Latest news with #Katha
Time of India
5 days ago
- Entertainment
- Time of India
Actor Abrar Qazi lends his voice to a rap track ‘Devi Gamladhari' for his upcoming show Kabhi Neem Neem Kabhi Shahad Shahad
The channel, known for delivering iconic stories and beloved characters, is ready to launch its latest offering 'Kabhi Neem Neem Kabhi Shahad Shahad', featuring the talented Abrar Qazi as the lead. Tired of too many ads? go ad free now The actor, who has previously impressed audiences with his powerful performance in ' show 'Yeh Hai Chahatein', brings freshness and charm to this unique show. Adding a personal touch to the launch, Abrar Qazi has sung a special promotional rap song for the show 'Kabhi Neem Neem Kabhi Shahad Shahad'. 'Devi Gamladhari' captures the mood and energy of the story featuring the female lead Katha. Kabhi Neem Neem Kabhi Shahad Shahad is a slice-of-life drama that blends everyday emotions with quirky moments, offering the perfect balance of warmth and conflict, just like its name suggests. With a storyline that's engaging and relatable, the show promises to strike a chord with viewers across all age groups. Sharing his excitement on the debut singing experience, Abrar Qazi shared, 'I'm super excited as this is my first time doing something like this, and that too on a big platform! Honestly, I never imagined I'd rap, but the response from fans, friends, and family has been overwhelming.' Talking about his initial days, the actor shared an anecdote, 'It all began when our creative director asked me to lip-sync a fast-paced rap. I jokingly said I could rap, and she took it seriously! I gave it a try, and recorded a sample on my phone, and the music director loved it. Next thing I know, I'm in the studio recording the final version.' Revealing his hidden talents, Abrar concluded, 'I've always loved rap and music though I never shared this side of me publicly. Apart from acting, I'm also passionate about direction, editing, and even VFX!'
News18
27-05-2025
- News18
Family Of 7 That Died By Suicide In Car Left These Final Words: 'Our Relatives Are Rich, But...'
Last Updated: Praveen told Puneet he was deep in debt and would die within five minutes. He also expressed sadness that his wealthy relatives had refused to offer him any help In a major development in the case of seven members of a family who died by suicide in Haryana's Panchkula, a disturbing video has surfaced showing one of the victims, moments before losing consciousness after allegedly consuming poison. In the video, the man, identified as Praveen Mittal, is seen sitting near a ramp with his head slumped forward, showing clear signs of distress. His neck appears slightly bent, suggesting the effects of poisoning as he seems to be on the verge of losing consciousness. The family, originally from Barwala and currently residing in Dehradun, had parked their car in front of a house in Sector 27 of Panchkula. A passer-by, Puneet Rana, noticed white towels hung on the car's windows and approached the family. When Puneet questioned Praveen, he reportedly explained that they had come to Panchkula to listen to a Katha and were searching for a hotel. Failing to find one, they decided to sleep in their car. 'When we opened one of the doors of the car, we saw people lying inside the vehicle. The person on the driving seat was alive and told us that his family did not find a hotel and were returning from an event, so they all slept in the car," the local told reporters. 'I asked him to park his car somewhere in the market area, and he started to turn the engine on. That's when I saw that all members of his family had vomited on each other," he said. Puneet noted that the car had only been parked for 10 to 15 minutes and found a medicine strip inside the vehicle. Puneet said that the child, along with the grandfather and uncle, were seated in the front. 'Sensing something fishy, I asked the man to step out of the car, and he sat on a ramp at the roadside. He told me his family was drowning in debt and that he, too, would be dead in the next five minutes. He collapsed moments later," the local said. 'None of those in the car responded when I tried to talk to them, they were all dead. The police reached the spot in two minutes. However, the ambulance arrived only 45 minutes later," he said. Praveen reportedly confided to Puneet that he was heavily in debt and predicted he would die within five minutes. Puneet added that Praveen expressed sorrow over his wealthy relatives' refusal to help him. When the police arrived, they discovered a married couple in their 40s, three children, and two elderly people dead inside a car. Puneet mentioned he detected a strong odor coming from the car and tried to rouse the occupants, but only one person showed any signs of life. Panchkula Deputy Commissioner of Police Himadri Kaushik said, 'Our forensic team has reached the spot. We are analysing the details and are scanning the car thoroughly." 