Latest news with #LCDSoundsystem
Cosmopolitan
7 days ago
- Entertainment
- Cosmopolitan
The Buccaneers Season 3 - News, Cast, Updates, More
Now that the second season of The Buccaneers has ended and so friggin' much has happened, what happens next? Can we get The Buccaneers season 3 ASAP, please? And, honestly, a cross-over with The Gilded Age while we're at it? The show, which stars Kristine Froseth as Nan St. George, one of half a dozen American debutantes ("North American Scum" according to the LCD Soundsystem cover that plays over the credits) trying to make it in England's high society, has so many cliffhangers and loose threads that I'm not above begging for more. As of the season 2 finale, there's no word yet from Apple about a renewal or a cancellation. So we wait! Hopefully we won't have to wait too long. Last time, the show was renewed for season 2 just under a week after the season 1 finale. Spoilers for the season 2 finale ahead. The finale set up so many potential stories it's hard to keep track of them all. For one thing, Nan is pregnant and fully runs away with the Duke's heir just as he has officially announced his intention to abdicate his duties. That's one of many plot bombs that the series dropped at the end of the season. Where's she going? She just ran off into the night. Where, and how is she going to hide with this baby? Theo publicly dumped his title and Nan so that he could be with Lizzy, but I have my doubts that that relationship will last. For one thing, it came out of nowhere. For another, in Edith Wharton's book Lizzy does end up with Hector Robinson. Sure, he's kind of a villain in the show after exposing Theo's affair to the press, but if The Buccaneers is renewed for a season 3 he could be redeemed. Think about how many crazy twists and turns there were in season 2. Anything could happen. There's also Kit, Theo's "dangerous" secret half-brother OTW to take the title. Let's not forget about Guy and Paloma, either. Their wedding may have been impulsive, but Paloma clearly wants to stick around a bit longer. I'm also kind of obsessed with the plan that Conchita and Mabel came up with to sneakily help LGBTQ+ and other outcasts navigate society. I need to see that play out in season 3! The first season was released in the late fall/early winter of 2023. This season, of course, dropped in summer 2025. Since it's unlikely that the SAG-AFTRA and WGA strikes in 2023 delayed the second season, it's probably fair to expect a similar timeline if and when the show gets a third season. The best educated guess is that The Buccaneers season 3 comes out in fall/winter 2027. Let's hope they actually get to make that happen!
Fashion Network
08-07-2025
- Entertainment
- Fashion Network
Schiaparelli kicks off couture with entre-deux-guerres surrealism
Schiaparelli kicked off Paris haute couture week with a sensationally surreal collection that blended "entre-deux-guerres" imagery with punchy futurism. With Dua Lipa, Cardi B and Brazilian star Anitta sitting front row inside the Petit Palais, the Monday morning pre-show was a heated hive of paparazzi activity—even as it teemed with rain outside. In this Fall/Winter 2025–26 collection, the house's couturier, Daniel Roseberry, harkened back to the '30s, referencing founder Elsa Schiaparelli's decision to depart her adopted city of Paris in 1940, just after World War II had begun. Riffing on the house's archive and black-and-white photography of the '20s and '30s, the clothes ranged from steamy surrealism—like a little black dress that was essentially a tightly fitted saddle—to a series of sexy matadors. Some in dry black wool with archive leaf motifs, others in faded grey felt, their shoulders finished with mini saddles. He mixed up transparent tulle and embroidered wool in dramatic evening coats or saucy suits and topped many looks with superb "Qui êtes-vous, Polly Maggoo?" pillbox hats or Henry Moore-like cloches. Before going into overdrive for the evening—with bustier dresses and gowns in lamé and silver—several featured skillfully embroidered Eyes Wide Open eyeballs. One largely transparent slip dress finished in jade beads and pearls had a naked back, the better to reveal knickers composed of strass. A back-to-front satin gown in red—essentially the only other color in this black-and-white show—wowed with a 'beating heart necklace' hung at the back of the neck, over a pair of faux boobs. All in juxtaposition to the soundtrack—a blend of LCD Soundsystem's 'Someone Great' and Mount Kimbie's 'Made to Stay.' 'Back to the future. This was definitely the most entrenched in the archive I have ever been. Looking at photography in black and white in Paris before the Germans invaded, and that twilight of glamour—of bias-cut dresses and what the Schiaparelli jacket was—ended. So, I wanted the timelessness of a desaturated black-and-white world,' explained Roseberry before his mood board in his post-show backstage. There was less body modification than last season's corset-driven looks, with a far more liquid shape to many gowns—sophisticated swans in galuchat or sinful red satin. Overall, the aesthetic was Dalí-era diabolical blended with a certain raw sensuality—a rather brilliant way to start off the four-day Paris haute couture week. 'I think we are on the precipice of a major change, and I am not just talking geopolitically. So, in a weird way, this felt like a sort of swan song. I wanted it to be a farewell,' said Roseberry, who revealed that the house planned to restructure its whole atelier. He called this display the last of a trilogy of collections: Phoenix, Icarus and—seeing as Cardi B exited the show with a black raven on her arm—this latest one would probably be Aphrodite.
