Latest news with #LastSupper
Edinburgh Live
3 days ago
- Entertainment
- Edinburgh Live
Billy Connolly's life from net worth to health and return to screen after six years
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Sir Billy Connolly has been bringing a smile to people's faces for more than 50 years, thanks to his long career in comedy. He is sometimes known, especially in his native Scotland, by the nickname The Big Yin, meaning The Big One. Despite being recognised as one of the finest comedians, the much-loved star initially entered the entertainment industry as a folk singer with the Glaswegian group The Humblebums. However, by the mid-70s, he transitioned from being the band's humorous frontman to a full-time stand-up comedian. His debut solo album, a blend of music and comedy sketches, featured one of his most renowned routines, The Crucifixion, where he compares the Last Supper to a boozy night out in Glasgow. The success of the album and subsequent live performances catapulted him to UK fame, making his first appearance on BBC's flagship chat show, Parkinson, in 1975. (Image: Luke MacGregor/PA Wire) Is Billy Connolly married and does he have children? In 1968, at the age of 26, Billy married his first wife, fellow Scot Iris Pressagh and together the pair had two children. They divorced in 1985, and in 1989, Billy went on to tie the knot with New Zealand-born writer and psychologist Pamela Stephenson. The couple are still married and also have three children together. (Image: David M. Benett/for Audi) Billy Connolly's health battle Billy has been battling Parkinson's disease, a degenerative brain condition, since 2013. In 2018, he released a documentary titled Made In Scotland, where he reflected on his life, career, and illness. At the time he said that when he was diagnosed with Parkinson's disease, he felt like his life was "slipping away". He was dealt a devastating blow when he was diagnosed with both prostate cancer, which he later received the all-clear on, and Parkinson's at the same time. Last year, he teased that he may return to screens after retiring from the scene six years ago. He took a break from doing sketches when he started to forget his routines. At the time, Mike Reilly, who has collaborated with Sir Billy for over a decade, has revealed that the comedian has approached him about working on a new project. (Image: BBC) He remained secretive, telling the Metro: "I've been asked about doing something else with him, which we're in conversations about that. "But I'm not allowed to say what it is. But it'll be nice if it happens, it'll be great if it happens." Mike insisted that he was not putting pressure on the actor and comedy legend, saying they are working on new ideas at a pace that works for him. What is Billy Connolly's net worth? Billy has an impressive wealth thanks to his long career as an actor and comedian. It is reported that he has a fortune of £16.5M. This has been earned through Billy's work as a movie actor and stand-up comedian.
Extra.ie
3 days ago
- General
- Extra.ie
House where Last Supper occurred 'still standing' millennia later
Archaeologists have claimed that the house where the Last Supper is said to have occurred is still standing over 2,000 years later. The room where Jesus Christ had his supper with his 12 disciples before his crucifixion was mentioned in the book of Luke 22:11-13, which saw Jesus ask for a large, furnished upper room of a house so they could have their passover meal. The room, also known as the Cenacle on Mount Zion in Jerusalem, is a tourist attraction and prayer room — and despite it being said as the room where the famed supper occurred, there was a lack of archaeological excavation that could confirm if the room was around during Jesus' time. Archaeologists have claimed that the house where the Last Supper is said to have occurred is still standing over 2,000 years later. Pic: sedmak/Getty There have been several ancient depictions of the house, which had limestone walls and a red sloping roof, including in 1585 when a fourth century carving saw Jesus before Mary Magdalene post resurrection with a distinctive slanted roof in the background. Other illustrations depicting what appears to be proof of the house include in 1846, when a sixth century illustration found in Italy depicted Jesus entering the old city of Jerusalem on a donkey with the Cenacle visible in the background. Greek Orthodox Christians also found what was thought to be the earliest map of Jerusalem that dated back to 560 AD, with the map showcasing the Cardo Maximus and two structures at the southern end of the map that were identifiable by red roofs. The Cenacle in Mount Zion, where the Last Supper is said to have occurred. Pic: Richard T. Nowitz/Getty Images In more recent times, the Israel Antiquities Authority (IAA) underwent peeling back the modifications of the Cenacle using laser technology and photographic imaging to try and uncover what state it would have been in during the time of the Last Supper. After intense scanning of the room to create 'accurate models of the space,' features that were previously unknown were discovered, including obscure artwork such as Agnus Dei (the Lamb of God) and the Lion of Judah on the ceiling. 'The lion was the symbol of King David,' Amit Re'em of the IAA told Fox News at the time. 'According to ancient scriptures, Jesus was a descendent of King David.' Pic: minoandriani/Getty Images Despite the historical significance of the room, it still cannot be confirmed 100% if that is indeed where the Last Supper took place; with Mr Re'em saying at the time that further research is needed. 'From time to time, when we have an opportunity, we're continuing to document other parts of the holy complex,' he said. 'I hope that maybe, in the future, we will have the opportunity to conduct a small-scale classical archaeological investigation.'
