Latest news with #LeaveOneDay
Yahoo
4 days ago
- Entertainment
- Yahoo
Who Will Buy Cannes' Buzziest Sales Title, ‘Sound of Falling'?
This week on 'Screen Talk,' we take you behind the scenes of the goings-on at the 78th annual Cannes Film Festival on the French Riviera, where we recorded on Day Two. Politics dominated the first press conferences with director Thierry Frémaux and the nine-member jury led by Juliette Binoche. They turned up for opening night as well, where Leonardo DiCaprio presented an honorary Palme d'Or to Robert De Niro, and Quentin Tarantino bounded onto the stage to declare the festival open. The opening night film 'Leave One Day,' from French rookie Amélie Bonnin, a strictly local jukebox musical with the actors singing French pop hits of the '80s, will not travel. Later that night, DiCaprio attended the gala dinner with De Niro at the Palm Beach, where Anne enjoyed talking with 'Anora' Oscar-winners Sean Baker and Samantha Quan (he produced, wrote, and edited Critics' Week entry 'Left-Handed Girl'), the hilarious Michael Covino ('Splitsville'), Amazon's Scott Foundas, Michael Barker and Tom Bernard (Sony Pictures Classics), and Searchlight's Matthew Greenfield, among others. More from IndieWire 'Eleanor the Great' Review: Don't Let the Feel-Good Plotline of Scarlett Johansson's June Squibb-Starring Directorial Debut Fool You Cannes 2025 Palme d'Or Contenders Ranked: Who Could Win the Top Prize? When we recorded the podcast on Thursday, the first breakout film of the fest, Mascha Schilinski's German-language 'Sound of Falling,' led the Screen International jury grid (by Friday, Sergei Loznitsa's 'Two Prosecutors' was on top). Ryan and Ane both admire 'Sound of Falling' with some caveats. Most buyers admire the bravura filmmaking, but mainly art-house distributors are circling. Anne attended the IMAX showing of 'Mission: Impossible — The Final Reckoning,' which features several satisfying Tom Cruise death-defying stunts shot in IMAX. (You must see the film in IMAX.) Cruise and Christopher McQuarrie explain the $400-millon movie's craziest stunts here. Ryan suspects the Entity enemy is not only an AI but a metaphor for streaming services, where Cruise is leaning on his legacy as the man who saved Hollywood (and will keep saving it) with 'Top Gun: Maverick.' Anne thinks this one, billed as the finale, will do better than the last, which was dinged by 'Barbenheimer.' That doesn't mean it will make its money back: while the film's ending leaves a sequel open, the box office will tell that tale. We also dig into big news out of Cannes that Neon has hired Cinetic Media executive Ryan Werner as its next global president. (His lieutenant Courtney Ott will now run Cinetic Media marketing.) And we share our thoughts on a few titles premiering in the Competition and other sections. Ryan previews 'Sirat,' 'Left-Handed Girl,' and 'The Little Sister,' while Anne raves about Ugo Bienvenu's 'Arco,' a charming French animated film with an eco of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
Yahoo
5 days ago
- Entertainment
- Yahoo
The best and worst celebrity outfits at the 2025 Cannes Film Festival so far
The 2025 Cannes Film Festival is underway in France. The event will run until May 24 and feature numerous opportunities for bold fashion. Eva Longoria wore a stunning gown at a premiere, while Bella Hadid missed the mark with her look. The stars are out at the 2025 Cannes Film Festival. This year's event kicked off on May 13 with an opening ceremony and the premiere of the French film "Leave One Day." The festival will continue until May 24, providing nearly two weeks of French street style and red-carpet fashion. So far, some celebrities have turned heads in bold ensembles, while others have missed the mark with their looks. From Bella Hadid to Halle Berry, here are the best and worst looks we've seen. Elle Fanning's strapless gown was simple, but effective. She walked the "Affeksjonsverdi" red carpet on Wednesday in a strapless Giorgio Armani design that looked pretty and chic. It was fitted to her body, decorated with pink rose appliqués, and completed with a plunging sweetheart neckline. Alex Consani wore a two-piece set that was almost perfect. She arrived for "The Phoenician Scheme" screening on Sunday in a uniquely shaped Schiaparelli set. The model's structured top had a beaded, off-the-shoulder neckpiece that covered her chest and a high-low peplum waistband. Her pants, on the other hand, were oversize and wide. Though her statement blouse had potential, Consani's pants were a little too big and needed tailoring. A form-fitting skirt might have looked better with the top piece. Alexander Skarsgard faced a similar issue. The actor could have looked classic with a traditional tuxedo for the red-carpet event, or he could have attempted a more daring style. Instead, he tried to do both at the same time. He wore a sharp Saint Laurent tux with his trousers tucked into thigh-high leather boots — a style the fashion house first revealed in its January runway show. The shoes were distracting and felt out of place with his