Latest news with #Liadan
Irish Examiner
3 days ago
- Entertainment
- Irish Examiner
New Irish writer getting rave reviews — but nobody knows who they are
What's in a pen name? Irish writer Liadan Ní Chuinn's debut short story collection, Every One Still Here, is receiving rave reviews and rapturous praise, but hardly anyone seems to know who they are. A cursory Google turns up no photos or biographical information. All we know is that the writer is Northern Irish and was born in 1998, the year of the Good Friday agreement. A statement from Irish publisher The Stinging Fly reads: 'The Stinging Fly has been working with Liadan on these stories for the past four years. From early on in the process, they expressed a desire to publish their work under a pseudonym and to protect their privacy throughout the publication process. No photographs of the author are available and Liadan will not be participating in any in-person interviews or public events.' Writing anonymously or under a pseudonym is a long-established custom in publishing. Jane Austen's novels were attributed to 'a Lady', Mary Ann Evans went by George Eliot, and the Brontë sisters were Currer, Ellis, and Acton Bell. Although women no longer need to disguise themselves as men, and 'the low trade of writing novels' is less stigmatised, the tradition of the pen name has continued throughout the 20th century into the present day: John Le Carré was really David Cornwell; Eric Blair became George Orwell; and no one has heard of Erika Leonard, but everyone has heard of EL James. When questions regarding the veracity of nature memoir The Salt Path caused outrage among the nation's book groups, the fact that the author had changed her and her husband's names was the least remarkable revelation. If anything, it can feel more unusual to meet an author whose books have the name they were born with on the cover. In the modern publishing world, the spectrum encompasses everything from 'uses a pen name but has an author photo and gives interviews' to 'has an opposite gender or gender-neutral author persona'; 'uses different pseudonyms for different genres'; 'uses a different name for political reasons, eg to escape persecution in their home country, or personal or professional reasons'; and even 'secret anonymity' (is anonymous but tries to make it so that no one actually knows they are). Every One Still Here by Liadan Ní Chuinn Nepotist offspring will often use a less famous parent's surname to stave off accusations that they owe their success to their connections or, as in the case of AS Byatt, an author may use their married name to distance themselves from a novelist sibling (Margaret Drabble). Total anonymity, however, is a different business. The most famous modern example we have is of course Elena Ferrante (or it was, until she was possibly and, to my mind, very rudely unmasked by an Italian journalist). Yet even Ferrante did some press through correspondence, including writing for The Guardian. To not give interviews at all, especially as a young debut author, is unusual indeed, particularly in a publishing landscape where 'personal brand' is key, and short stories remain such a hard sell. You could say that Liadan Ní Chuinn's collection being published at all is something of a miracle. Literary quality is not always prioritised above profile. I cannot tell you how many proofs I am sent by writers who are big on Instagram but can't string a grammatical sentence together. With publicity budgets not what they used to be and many authors needing to do much of the work themselves, a debut writer who won't give interviews or attend events represents a challenge to any acquiring publishing house and their publicity department. I admire Ní Chuinn. As an author myself — in the next six months I have two books coming out — I know that the stress of exposure and the risk of burnout can be very real. Ní Chuinn could be forgiven for looking at Sally Rooney, another writer in the same literary ecosystem who started young, and thinking that level of exposure looks unappealing. The way a young woman — because it's usually a young woman — who creates something great becomes a sort of shorthand for everything that is wrong/right about her chosen art form is hardly an incentive to put yourself out there. Rooney's writing shows a deep ambivalence about fame, and her decision to now largely only put herself forward in the media when it serves her impassioned political beliefs is to be admired. Yet newspapers are still terribly prone to what I call 'Rooney-itis'. Look, I'm doing it now. When you're an author, public exposure doesn't just affect you, but the people in your life whose stories often overlap with yours. When you are writing about sensitive topics that have a lasting, painful legacy on real people's lives — as Ní Chuinn does in their excavation of the murderous legacy of English colonialism in Ireland — it can be an act of care and protection to remove yourself from the spotlight. Most of all, it makes the interaction between author and reader purely about the quality of the work. For a publisher to agree to publish an anonymous author, as so many did Ferrante, and publishers in Ireland, Britain, and the US have Ní Chuinn, that writer has to be extraordinary. And Ní Chuinn is. It should give any avid reader of fiction — and any author who cares about sentences but is rubbish at TikTok — hope. The work can still be the thing, at least sometimes. — The Guardian
Irish Daily Star
25-04-2025
- General
- Irish Daily Star
This beautiful Irish girl's name symbolizes wisdom, spirituality, and magic
Irish names are enjoying a huge revival , but many parents are looking for names for their little ones that not many people use . Traditional and classic Irish names are back in style, as names like Bridget and Doireann are again appearing on baby name lists. Choosing a traditional name pays homage to one's Irish heritage in a creative way. It allows family names to be passed down through generations and remain relevant despite changing name trends. However, a number of beautiful Irish names have almost been forgotten. As they become increasingly unpopular, they risk becoming extinct altogether. Read More Related Articles Donald Trump branded 'disgusting' as he honors Pope Francis in 'baffling' way Read More Related Articles 'Hideous' Trump hangs self-portrait next to portrait of greatest political rival One girl's name was used just a handful of times last year and ranks at number 404 on the list of popular Irish baby names. However, it has a meaning as beautiful as the name itself sounds. Líadan, pronounced lee-ah-dawn, means 'grey lady.' As you might have suspected, 'grey lady' carries a deeper significance than its basic definition. In ancient Celtic times, the term grey symbolized wisdom, spirituality, and magical powers, which made this name highly revered within Irish folklore and mythology. A 7th century poet from Connaught is the first person on record with the name Liadan (Image:) Líadan was a name associated with these characteristics, and anyone with the name was believed to be special and, in some cases, considered a 'noblewoman.' According to an Irish tale, Líadan was also the name of a 7th-century poet who became a nun but missed her lover Cuirithir so much that she died of grief. The name was also borne by a 5th-century saint, the mother of Saint Ciarán the Elder. According to the Central Statistics Office (CSO) records, Líadan first appeared on the Irish naming charts with a fada in 2018. Before then, it was spelled Liadan, and some parents still choose this spelling. Like many names from the Irish language, many people struggle with pronunciation. Irish singer Enya changed the spelling of her name from the Irish 'Eithne' to address this challenge in her career. Other strong and beautiful-sounding Irish names are being left in the past, but it's not too late for parents to bring them back to life . For the latest local news and features on Irish America, visit our homepage here .
