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Fleetwood Mac's Rumours gets a very special 50th anniversary release – including a surprise format
Fleetwood Mac's Rumours gets a very special 50th anniversary release – including a surprise format

Yahoo

time17-07-2025

  • Entertainment
  • Yahoo

Fleetwood Mac's Rumours gets a very special 50th anniversary release – including a surprise format

When you buy through links on our articles, Future and its syndication partners may earn a commission. Fleetwood Mac's tenth studio album is getting three new special releases to mark its 50th anniversary year. On 8th August, a Blu-ray Audio disc with a new Dolby Atmos mix will arrive alongside two brand-new limited-edition vinyl as part of the label Rhino's series of high-end reissues. This is the second of the band's albums to be remixed in Atmos for Blu-ray Audio, following Rumours last year. The mix by Chris James (who also mixed Rumours and Tusk as well as Prince's Purple Rain in Atmos) promises to deliver 'a fully immersive experience' of the breakthrough album. The Blu-ray Audio also includes a traditional 5.1 surround mix by original producer Ken Caillat and Claus Trelby. The record release, meanwhile, is part of the Rhino High Fidelity collection and comes in two versions: one is limited to 5000 individually numbered copies, while another is limited to only 2000 copies and includes two replica 7-inch singles featuring the singles Over My Head backed with Rhiannon, and Say You Love Me backed with Blue Letter. The vinyl has been mastered by Kevin Gray, who was also behind the Rumours 45rpm cut, and cut directly from the original analogue master tapes before being pressed on 180g wax. By 1975, the year the Billboard 200 chart-topping album was released, Fleetwood Mac already had a storied history, of course, what with founder Peter Green's era, numerous subsequent personnel changes, and a temporary disbandment behind it. But it was just before then that Lindsey Buckingham and Stevie Knicks joined the Mick Fleetwood, John McVie and Christine McVie lineup, and, beginning with the self-titled album, the band was transformed into the iconic group we remember today. As featured in the new liner notes by music journalist Anthony DeCurtis, Buckingham recalls the energy surrounding that period: 'I think we all felt that we had grabbed ahold of something and that it was going to take us wherever it was going to take us.' He adds, 'It was a great sign that we were destined for something.' MORE: I watched every Star Wars film ever made – here's what I learned Quick! These 15 Prime Day deals are still live Best Dolby Atmos soundbars: our reviewers' 5 recommendations Solve the daily Crossword

Fleetwood Mac Celebrates Huge Milestone With Special Treat For Fans
Fleetwood Mac Celebrates Huge Milestone With Special Treat For Fans

Yahoo

time11-07-2025

  • Entertainment
  • Yahoo

Fleetwood Mac Celebrates Huge Milestone With Special Treat For Fans

Fleetwood Mac Celebrates Huge Milestone With Special Treat For Fans originally appeared on Parade. Iconic band is celebrating the 50th anniversary of its self-titled 1975 album Fleetwood Mac, which just today, July 11, was certified 9x Platinum, with a limited edition vinyl version as part of the Rhino High Fidelity series and a new Dolby ATMOS mix. "The Blu-ray Audio edition features a new Dolby ATMOS mix by Chris James, delivering a fully immersive experience of this classic album. It also includes a 5.1 surround mix by original producer Ken Caillat and Claus Trelby," reads the press release. Pre-order the album here; it drops on August 8. It continues, "Fleetwood Mac (Rhino High Fidelity) was mastered by Kevin Gray, cut directly from the original analog master tapes, and pressed on 180-gram vinyl at Optimal. Available exclusively at and internationally at select WMG stores, the album is limited to 5,000 individually numbered copies. A special version (limited to 2,000 copies) will also be available that includes two replica 7-inch singles featuring the single mixes of 'Over My Head' b/w 'Rhiannon' and'Say You Love Me' b/w 'Blue Letter.'"Fleetwood Mac was the band's 10th studio album, but it was the one that introduced the iconic members and , who joined members Mick Fleetwood, John McVie and Christine McVie. "The chemistry between the five was immediate — and transformative. The album's sound marked a break from the band's blues-based roots, pivoting toward a melodic, harmony-rich approach that would come to define a generation of FM radio," says Rhino's press release. It continues, "In the new liner notes by acclaimed music journalist Anthony DeCurtis, Buckingham recalls the energy surrounding that period: 'I think we all felt that we had grabbed ahold of something and that it was going to take us wherever it was going to take us.' He adds, 'It was a great sign that we were destined for something.'" (Rhino High Fidelity)LP Track Listing Side One 'Monday Morning' 'Warm Ways' 'Blue Letter' 'Rhiannon' 'Over My Head' 'Crystal' Side Two 'Say You Love Me' 'Landslide' 'World Turning' 'Sugar Daddy' 'I'm So Afraid' The two new versions of Fleetwood Mac drop August 8. Pre-order the albums here now. Fleetwood Mac Celebrates Huge Milestone With Special Treat For Fans first appeared on Parade on Jul 11, 2025 This story was originally reported by Parade on Jul 11, 2025, where it first appeared.

They wanna be with you everywhere: why Fleetwood Mac are still totally ubiquitous
They wanna be with you everywhere: why Fleetwood Mac are still totally ubiquitous

The Guardian

time31-05-2025

  • Entertainment
  • The Guardian

They wanna be with you everywhere: why Fleetwood Mac are still totally ubiquitous

A time traveller from 50 years ago might be surprised if they were to visit the UK now – not so much by the echoes of the politics, with an embattled Labour government and a resurgent far right, but by the prevalence of Fleetwood Mac. The Broadway hit Stereophonic, written by David Adjmi, opened in the West End this week after becoming the most nominated play in Tony award history (it ended up winning five out of 13, including best play). It invites theatregoers to journey back to 1976 and 'plug into the electric atmosphere as one up-and-coming rock band record the album that could propel them to superstardom. Amid a powder keg of drugs, booze and jealousy, songs come together and relationships fall apart.' If that sounds remarkably similar to the story of how Fleetwood Mac recorded Rumours, then that's exactly what the album's producer Ken Caillat thought: he sued the producers for the play's similarity to his memoir, settling out of court earlier this year, though Adjmi has always denied his play is purely about Fleetwood Mac, regardless of the many parallels. But Stereophonic is just the tip of the Mac iceberg that has come into view in recent years. Novel readers and TV viewers have enjoyed Daisy Jones and the Six, which also used the Fleetwood Mac template as the basis for its story. Their smooth, adult-oriented rock sound also permeated music throughout the last decade, present in records by artists such as Sharon Van Etten, Julien Baker, the Weather Station and more. If you want a dancier version of the band, you can go to the club night Fleetmac Wood, playing beefed-up remixes. And Mac themselves are as popular as ever: in last week's album chart, the compilation 50 Years – Don't Stop sat at No 6 (after 340 weeks on the chart), while Rumours is at No 22 (after 1098 weeks on the chart). Nearly half a century on from Rumours' release, Fleetwood Mac are still very big business. Partly that's down to the continued resonance of the story of the album: two couples tearing themselves apart and committing their feelings to tape. (It is perhaps not a coincidence that Abba, another 70s band whose troubled relationships were set to lush pop, are also undimmingly popular.) But it's also down to the music: Rumours still sounds like a treat when you play it. 'I think Dreams in particular feels very modern sonically,' says Tamara Lindeman, the Canadian musician who records as the Weather Station. 'The naked kick/snare/bass line; the way that there almost no instruments inhabiting the mid-range, just a voice; the really tight short reverb; the super short and compressed drums.' 'That's really modern, and sonically resembles a lot of R&B and hip-hop in a way – it's similar in how that modern music inhabits those frequency ranges. Also I would say Stevie Nicks' internal sense of rhythm feels so modern – the way she hangs around the beat, often a little behind and kinda swung. It's not like how other singers of the time sang.' Dreams had a flush of viral fame after being mimed to by cranberry-juice swigging skateboarder Dogg Face on TikTok in 2020, and those who attended Fleetwood Mac shows during this century have noticed a change in the band's audience. Twenty years ago, their live crowd had been predominantly ageing couples, but by the time they played what turned out to be their final London shows at Wembley Stadium in 2019, the presence of a great many young women was startling. For Lindeman, that development came as no surprise. 'Stevie Nicks and Christine McVie both wrote incredible hits. In a lot of ways it was a band led by women – two really powerful voices and writers. For me in particular the songs by Nicks and McVie are the ones that resonate and last – those are the ones you think of when you think of Fleetwood Mac, more than Lindsey Buckingham's hits. Of course young women are showing up.' Nicks, whose failing relationship with singer/guitarist Buckingham was one of the themes of Rumours, has become a particular hero in recent years. 'She does that thing of writing personally and vulnerably about her experiences, but with this strength that comes through anyway – it's totally vulnerable but she stays tough, like a superhero of the heart,' Lindeman says. There are more prosaic reasons for Fleetwood Mac's continued presence in the culture though, not least the appetite for work they displayed during the first 20 years of this century. While most veteran superstar bands begin to ration their appearances as time passes, Fleetwood Mac stayed on the road for months on end, keeping their name alive. Not for them the handful of stadium shows in major markets: their touring schedules show their willingness to work. Nor did they complicate their message by releasing new music: the focus was always firmly on the past. It has paid off. Now, two and a half years on from the death of Christine McVie and the final passing of the group (for now: drummer and founder Mick Fleetwood would be open to a new iteration), Fleetwood Mac are the hippest old people in music.

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