'Some facts that have emerged primarily indicate that this is a matter of suicide," the DSP said. A suicide note found in their vehicle revealed that financial troubles were the cause of their tragic decision. Praveen Mittal has been identified as one of the deceased, alongside his three children who were all under 14 years old, his wife, and his parents. According to Additional Commissioner of Police Vikram Nehra, all seven were discovered inside the same car, with a towel covering the rear windshield. When they were brought to a nearby hospital in Panchkula, only Praveen Mittal was still alive but he passed away during treatment. The police are continuing their investigation, and the bodies have been sent for post-mortem examinations. Praveen Mittal, who was originally from Barwala in Panchkula, resided in Dehradun where he managed a tour and travel business. It is believed that severe financial losses may have driven him to take this extreme step along with his family. If you or someone you know needs help, call any of these helplines: Aasra (Mumbai) 022-27546669, Sneha (Chennai) 044-24640050, Sumaitri (Delhi) 011-23389090, Cooj (Goa) 0832- 2252525, Jeevan (Jamshedpur) 065-76453841, Pratheeksha (Kochi) 048-42448830, Maithri (Kochi) 0484-2540530, Roshni (Hyderabad) 040-66202000, Lifeline 033-64643267 (Kolkata) First Published:
India.com
26-05-2025
- Entertainment
- India.com
Meet Amitabh Bachchan's heroine who collapsed on the set but still wanted to finish her work, had done over 250 films, her name is...
Meet Amitabh Bachchan's heroine who collapsed on the set but still wanted to finish her work, had done over 250 films, her name is In the world of showbiz, where most actors come with the dream of being the lead to attain stardom, there are a few artists at the back, not craving the spotlight, but are the ones who become irreplaceable. They might not be in the forefront, but they define the core of the film and tie the whole film together. Often seen in supporting characters of a mother, father, grandparents or friends, these characters are just as important as the lead. One such story is of a leading supporting actress, Leela Mishra. Etcged in the memory of the audience for her popular role of 'Mausi Ji' in Sholay. Leela Mishra had a huge career trajectory, she had done over 250 films in her career opposite some leading actors of Bollywood like Amitabh Bachchan. Besides her promising craft and dedication, what stood out was her strong principles. Filmmaker Sai Paranjpye shared about how Leela ji always stood firm on her payments. She had a flat ₹1000 rate per day, no matter how small. When Leela ji was approached about the shoot for Shatranj Ke Khiladi by the legendary Satyajit Ray, her confusion was evident. She did not even know who he was, and in typical Leela ji honesty, simply wanted to know first, 'Mujhe meri roz ki fees to milegi na?' Even from a young age when she acted as an elder , she was a popular figure across generations. She carved an inimitable niche for herself as a warm yet strong matriarch in various roles . From Hema Malini's Basanti ki Mausi , to innumerable roles as a mother, a variety of roles made her beloved by millions . At the age of seventy , she continued working with the same passion , and received awards and attained accolades for her efforts . Leela ji was inspiring on every level. When Leela ji was making her last film, Daata, co-starring with Mithun Chakraborty, Prem Chopra, and Padmini Kolhapure, there was an even greater tragedy on set. Leela ji had a paralytic stroke during production, and the entire crew, including our director, went into a panic. But later, even when she was taken to Mumbai to resume and assess the seriousness of the health issue, she was not worrying about her health. infact she was only worried about if she could finish her job. Unfortunately, Leela ji passed away soon thereafter, and as Paranjpye stated in her career, this was the one role she was not able to even finish her remaining scene. Leela Mishra lacked formal education and instead made do with it by sheer intuitive brilliance. Sai Paranjpye, who had the honour to direct her in Katha and Chashme Buddoor, always said she had played her position as a 'hidden gem'; she had unmatched understanding of emotion, timing, and character. Her discipline, timing, punctuality, and sincerity made her an all-time favourite to directors.