otherwise basic look. Mariska Hargitay had a glamorous pink moment on Saturday. For the "Die, My Love" screening, Hargitay chose an off-the-shoulder gown crafted with black satin and sparkling hot-pink fabric. The color combination was sharp, the gown's straight silhouette fit the actor perfectly, and her elbow-length gloves made the outfit even more elegant. For the "Eddington" red carpet on Friday, Jeremy Strong should have picked a different suit. His brown ensemble included a button-up shirt, a wrap blazer, straight-leg trousers, and a bow tie, all cut with raw hems. While the rough style might have worked for a different event, it looked too casual at Cannes. His black loafers were also too harsh against the lighter outfit. Natalie Portman showed the best of Dior. She walked the "Eddington" red carpet in a strapless, sparkling creation from the French fashion house. Its silver top was covered in sparkles and wrapped with a black bow, while its floor-length skirt had Dior's classic Junon petals. Portman accessorized the look perfectly with a bun hairstyle and a thick diamond necklace. Angelina Jolie's gown would have worked better in a different color. Also on the "Eddington" red carpet, Jolie wore a strapless Brunello Cucinelli design. It had a thick floor-length skirt, a fitted bodice, and all-over sparkles that highlighted its rope texture. Though the actor looked pretty, her gown's ivory color matched her skin tone too closely and washed her out. The same dress in a pink or lilac shade could have worked better. Elaine Zhong stunned in a cream-colored ball gown. The Chinese actor wore the strapless dress on the "Dossier 137" red carpet. Its structured bodice was decorated with beaded appliques, and its cups were shaped with flower petals. To accessorize the glamorous look, she added a sparkling diamond choker, matching earrings, a thick bracelet, and vibrant red lipstick. Zoe Saldaña's all-black ensemble didn't stand out. She attended the "Mission: Impossible - The Final Reckoning" red carpet in a black Saint Laurent gown. Though her sleeveless dress was classic, it was also overly simple. Statement jewels could have easily enhanced the look. She also draped a dark leather jacket around her arms, which was much more casual than the rest of her outfit. Araya Alberta Hargate sparkled down the same red carpet. She wore a crystal-covered dress that looked like it was molded to her body with its form-fitting design. Its strapless, snake-print bodice was corseted with a deep plunge down the middle, and its floor-length skirt was pink and embellished with countless sparkles. The Thai actor completed her look with a large diamond necklace crafted in the shape of leaves. Heidi Klum had a pearlescent moment, but it wasn't her best. Elie Saab designed the model's off-the-shoulder gown. It had a deep V-neckline, see-through stripes, and all-over sparkles in blue and purple. Some of those details might have worked on their own. But together, especially with the gown's mermaid shape, its accents made it look more theatrical than glamorous. Tom Cruise looked sharp in maroon. Cruise attended a promotional event for "Mission: Impossible - The Final Reckoning" at Cannes. In doing so, he became one of the best-dressed men at the festival so far this year. He wore a fitted, textured knit polo and matching trousers with sharp pleats. The outfit was understated and vibrant on its own, while his brown dress shoes and dark sunglasses gave it an edge. Halle Berry made a last-minute fashion change, but her new outfit didn't work for her. When Berry walked onto the Cannes red carpet, she wore a shapeless Jacquemus gown with a black-and-white stripe print. She later told reporters that she'd originally planned to wear an "amazing dress" from Gaurav Gupta, but had to find a new look when Cannes announced a new dress code that prohibits voluminous gowns with long trains the day before the festival began. Unfortunately for Berry, the bold dress she chose was so flowy and oversize that it seemed to wear her, when it should have been the other way around. Isabeli Fontana could have been mistaken for a princess in a metallic gown. Nicolas Jebran designed her halter gown. The form-fitting piece had knotted fabric at the hip, a floor-length skirt with a short train, and a hip-high slit that revealed her sparkling pumps. The gown was also adorned with a sparkling silver piece that covered one shoulder and was embedded with turquoise stones. The ensemble was elegant and fit Fontana perfectly. Bella Hadid is always one of the best-dressed stars at Cannes, but her outfit choice for the 2025 opening ceremony was underwhelming. Saint Laurent designed her sleeveless black dress with some interesting details. Its straps crisscrossed across her back to create cutouts and a deep plunge on the side of her chest. However, the front of the gown was overly simple. It had an asymmetrical neckline that looked mishapen, and a thigh-high slit that was cut too far to the side. Even her massive emerald earrings from Chopard weren't enough to make the ensemble memorable. Eva Longoria sparkled down the red carpet in a stunning gown. Her Tamara Ralph gown was strapless and covered in square metallic pieces that sparkled in the light as she walked. It also had velvet panels at the waist that gave the dress some shape and matched its glamorous train. Not only was the dress tailored perfectly to Longoria, but the actor also accessorized strongly. She wore a statement necklace, rings, and earrings from Pasquale Bruni. Irina Shayk wore a fun gown, but a different hairstyle could have elevated the whole look. The model arrived wearing a black Armani Privé gown with all-over white polka dots. It had a strapless neckline, off-the-shoulder puffed sleeves, and a full skirt. On its own, the dress was fun, frilly, and perfect for Cannes. But Shayk wore her hair styled in a dramatic shape — a bun atop a strip of pin-straight hair — that distracted from her outfit. Read the original article on Business Insider
Forbes
6 days ago
- Entertainment
- Forbes
How Tech Is Transforming The Cannes Fashion Experience
CANNES, FRANCE - MAY 13: Paola Turani, fashion detail, attends the red carpet for the opening ... More ceremony and "Partir Un Jour" (Leave One Day) screening at the 78th annual Cannes Film Festival at Palais des Festivals on May 13, 2025 in Cannes, France. (Photo by) The 2025 Cannes Film Festival has evolved far beyond its origins as a celebration of cinematic excellence. Since its inception in 1946, this prestigious event has transformed into a premier platform for innovative brand activations where art, technology, and fashion converge in innovative ways. While global brands have always been the main attraction, today's Cannes experience has expanded to sophisticated immersive environments that seamlessly blend entertainment, technology, and storytelling. This year, discussions around immersive and interactive experiences have reached fever pitch. But for the fashion enthusiast who isn't walking the red carpet dressed by a professional stylist or major brand, an important question emerges: how does technology play a role in the way attendees approach fashion at Cannes? Whether leveraging AI for perfect fittings, experimenting with cutting-edge virtual styling tools, accessing exclusive limited-edition pieces, or simply ensuring timely delivery of that perfect ensemble, technology is quietly revolutionizing the fashion landscape at Cannes in ways that extend far beyond the average person's perception. TOPSHOT - The official poster of the 78th Cannes Film Festival on the facade of the Palais des ... More Festivals is seen through a palm leaf shape from a decorative cast-iron barrier, on the opening day of the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 13, 2025. (Photo by Ian LANGSDON / AFP) (Photo by IAN LANGSDON/AFP via Getty Images) For UK-based guests, particularly the time-poor or those making last-minute decisions, Cannes is now more accessible than ever thanks to innovative fashion delivery services. NIFT (Need It For Tonight) exemplifies this new wave of fashion technology, born from founder Simone Oloman's personal frustration when her sister missed a crucial delivery before an important event. "That experience highlighted a broader issue: traditional delivery systems often fail when timing matters most," explains Oloman. "We set out to change that by building a platform that ensures reliability, speed, and a seamless shopping experience through real-time logistics and intuitive app-based tracking. Essentially, we envisioned a 'Deliveroo' for quality fashion,' she shares in an exclusive interview with Forbes. NIFT has revolutionized pre-event fashion emergencies by partnering with approximately 300 brands, with a deliberate focus on independent and boutique labels that prioritize craftsmanship and sustainability. The service allows customers to place an order and have it picked up from participating stores by dedicated riders for delivery in as little as 90 minutes, the same day, or next day nationwide. The platform addresses both the logistical challenges of last-minute fashion needs and the growing consumer desire for ethical, unique fashion options. Since launching in the UK, NIFT has garnered overwhelming positive feedback, particularly from consumers who appreciate the transparency and reliability without compromising on quality or sustainability values. The service has proven especially valuable for Cannes attendees who might discover a last-minute event invitation or experience an unexpected wardrobe malfunction and need something before they fly into France. Besides platforms like NIFT, even established luxury brands frequently spotted on the Cannes carpet are embracing technology to enhance customer experiences. Nadine Merabi, whose designs have adorned celebrities like actress Amy Jackson and social media influencer like Gili Biegun, has launched a dedicated app catering to their loyal customer base. While maintaining the same transactional functionality as their website, the app elevates the shopping experience through exclusive content sections providing behind-the-scenes material specifically curated for app subscribers. This creates a more intimate journey for followers seeking that red-carpet-worthy look, complete with styling tips direct from the designer and early access to festival-inspired collections. CANNES, FRANCE - MAY 24: Gili Biegun wears cut out sequined dress with slit Nadine Merabi, shoes ... More Mach and Mach, necklace ring & earrings by Barducci, silver bag Bottega at the Philipp Plein Fashion Show during the 77th Cannes Film Festival on May 24, 2024 in Cannes, France. (Photo by) Domi Perek, Condé Nast producer, art director, and founder of Mess Magazine, brings a seasoned perspective as a ten-time Cannes attendee. She has witnessed firsthand how technology has transformed the festival's fashion landscape. "Though fashion in Cannes is still rooted in timeless glamour, there's so much more room for personality and experimentation now. That's definitely influenced the way I show up because I am interested in how the right dress or outfit can speak volumes on its own," she explains. Seasoned Cannes attendee Domi Perek uses technology to experiment with identity play and creative ... More exploration. Perek has embraced platforms like DressX, which allows users to purchase digital-only clothing that can be superimposed onto photos, perfect for creating multiple striking social media looks without the environmental impact or expense of physical garments. This approach represents a fundamental shift in how fashion is consumed and displayed at events like Cannes, where social media presence has become almost as important as physical attendance. "Digital wardrobe planning and virtual fittings have transformed the pre-festival preparation process," Perek notes. "What used to be weeks of stressful decision-making can now be streamlined into virtual try-on sessions where you can experiment with dozens of looks without the physical limitations." Her experience extends to augmented reality platforms like which go beyond simple filters to offer sophisticated virtual fashion experiences. "These tools are essential for identity play and creative exploration and allow people to tap into versions of themselves they might never have seen otherwise, like bold looks or playing around with a new trend," Perek adds. At Cannes specifically, where you might need multiple looks for different events throughout the day, the technology also enables users to "test drive" more adventurous, avant-garde fashion choices in a risk-free digital environment before committing to them for high-profile festival appearances. This has led to noticeably more diverse and boundary-pushing fashion statements on Cannes' secondary events, as attendees gain confidence through digital experimentation. Beyond clothing, technology has revolutionized how festival-goers approach accessories, often the defining elements that elevate a Cannes appearance from merely elegant to truly memorable. Footwear and handbag brand Dolce Vita exemplifies this trend, having launched an innovative app earlier this year that transforms how consumers discover and select statement pieces. "Our app offers users a chance to explore styles at their own pace, anytime and anywhere," explains Rachael Robb, Dolce Vita's VP of Operations and Marketing. "With easily accessible reviews, the app eliminates the stress and time commitment of traditional shopping, empowering users to make confident, informed decisions." The app's sophisticated visualization technology allows users to examine products in unprecedented detail such as appreciating every delicate pearl accent on a handbag to the sparkle of a pair of shoes. This feature proves particularly valuable for Cannes attendees seeking to ensure their accessories complement the specific lighting conditions of festival venues, from the bright Mediterranean sunlight of daytime events to the camera flashes of evening premieres. Interactive apps allow for users to have early access to limited-edition product drops and be aware ... More of trends. Perhaps most valuable for fashion-forward Cannes attendees is the app's exclusive content ecosystem, offering "behind-the-scenes glimpses of campaign shoots, sneak peeks of upcoming brand trips, and early access to new product launches," according to Robb. This privileged access allows fashion enthusiasts to discover and secure limited-edition pieces before they become widely available- a significant advantage for those looking to make a distinctive statement on the festival circuit. The digital transformation of fashion at the festival represents not just a change in how attendees prepare for the event, but a fundamental shift in how style is experienced, curated, and showcased on the global stage. As Oloman says, 'every year the festival gets bigger and there is more and more content. The rise of tech has radically changed how audiences consume and engage with red carpet events.' For those seeking to showcase their personal style without celebrity resources, technology has become an indispensable ally, offering innovative solutions that democratize the festival fashion experience in ways previously unimaginable.
Yahoo
19-05-2025
- Entertainment
- Yahoo
Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews
The 2025 Cannes Film Festival is underway with Leave One Day by first-time French filmmaker Amelie Bonnin serving as the opening-night pic. This year's lineup includes major Hollywood premieres including Wes Anderson's The Phoenician Scheme starring Benicio del Toro and Michael Cera, Richard Linklater's Paris-shot Breathless homage Nouvelle Vague, Jochim Trier's Sentimental Value and Titane Palme d'Or winner Julia Ducournau's Alpha to name a few. More from Deadline Deadline Studio At Cannes Film Festival 2025: Photos Of Jennifer Lawrence, Robert Pattinson, Kristen Stewart, Imogen Poots, Thora Birch & More Full List Of Cannes Palme d'Or Winners Through The Years: Photo Gallery Wes Anderson's 'The Phoenician Scheme' Scores 7½-Minute Ovation After Cannes Premiere, Leaving One Star In Tears They are joined by new films from stalwart auteurs including horrormeister Ari Aster's buzzy A24 feature Eddington, Iranian filmmaker Jafar Panahi's In Simple Accident and Kelly Reichardt's The Mastermind Hollywood star Scarlett Johansson has landed in Un Certain Regard with her first directorial effort, Eleanor the Great. RELATED: Standing Ovations At Cannes: How We Clock Those Claps, Which Movie Holds The Record and Why The Industry Loves To Hate The Ritual Croisette regulars Kirill Serebrennikov, Raoul Peck and Sebestian Lelio will debut new works in the Cannes Premiere section. Read all of Deadline's takes below throughout the festival, which runs through May 24 on the French Riviera. Click on the title to read the full review and keep checking back as we update the list. Section: Special ScreeningsDirector: Andrew DominikCast: BonoDeadline's takeaway: Bono describes 'shouting' the songs U2 became known for; here, in the reimagined versions, the tone is plaintive and slower, fitting for a show that's intended to be reflective. He spellbinds with stories – not to mention songs – delivered in prose that makes him a worthy successor to Ireland's exceptional writers. — MC Section: Un Certain RegardDirector: Kristen StewartCast: Imogen Poots, Thora Burch, Michael Epp, Earl Cave, Jim BelushiDeadline's takeaway: Kristen Stewart directing debut is simultaneously raw and intricately constructed, as precise and potentially perilous as a Jenga skyscraper. At the same time, so much technical complexity does create a sense of distance from what we are being told. We see what happened to Lidia Yuknavitch, we understand it, we appreciate Stewart's artistry. The net effect, to be honest, is a bit chilly. — SB Section: Directors' FortnightDirector: Sean ByrneCast: Jai Courtney, Hassie Harrison, Josh Heuston, Rob Carlton, Ella Newton, Liam GreinkeDeadline's takeaway: This Australian-made sharks-'n'-serial killer thriller is not the kind of fare you expect to see in a more arty Cannes Competition, but Jai Courtney gets a juicy lead role and runs with it. The Great Barrier Reef scenery is to die for, and that seems to be what the plan is for these characters. Section: CompetitionDirector: Lynne RamsayCast: Jennifer Lawrence, Robert Pattinson, LaKeith Stanfield, Sissy Spacek, Nick NolteDeadline's takeaway: America knows very well how good Jennifer Lawrence can be, and this might prove to be a career best at the age of just 34. It also could well mean her fifth Oscar nomination, if it lands in savvy hands, and could be the film that takes Lynne Ramsay into the next stage of her career. Section: CompetitionDirector: Dominik MollCast: Léa Drucker, Jonathan Turnbull, Sandra Colombo, Come Peronnet, Solàn Machado-Graner, Valentin CampagneDeadline's takeaway: The tremendous Léa Drucker gives vitality to every move and counter-move in this police procedural of serious purpose and sober delivery. It is purposeful filmmaking, firm in its convictions. — SB Section: CompetitionDirector: Ari AsterCast: Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Micheal Ward, Pedro Pascal, Cameron Mann, Matt Gomez Hidaka, Luke Grimes, Amèlie Hoeferle, Clifton Collins Jr., William Belleau, Austin Butler, Landall GoolsbyDeadline's takeaway: Dressed up as a neo-noir western, this pandemic saga drips with biting, dark political humor. But though all its parts don't quite knit together, Eddington is what you might call a big swing — a film that's more serious than it first seems, seeing Covid as the Big Bang that landed us right where we are now. — DW Section: Out of Competition (Opening-night film)Director: Amélie BonninCast: Juliette Armanet, Bastien Bouillon, Dominique Blanc, François RollinDeadline's takeaway: Leave One Day is a very particular kind of crowd-pleaser that doesn't do anything especially new, and, even then, doesn't really do it in a very distinctive way. Crucially, though, it has heart, capturing a sense of time having passed and an optimism for the time to come. — DW Section: Critics' WeekDirector: Shih-Ching TsouCast: Janel Tsai, Shih-Yuan Ma, Nina Ye, Brando HuangDeadline's takeaway: Co-writer/producer Sean Baker's first film since his Oscar triumphs focuses on three generations of females, their quest to make it in Taipei after living in the countryside and the well-hidden secrets and lies permeating this clan. Strong performances all around hold it all together. — PH Section: CompetitionDirector: Hafsia HerziCast: Nadia Melliti, Park Ji-min, Amina Ben Mohamed, Rita Benmannana, Melissa GuersDeadline's takeaway: The film's light, almost hangout-movie quality is likely to be divisive, but if you lean into its rhythms, it becomes deceptively seductive. Key to this is Nadia Melliti as the brittle but vulnerable Fatima: This is the kind of talent Cannes urgently needs more of; cometh the hour, cometh the star. — DW Section: Out of CompetitionDirector: Christopher McQuarrieCast: Tom Cruise, Esai Morales, Hayley Atwell, Simon Pegg, Ving Rhames, Angela BassettDeadline's takeaway: The Final Reckoning, with action that even the most jaded film bore can't say they've ever really seen before, holds up as a stand-alone feature. The callbacks and in-jokes require a fair bit of knowledge, since they span the franchise's whole lifetime in unexpected ways, but it's pretty easy to pick up all the jigsaw pieces and, when it really gets going, immediately forget all about them. — DW Section: Un Certain RegardDirector: Akinola Davies Ṣọpẹ́ Dìrísù , Godwin Egbo, Chibuike Marvellous EgboDeadline's takeaway: The first film from Nigeria to be selected to play at the Cannes Film Festival is as relevant as it could possibly be, and Akinola Davies Jr. has given it heart and soul. The two young boys could not be more appealing or believable. They will break your heart. So will My Father's Shadow. Section: Cannes ClassicsDirector: Mariska HargitayWith: Mariska Hargitay, Zoltan Hargitay, Mickey Hargitay Jr., Jayne Marie Mansfield, Nelson Sardelli, Rusty StraitDeadline's takeaway: Mariska Hargitay was only 3 when her movie-star mom Jayne Mansfield died in a car crash. The longtime Law & Order: SVU star's very personal and emotional documentary pieces together parts of the life of a parent she doesn't remember. It's quite a ride, quite a life and quite an extraordinary film. — PH Section: CompetitionDirector: Richard LinklaterCast: Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth Forest, Bruno Dreyfurst, Benjamin Clery, Matthieu PenchinatDeadline's takeaway: Richard Linklater's homage to Jean-Luc Godard's Beeathless is that rare bird — a movie about movies that doesn't miss a beat. Whether you have seen that New Wave classic or not doesn't really matter. If you love film, cinema, and the dreamers who create it this one will simply take your breath away. — PH Section: Cannes PremieresDirector: Raoul PeckDeadline's takeaway: An urgent, indispensable film for our times, Raoul Peck's vital documentary makes it startlingly clear the degree to which we are living in Orwellian times. The parallels between the nightmare of 1984 – where Big Brother dictates every facet of life – and Trump's America have not been properly acknowledged. This film does that. — MC Section: CompetitionDirector: Wes AndersonCast: Benicio Del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, Richard Ayoade, Willem Dafoe, F. Murray AbrahamDeadline's takeaway: Wes Anderson's latest Wes Anderson movie features a typically all-star cast and has some odd relation to our current reality. But it belongs lock, stock and barrel to Benicio Del Toro, who proves again to be so adept to the rhythms of auteur's dialogue and delivers flawlessly. — PH Section: Un Certain RegardDirector: Harry LightonCast: Alexander Skarsgård, Harry MellingDeadline's takeaway: A beautifully heartbreaking love story set against a modern world of BDSM, the film navigates the chaotic push and pull of a relationship between a biker and his timid sexual submissive, as each sacrifices parts of themselves for the potential of love. — GG Section: Un Certain RegardDirector: Charlie PolingerCast: Everett Blonck, Kenny Rasmussen, Kayo Martin, Joel Edgerton, Lucas Adler, Caden Burris, Elliott Heffernan, Nicolas, Rasovan, Lennox Espy, Kolton LeeDeadline's takeaway: Set at an all-boys water polo summer camp, The Plague is on the precipice of horror, since bullying and targeting are their own brand of horror. The film looks like it inevitably is going to fall down the rabbit hole of standard genre tropes at any moment, but it's smarter than that and always keeps it credible. — PH Section: Directors' FortnightDirector: Hasan HadiCast: Banin Ahmad Nayef, Sajad Mohamad Qasem, Waheed Thabet Khreibat, Rahim AlhajDeadline's takeaway: The first major film from Iraq ever to play in Cannes also might earn the country's first Oscar nomination. Yes, it is that good. Young Banin Ahmad Nayef is the beating heart of this debut feature from Hasan Hadi, which is quite accomplished across the board — PH Section: CompetitionDirector: Chie HayakawaCast: Yui Suzuki, Franky Lily, Hikari Ishida, Yuumi Kawai, Ayumu Nakajima, Ryota Bando, Hana HopeDeadline's takeaway: Chie Hayakawa's sophomore feature is driven by strong performances and her hallmark humanity. If this story of a young girl seeking connections doesn't coalesce as seamlessly as her debut 'Plan 75' does, it still has the power to touch and then to haunt us. — SB Section: CompetitionDirector: Kleber Mendonca FilhoCast: Wagner Maura, Maria Fernanda Candido, Carlos Francesco, Alice Carvalho, Aermila Gueded, Isabel Zuaa, Udo Kier, Laura Lufesi, Rokey Villela, Italo Martins, Roberto DiogenisDeadline's takeaway: Brazil-set period film is overlong and sometimes rambling, but Kleber Mendonca Filha — in his biggest production yet — nevertheless has managed to infuse it with style and widescreen excitement. — PH Section: CompetitionDirector: Óliver LaxeCast: Sergi Lopez, Bruno Núñez Arjona, Jade Oukid, Tonin Janvier, Richard Bellamy, Stefania GaddaDeadline's takeaway: Óliver Laxe doesn't quite land the ending, effectively a switch-and-bait that promises big beats and action then delivers some quiet time for introspection and meditation. Along the way, though, Sirât is certainly a trip, a new way of framing family and loss, with a killer soundtrack for the hardcore. — DW Section: CompetitionDirector: Mascha SchilinskyCast: Hanna Heckt, Lea Drinda, Lena Urzendowsky, Laeni Geiseler, Zoë Baier, Luise Heyer, Susanne WuestDeadline's takeaway: Cinema is too small a word for what this sprawling yet intimate epic achieves in its ethereal, unnerving brilliance; forget Cannes, forget the Competition, forget the whole year, even — Sound of Falling is an all-timer. — DW Section: CompetitionDirector: Sergei LoznitsaCast: Aleksandr Kuznetsov, Aleksandr Filippenko, Anatoliy BeliyDeadline's takeaway: Two Prosecutors — a very slow and very talky chamber piece that could be the most terrifying comedy that Aki Kaurismäki never made, or a Chaplin-esque horror film about the evils of bureaucracy in a world ruled by morons — is one of Sergei Loznitsa's most accessible films to date, with relevance to every country wrestling with authoritarian political parties right now. — DW Section: Un Certain RegardDirector: Harris DickinsonCast: Frank Dillane, Megan Northam, Amr Waked, Karyna Khymchuk, Shonagh MarieDeadline's takeaway: Built around a charismatic performance from Frank Dillane, Harris Dickinson's remarkable feature debut takes the tropes of socially conscious British cinema and fashions a deceptively nuanced cautionary tale that isn't so much about the failings of that society as our own personal capacity for self-destruction. Best of Deadline Broadway's 2024-2025 Season: All Of Deadline's Reviews Sundance Film Festival U.S. Dramatic Grand Jury Prize Winners Through The Years Deadline Studio At Sundance Film Festival Photo Gallery: Dylan O'Brien, Ayo Edebiri, Jennifer Lopez, Lily Gladstone, Benedict Cumberbatch & More
Geek Vibes Nation
19-05-2025
- Entertainment
- Geek Vibes Nation
‘Leave One Day (Partir Un Jour)' Review - A Feel-Good, Heartwarming And Atypical Opener
And we're off! With one of the most iconic mic drops ever, director Quentin Tarantino (Inglourious Basterds, Reservoir Dogs) opened the 78th edition of the Cannes Film Festival. Until the 24th of May, La Croisette will welcome the most prominent names in the industry, first-time filmmakers and everyone in between. Choosing the opening film for the biggest film festival in the world is undoubtedly a daunting task for General Delegate Thierry Frémaux. Still, this year's choice is as audacious and bold as possible and mostly pays off. Selecting a French directional debut certainly comes with risks, mainly because this is the first time in the festival's history that a debut is presented as an opener. However, Amélie Bonnin's part drama and part musical Leave One Day (Original title: Partir un jour) shows that some risks in life are worth it. When watching Leave One Day, you certainly don't feel that you're viewing the work of a first-time filmmaker. Yes, there certainly is a slight over-the-top and more poppy atmosphere hanging above this movie, which might be a giveaway that this won't be your typical Cannes film, but that doesn't take away from the immense achievement of Bonnin and her cast and crew. The feature shines as brightly as its leading lady, Juliette Armanet, who carries the work with moving, authentic, and down-to-earth acting as a cook from a small town in East France who is now about to open her restaurant in Paris. During Bonnin's initial short film, on which this movie is based, Armanet only had a smaller part, but now she's the fast-beating heart of the story. In the powerful screenplay that evokes every human emotion, Armanet makes it look like she has been cooking at the highest level for years, and her acting skills certainly match her character's cooking ability. A lot of flair, creativity, and depth are running through her multilayered performance (and dishes). Cécile Béguin's journey to achieve her ultimate culinary dream has ups and downs. Her dad, Gérard (François Rollin), just recently had his third heart attack, and she has recently found out that she's unfortunately pregnant. During a time in which her focus needs to be in Paris, she's now forced to return home. Being surrounded by her family and friends in a time of need might force Cécile to battle with prejudices from her family, society's views on motherhood, and the 'what ifs' of life. Still, for this feature, it's only a blessing that Armanet is surrounded by so many people, especially all the wonderful French acting talent. While the unrecognizable Bastien Bouillon (The Count of Monte-Cristo) sports a bleachy blond haircut, he delivers a funny, charming and warm performance as Cécile's biggest supporter and closest friend, Raphaël, and he certainly seems to be having a blast during his dynamic musical numbers. Femme Like U by K. Maro has never sounded or looked this great. Next time we go ice skating, we demand nothing less than what's happening in that beautiful and tender on-screen moment. Not every number can reach the same emotional and impactful level. Therefore, the narrative of both the songs and the feature in general weakens throughout its 98-minute runtime. However, occasionally, on-screen magic happens due to the live recording on set and the new arrangements and orchestrations. Bonnin and cinematographer David Cailley (The Animal Kingdom) decided to keep it low-key instead of using bombastic visuals or impressive set pieces. Because of the approach, the audience can connect even more with the characters and their everyday life. While this take on musicals might feel underwhelming, it certainly also brings veracity and uniqueness to this feature. Seeing Rollin (Plastic Guns) singing Mourir on stage while peeling potatoes? It could have been ridiculous, too much, or completely unnecessary, but it's heartbreaking, powerful, and right where it should be. It doesn't only show you that the father-daughter relationship will always be strong – no matter how heated the fights are – but also gives Rollin the chance to inject more emotions and personality into his performance. A performance that is sometimes overshadowed by Dominique Blanc (The Most Precious of Cargoes), who delivers witty, scene-stealing acting as his on-screen headstrong wife, Fanfan, and Cécile's overprotective mother. While the movie isn't perfect due to some narrative glitches, it's certainly a remarkable debut. Almost every aspect of life and death is being explored with a lot of sensitivity, emotions and a sharp eye for cinematography. It might not have the same grandeur and glamour as La Croisette, but sometimes a heartwarming, cleverly made and feel-good film like Leave One Day is all you need. Leave One Day held its World Premiere as the Opening Night film of the 2025 Cannes Film Festival. It is out now in French cinemas courtesy of Pathé Films. Director: Amélie Bonnin Screenwriters: Amélie Bonnin, Dimitri Lucas Rated: NR Runtime: 94m
