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Korea Herald
13-05-2025
- Entertainment
- Korea Herald
Video games must clarify AI use, according to new law
Even partial use of artificial intelligence must be disclosed, though precise application up for interpretation A new law on the regulation of artificial intelligence mandates clear disclosure of AI use in a wide variety of products, including video games, a field where AI has played an integral role since its very inception. Rep. Kang Yu-jung of the Democratic Party of Korea said Tuesday that the National Assembly Research Service's reply on her inquisition suggested that video games are subject to the AI Framework Act, which is set to take effect in January next year. As such, video game developers that used AI in development must notify users that their product is based on artificial intelligence, and they must implement a risk assessment and management system. Video games have been actively using AI to control numerous interactive elements to improve the player experience since its primitive stage, ranging from gradual adjustment of difficulty levels to movement patterns of nonplayer characters. Some video games more recently have adopted conversational AI for dynamic storytelling, such as Uncover the Smoking Gun, published in 2024. Public disclosure of AI use is not confined to games actively using AI in the gameplay experience, but also includes those that use AI-generated images, sounds or 3D models. The new act stipulates that even partial AI use of a product must be disclosed, including for creative content. "Video games that used an AI model partially to create text, images, sound or video can be considered an AI product, and its publisher can be regarded to be in the AI industry," the parliamentary think tank was quoted as saying. The National Assembly Research Service added that application of the new law may differ depending on how much generative AI has been used and how much human contributions factor into the product. Creative industry struggling to find balance between AI, human input "With the rapidly increasing application of AI in games, the boundary (between the AI and) creative realm such as sound and images is tumbling. ... As the concerns of existing creators and hopes of industry clashes, there need to be policies that protect the rights (of creators) while promoting the industry," Rep. Kang said. The Basic Act on the Development of Artificial Intelligence and the Creation of a Foundation for Trust was passed by the National Assembly in December and enacted in January. It is to provide legal guidelines for AI use in the creative industry, which has been quick to adopt the technology in music, movies, cartoons and other products. The local creative industry has been mulling adoptive measures in the increasingly wide use of AI for making what had previously been considered products of pure human imagination. The Korea Music Copyright Association recently implemented a procedure that requires songwriters to verify that they did not use AI at all in writing their songs, in response to possible legal issues related to AI-generated songs. Its stance is that AI-created songs cannot be copyrighted.
Korea Herald
05-03-2025
- Politics
- Korea Herald
Hasty move with hidden agenda or push for less bureaucracy, regional balance?
Opposition questions timing of Culture Ministry's plan to consolidate state arts organizations, relocation to regional cities A group of artists, civic activists, academics and lawmakers held a press conference at the National Assembly Wednesday morning, denouncing the Ministry of Culture, Sports and Tourism's plan to establish an integrated secretariat to oversee five national arts organizations, calling it a hasty and bureaucratic decision. During a National Assembly session, the culture minister defended the initiative, stating that the goal is to ease administrative burdens on artists while also indicating that the ministry would reconsider if opposition remains strong. On Feb. 19, the Culture Ministry announced its plan to establish an integrated secretariat within the first half of this year to oversee the administration of five national arts organizations -- Korea National Opera, The National Chorus of Korea, Korean National Symphony Orchestra, Korean National Ballet and Korea National Contemporary Dance Company. A plan to relocate state arts organizations to regional cities over the next few years, starting this year was to be announced Thursday. Wednesday's press conference was organized by civic groups Cultural Action and After the Blacklist, the Cultural and Arts Council of the Public and Transport Workers' Union, the Korean Federation of People's Arts Organizations and four legislators -- Min Hyung-bae, Kang Yu-jung, Lee Ki-heon and Kim Jae-won -- all members of opposition parties serving on the Culture, Sports and Tourism Committee. 'The biggest problem is that the ministry is pushing the plan excessively without sufficient understanding or discussion with the respective organizations. It clearly reflects the ministry's bureaucratic and authoritarian stance toward the cultural and artistic sector. Moreover, each organization has its own budget execution and operational system tailored to its specific genre, and ignoring these differences will not enhance administrative efficiency but instead create confusion,' they said. Kang Dong-hui, head of the National Art Troupes Branch of the Korean Public Service and Transport Workers' Union and member of the Korean National Ballet, told The Korea Herald that union members from the Korea National Ballet, Korean National Symphony Orchestra and the National Chorus of Korea decided to oppose the integration plan. Additionally, after a meeting on Tuesday, union members from the National Opera and Seoul Performing Arts Company also agreed to join the opposition. Also at Wednesday's press conference, Lee Dong-yeun, professor of Korean Traditional Arts Theory at the Korean University of Arts questioned the "hasty" move as well as the timing and lack of rational grounds for the plan "at this juncture when the current administration is on the verge of coming to an end." Choreographer Oh Hyeon-taek, who opened an online petition 'Against the Integration (Merger) of the National Contemporary Dance Company' last month, said that the move is particularly concerning for contemporary dancers. 'The National Contemporary Dance Company, already operating with the smallest budget, risks further cuts under the integration plan, potentially leading to its dissolution. Reduced funding would not only hinder operations but also limit artistic creation and experimentation, ultimately marginalizing contemporary dance as a genre,' Oh told The Korea Herald. Oh's petition had gathered 1,900 signatures as of Wednesday morning. Speaking at a Culture, Sports and Tourism Committee session at the National Assembly which convened soon after the end of the press conference, Culture Minister Yoo In-chon answered questions on the integration plan. 'It is intended to let artists focus on their art without having to handle administrative work, if possible,' Yu said. Regarding the criticism that it was a hasty move, Yu said that the ministry had held numerous discussions with experts and stakeholders since early last year. 'If the opposition is very strong, then (we) won't implement the plan,' Yu said. During the session, Yu revealed his determination to contribute to achieving regional balance and fulfilling the duty of state arts organizations by relocating them outside of Seoul. 'We have only talked about regional balances but without any action. It's the duty of state organizations. Once the state arts organizations are relocated, a mega city like Seoul and districts in Seoul could make their own arts organizations,' Yu said. This year, two state arts organizations will be relocated, including Seoul Performing Arts Company, which will be moved to Gwangju City. There, SPAC will become the National Asian Culture Center's resident art troupe. These relocations and the administrative integration of five arts organizations will be announced Thursday as part of the ministry's mid- and long-term plans, called "Vision 2035."