Herald Malaysia
3 days ago
- General
- Herald Malaysia
A deep longing for unity
Reflecting on our Sunday Readings with Fr Sixtus Pitah OFM May 30, 2025 7th Sunday of Easter (C) Readings: Acts of the Apostle 7:55-60; Revelation 22:12-14, 16-17, 20; Gospel: John 17:20-26In today's readings, we hear a deep longing for unity — unity with God, unity with one another, and unity in truth and love. It's a unity that isn't abstract or just a nice spiritual idea. It's a unity born through real effort, real pain, and real faith — and it's what Jesus prays for before facing the Cross. St Stephen, in the First Reading, is being stoned to death. And yet, in the middle of that violence and hate, he gazes into heaven and sees Jesus. What does he do? He doesn't curse his killers. He doesn't beg for his life. Instead, he prays to be united with Jesus and even forgives those attacking him. That kind of faith, that kind of unity with Christ, is not soft or easy. It's costly. But it brings peace, not just to Stephen, but also — eventually — to a man named Saul, who stood there approving his death. Saul, who would become Paul, because of the witness of that unity. In the Gospel, Jesus prays for all of us — not just for His disciples at the Last Supper but for you and me today in our world, in our parishes, our BECs, our families. He says, "That they may be one, just as You, Father, are in Me, and I in You." Jesus wants our unity to reflect the same deep relationship of love within the Trinity — a unity rooted in self-giving, in listening, in mercy. But we live in a time where unity can be hard to be attained. There's just a lot of noise. We are constantly bombarded with messages online and in real life that divide: Us versus them. Right versus wrong. My truth versus your truth. And in this year's 59th World Communications Day, Pope Francis speaks right into this: he invites us to rediscover 'the language of the heart' — a way of communicating that brings people together instead of pushing them apart. He quotes St Paul: 'Speaking the truth in love' (Eph 4:15). That's not just about being nice. It's about learning how to speak with truth and tenderness. And more importantly, how to listen — to listen deeply, patiently, humbly. Pope Francis reminds us that 'listening is the first act of communication.' In our homes, in our WhatsApp groups, on Facebook, at the Mamak's shop or Kopitiam — are we listening? Or just reacting? In Malaysia, where we live side by side with people of many races, cultures, and beliefs, unity is not an ideal. It's a necessity. And as Christians, we are called to be a sign of that unity — not by force or pretending we are all the same, but by loving sincerely, communicating respectfully, and living with open hearts. The Pope also warns us about artificial intelligence — not in fear, but with caution. He reminds us that while technology can help us communicate faster, it cannot replace the warmth of human connection. He says: 'Machines can imitate us, but they cannot feel with us.' That's such an important reminder — especially for young people glued to screens. Real unity requires real people. Real encounters. Real hearts. As we approach Pentecost next week, we remember how the Holy Spirit united people who spoke different languages. Not by making them the same, but by helping them understand one another. That's the kind of unity we are invited into. Not uniformity, but harmony. So today, let's take Jesus' prayer seriously. Let's be people who don't just consume messages but communicate life. Let's speak with our hearts, forgive like Stephen, listen like Jesus, and build unity wherever we are — in our families, our parish, our communities, and even online. And maybe, like the final words of Revelation say, our hearts too can cry out: 'Come, Lord Jesus!' — not because the world is perfect, but because we long for the unity He brings. 'Unity begins with one open heart willing to love beyond comfort.' May that heart be ours today. Friar Sixtus Peter, OFM is the Vice Chairman of the Episcopal Regional Commission for Social Communications (ERCSC) Catholic Bishops' Conference of Malaysia, Singapore and Brunei (CBCMSB)
Cosmopolitan
3 days ago
- Entertainment
- Cosmopolitan
Why Isn't Samantha on ‘And Just like That'?
Sex and the City's revival, And Just Like That…, starts season 3 tonight, which means that you're probably still wondering where Samantha is. As anyone with a fledgling interest in Sex and the City knows, Kim Cattrall has only been in one epsiode of And Just Like That…, and while fans might be dying for her to return, she does not appear in the new season (that we know). Here's how the show has explained her absence in the first two seasons. And Just Like That... season 1 explains that Samantha moved to London after a fight with Carrie. We discover this almost immediately when Bitsy von Muffling asks Carrie, Miranda, and Charlotte where Samantha is, and it's revealed she's living in the UK. Later in the episode, Miranda notes, 'You know, it is kind of like she's dead, Samantha. We never even talk about her,' to which Carrie replies, 'Well, what is there to say? I told her that because of, you know, what the book business is now, it just didn't make sense for me to keep her on as a publicist. She said 'fine' and then fired me as a friend.' Carrie says Samantha stopped returning her calls and voicemails (actually, she hasn't been in touch with anybody), saying, 'Look, I understand that she was upset, but I thought I was more to her than an ATM.' Samantha is brought up again in season 1 episode 2—after the sudden death of Mr. Big. At the funeral, Carrie sees that she's been sent flowers with a note simply saying, 'Love, Samantha.' Throughout the season, they then exchange a few texts that make it seem like they're on their way to a reconciliation. It's like Carrie is sending little olive branches via iMessage and hoping Samantha responds. In the season 1 finale, there's a resolution of sorts. Carrie goes to Paris to spread Big's ashes from 'their' bridge. Because Carrie is in Paris (which is obviously not far from London), she texts Samantha and asks if she wants to get a drink. Samantha responds and says, 'How about tomorrow?' So even though Kim herself didn't show up during the entire season, the fictional Carrie and Samantha seem to have reconciled. Then, in the season 2 finale, we get a true cameo with Kim. She and SJP's character Carrie share a phone call (which they filmed separately). Samantha says that she wanted to make it to Carrie's "Last Supper" dinner in her Upper East Side apartment, but because of bad weather, she couldn't get out of Heathrow. It's a very sweet moment that fans got very emotional about, even if the two women weren't actually in the same room. It was nice to see Kim in character as Samantha again. As of now, there are no other appearances scheduled for Kim. That seems to be the last scene she wanted to shoot, as a way of saying goodbye to character. But we'll see how the season shakes out.
Yahoo
4 days ago
- Entertainment
- Yahoo
In Season 3, 'And Just Like That' Finally Comes Into Its Own
From left: Sarah Jessica Parker, Kristin Davis, and Cynthia Nixon in And Just Like That Season 3 Credit - Craig Blankenhorn—Max Carrie Bradshaw never stops starting over. After the original Sex and the City series ended with Sarah Jessica Parker's polarizing sex-columnist heroine rejoicing in her soulmate Mr. Big's (Chris Noth) long-awaited declaration of love, 2008's follow-up movie had him leave her at the altar so she could cry it out with her best girlfriends on what was supposed to be the couple's honeymoon. The bloated SATC feature ended with Carrie and Big's reconciliation; though their City Hall wedding stuck, an atrocious sequel film teased marital malaise before sending the ladies to Abu Dhabi for some lighthearted cultural appropriation. Which left Max's revival, And Just Like That, with little choice but to upend Carrie's life again: RIP Big, done in by his Peloton. The show's second season finale offered yet another ending. Carrie hosted a 'Last Supper,' gathering AJLT's unwieldy cast of characters for a dinner-party farewell to her iconic single-girl apartment, and had everyone pledge to let go of something in their life that was holding them back. For her part, Carrie released 'expectations.' Including the expectation that her rekindled romance with Aidan (John Corbett) would proceed in typical fashion. He put the relationship on pause for five years, to concentrate on parenting his problem child, Wyatt (Logan Souza), in Virginia. And she let him, laying groundwork for the surprisingly effective reset that is Season 3, which premieres May 29 on Max. In shedding so much of the clutter it, like Carrie's studio, had been accumulating since the 20th century, AJLT finally feels less like an SATC hangover and more like its own preposterous yet generally fun thing. Crucial to this rebirth is an overdue pruning of the cast. In a laudable but clumsily executed effort to make AJLT less straight and white than its predecessor, the first season conspicuously paired each of its three returning leads with a new woman-of-color friend. Carrie got Sarita Choudhury's glam, no-nonsense real estate queen, Seema. Charlotte York-Goldenblatt (Kristin Davis) made a mom friend in documentarian Lisa Todd Wexley (Nicole Ari Parker). Retraining in human-rights law, Miranda Hobbes (Cynthia Nixon) awkwardly won over her professor, Dr. Nya Wallace (Karen Pittman). And when Miranda burst out of the closet, crushing her nebbishy husband, Steve (David Eigenberg), the nonbinary comedian and meme-in-the-making Che Diaz (Sara Ramirez) was waiting with open arms. The SATC women's for-some-reason-married (blame SATC 2) gay best friends, Stanford Blatch (Willie Garson) and Anthony Marentino (Mario Cantone) were also getting more screentime. Meanwhile, the show was haunted by the specters of Big (who was even cut from flashbacks after two women accused Noth of sexual assault, which he has denied) and Samantha Jones, the spectacularly promiscuous fourth lead, who was shipped off unseen to London when Kim Cattrall declined to reprise the role. It was too many characters to juggle, especially when AJLT creator and SATC alum Michael Patrick King spent so much time marinating in Carrie's residual grief and circular love life. Whether they were part of his plan or not, the cast departures that have happened since are for the best, with the tragic exception of Garson's death in 2021. A distraction from the start, Che had little reason to linger after her Season 2 breakup with Miranda; when Ramirez's exit was announced last year, amid reports of behind-the-scenes drama, it was a relief. Smart, grounded, and self-possessed (not to mention the closest AJLT got to middle-class representation), Pittman's Nya made more sense as part of the ensemble. But with Miranda out of school—and Pittman doing great work in the sublime Forever—her absence from Season 3 works. Carrie's ghosts must have stayed behind at the old apartment. As she readies her palatial new Gramercy home for Aidan's eventual cohabitation and tries not to pine too hard for Aidan—who doesn't even want her to text him when they're apart (no, I'm still not sold on this storyline)—it's as if Big never existed. On the spike heels of Cattrall's overhyped, split-second appearance, speaking to Parker by phone in the Season 2 finale, AJLT seems to have Samantha out of its system, too. Her presence in the six Season 3 episodes sent for review is limited to a text message or two. After cleaning out the cast list and the walk-in closet of people from Carrie's past, King emerges with a fresher, more balanced and focused show that has come a long way from the SATC nostalgia act of Season 1. With just five women to follow, Seema's and Lisa's storylines finally get as much weight as Charlotte's and Miranda's. LTW has the PBS greenlight on a passion project she's been laboring over for years; if only her husband's comptroller campaign and a pesky work crush weren't threatening to derail her. Though her season begins with a weirdly abrupt twist, Seema is soon thrown into a juicy professional crisis of her own when her business partner suddenly retires and sells his shares to Ryan Serhant (yes, the Million Dollar Listing/Owning Manhattan guy; yes, he appears as himself; and yes, this does feel like human product placement). Choudhury's performance might be AJLT's single best reason for existing, and her increased presence this season makes it better with every imperious line reading. Not that this is never going to be a great show, much less an important one like SATC, for all its flaws. Despite its popularity, AJLT wouldn't recognize the zeitgeist if it knocked on the antique door of Carrie's Victorian townhouse begging her to vote. It's still a fluffy, head-in-the-sand, rich-lady fantasy. The teenage characters seem to have been written by people who haven't talked to an actual teen since they were teens. Carrie remains the absolute worst; an episode that has her fuming over her (distinguished British author) downstairs neighbor's request that she stop stomping on his ceiling in heels made me apoplectic. And I don't think there's enough substance—or chemistry—in her relationship with Aidan to justify the outsize attention it gets. But even as it's earnestly improving, learning to integrate the indignities and health scares of late middle age without tanking the mood, AJLT is having more, better fun with its inherent absurdity. Who wouldn't want to see Miranda get obsessed with a trashy dating show called Bi Bingo or hook up with guest star Rosie O'Donnell, whose character's backstory is sure to make jaws everywhere drop? Charlotte getting into dog-park confrontations ('I feel like the mother from The Bad Seed!') and stalking a college-admissions guru named Lois 'The Finger' Fingerhead, played by a prepped-out Kristen Schaal? Yes, please! Scenery-chomping appearances by Jenifer Lewis and Cheri Oteri? Bring 'em on! In what might be the season's goofiest development, I regret to inform you that Carrie has begun work on her first novel, a historical romance that sounds like ChatGPT's attempt to rewrite her diary as if she were living in the 19th century—the literary equivalent of a sepia-toned novelty photo. ('The woman had survived the treacherous journey mostly intact.') It's dreadful. And yet, as with so many of AJLT's most ludicrous storylines, I am here for it. Contact us at letters@