Fashion Network
07-07-2025
- Entertainment
- Fashion Network
Schiaparelli kicks off couture with entre-deux-guerres surrealism
Schiaparelli kicked off Paris haute couture week with a sensationally surreal collection that blended "entre-deux-guerres" imagery with punchy futurism. With Dua Lipa, Cardi B and Brazilian star Anitta sitting front row inside the Petit Palais, the pre-show was a heated hive of paparazzi activity—even as it teemed with rain outside. In this Fall/Winter 2025–26 collection, the house's couturier, Daniel Roseberry, harkened back to the '30s, referencing founder Elsa Schiaparelli's decision to depart her adopted city of Paris in 1940, just after World War II had begun. Riffing on the house's archive and black-and-white photography of the '20s and '30s, the clothes ranged from steamy surrealism—like a little black dress that was essentially a tightly fitted saddle—to a series of sexy matadors. Some in dry black wool with archive leaf motifs, others in faded grey felt, their shoulders finished with mini saddles. He mixed up transparent tulle and embroidered wool in dramatic evening coats or saucy suits and topped many looks with superb "Qui êtes-vous, Polly Maggoo?" pillbox hats or Henry Moore-like cloches. Before going into overdrive for the evening—with bustier dresses and gowns in lamé and silver—several featured skillfully embroidered Eyes Wide Open eyeballs. One largely transparent slip dress finished in jade beads and pearls had a naked back, the better to reveal knickers composed of strass. A back-to-front satin gown in red—essentially the only other color in this black-and-white show—wowed with a 'beating heart necklace' hung at the back of the neck, over a pair of faux boobs. All in juxtaposition to the soundtrack—a blend of LCD Soundsystem's 'Someone Great' and Mount Kimbie's 'Made to Stay.' 'Back to the future. This was definitely the most entrenched in the archive I have ever been. Looking at photography in black and white in Paris before the Germans invaded, and that twilight of glamour—of bias-cut dresses and what the Schiaparelli jacket was—ended. So, I wanted the timelessness of a desaturated black-and-white world,' explained Roseberry before his mood board in his post-show backstage. There was less body modification than last season's corset-driven looks, with a far more liquid shape to many gowns—sophisticated swans in galuchat or sinful red satin. Overall, the aesthetic was Dalí-era diabolical blended with a certain raw sensuality—a rather brilliant way to start off the four-day Paris haute couture week. 'I think we are on the precipice of a major change, and I am not just talking geopolitically. So, in a weird way, this felt like a sort of swan song. I wanted it to be a farewell,' said Roseberry, who revealed that the house planned to restructure its whole atelier. He called this display the last of a trilogy of collections: Phoenix, Icarus and—seeing as Cardi B exited the show with a black raven on her arm—this latest one would probably be Aphrodite.
Fashion Network
07-07-2025
- Entertainment
- Fashion Network
Schiaparelli kicks off couture with entre-deux-guerres surrealism
Schiaparelli kicked off Paris haute couture week with a sensationally surreal collection that blended "entre-deux-guerres" imagery with punchy futurism. With Dua Lipa, Cardi B and Brazilian star Anitta sitting front row inside the Petit Palais, the pre-show was a heated hive of paparazzi activity—even as it teemed with rain outside. In this Fall/Winter 2025–26 collection, the house's couturier, Daniel Roseberry, harkened back to the '30s, referencing founder Elsa Schiaparelli's decision to depart her adopted city of Paris in 1940, just after World War II had begun. Riffing on the house's archive and black-and-white photography of the '20s and '30s, the clothes ranged from steamy surrealism—like a little black dress that was essentially a tightly fitted saddle—to a series of sexy matadors. Some in dry black wool with archive leaf motifs, others in faded grey felt, their shoulders finished with mini saddles. He mixed up transparent tulle and embroidered wool in dramatic evening coats or saucy suits and topped many looks with superb "Qui êtes-vous, Polly Maggoo?" pillbox hats or Henry Moore-like cloches. Before going into overdrive for the evening—with bustier dresses and gowns in lamé and silver—several featured skillfully embroidered Eyes Wide Open eyeballs. One largely transparent slip dress finished in jade beads and pearls had a naked back, the better to reveal knickers composed of strass. A back-to-front satin gown in red—essentially the only other color in this black-and-white show—wowed with a 'beating heart necklace' hung at the back of the neck, over a pair of faux boobs. All in juxtaposition to the soundtrack—a blend of LCD Soundsystem's 'Someone Great' and Mount Kimbie's 'Made to Stay.' 'Back to the future. This was definitely the most entrenched in the archive I have ever been. Looking at photography in black and white in Paris before the Germans invaded, and that twilight of glamour—of bias-cut dresses and what the Schiaparelli jacket was—ended. So, I wanted the timelessness of a desaturated black-and-white world,' explained Roseberry before his mood board in his post-show backstage. There was less body modification than last season's corset-driven looks, with a far more liquid shape to many gowns—sophisticated swans in galuchat or sinful red satin. Overall, the aesthetic was Dalí-era diabolical blended with a certain raw sensuality—a rather brilliant way to start off the four-day Paris haute couture week. 'I think we are on the precipice of a major change, and I am not just talking geopolitically. So, in a weird way, this felt like a sort of swan song. I wanted it to be a farewell,' said Roseberry, who revealed that the house planned to restructure its whole atelier. He called this display the last of a trilogy of collections: Phoenix, Icarus and—seeing as Cardi B exited the show with a black raven on her arm—this latest one would probably be Aphrodite.
Fashion Network
07-07-2025
- Entertainment
- Fashion Network
Schiaparelli kicks off couture with entre-deux-guerres surrealism
Schiaparelli kicked off Paris haute couture week with a sensationally surreal collection that blended "entre-deux-guerres" imagery with punchy futurism. With Dua Lipa, Cardi B and Brazilian star Anitta sitting front row inside the Petit Palais, the pre-show was a heated hive of paparazzi activity—even as it teemed with rain outside. In this Autumn/Winter 2025–26 collection, the house's couturier, Daniel Roseberry, harkened back to the '30s, referencing founder Elsa Schiaparelli's decision to depart her adopted city of Paris in 1940, just after World War II had begun. Riffing on the house's archive and black-and-white photography of the '20s and '30s, the clothes ranged from steamy surrealism—like a little black dress that was essentially a tightly fitted saddle—to a series of sexy matadors. Some in dry black wool with archive leaf motifs, others in faded grey felt, their shoulders finished with mini saddles. He mixed up transparent tulle and embroidered wool in dramatic evening coats or saucy suits and topped many looks with superb "Qui êtes-vous, Polly Maggoo?" pillbox hats or Henry Moore-like cloches. Before going into overdrive for the evening—with bustier dresses and gowns in lamé and silver—several featured skilfully embroidered Eyes Wide Open eyeballs. One largely transparent slip dress finished in jade beads and pearls had a naked back, the better to reveal knickers composed of strass. A back-to-front satin gown in red—essentially the only other colour in this black-and-white show—wowed with a 'beating heart necklace' hung at the back of the neck, over a pair of faux boobs. All in juxtaposition to the soundtrack—a blend of LCD Soundsystem's 'Someone Great' and Mount Kimbie's 'Made to Stay.' 'Back to the future. This was definitely the most entrenched in the archive I have ever been. Looking at photography in black and white in Paris before the Germans invaded, and that twilight of glamour—of bias-cut dresses and what the Schiaparelli jacket was—ended. So, I wanted the timelessness of a desaturated black-and-white world,' explained Roseberry before his mood board in his post-show backstage. There was less body modification than last season's corset-driven looks, with a far more liquid shape to many gowns—sophisticated swans in galuchat or sinful red satin. Overall, the aesthetic was Dalí-era diabolical blended with a certain raw sensuality—a rather brilliant way to start off the four-day Paris haute couture week. 'I think we are on the precipice of a major change, and I am not just talking geopolitically. So, in a weird way, this felt like a sort of swan song. I wanted it to be a farewell,' said Roseberry, who revealed that the house planned to restructure its whole atelier. He called this display the last of a trilogy of collections: Phoenix, Icarus and—seeing as Cardi B exited the show with a black raven on her arm—this latest one would probably be Aphrodite.
