral on social media. While performing the iconic song, Lambi Judai, Bhardwaj was interrupted by loud fireworks, which seemed to disturb her concentration and the flow of the performance. In response, the singer stopped singing and closed her eyes. The video, which quickly circulated online, shows Bhardwaj's visible irritation . An annoyed Rekha then said, 'Yeh patakkhe bohut unmusical hai. Bohut ghalat waqt pe gaye hai (These fireworks are very unmusical. They went off at a very wrong time)." Despite her clear irritation, Rekha Bhardwaj patiently waited for the fireworks to subside, holding the microphone close as she tried to continue. As the loud bursts continued, she smiled, looking around at the scene. She then quipped, 'Bichare jo sogaye honge aas paas unko taqleef hogi" (Those who fell asleep nearby must be having a problem). After patiently waiting for a while, Rekha Bhardwaj called out the names of a few individuals, presumably the organisers. She said, 'Can we please stop this? Yeh jo patakkhe. Bohut ho gaya" (These fireworks. Enough now). As the fireworks finally ceased, Rekha resumed her performance, much to the delight of the audience, who greeted her return with hoots and cheers. Rekha Bhardwaj is renowned for her soulful voice, having sung numerous hit songs that have become timeless classics. Some of her most popular tracks include Namak Ishq Ka, Kabira, Laadki, Genda Phool, Mat Aana, Nikat, Aise Kyun, So Ja So Ja, Sakhi Ri, and Yeh Ishq Hai. In addition to these, she has lent her voice to a range of memorable songs such as Teri Fariyad, Dum Ghutta Hai, Zinda, Mileya Mileya, Hamari Atariya Pe, Ghagra, Oye Boy Charlie, and Phir Le Aya Dil. First Published:
