Latest news with #KukjeGallery
Korea Herald
17 hours ago
- Entertainment
- Korea Herald
Which exhibition will pique RM's interest?
Korean art world keeps eyes on which exhibitions the celebrity will visit following his military discharge The art circle has been desperate for an opportunity to liven up the mood amid the Korean art market slump, and, at long last, here comes BTS' RM with the star power to create a buzz in the scene. RM, known as an avid art lover, was discharged from mandatory military service on Tuesday, and now many are interested in what his next move may be where the arts are concerned. Before joining the military, he was often spotted at exhibitions across the country. He collected art and donated to a museum. A photo on social media or a rumor of a visit to a certain exhibition often resulted in long lines at the museums and galleries as fans made visits, following their heartthrob. 'When he visited us, he would do so without giving us prior notice. He would quietly come to the gallery to see art when it is not too crowded,' said a gallerist in Seoul, adding that an influencer like RM is unprecedented in the art world. 'No other idol has fans like this — they seem quite serious about art. They do not simply come and take photographs. They purchase brochures and study the artists. It seems his fans consider art a way to get to know the celebrity better — his tastes and thoughts,' he said. The idol singer embarked on an art tour ahead of his discharge, posting a couple of photographs from his visit to Kukje Gallery in Seoul for the exhibition 'Next Painting: As We Are' that features young Korean painters and another show, 'A Faraway Today,' which both kicked off last week. 'He has shown quite a lot of interest in Korean art with in-depth knowledge. People often say there has been no influencer or celebrity who can bring such a big interest to an exhibition like RM. Many people in the art circle have been waiting for his discharge from military service,' said an official from an auction house. 'We do not think that his visits to exhibitions will directly lead to sales, but we expect that his comeback will definitely bring a fresh mood to the art scene that has been in a downturn,' he said. When RM uploaded a photo from the exhibition 'Kwon Jin Kyu Centennial: Angel of Atelier' at the Seoul Museum of Art in 2022, where a 45-centimeter-tall terracotta sculpture 'Horse" RM had collected was on display, the museum saw a huge influx of visitors, many of them RM's fans, according to the city-run museum. 'RM has contributed to the art scene by breaking the perception that art is something difficult and complex for the general audience,' said Han Hee-jean, curator from the Seoul Museum of Art. 'Even during his service in the military, RM visited the museum to see 'Turbulent Times: Women, Life, Art' last year.' Another gallerist in Seoul said that while she acknowledges that RM's influence in the Korean art scene has been huge, she was cautious to place too much anticipation on his activities bringing about a change in the arts sector. 'The art market consists of many layers and has different factors behind it. It would not be proper to say that a single celebrity could lead a revival of the art scene, but it is true that people are curious about what exhibitions he will visit from now on,' the gallerist said.
Korea Herald
2 days ago
- Entertainment
- Korea Herald
Young painters share their inner worlds
Kukje Gallery in Seoul displays paintings by young artists and Park Chan-kyong's curated exhibition At a time when visual images overflow, produced in excess by advances in technology, painters agonize over their role and how their work is received by viewers. Kukje Gallery brought together a group of young artists, born in the 1980s and '90s, at the exhibition 'Next Painting: As We Are.' The gallery refers to the six artists -- Mackerel Safranski, Kim Se-eun, Yoo Sin-ae, Lee Eun-sae, Jeon Byung-koo and Jeong Yi-ji -- as 'digital natives who naturally embody the media environment," but still stick with the oldest art medium of painting. Safranski focuses on her inner self, expressing her personal experiences with a long-term eating disorder and insomnia. Her paintings often feature a mysterious and uncanny atmosphere with thought-provoking images and narratives. 'I consider my body as a room that I am living in, which I cannot share with anyone else. I delve into images that are constantly created in myself,' she said Thursday at Kukje Gallery. Living in the Netherlands for the past few years, where the artist faced unfamiliar situations, she realized she had tended to perceive only the surface of things without a deep understanding of or connection with them. Such 'ah-ha" moments became a cue to create new paintings, the artist said. Jeong captures the landscapes and objects she has seen in daily life, and stories about the people around her. The images of snapshots turned into her own visual language of painting with strong and rhythmic brushstrokes. Coinciding with the exhibition, another show, 'A Faraway Today' takes place at the gallery's hanok space. The exhibition, curated by Park Chan-kyung, who has worked extensively as a film director, curator and writer, reflects Park's longstanding interest in tradition, folk belief and Korean modernity, collaborating with artists Kim Beom, IM Young-zoo, Cho Hyun-taek, Choe Soo-ryeon and Choi Yun. The exhibitions run through July 20.
Korea Herald
28-03-2025
- Entertainment
- Korea Herald
Art evolves through accumulation of time, two artists show
Kukje Gallery exhibitions of Ha Chong-hyun, Choi Jae-eun show how art changed in later years Artists persevere to express what they hold inside or deliver messages through art — and galleries nurturing long-running relationships with artists are crucial in showing how that art evolves through time. Kukje Gallery in Seoul presents two exhibitions, focusing on contemporary artists Ha Chong-hyun and Choi Jae-eun, showing how they have continuously evolved in their artistic practices into their late years. Ha's solo exhibition is his fourth presentation at the gallery and the first in three years. The 89-year-old artist's new works from the 'Conjunction' series, which gives variations to his signature 'baeapbeop,' are at the center of the exhibition. "Baeapbeop" literally means 'back-pressure technique." In his latest works from the 'Conjunction' series — which he started in the 1970s — Ha highlights gradations mixed between brushstrokes at the back of the canvas and bright colors added to the front, reflecting his renewed focus on color. Baeapbeop, a term coined by the artist, involves pushing thick layers of paint from the back side of the burlap canvas so that the paint oozes through, creating a unique texture on the surface. The bright colors Ha employs for the new works are distinguished from his early works that feature colors commonly found in traditional Korean objects such as roof tiles or white porcelain, according to the gallery. The self-titled exhibition of Ha Chong-hyun is on view at the gallery's hanok space and K1. Another exhibition, 'Nature Rules,' marks Choi Jae-eun's third presentation at the gallery with themes surrounding the origins of life, temporality, birth and extinction. The 72-year-old artist, currently based in Japan, has combined art and science to explore concepts of vitality and the cycle of life. The ongoing exhibition shows her sensory analysis of the light and sound of the forest visualized through a variety of art, encompassing installation, video and sculptures. Collecting fall leaves and flower petals during her walks through the forest in the Kyoto neighborhood where she currently resides, the artist utilized these natural materials as pigments for paint, applying them to her canvases. She aptly titled the series 'From the Forest.' The sound installation of the artist's voice and nature echoing across the gallery makes one feel as though he or she were standing in the middle of a forest. The artist moved to Tokyo in the mid-1970s and has since continued the 'Underground Project' series she began in 1986 by burying specially made paper in the ground, then unearthing it to analyze traces of accumulated time. The exhibition at the gallery takes place in the K2 and K3 spaces.
