Latest news with #LayeredMedium:WeAreinOpenCircuits'
Korea Herald
24-06-2025
- Entertainment
- Korea Herald
Abu Dhabi hosts first joint exhibition of Korean art with SeMA
'Layered Medium: We Are in Open Circuits' introduces modern and contemporary Korean art to UAE with narrative that resonates across cultures ABU DHABI, United Arab Emirates — Seeing familiar artwork presented in a novel manner, in a different context and a different environment, might be what is needed to awaken one to new possibilities and stimulate new thinking. 'Layered Medium: We Are in Open Ciruits,' an exhibition of modern and contemporary Korean art running at Manarat Al Saadiyat in Abu Dhabi, UAE, through June 30, succeeds in doing just that. The exhibition, co-organized by Seoul Museum of Art (SeMA) and Abu Dhabi Music and Arts Foundation and presented as part of Abu Dhabi Festival 2025, is a thoughtfully curated show of works by some of the best-known modern and contemporary Korean artists today, flown nearly 7,000 kilometers and assembled in a new way. The exhibition's co-curators, SeMa curator Yeo Kyung-hwan and UK-based curator Maya El Khalil, have created a narrative that is both fresh and thought-provoking. The Abu Dhabi exhibition is inspired by the SeMA exhibition 'At the End of the World Split Endlessly,' curated by Yeo, which revisited modern and contemporary Korean works in the city museum's collection last year. For "Layered Medium," the co-curators added several works that were not in the Seoul exhibition with the aim of easing visitors into Korea's modern and contemporary art. The new arrangement of the works and the scenography by Formafantasma, a Milan- and Rotterdam-based design studio, enrich the exhibition experience for those newly introduced to the works and perhaps even more so for those already familiar with them. The exhibition, whose title borrows from a statement by video art pioneer Paik Nam-june, opens with the artist's 'Self-Portrait Dharma Wheel' (1998) and an archive table showing how artistic innovations of the 1960s and 1970s occurred alongside Korea's economic and political developments, and how Korea's growing connection to a wider world shapes artistic practice today. Also shown in this first section, 'Open(ing) Circuits,' is Paik's 'Moon is the Oldest TV' (1965-1976) that links looking at the moon, an ancient practice, to contemporary screen-watching. Works by Kim Ku-lim, one of the first Korean artists to utilize electricity and light in challenging artistic conventions, are another important addition to the exhibition, giving a fuller account of the development of modern and contemporary art of Korea. A piece notable for the absence of the body, 'Method of Drawing' by Lee Kun-young, marks the start of the next section, 'Body as Medium.' The body is used as the medium, the paintings display the movements, and the negative space created results in an unintended figurative image, the artist said of the series begun in 1976. Lee Bul's 2006 work, 'Untitled (Crystal Figure),' gets a space of its own where 'feminine' materials such as crystals sparkle as they outline a female form, questioning how female bodies have been represented and understood. The question of how contexts influence cultural translation is the subject of 'Society as Medium' section. 'Under the Sky of Happiness' (2013) by Hong Young-in draws many young women visitors, according to a docent, who discover several historical women figures for the first time. Depicting Korean women hailed for being the 'first woman' in their respective fields, the work brings to the fore the marginalized history of women through embroidery, a practice that is often associated with low-wage labor. Background knowledge of the work — it reimagines a 1974 film about Korean laborers stranded in Sakhalin after World War II, replacing the male protagonists with female pioneers — is not necessary to appreciate the modern history of women in Korea. Three video works by Jun So-jung — 'Early Arrival of Future' (2015), 'Eclipse' (2020) and 'Green Screen' (2021) — explore the state of division of the Korean Peninsula. 'Early Arrival of Future' depicts two pianists, one a North Korean defector and the other a South Korean, as they collaborate in performing popular works from the two countries divided by the Demilitarized Zone. 'Eclipse,' meanwhile, juxtaposes the North Korean version of the ancient 12-string Korean instrument gayageum and the harp, an ancient Western instrument. The 21-string North Korean gayageum was created so that it may be used to perform Western music. The irony of the primordial forests of the Demilitarized Zone, the most heavily fortified border in the world, will not be lost on those watching "Green Screen.' An installation that may not be easily understood by non-Korean audiences is Bahc Yi-so's 'The UN Tower' (1997). An addition to the Abu Dhabi exhibition, the installation reconstructs the pedestal of a nonexistent monument — an image familiar to the Korean audience who have seen it on matchboxes once ubiquitous in Korean homes. 'We included this work because it articulates the impossibility of true cultural translation,' El Khalil says in the curatorial statement. While some works may be impossible to translate across different cultural contexts, on display in the last section "Space as Medium," Yang Hae-gue's 'Yes-I=Know-Screen' (2007), a set of 10 wood screens with wooden lattices that challenges boundaries between artworks, inside and outside, has resonated with the audiences here. Visitors often comment on the similarities between the lattice patterns and patterns found in Islamic art, said ADMAF Executive Director Michel Gemayel. The experience of attempting to extract similarities in the unfamiliar is a universal one. The exhibition ends on a positive note for cross-cultural translation and comprehension. The last work in the exhibition, 'Dancing Ladders' (2022) by Kwon Byung-jun, has visitors linger in front of the slow-moving inverted robotic ladders. The feeling of being stuck in the arduous condition the work depicts and elicits in viewers is a sentiment easily shared by people everywhere living in today's hyperconnected, globalized world.
Korea Herald
24-06-2025
- Entertainment
- Korea Herald
'Open Circuits' in Abu Dhabi explores curatorial collaboration
The exhibition 'Layered Medium: We Are In Open Circuits' runs through Monday Collaborating on an exhibition sometimes poses challenges, as it requires constant communication and research until the curators succeed in drawing a visual narrative together. The metaphor 'open circuits' in the exhibition 'Layered Medium: We Are in Open Circuits' embodies not only the content of the exhibition itself but the process of co-curation. The exhibition, which is on view at Manarat Al Saadiyat in Abu Dhabi, is the first-ever exhibition in the Middle East to comprehensively show Korean art spanning from the 1960s to the present. It was co-curated by UK-based independent curator Maya El Khalil and Yeo Kyung-hwan of the Seoul Museum of Art. 'Creating a meaningful dialogue between curators from two countries required considerable time -- it took over a year and a half for us to evolve our genuine dialogue between perspectives and visions into the exhibition,' El Khalil said in a recent interview with The Korea Herald. The collaborative process itself mirrored the exhibition's central concept of "open circuits,' she said. Inspired by a 1965 statement by Korean-born video art founder Paik Nam-june that says, 'we are in open circuits,' the exhibition shows how Korean contemporary art can be interpreted in different contexts depending on the viewers, curators and the region. 'We focused on how artists have used shifts in artistic mediums to reflect on the changes that happened to them, and how they used art, new technology and innovations across media and form to process and synthesize those changes. 'Visitors appreciate that these aren't just Korean stories, but shared contemporary experiences,' El Khalil said. Yeo said working with El Khalil triggered a change in perspectives for co-curation, which she had considered 'almost impossible.' The exhibition in Abu Dhabi evolved from an exhibition in Seoul held last year, titled 'SeMA Omnibus: At the End of the World Split Endlessly," which reexamined the museum's collection. 'The original concept and exhibition were renewed and revisited for our current exhibition as a result of my co-curation with Maya El Khalil,' Yeo said. 'The exhibition is a form of storytelling, highlighting how different generations of artists responded to key moments in Korea's political and cultural history. 'By framing this in a non-linear, conceptual way, we offer audiences in Abu Dhabi a deeper understanding of how Korean avant-garde art was shaped by and continues to shape larger global narratives,' she said. Forty-eight works in the exhibition include those by artists who have recently garnered global attention -- such as Lee Bul, Yang Hae-gue, Lee Kun-yong, Chung Seo-young and Kang Seok-yeong -- demonstrating how Korean contemporary art has continuously renewed itself in a changing world. 'This mirrors the dynamic cultural identity of Abu Dhabi, where the traditions of the past and the drive for innovation coexist, highlighting that we are standing within an open circuit,' Yeo added. A companion exhibition, 'Intense Proximities,' will take place in December at Seoul Museum of Art, featuring a collection from Abu Dhabi Music & Arts Foundation, the co-organizer of the Abu Dhabi exhibition along with SeMA, as well as other significant works by UAE-based practitioners. 'For the past decade, the focus of the Seoul Museum of Art's international exchanges has primarily been with non-Western regions, such as Asia, the Middle East and South America. We are no longer concerned with following the Western art flow or its historical canon,' Yeo said. She continued: 'Rather, our focus lies in the recognition of art as one of many diverse branches, with increasing attention to the historical and cultural 'glocal' context that shapes each region's unique identity.' El Khalil suggests art serves as a 'crucial interface' for processing and relating to the changing world on different scales, and as a curator, she believes she creates frameworks that allow audiences to encounter shared experiences. 'It's about dialogue and opening circuits of meaning rather than simply presenting objects or delivering predetermined messages,' she said of her curatorial philosophy. 'In our increasingly complex world, fraught with technological, social, geopolitical and urban change, art shows us that we're not passive observers but always active participants creating meaning and connection,' she added.
Korea Herald
20-05-2025
- Entertainment
- Korea Herald
Abu Dhabi, Seoul collaboration brings discussion on contemporary art to Manarat Al Saadiyat
Coinciding with the exhibition 'Layered Medium: We Are in Open Circuits' — the largest presentation of Korean contemporary art in the Gulf Cooperation Council region — public programs and panel discussion are scheduled to be held at the Manarat Al Saadiyat in Abu Dhabi. The exhibition spanning six decades of Korean contemporary art kicked off Friday as a collaboration between the Abu Dhabi Music & Arts Foundation and Seoul Museum of Art, as part of Abu Dhabi Festival 2025. 'The Abu Dhabi Festival is a beacon for consolidating the role of cultural diplomacy in strengthening cooperation and partnerships with friendly nations,' said Sheikh Abdullah bin Zayed Al Nahyan, deputy prime minister and minister of foreign affairs as well as a founding honorary patron of the Abu Dhabi Festival. 'In this regard, and based on the importance of its role in building bridges of cultural dialogue between the United Arab Emirates and the Republic of Korea, this exceptional exhibition embodies the advanced and prosperous strategic relations between the UAE and the friendly Republic of Korea,' he added, using the formal name of South Korea. The public program 'Layered Dialogues' takes place May 29, June 14 and 20. The upcoming program on May 29 is a panel discussion with the theme of 'Body as Medium InterFaces: Skin/Screen,' held in collaboration with the Mohamed bin Zayed University of Artificial Intelligence. 'Featuring 48 exceptional works by pioneering South Korean artists, accompanied by an interactive community program open to all, this first-ever exhibition in the Middle East of the Seoul Museum of Art's collection at Manarat Al Saadiyat offers a unique opportunity to introduce local and regional audiences to the masterpieces of modern art,' said Sheikh Nahyan bin Mubarak Al Nahyan, minister of tolerance and coexistence as well as a patron of the Abu Dhabi Music & Arts Foundation. Co-curated by UK-based independent curator Maya El Khalil and Yeo Kyung-hwan of the Seoul Museum of Art, "Layered Medium" traces key moments in Korea's contemporary art history, beginning with the radical experimentation of the 1960s and 1970s, when artists began working with video, photography and performance. 'Through our historic partnership with the world-renowned Seoul Museum of Art, we are setting a precedent for international institutional partnerships — thanks to the strength and depth of our shared ties. This is the first exhibition of the museum's collections outside of Korea, and the first exhibition of this magnitude of Korean art in the Arab world,' said Huda Alkhamis, founder of both the Abu Dhabi Music & Arts Foundation and Abu Dhabi Festival. "Layered Medium" is presented as part of Abu Dhabi Festival 2025, with the support of the festival's principal partners — Mubadala Investment Company and G42 — and its energy partner, GS Energy.
CairoScene
18-05-2025
- Entertainment
- CairoScene
This Mind-Bending Exhibition Will Teleport You from Abu Dhabi to Seoul
Robots, weird machines, and enough sci-fi to make your brain do a backflip—this one's for those who like their art with a side of magic. If your summer travel plans happen to include a cultural adventure through Abu Dhabi (and seriously, they should), you might want to get ready for a little teleportation magic. Right on Saadiyat Island—a buzzing cultural hub with pristine beaches, luxury resorts, and some of the region's most iconic museums—a cross-country portal has just opened, and if you venture through, you'll find yourself face to face with the wild, shimmering world of Korean contemporary art. Inside Manarat Al Saadiyat, the island's coolest art space, the mind-bending exhibition 'Layered Medium: We Are in Open Circuits' is a full-on conceptual voyage through Korea's artistic evolution, told by the very creators who pushed the boundaries of what art can be. Curated by Kyung-hwan Yeo of Seoul Museum of Art and Maya El Khalil of the Abu Dhabi Music & Arts Foundation—the two institutions co-organizing the show—'Layered Medium' pulses with poetic robots, glitched-out memories, kinetic sculptures, speculative cities, and video pieces that feel like time machines. At the center of this buzzing creative circuit is Nam June Paik—the legendary godfather of video art whose works feel like a playful mashup of sci-fi, philosophy, and good old-fashioned mischief. Alongside him, you'll find some of Korea's most iconic and imaginative voices, like: Yunchul Kim, whose intricate kinetic machines are so alive they might just start humming along as you watch, and Park Hyun-Ki, a pioneer who danced along the blurry line between technology and metaphysics. And because this is Abu Dhabi—a city that never does things halfway—the exhibition is more than just what's on the walls. A rich programme of talks, performances, and screenings runs throughout the season, inviting deeper dialogue on everything from technology and identity to memory, migration, and modernity. There's even a bilingual publication, 'Layered Dialogues', that maps the shared ideas, rhythms, and visions between Korea and Abu Dhabi. On view until June 30th, 2025 (and yes, it's totally free!), this is your chance to jump off the usual tourist trail and dive headfirst into Korea's wildest creative playground—all without leaving Abu Dhabi.
Korea Herald
16-05-2025
- Entertainment
- Korea Herald
Six decades of Korean contemporary art unfold in UAE's largest showcase
'Layered Medium: We Are in Open Circuits' runs through June 30 at Manarat Al Saadiyat in Abu Dhabi The history and evolution of Korea's contemporary art scene is now on view in the United Arab Emirates through the most extensive presentation to date in the Gulf Cooperation Council region. Titled 'Layered Medium: We Are In Open Circuits,' the exhibition opened Friday at Manarat Al Saadiyat in Abu Dhabi, featuring 48 works by 29 Korean artists and spanning the 1960s to the present. All works are part of the Seoul Museum of Art's collection, and the exhibition was co-curated by UK-based independent curator Maya El Khalil and Yeo Kyung-hwan of SeMA. 'Works from the Seoul Museum of Art's collection that may have carried specific cultural resonance in Seoul could become more abstract or universal here, while other dimensions of this location surface new meanings,' said El Khalil. 'This transfer is not a loss but a transformation, where different depths of connection become possible.' Visitors will encounter works by pioneering experimental artists Park Hyun-ki and Lee Kun-yong; internationally acclaimed multimedia artists Kim Ayoung and Jun So-jung; and leading interdisciplinary figures such as Lee Bul and Haegue Yang. The exhibition traces key moments in Korea's contemporary art history, beginning with the radical experimentation of the 1960s and 1970s, when artists began working with video, photography and performance. Highlights include Paik Nam-june's 'Self-Portrait Dharma Wheel,' Park Hyun-ki's 'TV Fishbowl' and 'Video Inclining Water.' Also featured are works that examine the body and sensory perception as tools for understanding the world, including Lee Kun-yong's 'The Method of Drawing: Body Drawing 76-2' and Oh Min's 'Etude for Etude (Music Performance).' Organized as part of a three-year institutional partnership between SeMA and the Abu Dhabi Music & Arts Foundation, the exhibition underscores six decades of Korea's media art history while fostering cultural dialogue with the UAE. 'This historic exhibition showcases the evolution of Korea's media art scene over six decades, as well as its interaction with the artistic landscape of the UAE,' said Huda Alkhamis-Kanoo, founder of ADMAF. 'Under the joint curation of SeMA's Kyung-hwan Yeo and Maya El Khalil, it also highlights the pioneering figures whose innovation and creativity have helped define what contemporary art is today.' An accompanying publication, "Layered Dialogues," will include essays by UAE-based writers, further contextualizing the exhibition through a local lens. 'Layered Medium: We Are In Open Circuits' runs through June 30 in Abu Dhabi. A second co-curated exhibition, 'Intense Proximities,' will follow in December at the SeMA, showcasing three generations of UAE-based artists from the 1980s to the present. In addition to the exhibitions, the SeMA–ADMAF collaboration includes co-commissioned artworks, artist residencies, performances and film screenings in both Abu Dhabi and Seoul.