Economic Times
17-05-2025
- Entertainment
- Economic Times
Amitabh Bachchan co-star kept shooting despite being paralyzed, died soon after her last shot
Agencies Leela Mishra played the role of Hema Malini's mausi in the cult classic 'Sholay' Sai Paranjpye, a formidable force in Indian cinema, carved her name into the annals of history by entering the largely male-dominated world of Bollywood filmmaking. As both a director and screenwriter, she stood tall as a rare woman in a space overwhelmingly occupied by men. Throughout her illustrious career, she worked with many renowned names, but one unsung gem stood out in her memory—a name not often echoed in mainstream conversations about cinema's legends. In a heartfelt conversation with Filmfare, Paranjpye reflected on her 1983 film Katha and was reminded of the extraordinary Leela Mishra. Known to most as the aunt in Sholay, Mishra was, in Paranjpye's words, a symbol of unmatched professionalism and commitment. 'She was the embodiment of punctuality and perfection. I've never come across anyone quite like her,' Sai recalled warmly. She added that despite Mishra's lack of formal education, her understanding of filmmaking was instinctive and profound. Recalling her work in Chashme Budoor, Sai noted that Leela instinctively added her own creative touch to a scene—effortlessly climbing the stairs to the boys' home, improvising in the moment with grace and ease. One particular story that Sai shared painted a deeply moving picture of Leela Mishra's indomitable spirit. During the filming of what would be her final movie, Leela reportedly suffered a paralytic stroke. With half of her body immobilized, the set was thrown into confusion. People began discussing how to rush her back to Mumbai for treatment. But Leela, unshaken by her condition, insisted on completing the scene. 'We still have one shot to do,' she said firmly. She requested the camera crew to frame her from her unaffected side. Only after delivering her final performance did she return to Mumbai, where she sadly passed away shortly also shared another striking insight into Leela's no-nonsense attitude when it came to work compensation. Mishra was firm about being fairly paid, always demanding her standard rate of ₹1000 per day, regardless of the part's size. When she was approached to act in Satyajit Ray's Shatranj Ke Khilari, she reportedly didn't recognize his name. Her only question was whether she would receive her usual Mishra's legacy, as told through Sai Paranjpye's eyes, is not only of a seasoned actress but also of a woman with unwavering dignity, self-respect, and love for her craft. Her story is a quiet anthem of resilience, often overshadowed, but never forgotten.
Time of India
17-05-2025
- Entertainment
- Time of India
This Amitabh Bachchan co-star kept shooting despite being paralyzed, died soon after her last shot
Sai Paranjpye , a formidable force in Indian cinema , carved her name into the annals of history by entering the largely male-dominated world of Bollywood filmmaking . As both a director and screenwriter, she stood tall as a rare woman in a space overwhelmingly occupied by men. Throughout her illustrious career, she worked with many renowned names, but one unsung gem stood out in her memory—a name not often echoed in mainstream conversations about cinema's legends. In a heartfelt conversation with Filmfare, Paranjpye reflected on her 1983 film Katha and was reminded of the extraordinary Leela Mishra . Known to most as the aunt in Sholay, Mishra was, in Paranjpye's words, a symbol of unmatched professionalism and commitment. 'She was the embodiment of punctuality and perfection. I've never come across anyone quite like her,' Sai recalled warmly. She added that despite Mishra's lack of formal education, her understanding of filmmaking was instinctive and profound. Recalling her work in Chashme Budoor, Sai noted that Leela instinctively added her own creative touch to a scene—effortlessly climbing the stairs to the boys' home, improvising in the moment with grace and ease. One particular story that Sai shared painted a deeply moving picture of Leela Mishra's indomitable spirit. During the filming of what would be her final movie, Leela reportedly suffered a paralytic stroke. With half of her body immobilized, the set was thrown into confusion. People began discussing how to rush her back to Mumbai for treatment. But Leela, unshaken by her condition, insisted on completing the scene. 'We still have one shot to do,' she said firmly. She requested the camera crew to frame her from her unaffected side. Only after delivering her final performance did she return to Mumbai, where she sadly passed away shortly after. Sai also shared another striking insight into Leela's no-nonsense attitude when it came to work compensation. Mishra was firm about being fairly paid, always demanding her standard rate of ₹1000 per day, regardless of the part's size. When she was approached to act in Satyajit Ray's Shatranj Ke Khilari, she reportedly didn't recognize his name. Her only question was whether she would receive her usual fee. Leela Mishra's legacy, as told through Sai Paranjpye's eyes, is not only of a seasoned actress but also of a woman with unwavering dignity, self-respect, and love for her craft. Her story is a quiet anthem of resilience, often overshadowed, but never forgotten.
